KEENE
BUT,
K.O.
---HOW
CAN
I
THINK
OF
ANYONE
ELSE
BUT
YOU
?
Chapter
One:
“ONCE
UPON
A
TIME
IN
NEW
written
by
Roberto
Aguirre-Sacasa
&
Michael
Grassi
Based
on
characters
appearing
in
Archie
Comics
Publications
PILOT
NETWORK
DRAFT
1-17-19
ARCHIE
COMICS
BERLANTI
PRODUCTIONS
WARNER
BROS.
TELEVISION
DEFY
©2019
Warner
Bros.
Entertainment
Inc.
This
script
is
the
property
of
Warner
Bros.
Entertainment
Inc.
No
portion
of
this
script
may
be
performed,
reproduced
or
used
by
any
means,
or
disclosed
to,
quoted
or
published
in
any
medium
without
the
prior
written
consent
of
Warner
Bros.
Entertainment
Inc.
Sides
by
Breakdown
Services
-
Actors
Access
1
Cast
of
Characters
GLORIA
GRANDBILT
K.O.
KELLY
Sides
by
Breakdown
Services
-
Actors
Access
2
KATY
KEENE
-
PILOT
"Once
Upon
a
Time
in
New
York"
Network
Draft
1/17/19
ACT
ONE:
LIGHTS,
BIG
CITY”
OVER
BLACK,
the
sound
of
a
sewing
machine:
TKA-TKA-TKA
—-
INT.
APARTMENT
ON
THE
LOWER
EAST
SIDE
-
FLASHBACK
1
We're
in
a
sparse,
but
well-kept
apartment.
A
young
mother,
RATHERINE
KEENE,
sits
at
her
sewing
machine,
making
a
dress.
Her
toddler
daughter,
KATY,
is
on
her
lap.
KATY
(V.0.)
For
a
city
that
never
sleeps,
New
York
has
a
lot
of
dreamers.
My
mom
was
one
of
them.
A
woman
of
secret
ambition.
She
wanted
the
clothes
she
made
to
be
sold
in
a
fancy
department
store
on
Fifth
Avenue...
We
see
that
Katherine’s
teaching
her
daughter
to
sew...
KATY
(V.0.)
She
used
the
same
machine
her
mother
had.
Now,
I
use
it...
INT.
THE
APARTMENT
-
LIVING
ROOM
-
DAWN-ISH
-
THE
PRESENT
2
KATY
(V.0.)
...and
I've
got
my
own
dreams
and
ambitions.
A
YOUNG
WOMAN
in
her
20s
sits
at
the
same
SEWING
MACHINE,
focused
on
finishing
&
DRESS.
A
needle
hangs
from
her
mouth
like
a
toothpick.
She’s
surrounded
by
piles
of
fabrics
and
supplies.
The
room
around
her
is
an
explosion
of
creativity.
KATY
(V.O.)
My
mom’s
name
was
Katherine.
I
was
named
after
her
--
From
off
screen
we
hear
a
groggy,
sexy
MALE
VOICE
—-
KO
(0.8.)
Katy?
Did
you
seriously
stay
up
all
night
again?
In
a
star-making
CLOSE-UP,
our
girl,
KATY
KEENE,
turns
and
smiles.
She’s
looking
at
KO
KELLY
(20s,
semi-pro
boxer).
Emerging
shirtless,
in
his
boxers,
incredible
body,
he
kisses
Raty
good
morning
—-
(CONTINUED)
1.
Sides
by
Breakdown
Services
-
Actors
Access
3
KATY
KEENE
-
PILOT
"Once
Upon
a
Time
in
New
York"
Network
Draft
1/17/19
2
CONTINUED:
2
KATY
I
promised
Ginger
I’d
have
it
ready
for
tonight
—-
and
I
still
want
to
add
some
piping
and
detail
to
the
sleeves,
but
--
what
do
you
think?
Katy
holds
up
the
dress
--
it‘s
gorgeous
—-—
KO
It’s
gorgeous.
Like
you.
(she
smiles)
Seriously,
Katy,
you’ve
gotta
start
charging
for
these.
Or
apply
to
go
on
that
show
again
—-—
KATY
I've
already
been
rejected
from
“Project
Runway”
five
times
He
wraps
his
arms
——
hi,
biceps!
——
around
her
—-
XO
Hey,
call
in
sick.
We'll
take
the
A-
train
out
to
Coney
Island,
ride
the
Ferris
wheel,
eat
Nathan’s
hotdogs,
get
sexy
under
the
boardwalk
—-
Katy
and
KO
kiss
—-
KATY
Tempting
--
(quieter,
faster:)
--
as
anything
that
involves
getting
sexy
with
you
is
-~-
-—
but
don’t
forget,
my
new
roomie
gets
here
today
--
and
I
want
to
see
Gloria
will
have
lunch
with
me
so
I
can
ask
her
about
--
Katy‘’s
phone
goes
off
——
KO
Speak
of
the
Gucci-wearing
devil
--—
KATY
Impossible.
It’s
too
early,
even
for
—-
(she
answers)
Hello?
Gloria?
(she
listens,
then:)
I’m
on
my
way
--—
Katy
hangs
up
--
(CONTINUED)
2.
Sides
by
Breakdown
Services
-
Actors
Access
4
KATY
KEENE
-
PILOT
"Once
Upon
a
Time
in
New
York"
Network
Draft
1/17/19
3.
CONTINUED:
(2)
2
KO
KATY
(CONT'D)
Let
me
guess:
It’s
a
fashion
I’'m
sorry,
KO,
it’s
a
fashion
emergency
--
emergency,
I
gotta
go
——
Katy
dashes
off
to
get
ready,
then
dashes
back
to
hug
KO
—-
KATY
(CONT'D)
Hey
--
I
love
you
——
KO
I
love
you,
too
—--
As
they
kiss,
WE
“Fashion”
by
Lady
Gaga:
“Oh
oh,
la
la
la/J'adore
Vivienne
habillez
moi/Gucci,
Fendi,
et
Prada.
Valentino,
Armani
too.
I
love
them
Jimmy
Choo...”
EXT.
5TH
AVENUE
-
MORNING
3
behind
an
impeccably
dressed
Katy
Keene
as
she
hurries
down
the
crowded,
store-lined
boulevard
--
“Fashion
put
it
all
on
me/Don't
you
want
to
see
these
clothes
on
me/Fashion
put
it
all
on
me/I
am
anyone
you
want
me
to
be...”
Finally,
Katy
pauses
in
front
of
A
DEPARTMENT
STORE
WINDOW
DISPLAY
in
the
process
of
being
dressed
—--
“J'adore
Weitzman
habillez
moi
Louis,
Dolce
Gabbana,
Alexander
McQueen,
eh
oh,
I
love
those
Manolo”
—--
In
the
reflection,
we
see
Katy’s
eyes
widen
with
wonder
as
she
takes
in
the
fabrics,
the
mannequins,
the
clothes
--
She
smiles
—-
KATY
Never
gets
old
—-
She
waves
at
the
man
in
charge
of
the
window
display.
Let’s
call
him
HARVEY
FIERSTEIN.
Frazzled,
he
smiles
back
at
Katy
-~
even
as
she
pushes
into
LACY’S
REVOLVING
DOOR
--
INT.
LACY'S
DEPARTMENT
STORE
-~
DAY
4
Katy
maneuvers
the
hectic
wonderland
that
is
LACY’S
DEPARTMENT
STORE.
Think
--
old-school,
grand.
The
Ground
Floor
sparkles
with
cosmetics,
fragrances,
accessoriles,
sales
associates,
and
(even
so
early)
demanding
customers
Katy
rushes
to
her
post,
where
a
swarm
of
fashionable
interns
and
assistants,
the
so-called
“GLORIA’S
GIRLS,”
including
AMANDA,
Katie’s
arch-rival,
touch
up
their
makeup,
getting
ready
for
the
day
—-
KATY
Has
anyone
seen
Gloria?
Amanda?
(CONTINUED)
Sides
by
Breakdown
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-
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5
KATY
KEENE
-
PILOT
“Once
Upon
a
Time
in
New
York"
Network
Draft
1/17/19
4
CONTINUED:
4
AMANDA
A
VIP
client’s
coming
in,
and
she’s
picking
her
No.
2
for
the
day,
though
I
have
no
idea
why
we
go
through
this
charade,
since
there’s
only
one
swan
amongst
you
hideous
ducklings
--
As
if
on
CUE,
GLORIA
GRANDBILT
(40s,
impeccable,
glamorous)
arrives,
making
a
diva
entrance
--
GLORTA
Katy,
thank
Dior.
Alexandra
Cabot,
heiress
to
the
Cabot
Media
Empire,
is
moments
from
coming
in,
and
I’'d
like
you
to
assist
me
Amanda
glowers,
but
Katy
doesn’t
miss
a
beat
--
KATY
I'11l
get
the
Chanel
Flap
bag,
the
new
Givenchy
gowns,
Alaia
blouses,
Céline
sunglasses,
every
Yeezy
piece
in
the
store
——
I'll
also
chill
the
Dom
Pérignon
and
get
three
earl
grey
macarons
plated
--
Oh,
and
shoes,
lots
of
shoes
GLORIA
(focused,
admonishing)
Hurry,
Katy
--
(then:)
Amanda?
Where’s
my
Amanda?
AMANDA
(the
sun
is
shining!)
I'm
here,
GLORIA
Can
you
and
the
other
girls
stay
out
of
my
and
Katy’'s
way,
please?
I'd
so
appreciate
that.
5
INT.
LACY’S
DEPARTMENT
STORE
-
MOMENTS
LATER
5
Katy
is
pulling
clothes
off
racks
at
a
fever
pace
—-
through
some
hanging
blouses,
she
sees
—--
ALEXANDRA
CABOT
(20s,
powerful,
with
a
white
streak
in
her
hair)
strutting
in.
Gloria
greets
her
with
air
kisses
and
gestures
to
a
luxurious
private
CHANGING
SUITE.
After
Alexandra
disappears
into
it,
Gloria
hurries
over
to
Katy
--
(CONTINUED)
4.
Sides
by
Breakdown
Services
-
Actors
Access
6
KATY
KEENE
-
PILOT
Upon
a
Time
in
New
York"
Network
Draft
1/17/19
5
CONTINUED:
5
GLORIA
By
the
looks
of
it,
dropped
a
dress
size,
no
doubt
she’s
intermittent
fasting
again
--
KATY
If
she’'s
feeling
good,
maybe
I
should
also
pull
bathing
suits
she
does
vacation
twice
a
month
——
At
which
point,
Alexandra
pops
her
head
from
out
of
the
Changing
Room,
sipping
bubbly
--
ALEXANDRA
Gloria?
You
don’t
have
those
Palazzo
Pumps
in
my
size,
do
you?
GLORIA
For
you,
Xandra?
Of
course.
Gloria
eyes
Katy,
get
cracking,
turns
back
to
Alexandra
--
GLORIA
(CONT'D)
By
the
way,
how's
that
adorable
Siamese
cat
of
yours
doing
these
days?
Sebastian,
isn’t
it?
OFF
Katy,
literally
sprinting,
on
the
hunt
—-
6
INT.
LACY’S
DEPARTMENT
STORE
-
STOCKROOM
-
DAY
6
Katy
frantically
searches
for
ONE
shoebox
amongst
thousands
of
boxes.
Three
of
Gloria’s
Girls
are
there,
including
Amanda,
taking
a
break,
drinking,
dishing.
KATY
Hey,
have
any
of
you
seen
the
Palazzo
Pump
in
a
size
seven?
The
system
says
one
pair
left
—-
AMANDA
(to
the
other
girls)
Oh,
that
explains
it.
KATY
(already
over
it)
Explains
what,
Amanda?
AMANDA
Why
Gloria
picked
you
over
me.
She
wanted
a
hound
who
would
fetch
for
her.
And
I
don’t
do
fetching.
(CONTINUED)
5.
Sides
by
Breakdown
Services
-
Actors
Access
7
KATY
KEENE
-
PILOT
"Once
Upon
a
Time
in
New
York"
Network
Draft
1/17/19
6.
6
CONTINUED:
6
Katy
is
about
to
get
into
it
with
Amanda,
when
suddenly,
she
remembers
something
and
once
again
dashes
off
—-
7
INT,
LACY’S
DEPARTMENT
STORE
-
WINDOW
DISPLAY
-
SAME
TIME
7
Katy
backtracks
to
the
window
display
Harvey’s
assembling
--
KATY
Harvey,
did
you
take
the
size
seven
Palazzo
Pumps
for
your
window?
HARVEY
As
a
matter
of
fact
—-
But
Raty’s
already
spotted
them
--
and
is
grabbing
them
--
KATY
I'msorry,Harvey,Ihavetotakethese,
it’safashionemergency,I’llmakeitup
toyou!
HARVEY
Go.
May
they
make
their
new
owner
very,
very
happy.
8
INT.
LACY'S
DEPARTMENT
STORE
—
CHANGING
SUITE
-
SAME
TIME
8
Gloria
delicately
zips
up
the
dress
Alexandra’s
tried
on
--
GLORIA
This
dress
was
made
for
you.
And
I
mean
that
quite
literally.
I
ran
into
Stella
McCartney
at
Milan
Fashion
Week,
and
she
told
me
she
had
your
figure
in
mind
when
she
designed
it.
ALEXANDRA
I’'11
just
have
to
get
it,
then.
(then)
Any
luck
with
the
Versace?
Katy
seems
to
appear
out
of
nowhere
and
effortlessly
slips
the
Versace
Palazzo
PUMP
onto
Alexandra’s
foot
--
ALEXANDRA
(CONT‘D)
Perfect
fit.
Katy
exhales
relief,
wiping
actual
sweat
off
her
brow.
OFF
Alexandra’s
sparkling
new
pump,
WE
CUT
TO
—-
Sides
by
Breakdown
Services
-
Actors
Access
8
KATY
KEENE
-
PILOT
"Once
Upon
a
Time
in
New
York"
Network
Draft
1/17/19
10
11
INT.
LACY'S
DEPARTMENT
STORE
~
LATER
9
Katy
and
Gloria,
waving
goodbye
to
Alexandra,
as
she
walks
off,
holding
a
dozen
glossy
LACY'S
SHOPPING
BAGS
—-
GLORIA
Well,
that
wasn’t
so
difficult.
KATY
Not
at
all.
A
total
breeze.
Gloria
starts
to
move,
but
Katy
stops
her
with
—-
KATY
(CONT'D)
Gloria.
I
was
wondering
if
we
could
have
lunch
today.
To
talk
about
the
new
Personal
Shopper
position
--
if
you
have
time.
GLORIA
(an
imperious
beat,
then:)
Lacy’'s
Café
in
ten.
Order
me
a
Waldorf
salad
with
a
side
of
frittes
and
have
it
waiting
for
me
by
the
time
I
get
there.
Gloria‘s
off.
As
Katy
catches
her
breath
—-
WE
PRE-LAP
the
iconic,
super-loud
HISSING
of
a
BUS
DOOR
OPENING
as
--
INT.
PORT
AUTHORITY
BUS
TERMINAL
-
DAY
10
JOSIE
McCOY
(eeceeeek!!!)
steps
off
a
BUS
and
into
the
utter,
glorious
chaos
that
is
New
York
City!
A
melting
pot
of
commuters,
business
people,
tourists,
students
--
from
every
corner
of
the
world
-~
Josie
looks
around,
gets
a
passersby's
attention
--
JOSIE
Excuse
me,
do
you
know
where
I
can
catch
the
A-train?
The
PERSON
grunts,
vaguely
points
in
some
direction
--
Josie
goes
that
way,
toting
her
leopard
print
luggage
behind
her
--
INT.
LACY’S
DEPARTMENT
STORE
-
LACY’'S
CAFE
-
NOON
11
A
restaurant
on
Lacy's
Seventh
Floor
(aka
Heaven).
Katy
waits
for
Gloria
at
a
table
for
two,
their
lunches
perfectly
laid
out.
Gloria
takes
her
seat
and
immediately
starts
eating
--
GLORIA
I
don’t
have
much
time,
Raty.
(CONTINUED)
Sides
by
Breakdown
Services
-
Actors
Access
9
KATY
KEENE
-~
PILOT
11
CONTINUED:
KATY
Then
I’1ll
dive
right
in:
I’ve
been
agsisting
you
for
three
years
now
—-
three
amazing
years
--
and
I
feel
like
I'm
ready
to
be
Lacy’s
newest
Personal
Shopper.
GLORIA
And
what
makes
you
“feel”
that?
KATY
I
have
the
highest
sales
record
of
any
of
the
other
girls
on
your
team.
I
know
every
item
of
clothing
in
this
store,
inside
out,
down
to
the
stitch
and
lining
—-
GLORTA
(an
accusation)
Some
of
the
Girls
tell
me
you
want
to
be
a
designer.
That
you
actually
make
clothes.
(Raty
swallows...)
Being
a
Personal
Shopper
at
Lacy’s
isn’t
some
side-hustle
or
stepping
stone
—--
it’s
a
career.
I'm
not
interested
in
promoting
someone
whose
focus
is
split.
Back
in
my
day,
Lacy’s
would
only
employ
single
girls.
Husbands
and
children
were
seen
as
distractions.
Of
course,
we
can't
say
that
nowadays,
but
I
need
people
like
myself:
Committed.
One
hundred
percent.
When
I
die,
I
want
them
to
scatter
my
ashes
here
in
Lacy’s.
KATY
Gloria
--
yes,
I
make
clothes,
but
that’s
just
for
me.
GLORIA
What
about
that
bruiser
you
date?
KATY
KO
knows
how
important
Lacy’s
is
to
me.
That
it’s
the
most
important
thing.
GLORIA
(regards
Katy,
then:)
You
do
have
the
right
disposition.
You
know
the
clothes,
that's
true.
(MORE)
"Once
Upon
a
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in
New
York"
Network
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11
(CONTINUED)
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10
KATY
KEENE
-
PILOT
11
CONTINUED:
"Once
Upon
a
Time
in
New
York"
Network
Draft
1/17/19
(2)
GLORIA
(CONT'D)
You
understand
how
they’re
made,
how
they
fit.
And,
unlike
most
of
the
girls
I
hire,
you're
not
deathly
allergic
to
hard
work.
I
suppose
that’s
due
to
your
-—-
(not
good
at
emotions:)
Humble
upbringing.
KATY
(breathless)
Does
that
mean...I
have
the
job?
GLORIA
It
means,
I'm
tasking
you
with
a
special
assignment.
Prince
Errol
Swoon
is
coming
to
the
store
tomorrow
night
to
shop
for
the
Met
Gala.
It’s
a
crucial
opportunity
for
us
to
make
our
numbers
this
year.
(sotto
voice)
With
more
people
buying
online
--
the
barbarians
--
OUr
revenue
has
taken
a
hit.
Rumors
are
circulating
that
Lacy'’s
might
shutter
or
be
bought
out.
KATY
That
can’t
happen
GLORIA
No,
that's
why
it's
more
important
than
ever
that
my
staff
be
completely
devoted
to
the
store
--
and
why
we
must
make
the
most
of
Prince
Errol’s
royal
visit
tomorrow.
Our
jobs
--
the
very
future
of
Lacy’s
——
depend
on
it.
Have
I
made
myself
clear?
KATY
Yes,
Gloria.
As
clear
as
the
Baccarat
crystal
we
sell
on
the
6th
Floor,
our
House
Beautiful
department.
GLORIA
Impress
me,
Katy.
Prove
that
you're
the
créme
de
la
créme
of
my
Girls,
and
the
Personal
Shopper
position
is
yours.
(wipes
her
mouth)
(MORE)
11
(CONTINUED)
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KATY
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-
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"Once
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11
12
13
CONTINUED:
(3)
11
GLORIA
(CONT'D)
And
remember,
with
customers
like
Prince
Exrrol,
there’s
zero
margin
for
error.
Gloria
drops
her
napkin
and
strides
off,
passing
Amanda,
who
holds
her
lunch
tray,
she
heard
it
all...
Katy
allows
herself
to
bask
in
the
moment
——
until
her
phone
buzzes
with
a
text
KATY
Ohmigod
--
Josie
—-
EXT.
LOPEZ
DELI
GROCERY
-
DAY
12
Josie
ig
sitting
on
her
luggage,
waiting
in
front
of
a
pre-
war
APARTMENT
BUILDING
with
a
classic
New
York
BODEGA
on
the
ground-floor
--
KATY
(0.S.)
--
Josie?
Josie
McCoy??
Josie
turns
to
find
Katy
rushing
towards
her
—-
JOSIE
-—
Katy
Keene?!
Katy
folds
Josie
into
a
TIGHT
HUG
—-
and
an
iconic
friendship
is
born!
JOSIE
(CONT'D)
--
I've
heard
so
much
about
you,
it
feels
like
I'm
meeting
a
celebrity!
KATY
Any
friend
of
Veronica
Lodge’s
is
a
friend
of
mine
--
I'm
so
sorry
I
was
late
--
here,
let
me
help
you
with
your
bags
(up
our
four-story
walk-up)
——
INT.
THE
APARTMENT
-
DAY
13
They
burst
into
the
apartment,
out
of
breath
—-
KATY
~-
this
is
it!
Home
sweet
home!
Josie
takes
in
the
small
space,
filled
with
mannequin
forms,
dresses,
fabrics,
the
sewing
machine
Katy
was
working
on
earlier.
“Art”
(framed
magazine
cutouts,
damaged
paintings)
hangs
on
every
inch
of
every
wall
--
(CONTINUED)
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12
KATY
KEENE
-
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13
14
CONTINUED:
INT.
LOPEZ
KATY
(CONT'D)
I
have
the
room
on
the
left.
Jorge
hag
the
big
room
down
the
hall
because
his
parents
own
the
building
and
the
bodega
—-
JOSIE
And
is
this
room
—-
?
KATY
Yours,
yes
--
and,
although
we
have
to
walk
through
here
to
get
to
the
kitchen,
this
room
gets
the
best
light
--
I'11
move
the
sewing
machine
to
my
room
--
and
the
couch
is
a
pull-out
--
I
hope
this
is
gonna
be
ckay?
JOSIE
As
long
as
it
doesn’t
have
rats
or
cockroaches
--
KATY
Not
usually,
but
I’'d
shake
your
shoes
out
before
putting
them
on
—-
(what
am
I
thinking??
Omigod,
you
must
be
starved.
The
bodega
downstairs
has
the
best
sandwiches
—-
and
you
can
meet
—-
DELI
GROCERY
~
DAY
KATY
--
Jorge,
this
is
our
new
roommate,
Josie
McCoy
-—
Josie,
this
is
Jorge
Lopez
——
"Once
Upon
a
Time
in
New
York"
Network
Draft
1/17/19
13
14
Like
every
bodega
in
New
York,
this
shop’s
tiny,
yet
manages
to
sell
everything.
Katy
and
Josie
stand
in
front
of
the
SANDWICH
COUNTER,
manned
by
JORGE
LOPEZ
JORGE
Hey,
welcome
to
the
Center
of
the
Universe
—-
and
the
most
rico
sandwiches
in
Washington
Heights
KATY
Can
we
get
a
couple
of
classics
to
go,
Jorge?
And
can
you
take
a
break?
I
wanna
show
Josie
the
secret
park
--
(208,
cute)
—-
(CONTINUED)
11,
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13
KATY
KEENE
-
PILOT
14
15
CONTINUED:
JORGE
No,
Girl,
I’'m
working
at
the
bar
tonight
-~
and
I
gotta
prep
for
an
audition
tomorrow
—-
JOSIE
Och,
for
what?
JORGE
Remember
the
movie
“Mannequin”?
They’re
turning
that
into
a
Broadway
musical
&
la
“Mean
Girls”
and
“Pretty
Woman”
--
"Once
Upon
a
Time
in
New
York"
Network
Draft
1/17/19
14
Smiles
all
around
as
Jorge
hands
the
girls
sandwiches
--
KATY
(PRE-LAF)
I
want
to
know
everything
—-
EXT.
BENEATH
THE
GW
BRIDGE
-
DAY
15
Katy
and
Josie
eat
sandwiches,
locking
at
THE
LITTLE
RED
LIGHTHOUSE
beneath
the
George
Washington
Bridge
RATY
Veronica
tells
me
you’re
destined
to
be
the
next
Diana
Ross.
JOSIE
Well,
Veronica
is
very
generous.
I'd
been
thinking
about
moving
to
New
York
for
awhile.
Finally
got
the
nerve
to
pack
up
and
take
the
risk.
(manifestings:)
So
now
here.
To
record
an
album
and
get
signed
by
a
label.
Make
my
crazy,
wish-upon-a-star,
kiss-my-
Whitney-poster-goodnight
dreams
come
true
--
whatever
it
takes.
(then:)
How
‘bout
you?
All
those
clothes
in
the
apartment,
did
you
--
?
KATY
——
T
made
them.
On
my
mom's
sewing
machine.
I
should
upgrade,
but
I
can’t
bring
myself
to
do
it.
Ever
since
she
passed
away,
it...helps
me
feel
close
to
her.
(CONTINUED)
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KATY
KEENE
-
PILOT
15
16
CONTINUED:
At
Lacy's,
JOSIE
I
think
that’s
nice.
And
you're,
like,
a
legit
designer?
KATY
(laughs)
No.
God
no.
That’s
--
the
pipe
dream.
I
chose
a
slightly
more
sensible
career
path
--
one
that
pays
the
bills
and
keeps
me
close
to
all
things
couture
--
"Once
Upon
a
Time
in
New
York"
Network
Draft
1/17/19
15
JOSIE
KATY
(CONT'D)
right
--
on
Fifth,
yeah
—-
KATY
(CONT'D)
—-
I
assist
Gloria
Grandbilt,
world-
class
Personal
Shopper
to
the
rich,
fabulous,
and
entitled.
Which
may
not
sound
glamorous,
but
it
is.
Shoppers
become
Buyers,
which
means
going
to
Paris
Fashion
Week.
Being
invited
to
all
the
shows,
meeting
all
the
designers
--
it’s
a
dream
job.
Any
fashion
girl
in
New
York
would
kill
for
it.
JOSIE
Sounds
like
you’re
living
a
“Devil
Wears
Prada”
fairy
tale.
Meanwhile,
I
need
to
start
canvagsing
the
town
with
resumes
for
any
job,
stat
—-
KATY
That’s
an
excellent
plan
--
for
tomorrow.
Tonight,
I'm
taking
you
out
to
meet
the
gang
--
EXT.
THE
BALLROOM
-
NIGHT
16
A
LONG
LINE
outside
a
CLUB
in
the
East
Village
--
Katy
pulls
Josie
(both
in
freakum
dresses)
to
the
front
--
KATY
Come
on,
follow
me
--
Katy
grabs
the
hot
bouncer
and
kisses
him
--
it’s
KO
Kelly!
KATY
(CONT’'D)
Josie,
this
is
my
boyfriend,
KO
Relly
--
(CONTINUED)
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KATY
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"Once
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16
17
CONTINUED:
16
JOSIE
Hey,
it’s
nice
to
meet
you
—-
KO
You,
too,
welcome
to
NYC
-~
(then,
to
KRaty:)
So?
What
happened?
Did
she
give
you
the
job??
KATY
Not
yet,
Gloria’s
making
me
sweat
for
it
—-
KO
I'm
about
to
finish
my
shift,
tell
me
about
it
inside
KO
pulls
Katy
in
for
one
more
kiss,
then
lets
the
girls
in
—-
INT.
THE
BALLROOM
~
NIGHT
17
Katy
and
Josie
descend
the
dark,
thumping
STAIRWELL
into
—-
AN
INSANE
DANCE
PARTY
packed
with
DIVERSE
TWENTY-SOMETHINGS.
Guys
vogue
and
make
out
with
guys
(some
shirtless),
girls
with
girls
(some
in
sports
bras),
girls
with
guys,
guys
with
drag
queens
—--
and
every
gender
(and
genderqueer
person)
in
between,
drenched
with
sweat,
living
their
best
lives!
Josie
and
Katy
literally
need
to
shove
people
to
get
to
the
bar
—-
JOSIE
Is
his
name
KO
because
he
knocks
you
out
with
his
hotness?
KATY
(laughs)
It’s
his
nickname,
he’s
a
boxer
—-
JOSIE
Been
there.
I
get
the
appeal
--
(then:)
So
when
you
said
we
were
going
to
The
Ballroom,
this
is
not
what
I
pictured
--
KATY
Yeah,
a
few
warnings:
The
bathroom
stalls
don’t
have
doors,
that’s
the
Dark
Room
(never
to
be
entered),
and
steer
clear
of
the
bartender
who
looks
like
Troye
Sivan,
she’ll
just
try
to
sell
you
stuff
—-
(CONTINUED)
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KATY
KEENE
-
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"Once
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17
CONTINUED:
17
JOSIE
Jingle-jangle?
Fizzle
Rocks?
KATY
I
have
no
idea
what
you
just
said
--
Before
Josie
can
explain,
Katy
spots
PEPPER
SMITH
(20s)
--
they
rush
towards
each
other
—-
PEPPER
KATY
(CONT'D)
Omigawd,
heyyyyyyy
--
Well,
well,
well,
look
who
it
is!
KATY
(CONT'D)
Pepper,
I
want
you
to
meet
Josie,
she
just
moved
here
five
minutes
ago
JOSIE
Can
I
just
say,
I
am
obsessed
with
your
bag
--
PEPPER
Obvi,
Katy
made
it
--
it’s
actually
how
we
met.
I
spotted
her
carrying
it
in
Greenwich
Village
and
just
had
to
have
it
--
so
I
bought
it
--
KATY
PEPPER
(CONT'D)
Technically,
you
never
And
we've
been
friends
ever
actually
paid
me
—-
since!
KATY
-—
where
have
you
been,
Girl??
PEPPER
Don‘t
get
me
started,
Girl
--
I
was
at
Art
Basel
with
Childish
Gambino,
lining
up
investors
for
my
top
secret
project
--
and
don’t
ask
me
what
it
is,
Josie,
because
I
can’t
breathe
a
word
of
it
until
all
my
financing
is
in
place
--
JOSIE
--
can
I
at
least
ask
what
you
do?
PEPPER
We-ell,
I
just
gave
a
Ted
Talk
on
the
feminist
power
of
Snapchat;
I
wrote
this
week’s
Modern
Love
column
in
the
Times;
(MORE
)
(CONTINUED)
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KATY
KEENE
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"Once
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Network
Draft
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17
CONTINUED:
(2)
17
PEPPER
(CONT'D)
earlier
this
year,
I
shot
an
indie
movie
with
Kristen
Stewart
and
Lupita
Nyong'o;
I
modeled
for
a
shoot
in
Mexico
City
with
Mario
Testino;
I
have
a
YA
trilogy
in
the
works;
and
YouTube
Red
wants
to
do
a
reality
show
about
my
life
(but
I
would
never)
--
KATY
In
other
words,
Pepper
is
the
most
connected
person
in
New
York
and
she’ll
introduce
you
to
everyone
that’s
anyone
--
PEPPER
Damn
straight
--
Hey,
you
two
look
va-va-voom
——
do
a
twirl
for
me
--
The
girls
oblige
as
the
LIGHTS
go
out
—-
and
KO
Kelly
joins
them,
nestling
next
to
Katy
—-
KATY
Oocooh,
just
in
time,
Babe
--
suddenly,
a
SPOT
hits
the
stage,
illuminating
a
stunning
drag
queen
--
GINGER!
Wearing
the
DRESS
Katy
was
making
earlier!
KO
Yo!
KRaty
made
that
dress!
PEPPER
I'm
gagged.
I
need
one.
But
shorter.
And
backless.
Like
a
proud
mama,
Katy
(and
everyone)
screams
for
Ginger
as
she
performs
the
most
epic,
show-stopping
medley
of
all
time,
which
includes
”“Rainbow
High”
from
Evita,
“Material
Girl”
by
Madonna,
and
“Diamonds”
by
Ribanna.
Josie's
agog
--
JOSIE
Who.
Is.
That?
KATY
our
roommate,
Jorge
also
know
as
Ginger
Lopez
—-—
JOSIE
Damn.
She’s
beautiful.
KATY
Okay,
we’re
dancing
now
--
(CONTINUED)
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KATY
KEENE
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"Once
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17
18
CONTINUED:
(3)
17
The
GIRLS
hit
the
dance
floor
for
a
SEQUENCE!
Their
fun
is
interrupted
by
a
CREEPY
DUDE.
He
tries
to
dance
up
on
Josie,
who
sidesteps
to
avoid
him
--
JOSIE
Back
off
--
I’'m
not
interested
--
Creepy
Dude
tries
again
--
KO
grabs
him
by
the
shoulder
--
KO
CREEPY
DUDE
You
heard
the
lady
Don’t
fucking
touch
me,
Man
--
WHACK!
--
KO
punches
the
guy
just
as
Ginger
rushes
up
—--
GINGER
Come
on,
we
gotta
go
--
everybody’s
gotta
go
--
the
bar’s
on
fire,
come
on
JOSIE
I
agree,
this
place
is
1lit
—-
GINGER
No,
IT’S
ACTUALLY
ON
FIRE
GO,
Go,
GO
—-
A
SHRILL
AMARM
sounds
as
the
bar
fills
with
SMORE
--
KO
grabs
the
FIRE
EXTINGUISHER,
ushering
everyone
out
--
WE
SMASH
TO:
EXT.
THE
BALLROOM
-
NIGHT
18
Raty,
Josie,
Pepper,
Ginger
stand
amidst
the
rest
of
the
evacuated
clubbers,
gabbing
on
the
sidewalk.
Typical
New
Yorkers,
no
one
seems
particularly
fazed.
KO
arrives
--—
KO
They’re
saying
it
was
a
grease
fire
--
KATY
Does
The
Ballroom
even
serve
food?
JOSIE
Well,
Ginger
was
serving
fish
tonight
--
and
yes,
I
watch
Drag
Race
—-
Ginger
snaps
--
you
know
it
——
as
a
FIRETRUCK
PULLS
UP
—-
PEPPER
My
my
my,
break
me
off
a
piece
of
Mr.
September,
October,
November,
all
the
way
through
to
August
—-
(CONTINUED)
17.
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KATY
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"Once
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18
CONTINUED:
18
SLOW
MOTION
as
some
HOT
FIREFIGHTERS
leap
into
action,
including
BERNARDO,
who
locks
eyes
with
Ginger
--
GINGER
Heyyy.
You
came
to
the
right
place,
‘cause
this
girl
is
on
fuego
—-
BERNARDO
(smiles)
I've
never
heard
that
before.
He
keeps
walking
past
--
all
the
girls
turn
to
check
Bernardo
(and
the
other
firefighters)
out
—-
JOSIE
(having
a
blast!)
Is
this
what
it’s
like
every
night?
GINGER
(oh,
pleasel!l)
Girl,
it’s
only
Tuesday
—-
KATY
(but
basically,
yes!)
Welcome
to
New
York
--
OFF
this
moment,
these
friends,
WE
SLAM
TO
OUR
TITLE:
KATY
KEENE
END
OF
ACT
ONE
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20
21
ACT
TWO:
“I
HOPE
I
GET
IT”
EXT.
CONEY
ISLAND
-
BOARDWALK
-~
FLASHBACK
19
A
high-school-aged
KO
and
KATY
are
waiting
in
line
for
a
ride...
KATY
(V.O.)
RO
Kelly
told
me
his
life’s
goal
on
our
first
date
when
we
were
sixteen:
To
fight
a
welterweight
championship
in
Madison
Square
Garden.
KO
and
Katy
reach
the
front
of
the
line
and
get
on
one
of
the
Wonder
Wheel’s
GONDOLAS.
KATY
(V.O.)
That
day,
I
fell
in
love
with
KO
on
the
Wonder
Wheel...
INT.
THE
APARTMENT
-
KATY'S
BEDROOM
-
THE
NEXT
MORNING
20
Katy’s
asleep,
her
leg
flopped
over
KO
(also
asleep).
It’'s
a
tight
squeeze
in
her
small
double
bed...
KATY
(V.0.)
...and
we've
been
together
ever
since.
She
stirs
awake
and
sees
her
ALARM
CLOCK
--
7:43
AM
--
FUCK
——
KATY
Oh,
crap
—-
I
gannot
be
late
--
In
a
panic,
she
jumps
out
of
bed
to
get
ready
--
INT.
THE
APARTMENT
-
LIVING
ROOM
-
MORNING
21
on
the
pull-out
bed,
Josie
wakes
up
to
morning
PANDEMONIUM
as
Katy
and
Jorge
rush
to
get
ready
--
clothes,
hairdryers,
hairspray,
makeup
--
KATY
JORGE
Jorge,
did
you
borrow
my
I
put
it
back
in
your
room
—-
diffuser?
I
can’t
find
my
eye
de-puffer
anywhere
--
KATY
JORGE
(CONT'D)
I
saw
it
iIn
the
kitchen,
by
Found
it!
the
toaster
oven
--
Josie
'smiles
--
she’s
exactly
where
she
wants
to
be
—-
and
whips
off
her
comforter
to
start
her
day
--
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22
23
24
25
26
INT.
SUBWAY
-
DAY
22
Josie
rides
a
crowded
SUBWAY
CAR,
packed
as
tightly
as
a
sardine
can,
circling
classified
ads
in
“The
Village
Voice,”
kicking
us
into
a
FUN
MUSICAL
MONTAGE:
Josie
drops
off
resumes
at:
Serendipity
3,
the
Strand
Bookstore,
CBGB,
Gray’'s
Papaya,
and
finally
—-
INT.
RAY'S
PIZZA
-
DAY
23
Josie,
with
a
big
smile,
hands
a
resume
to
RAY
—-—
RAY
I'm
staffed
up,
but
I'll
let
you
know
if
anything
comes
up
—-
INT.
DUNKIN’'
DONUTS
-~
DAY
24
Josie’s
in
line
for
a
coffee
and
spots
a
“HELP
WANTED”
sign.
She
contemplates
it
for
a
second,
but
then
dismisses
it
—-
JOSTE
Not
that
desperate...
EXT.
ALPHABET
CITY
-
AFTERNOON
25
Holding
an
XL
Dunkin’
Donuts
coffee,
Josie
studies
her
map
and
turns
it
around
—-
navigating
the
sketchy
area,
when
--
a
MUGGER
tries
to
grab
her
bagl!!
JOSIE
What
the
--
HEY!!
--
The
mugger
pulls
out
a
KNIFE
-~
but
then
Josie
flicks
open
a
SWITCH-BLADE
—-
Josie's
dead
serious
when
she
says
—-
JOSIE
(CONT'D)
You
don’t
want
to
mess
with
me,
from
Riverdale
——
His
face
flashes
with
fear,
but
then
an
ACCOMPLICE
comes
up
behind
Josie,
snatches
her
bag,
bolts
--
Josie
tries
chasing
after
him,
but
it’s
too
late
—-
they’re
both
long
gone
--
INT.
LACY’S
DEPARTMENT
STORE
-
DAY
26
Katy
holds
a
meeting
with
Gloria’s
Girls,
including
Amanda.
She’s
prepared
a
BRISTOL
BOARD
PRESENTATION
of
Prince
Errol.
Photos
from
Vanity
Flair
and
the
like.
Gloria
observes...
KATY
As
we
all
know,
Prince
Errol
is
the
rebel
of
the
royal
family,
and
the
same
applies
to
his
taste
in
suits.
(MORE
)
(CONTINUED)
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27
CONTINUED:
"Once
Upon
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York"
Network
Draft
KATY
(CONT'D)
He
likes
a
slimmer,
more
contemporary
fit.
Dior
Homme
is
dropping
off
their
best,
one-of-a-kind
selections
today.
We’ll
also
have
backups
from
Ferragamo,
Tom
Ford,
and
Prada.
That’s
for
the
Met
Gala.
Now,
since
we’ll
have
him
in
the
store
--
and
we
know
he’s
often
spotted
riding
—-
we’ll
show
him
our
Hermés
equestrian
gear.
For
hunting
trips,
Holland
&
Holland
tweeds.
Also,
let’s
have
Brunello
Cucinelli’s
fall
collection
front-and-
center.
I
haven’t
seen
the
Prince
wear
Cucinelli
yet,
but
remember
Gloria’s
Golden
Rule:
Always
introduce
the
cugtomer
to
something
new.
Now
--
(then,
clapping
her
hands)
Let’'s
get
started!
1/17/19
26
Gloria
nods
at
Katy,
stoically
impressed
--
and
moves
off
with
the
rest
of
the
Girls.
Amanda
and
Katy
are
left
alone.
AMANDA
It
should
be
me
helping
the
Prince,
not
you.
I
mean,
have
you
even
been
to
Europe?
KATY
Amanda,
can
you
just
find
out
if
Prince
Errol’s
coming
alone?
AMANDA
I
already
did
because
I'm
fucking
excellent
at
my
job
—--
and
a
team
player.
The
Hottie
Prince
will
be
flying
solo.
KATY
Great.
So
we
can
focus
all
our
energy
on
him.
Thank
you,
Amanda.
AMANDA
If
you
need
anything
else,
I’11
be
in
the
Beauty
Department
applying
diamond
serum.
As
Amanda
moves
off,
her
smile
quickly
fades.
Uh-oh.
PRE-LAP:
DING!
INT.
THE
PLAZA
HOTEL
-
LOBBY
-
DAY
27
Pepper
steps
off
the
elevator
and
crosses
the
lobby
like
she
owns
the
place.
The
employees
light
up
when
they
see
her
—-
(CONTINUED)
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27
CONTINUED:
27
FRONT
DESK
CLERK
Afternoon,
Ms.
Smith!
PEPPER
Hi,
Didi,
love
your
hair
today.
VALET
Good
afternoon,
Ms.
Smith,
your
car’'s
waiting
for
you
--
where
shall
I
tell
them
you’re
going?
PEPPER
The
definition
of
a
power
lunch,
Mick
--
Café
des
Artistes,
please
Pepper
exits
the
LOBBY
to
a
waiting
TOWN
CAR
—-—
PEPPER
(PRE-LAP)
Close
your
eyes.
Imagine
this...
28
INT.
CAFE
DES
ARTISTES
-
DAY
28
Over
lunch
and
stiff
drinks,
Pepper
sits
across
from
CHAD
(20’s,
hunky
Wall
Street
type),
eyes
half-closed
—-
PEPPER
An
art
gallery.
A
black
box
theatre.
Live
music
venue.
Runway.
Atelier.
Recording
studio.
Photography
studio.
Dance
club.
And
beyond
--
all
behind
one,
exclusive
door.
I
want
to
open
my
generation’s
version
of
Andy
Warhol's
Factory.
It’s
always
been
my
dream
to
curate
a
utopia
where
artists
can
come
together
to
create,
collaborate,
and
party.
Now,
it’s
still
hush-hush,
but
I’ve
locked
in
Childish
Gambino
to
be
my
first
artist-in-residence
--
(off-handedly:)
-—
and
all
I
need
from
you
is
an
investment
loan
of
five
million
dollars.
CHAD
(smirks)
Look,
Pepper,
I
like
the
idea.
And
I
love
Donald
Glover.
But
if
I'm
going
to
invest,
I
need
to
know
you’ve
found
the
right
space.
In
New
York,
it’s
all
about
where.
(CONTINUED)
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29
CONTINUED:
28
PEPPER
I
have
a
location
in
mind.
CHAD
Good.
Lock
it
down.
Then
I’11
consider
backing
you.
In
the
meantime
--
(he
leans
forward)
--
wanna
do
some
coke
in
the
bathroom?
PEPPER
(leaning
forward)
What
is
this,
the
eighties?
A
WAITER
drops
off
the
bill;
Chad
reaches
for
it,
but
Pepper
puts
her
hand
on
it
first
--
PEPPER
(CONT'D)
Please.
Let
me.
And
then,
Chad...
(flashing
a
wicked
grin)
...we
can
make
it
snow
in
the
bathroom.
Chad
smiles,
as
Pepper
winks
and
pays
with
crisp
bills
--
INT.
SUBWAY
STATION
-
AFTERNOON
29
Josie
looks
left,
then
right,
then
goes
for
it
--
she
jumps
over
the
subway
turnstile
—-
phew.
THEN
WE
CUT
TO:
THE
PLATFORM,
which
is
JAM-PACKED
with
COMMUTERS
--
Josie’'s
trying
to
wade
through
the
crowd
-~
(NOTE:
Think
of
this
as
the
NYC
version
of
the
traffic
jam
in
“La
La
Land”)
The
SUBWAY
arrives,
and
Josie
tries
to
squeeze
into
the
car,
but
the
doors
close
on
her
face
—-
leaving
her
completely
dejected
and
alone
on
the
platform.
Worst.
Day.
Ever.
Behind
her,
a
FEMALE
BUSKER
(30s)
plays
Spanish
guitar.
Josie
smiles
at
her
—-
the
Busker
takes
a
break
from
playing
--
BUSKER
New
to
the
city?
JOSIE
It’s
that
obvious,
huh?
BUSKER
Only
because
I
was
you,
once
upon
a
time
in
New
York.
Moved
here
from
Omaha
fifteen
years
ago
--
been
living
the
dream
ever
since.
(off
Josie’s
look)
Hey,
if
you
love
something
enough,
you
find
a
way
to
do
it,
right?
For
me,
this
ig
it.
(CONTINUED)
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CONTINUED:
28
She
starts
playing
again,
and
this
time,
Josie
joins
in
with
some
dulcet
vocals
—-
and
it’s
a
moment
of
grace
amidst
the
city’s
tumult.
The
pair
sounds
incredible.
As
they
continue
to
perform,
ALEXANDER
CABOT
III
(20s,
impossibly
handsome)
approaches,
intrigued
--
and
WE
CUT
TO:
Moments
later.
Josie’s
waiting
on
the
platform.
As
Alexander
walks
over
to
her
--
ATEXANDER
Your
voice
ig
the
freshest
I've
heard
in
a
long
time
—-—
JOSIE
Look,
Pal,
I
just
got
mugged
--
so
don't
even
Josie
turns
away,
she’s
not
interested
in
getting
hit
on
right
now
--
but
Alex
is
persistent
—-—
ATLEXANDER
Sorry
to
hear
that.
And
I
know
this
is
gonna
sound
like
a
line,
but
it’s
not.
I'm
in
the
music
business.
I
work
for
a
label
and
we’'re
looking
for
new
talent.
Do
you
also
write,
or
--
JOSTE
(come
on,
man)
Seriously,
I
will
push
you
in
front
of
the
subway
—-
(but
he
seems
genuine...)
Not
that
it’s
any
of
your
business,
but
I
write,
I
compose,
I
perform,
I
play
piano,
I
de
it
all.
ALEXANDER
In
that
case
(pulling
a
card
out)
I'm
Alexander
Cabot
--
JOSIE
Against
my
better
judgement:
Josie
McCoy.
ALEXANDER
Jogie
McCoy,
do
you
know
where
the
Power
Station
Recording
Studio
is?
(CONTINUED)
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30
CONTINUED:
(2)
29
JOSIE
(uhm...)
You
mean
where
Whitney
and
Madonna
recorded
their
biggest
hits?
ATEXANDER
Can
you
meet
me
there
tomorrow?
And
be
ready
to
sing.
Something
original.
OFF
Josie
--
still
skeptical,
but
if
there’s
even
the
slightest
chance
this
guy’s
legit
--
DANCE
CAPTAIN
(PRE-LAP)
AND
FIVE,
SIX,
SEVEN,
EIGHT
—-
INT.
BROADWAY
THEATER
-
AFTERNOON
30
We
drop
right
into
Jorge’s
brutal
audition
for
“Mannequin.”
Think
“A
Chorus
Line.”
Toned
hopefuls
dancing
in
unison.
Jorge’s
killing
the
choreography,
but
so
is
everyone
else
—--
DANCE
CAPTAIN
Again
--
turn,
turn,
kick,
step,
pivot,
turn
--
walk,
walk,
walk,
KICK
-~
you
got
it??
--
and
five,
six,
seven,
eight
--
keep
it
gharp
--
Jorge
is
pushing
as
hard
as
he
can,
drenched
in
sweat.
He
finishes
the
choreography
with
a
flourish.
The
DIRECTOR,
in
the
audience,
takes
off
his
glasses
—-
DIRECTOR
Anil,
Preston,
Red
Headband,
Blue
Shorts
--
stage
left,
you
can
stay.
The
rest
of
you
can
go.
Thanks.
Jorge’s
been
quickly
dismissed.
Are
you
serious??
JORGE
(to
the
Director)
Excuse
me,
didn’t
I
just
nail
that?
DIRECTCR
You
did,
but
I
need
guys
who
read
a
little
more
-~
how
do
I
put
this?
Tough.
JORGE
For
“Mannequin:
The
Musical”??
DIRECTOR
(turning
away)
Can
someone
please
get
rid
of
him?
(CONTINUED)
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31
32
CONTINUED:
30
DANCE
CAPTAIN
You
heard
him
--
Let’s
go,
Group
Three
——
we
have
all
day
--
and
five,
six,
seven,
eight
—-
OFF
Jorge,
feeling
the
sting
of
rejection
--
EXT.
DEPARTMENT
STORE
-
DAY
31
Customers
are
turned
away
by
SECURITY.
The
store
is
CLOSED
to
the
public
for
Prince
Errol’s
visit.
They
crane
their
necks
to
see
what’s
happening
inside.
PRE
LAP:
CLASSICAL
MUSIC
--
INT.
DEPARTMENT
STORE
-
DAY
32
The
store
is
empty,
except
for
STAFF.
Armed
Security
stands
by
every
exit
and
window.
Gloria
and
Katy
are
beyond
ready.
There’s
a
lavish
dinner
spread
with
champagne,
caviar,
fresh
oysters.
Racks
of
suits.
Shiny
leather
shoes.
Trays
of
watches,
cufflinks,
and
sunglasses.
The
STAFF
is
lined
up
as
PRINCE
ERROL
SWOON
(20s)
graciously
works
his
way
down
the
line,
shaking
hands
with
everyone
--
PRINCE
ERROL
Hello.
Hello,
lovely
to
meet
you
--
Katy
and
Gloria
take
their
place
at
the
end
of
the
line
and
are
shocked
to
see
—-
that
the
Prince
brought
a
GIRLFRIEND??
Gloria’s
Eye
of
Sauron
lands
on
Katy
searingly
—-
GLORIA
Who's
she?
KATY
I,
I
know
--
I
don't
recognize
her
—-
GLORIA
Well,
she
has
to
be
someone,
he’s
a
Prince.
AMANDA
Gloria,
I
just
found
her
Instagram.
Her
name
is
Patricia
Klein.
She’s
--
no
one.
Under
a
thousand
followers.
GLORIA
For
the
love
of
Coco,
she’s
a
commoner?
Gloria
is
blistering
with
terrifying,
quiet
anger
--
(CONTINUED)
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32
CONTINUED:
32
GLORIA
(CONT'D)
Katy,
don’t
you
think
this
is
precisely
the
type
of
thing
you
should
have
known
about?
So
we
could
have
adequately
prepared?
Amanda
smirks
to
herself,
satisfied
Katy,
her
stomach
sinking,
is
quick
on
her
feet
--
KATY
I'm
so
sorry,
Gloria
--
I‘1ll
fix
this
--
I
won’t
let
you
down
——
As
Gloria
strides
off
to
do
damage
control
--
GLORIA
(a
chilling
exhale)
You
already
have.
OFF
Raty,
her
face
flushed
--
everything
on
the
line
—-
END
OF
ACT
TWO
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34
ACT
THREE:
“MOVING
ON
INT.
LACY'S
DEPARTMENT
STORE
-
DRESSING
ROOM
-
FLASHBACK
33
In
one
of
the
store’s
perfectly
appointed
fitting
rooms,
bathed
in
glowing,
golden
light,
Gloria
is
attending
to
a
CLIENT...
RATY
(V.0.)
In
the
world
of
fashion,
Gloria
Grandbilt
is
legend
--
an
icon
and
a
gate-keeper.
In
all
her
years
at
Lacy's,
no
one
has
ever
seen
Gloria
sweat...
INT.
LACY'S
DEPARTMENT
STORE
-
LATER
THAT
DAY
34
RATY
(V.O.)
...until
right
this
very
moment.
Katy,
Gloria,
and
Staff
are
on
pins
and
needles
--
it’s
not
going
well.
The
Prince
looks
frustrated
and
impatient
as
they
walt
for
his
girlfriend
to
emerge
from
the
CHANGING
SUITE.
GLORIA
(to
Prince
Errol)
T
suspect
she’s
going
to
adore
this
one.
PRINCE
ERROL
That’s
what
you
said
about
the
last
seven
dresses.
Ouch.
The
girlfriend,
Patricia,
emerges
from
the
changing
suite
--
tugging
at
her
gown,
uncomfortable
--
GLORIA
Exquisite.
Handmade
with
silk
taffeta
and
Neil
Lane
diamonds.
Anna
Wintour's
daughter,
Bee
Shaffer,
had
her
eye
on
it
—-—
PATRICIA
Who?
And
why
does
it
feel
like
I'm
wearing
a
weighted
blanket?
GLORIA
(harsh)
It's
a
couture
gown
--
PATRICIA
Oh,
so
I’m
the
problem?
Excuse
me
--
(
CONTINUED
)
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35
CONTINUED:
34
Upset,
Patricia
rushes
off
and
locks
herself
in
her
changing
Disaster.
As
Gloria
entertains
Prince
Errol,
Katy
seizes
the
chance
to
step
in
for
a
Hall
Mary.
She
goes
to
the
SUITE’S
DOOR,
hears
sniffles
coming
from
the
other
side,
gently
knocks
--
RATY
Hey,
this
is
Katy
Keene,
one
of
the
girls?
Can
I
come
in?
A
beat.
Then
Patricia
opens
the
door,
tear-streaked
--
INT.
LACY'S
DEPARTMENT
STORE
-~
CHANGING
SUITE
-
CONTINUQUS
35
Katy’s
closing
the
door
behind
her
--
PATRICTIA
Can
you
unzip
me
out
of
this
dress?
RATY
Of
course.
As
Katy
unzips,
Patricia
sees
the
price
tag
(shades
of
“Working
--
PATRICIA
Ch
my
god,
70
thousand
dollars??
This
dress
costs
more
than
I
make
in
a
year
--
(panic
attack)
What
am
T
doing
here?
Dating
a
prince?
I'm
an
Imposter
--
trapped
in
some
“Princess
Diaries”
nightmare
——
Katy
sits
with
Patricia,
gives
her
water
to
calm
her
down
--
KATY
Drink.
You’'re
not
in
a
nightmare.
You're
at
Lacy’s
Department
Store
with
a
nice,
handsome...chap
who
happens
to
be
royalty.
PATRICIA
I
don’t
belong
here
KATY
Trust
me,
if
a
girl
who
grew
up
on
the
Lower
East
Side
(the
way
I
did)
belongs
here,
so
do
you
——
PATRICIA
You
grew
up
on
the
Lower
East
Side?
(CONTINUED)
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35
CONTINUED:
35
KATY
You
can
hear
the
accent
when
I'm
mad.
But
yes,
on
Delancey
Street.
PATRICIA
Shut
up
--
I
grew
up
on
Delancey!!
(excited
about
the
connection!)
Where
do
you
shop?
Where
can
I
get
that
dress?
I
love
it
KATY
This
one?
Oh,
I
made
it.
(a
risk:)
Do
you
wanna
try
it
on?
PATRICIA
No,
I
couldn’t
—-
KATY
Honestly,
nothing
would
make
me
happier.
I
can
also
pull
some
clothes
you
might
like.
Stuff
T
would
choose
if,
you
know,
a
prince
ever
took
me
on
a
shopping
spree
—-
(then,
girl-talk:)
How
did
you
two
meet,
by
the
way?
OFF
Katy,
pulling
Patricia
out
of
her
funk
—-
36
INT.
LACY’S
DEPARTMENT
STORE
-
NIGHT
36
Katy,
Gloria,
and
Prince
Errol
watch,
as
—--
in
a
fairy
tale
moment
--
Patricia
emerges
from
the
suite,
transformed.
She
feels
empowered
and
comfortable.
Prince
Errol
smiles.
PRINCE
ERROL
There
she
is.
You
look
ravishing.
PATRICIA
Thanks,
Errol.
(Gloria's
aghast
at
the
informality
of
it
all)
I
love
it.
I
love
everything
I
just
tried
on.
Prince
Errol
smiles
at
Katy,
impressed
—-
PRINCE
ERROL
We’ll
take
anything
she
wants.
GLORIA
And
for
yourself,
Your
Highness?
(CONTINUED)
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37
CONTINUED:
36
PRINCE
ERROL
I’1l
take
the
Dior
suits
and
the
Tom
Ford.
The
equestrian
gear
—-
as
well
as
a
few
Hermés
bobbles
for
everyone
back
home.
We’d
also
like
to
browse
your
jewelry
department
before
we
go.
GLORIA
I’'1ll
take
you
right
away
—-
PRINCE
ERRCL
If
you
don’'t
mind,
like
this
young
lady
to
help
us
——
she
knows
our
taste
--
what’s
your
name?
KATY
Raty.
Katy
Keene.
(curtsies;
what
am
I
doing??
Right
this
way
--
Katy
beams
as
she
leads
Patricia
and
Prince
Errol
away
—-
PATRICIA
Errol,
can
you
believe
Katy
made
the
dress
she’s
wearing?
(She
let
me
try
it
onl)
Standing
off
to
the
side,
ice-gqueen
Gloria
has
overheard
Patricia
—--
and
subtly
scowls
—-
PRE
LAP:
POP/
INT.
THE
APARTMENT
-
NIGHT
37
Jorge's
opened
a
bottle
of
cheap
Prosecco
and
pours
glasses
for
Katy,
Josie,
Pepper,
and
himself
--
JORGE
Apparently
I‘m
too
gay
for
Broadway
--
who
knew
that
was
possible?
--
80
tonight,
only
celebrating
Katy’s
big
win
at
work
--—
(warm})
Congratg,
Girl.
You
deserve
it.
JOSIE
Prince
Errol
Swoon.
I
believe
you
got
to
dress
him
--
PEPPER
I
spent
last
Easter
with
him
on
his
yacht
in
Mykonos.
Swoon,
indeed.
(CONTINUED
)
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KATY
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37
CONTINUED:
Broadway
theaters
--
"Once
Upon
a
Time
in
New
York"
Network
Draft
1/17/19
JORGE
No
way
you
don’t
get
that
promotion
now,
Katy
—-
KATY
I'm
praying
to
the
fashion
goddesses
--
Betsy,
Vivienne,
and
Dianne
--
but
I
don’t
wanna
jinx
it,
let’s
talk
about
something
else:
Josie,
did
you
get
a
job
today??
JOSIE
No,
but
I
did
get
mugged
--
and
I
also
met
this
guy
who
works
for
a
record
label,
who
wants
to
record
one
of
my
songs
tomorrow,
his
name’s
Alex
Cabot
--
KATY/JORGE/PEPPER
Alexander
Cabot
III!/SHUT.
UP./Where
did
you
meet
him??
JOSIE
On
the
subway,
he
heard
me
sing
with
a
busker
—-
PEPPER
The
Cabots
are
right
up
there
with
the
Astors
and
the
Rockefellers,
they
own
everything
--
Radio
stations,
television
networks,
publishing
houses
--
JORGE
KATY
Fashion
labels
—-
KATY
(CONT’D)
His
sister,
Alexandra,
is
a
client
at
Lacy’s
—-
She
spends
a
hundred
thousand
dollars
a
month
on
skincare
products
alone
——
PEPPER
I
feel
her.
Gotta
keep
that
moneymaker
right
and
tight.
JORGE
(to
Josie)
And
you
just
happened
to
bump
into
Alexander
Cabot?
On
the
subway?
What
is
this,
a
Damien
Chazelle
movie?
37
{CONTINUED)
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CONTINUED:
(2)
37
PEPPER
Justin
Bieber
was
discovered
while
busking
--
I
know
because
he
would
38
39
not
shut
up
about
it
that
time
we
went
to
see
Britney
in
Vegas
--
KATY
Not
to
be
a
jaded
cynic,
but
this
sounds
like
the
beginning
of
a
Lifetime
thriller
--
I
don’t
want
you
going
alone.
JOSIE
Katy,
I‘m
from
Riverdale.
Murder
capital
of
the
world.
I'll
be
fine.
RATY
Tomorrow's
my
day
off.
I'11l
come
with
you
as
your
“manager,”
just
in
case
he
goes
Dr.
Luke
on
you
--~
Josie
smiles,
grateful
--
she
rummages
through
her
clothes
--
JOSTE
What
does
one
wear
to
meet
a
billionaire?
KATY
Oh,
don‘t
worry
about
that,
I'll
make
you
something
fantastic
--
Katy
starts
rolling
out
fabrics
--
as
they
FILL
THE
SCREEN,
WE
TRANSITION
TO
—-
EXT.
HELL’S
KITCHEN
—
53RD
STREET
-
THE
NEXT
DAY
38
Josie
(dressed
in
her
bespoke
lock)
and
Katy
walk
into
--
INT.
POCWER
STATION
RECORDING
STUDIO
-
LOBBY
-
DAY
39
Josle
and
Katy
push
into
the
legendary
studio,
to
be
met
by
—-
ALEXANDER
(0.S.)
Josie
Alexander
emerges
from
the
recording
booth,
a
big
charming
smile
on
his
face
—-
JOSIE
Alex,
this
is
—-
KATY
Katy
Keene.
Josie’s
manager.
(CONTINUED)
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39
40
41
CONTINUED:
39
ALEXANDER
Alex
Cabot.
A
pleasure.
Are
you
with
an
agency?
KATY
No,
I'm
--
independent.
My
client,
Josie
here,
mentioned
that
she
sent
you
one
of
her
songs
last
night?
You
didn’t
steal
it
and
give
it
to
somebody
else,
did
you?
ALEXANDER
No...
--
but
I
did
tweak
the
arrangement
a
little
bit
—-
JOSIE
Let’s
hear
it
--
INT.
POWER
STATION
RECORDING
STUDIO
-
MOMENTS
LATER
40
Alex
and
Katy
are
in
the
MIXING
BOOTH,
behind
glass.
Josie’s
on
the
recording
floor
at
a
GRAND
PIANO,
under
a
MICROPHONE.
ALEXANDER
(OVER
PA)
Ready?
Josie
gives
a
thumbs
up.
Alexander
plays
the
track,
Josie
joins
on
piano,
then
starts
singing.
Katy
is
breathless.
KATY
she’s...incredible...
ATEXANDER
You
say
that
like
you’ve
never
heard
her
sing
before.
KATY
(covering)
Uh,
yeah,
well,
with
Josie,
every
time
feels
like
the
first
—-
Raty
gives
Josie
a
subtle
thumbs-up
of
approval.
Josie
smiles
back.
This
guy
is
the
real
deal...
INT.
LUDLOW
LOFT
-
DAY
41
Pepper
tours
a
massive
industrial
loft
with
a
slick
REAL
ESTATE
AGENT
(think
“Million
Dollar
Listing:
New
York”)
--
(CONTINUED)
34.
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41
42
CONTINUED:
Nonplused,
"Once
Upon
a
Time
in
New
York"
Network
Draft
1/17/19
PEPPER
Remind
me,
is
this
loft
licensed
as
a
commercial
space,
and
if
so,
how
would
I
go
about
obtaining
a
liquor
license?
REALTOR
I
can
look
into
it.
But
first,
we
should
talk
price.
It’s
twenty-five
thousand
a
month.
41
Pepper
looks
around,
by
the
WINDOWS...
PEPPER
There’s
a
draft
coming
through
the
windows.
How's
eighteen
a
month?
REALTOR
I'm
sorry,
Ms.
Smith,
but
I
know
my
clients.
They
won’t
budge
--
PEPPER
Mmmm,
I
know
your
clients,
too.
I
know
they’re
going
through
a
gruesome
divorce,
with
infidelities
on
both
sides
that
they're
hoping
to
keep
from
each
other
and
out
of
the
papers
--
and
I
went
to
summer
camp
with
the
son
of
the
guy
who
edits
Page
Six
--
so
let’s
try
this
again:
How’s
eighteen
a
month?
Pepper
smiles.
This
girl
knows
her
business.
INT.
POWER
STATION
RECORDING
STUDIO
-
LOBBY
-
LATER
42
After
recording,
Katy,
Josie,
and
Alex
are
on
their
way
out
--
Katy
eyes
Josie
—-
this
is
what
she
was
worried
JOSIE
That
was
--
electrifying
—--
Thank
you
——
ATEXANDER
It
was
your
song
--
your
voice
—-
KATY
So,
what’s
next?
ALEXANDER
How
about
we
all
go
to
dinner?
about
--
(CONTINUED)
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43
"Once
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York"
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Draft
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42
KATY
I
meant
--
what
are
your
plans
for
my
client?
First,
I'd
like
to
introduce
Josie
to
the
Cabot
Board
and
play
them
the
song.
Then,
once
they
approve,
we’ll
want
to
sign
her,
record
a
full
album,
and
launch
her
career
as
an
international
pop
star.
Sound
good?
Uh,
yeah.
Sounds
incredible.
ATEXANDER
Now
—-
1s
anyone
hungry?
(off
Katy’s
glare)
Just
food.
No
ulterior
motives.
Josie
gives
Katy
a
pointed
look
—-
I‘m
fine,
girl,
go
—-
KATY
Josie,
I
should
get
back
to
--
my
other
clients
—--
I
have
so
many
of
them
--
1f
you’re
okay
here
JOSIE
Totally,
I'm
good
(silently
mouths:)
Riverdale.
The
Black
Hood.
The
Gargoyle
King.
fine
Katy
squeezes
Josie’s
hand
and
goes.
Alex
turns
to
Josie
--
Josie
smil
INT.
GREAS
A
classic
ATEXANDER
Craving
anything
in
particular?
JOSIE
You
know...I’ve
been
missing
my
local
diner
back
home.
Pop’s.
ALEXANDER
in
luck.
We
have
diners
in
New
York.
es.
Her
day
keeps
getting
better
and
better
--
Y
SPOON
DINER
-
NIGHT
43
NYC
diner.
In
a
booth,
Jogie’s
filling
Alex
in...
(CONTINUED)
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43
44
45
CONTINUED:
43
ALEXANDER
So
you
were
in
a
band
in
high
school,
the
Kittycats,
then
what
happened?
JOSIE
The
Pussycats.
And...what
always
happens:
We
split
up.
I
sang
at
my
friend’s
speakeasy
for
awhile...
Since
then,
I’ve
been
working
on
finding
my
sound
as
a
solo
artist.
ALEXANDER
Well,
you
found
it.
And
then
some.
JOSIE
We’ll
see.
You
heard
that
busker
playing
in
the
subway.
Talent
doesn’t
always
equal
success.
In
your
case...with
my
help...it
will.
OFF
Josie,
smiling
—-
okay,
she's
officially
smitten...
INT.
KO’S
APARTMENT
—
NIGHT
44
Raty’s
come
over
to
see
KO.
His
cute
roommate,
RAJ
PATEL
(24),
sits
in
the
middle
of
an
extremely
messy
living
room.
Raj
is
a
film
grad
student
at
NYU.
He’s
doing
hits
off
a
bong
as
he
edits
a
short
on
his
laptop.
KATY
Hey,
Raj,
is
KO...?
RAJ
In
his
room,
Katy.
Go
ahead.
KO
(PRE-LAP)
How’d
it
go
with
the
Prince?
INT.
KO'S
APARTMENT
-
KO’S
BEDROOM
-
NIGHT
45
KO’s
bedroom
is
slightly
less
messy
than
the
living
room,
but
hey,
he’s
a
dude
in
his
20s,
living
with
a
roommate,
so
we
forgive
him.
(Think
Adam
Driver's
apartment
from
“Girls.”)
KO
...did
you
charm
him?
(CONTINUED)
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CONTINUED:
"Once
Upon
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York"
Network
Draft
1/17/19
KATY
Even
better.
I
charmed
his
girlfriend,
which
led
to
Lacy's
single
biggest
sale
of
the
year.
KO
Katy
Keene
for
the
win
—-—
KATY
We’ll
see,
Gloria
can
be
(what’s
the
word?)
mercurial
--—
KO
Katy,
I
-—-
I
got
some
news
today.
You
know
how
I‘ve
always
wanted
to
train
at
Joe
Frazier’s
gym,
right?
KATY
In
Philadelphia,
yeah...
RO
They
called
today.
My
name
was
on
a
wait-list.
They’re
looking
to
take
on
some
new
fighters
--
and
interested.
KATY
In
you?
KO,
that’s
amazing
--
(then,
an
observation:)
(I
didn’t
even
know
you
were
on
a
wait-list...)
KO
So...what
if
we
move?
Get
a
nice,
big
apartment
together,
a
queen-
sized
bed,
you
love
cheesesteaks
--
KATY
Yeah,
but
my
job
--
KO
This
is
only
if
you
don’t
get
the
promotion
but
there
are
department
stores
in
Philly.
KATY
(dead
serious)
There’s
only
one
Lacy’s.
45
(CONTINUED)
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45
46
CONTINUED:
(2)
45
RO
I
know,
I
know
——
and
it’s
terrible
timing
~-
but
we
always
talk
about
how
crazy
and
expensive
it
is
to
live
here
--
KATY
Yeah,
but
it’s
New
York.
We're
New
Yorkers.
I
get
the
bends
when
I
go
to
Long
Island
KO
Look
--
let’s
not
get
ahead
of
ourselves
—-
let’s
see
what
Gloria
has
to
say
first
--
then
we
can
figure
things
out,
cool?
Katy
nods,
destabilized
by
this
new
variable
in
their
lives...
EXT.
THE
APARTMENT
-
NIGHT
46
Alexander
walks
Josie
home
after
their
date
—-
ALEXANDER
Okay,
okay
--
the
Shirelles
or
The
Ronettes?
JOSTIE
The
Shirelles,
all
the
way
--
“Will
You
Still
Love
Me
Tomorrow”
-—
it’s
the
one
music
thing
my
dad
and
I
agree
on
—-
AT,EXANDER
He
a
musician?
JOSIE
He
is.
Jazz.
Always
on
tour.
As
my
mom
likes
to
say,
He’s
been
chasing
something
his
whole
life,
and
Lord
knows
if
he’ll
ever
find
it...
Now
here
I
am,
doing
the
exact
same
thing...
Alex
is
taken
with
Josie.
They
arrive
at
the
apartment
door
and
linger...
JOSIE
(CONT'D)
This
is
me.
And
then,
even
though
they
shouldn’t,
Alex
and
Josie
move
in
for
a
slow,
sexy
KISS
--
they
pull
apart
--
mutual
WOW
—-
(CONTINUED)
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46
CONTINUED:
46
JOSIE
(CONT'D)
I'd
invite
you
up,
but...I
have
roommates.
ALEXANDER
(grinning)
I
don’t.
Josie
and
Alex
can’t
look
away
from
each
other
—-
as
Alex
holds
his
hand
out
to
hail
a
CAB
--
END
OF
ACT
THREE
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47
48
ACT
FOUR:
A
HARD
KNOCK
LIFE”
INT.,
AN
APARTMENT
IN
THE
DAKOTA
-
THE
NEXT
DAY
47
Josle
wakes
up
(wearing
Alex’s
vintage
Ramones
tee
shirt)
in
the
best
bed
she'’'s
ever
slept
in.
The
duvet
is
like
a
cloud.
She
cat-stretches,
then
rolls
over
to
look
out
the
window
at
a
CENTRAL
PARK
VIEW
—--
IS
THIS
REAL??
——
KATY
(V.0.)
Josie
McCoy’s
dream
isn’t
what
you
might
think.
Of
course,
she
wants
to
be
a
star,
but
what
she
really
wants
is
for
New
York
City
to
say:
“Welcome.
You
belong
here.
You
can
play
your
music
here.
You
can
have
a
life
here.”
And
then...maybe...
the
star
part.
Alexander
(in
boxers)
enters
with
coffees
and
smiles
at
Jogie,
warm.
Josie
nods
toward
the
window
--
JOSIE
Quite
the
view.
ALEXANDER
(looking
at
Josie)
Agreed.
Playful,
Alexander
sets
down
the
coffees
and
climbs
onto
Josie
for
a
sexy
morning
MAKE-OUT,
as
WE
CUT
TO
--
INT.
LACY'S
DEPARTMENT
STORE
-
DAY
48
Katy
enters
through
the
revolving
door,
high
off
her
Prince
Errol
sale
--
smiling
at
a
TEXT
from
KO:
“Can’t
wait
for
dinner
with
a
PERSONAL
SHOPPER
tonight
*pasta
--
She
arrives
at
her
post,
surprised
to
find
a
STAFF
MEETING
already
in
progress
--
with
MRS.
LACY
(70s,
regal),
the
storeowner.
Katy
slips
in
to
stand
amongst
Gloria’s
Girls...
MRS.
LACY
I
want
to
thank
you,
Gloria,
for
your
and
your
team’s
exemplary
performance
hosting
our
royal
visitor.
The
Gray
Lady,
The
Post,
and
other
outlets
have
picked
up
on
the
story
that
Prince
Errol
shopped
here,
with
us.
(MORE)
(CONTINUED)
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48
49
CONTINUED:
48
MRS.
LACY
(CONT'D)
In
their
piece,
The
Times
wrote:
is
the
last
great
department
store
in
America.”
I
couldn’t
agree
more
with
that
sentiment,
and
I
couldn’t
be
more
proud
of
us.
Now,
let’s
harness
all
this
positive
“buzz”
and
exceed
our
sales
quotas
for
the
month,
shall
we?
APPLAUSE!
Mrs.
Lacy
hugs
Gloria,
welcoming
her
to
speak
next.
Katy
smiles...
GLORIA
Thank
you,
Mrs.
Lacy.
I
couldn’t
have
done
it
without
my
team
--
my
Girls.
As
you
know,
mentoring
these
young
women
means
the
world
to
me.
Which
is
why,
like
to
make
an
announcement..
.
AMANDA
(sotto
to
Katy,
You
so
don’t
deserve
this.
GLORIA
The
new
Personal
Shopper
position
goes
to
an
exceptional,
hard-
working
young
woman,
with
a
keen
fashion
sense
——
who's
been
with
me
for
a
few
years
now
-—-
(Katy
steps
forward)
Congratulations,
Amanda
—-
The
Girls
clap
and
exchange
looks
--
they’re
all
shocked
that
it
wasn’t
Katy.
OFF
Katy,
knocked
back
PRE-LAP:
The
smooth-as-silk
SONG
Josie
and
Alex
recorded...
INT.
CABOT
MEDIA
-
BOARDROOM
-
DAY
49
The
CABOT
BOARD
OF
DIRECTORS
--
including
Alexandra
(with
her
cat,
SEBASTIAN,
in
her
lap)
--
listens
to
Josie’s
soulful,
60s
POP-inspired
song.
Josie
and
Alex
watch
in
nervous
anticipation.
The
song
ends.
Then,
DEAFENING
SILENCE.
Then:
BOARD
MEMBER
1
I
have
to
be
honest,
I
don’'t
know
who
would
listen
to
this.
(CONTINUED)
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49
CONTINUED:
49
BOARD
MEMBER
2
I
agree.
It
doesn’t
sound
like
anything
out
there,
but
not
in
a
good
way.
It
sounds
--
risky.
And
risky
scares
me.
JOSIE
ALEXANDER
Excuse
me?
Come
on
—--
are
you
saying
it’s
not
generic
enough?
ATEXANDRA
Alex.
You
asked
us
to
listen,
now
it’s
your
turn.
BOARD
MEMBER
3
I
didn’t
hate
it.
Reminds
me
a
little
of
The
Supremes.
But
I
hear
what
my
daughter
listens
to
on
Streamify,
and
she
would
never
listen
to
this.
Not
in
a
million
years.
Especially
not
by
someone
no
one
has
ever
heard
of.
Sorry,
but
it’s
a
pass
for
me.
BOARD
MEMBER
2
BOARD
MEMBER
1
Pass.
Pass.
The
rest
of
the
Board
agrees
—-
hard
pass.
Alexandra,
pleased
with
this
result,
stands
and
approaches
Josie.
ALEXANDRA
I'm
Alexandra,
Alex’s
sister
--
Senior
VP
of
Cabot
Media.
You
have
a
nice
voice,
and
you
seem
sweet,
but
if
we're
going
to
re-launch
our
record
division
--
and
spend
millions
of
dollars
to
do
so
--
it
has
to
be
with
someone
who’s...
undeniable.
(then)
I
can
tell
you’re
upset.
But
life
isn’t
“A
Star
is
Born.”
You
don't
just
meet
a
guy
and
win
multiple
Grammys
overnight.
ALEXANDER
You’'re
wrong,
Xandra.
Josie’'s
a
star.
ATEXANDRA
Where
did
you
find
this
one,
Alexander?
The
subway
again?
(off
Josie’s
expression)
(MORE
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CONTINUED:
(2)
ALEXANDRA
(CONT'D)
What,
did
you
think
you
were
the
first?
Josie
shoots
a
look
at
Alex,
humiliated
--
Alex
feels
terrible
for
putting
Josie
in
this
position
--
ALEXANDRA
(CONT'D)
It
was
nice
to
meet
you,
Josie.
OFF
Josie,
shaken
50
EXT.
CABOT
MEDIA
-
LOBBY
-
DAY
Josie’s
storming
away,
with
Alex
in
hot
pursuit
--
ALEXANDER
Josie,
wait
--
JOSTIE
what,
do
you
just
troll
subway
stations
all
day
looking
for
girls
to
humiliate
—-
ATEXANDER
No!
Those
people
in
there
don’t
know
what
they’re
talking
about
--
1/17/19
49
50
ALEXANDER
(CONT'D)
Alex,
you
don‘t
even
work
for
Not
yet,
but
I
can
explain
--
a
record
JOSIE
You
could’ve
“explained”
it
to
me
this
morning
--
when
I
woke
up
in
your
bed
--
before
setting
me
up
to
get
ripped
apart
by
a
bunch
of
white
guys
and
your
Bond
villain
of
a
sister
—-
ALEXANDER
My
sister
doesn’t
want
me
re-
launching
the
record
label,
she
thinks
it’s
a
waste
of
money
—-
but
I'm
going
to
prove
her
wrong
—-—
with
you
--
JOSIE
Nu-uh
--
no
way,
Dude
—--
find
someone
else
to
drag
into
your
sibling
rivalry
--
I’'m
out
--
Josie
leaves
Alexander
in
the
dust
—-
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51
INT.
LACY'S
DEPARTMENT
STORE
-
DAY
51
Gloria,
glasses
on,
reviews
important
paperwork
at
her
post.
Katy
approaches,
trying
to
stay
calm
--
KATY
Gloria
--
I'm
genuinely
confused.
I
thought
that
job
was
mine.
GLORIA
I
heard
Prince
Errol’s
girlfriend
tried
on
a
dress
we
didn’'t
sell
at
our
store.
One
of
your
designs.
KATY
(
fuckfuckfuck)
She
said
she
liked
it,
so
I
let
her
try
it
on
to
make
her
feel
better
--
GLORIA
And
to
benefit
yourself,
I
think
you’ll
admit.
KATY
Gloria,
you
were
there
--
Errol
was
about
to
walk
out
empty-handed
—-
I
had
to
think
outside
the
box
——
GLORIA
You
made
a
choice,
Katy,
one
that
violates
store
policy,
as
well
as
my
own
personal
code:
You
made
it
about
yourself.
KATY
You
mean,
as
opposed
to
about
you?
GLORIA
(indignant)
Excuse
me,
I
put
Lacy’s
ahead
of
everything.
And
I
expect
the
same
of
my
Girls.
why,
effective
immediately,
you
no
longer
report
to
this
department,
my
department.
But
do
check
with
HR,
I
believe
there’s
an
opening
at
the
Returns
Counter.
(twisting
the
knife)
Or
you
could
always
try
some
shop
downtown...on
the
Lower
East
Side...perhaps
Delancey
Street?
OFF
Katy,
her
mentor
has
turned
into
her
nemesis
—-
(CONTINUED)
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51
52
CONTINUED:
KATY
(PRE-LAP)
You
guys,
I
don’t
know
what
to
do.
EXT.
THE
APARTMENT
-
FIRE
ESCAPE
-
NIGHT
Katy,
Josie,
Jorge,
and
Pepper
confab
over
Chinese
take-out...
KATY
Not
only
did
I
not
get
the
promotion,
Gloria
exiled
me
to
the
Returns
Counter
--—
JORGE
That
skinny
bitch.
1’11
tell
you
what
to
do:
Quit.
KATY
I
need
a
job,
Jorge,
wanted
to
work
at
Lacy’s
ever
since
I
was
a
little
girl.
My
mom
always
dreamed
of
having
her
dresses
sold
there
--
JOSIE
There
you
go.
Your
dream
-—
your
real
dream
--
1s
to
have
your
clothes
sold
at
Lacy's,
not
to
be
a
personal
shopper
at
Lacy’s.
(Katy’s
silent)
At
least,
I
hope
that's
your
dream,
because
I
look
around
at
the
clothes
you
make,
Girl,
and
you're
a
heartbeat
away.
And
in
the
meantime,
it
doesn’t
matter
what
your
day
job
is.
Hell,
you
could
be
cleaning
toilets
at
Lacy’s
—-
it’s
not
important.
PEPPER
I
agree
—-
but
maybe
let’s
aim
higher
than
cleaning
toilets
—-—
JORGE
When
we
first
met,
that’s
what
you
said,
Katy,
that
you
wanted
to
be
a
designer
—-
RATY
I
know,
but
—-
JOSIE
No
buts
--
don’t
give
the
Gloria's
of
the
world
power
over
you
--
"Once
Upon
a
Time
in
New
York"
Network
Draft
1/17/19
51
52
(CONTINUED)
46.
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48
KATY
KEENE
-
PILOT
52
CONTINUED:
"Once
Upon
a
Time
in
New
York"
Network
Draft
1/17/19
RATY
I
hear
that,
I
do,
but
it’s
not
just
about
Gloria
now
it’s
also
about
KO
--
JORGE
What
do
you
mean?
KATY
This
just
happened,
but
KO
wants
us
to
move
to
Philadelphia.
So
he
can
train
at
this
world-famous
gym.
JORGE
You're
not
actually
considering
it,
are
you?
KATY
We
have
to
figure
it
out
—-
Suddenly,
there’s
a
really
compelling
reason
for
us
go
——
and
a
less
compelling
reason
for
us
to
stay
JORGE
It
would
be
death
--
you
would
die
--
PEPPER
Let
me
get
this
straight.
You’d
move
to
Philadelphia
to
support
KO's
dream
at
the
cost
of
your
own?
What
is
that?
Post-post-feminism?
JORGE
You
always
do
this
--
You're
so
focused
on
other
people’s
dreams,
you
forget
or
ignore
your
own
--
KATY
I'm
in
a
relationship,
it
has
to
be
about
both
of
our
dreams
—-
JORGE
(sympathetic
to
her)
You’re
in
it,
Girl,
that’s
for
sure
--
(shaking
her
head)
Damn,
Ladies,
we
are
a
tragic
mess
tonight
--
PEPPER
Not
me,
Bitches,
I
landed
my
space
and
my
investors
—-
52
(CONTINUED)
47.
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49
KATY
KEENE
-~
PILOT
52
CONTINUED:
(2)
JOSIE
Well,
I
was
humiliated
and
rejected
by
one
of
the
biggest
media
corporations
in
the
world.
Oh,
and
this
is
after
I
slept
with
Alex
and
he
lied
to
me
—-—
But
hey,
Dunkin’
Donuts
is
looking
for
a
cashier
--
JORGE
Excuse
me,
Madonna
Loulse
Veronica
(confirmation
name)
Ciccone
worked
at
a
back
in
the
day
--
make
room
for
one
more
at
this
pity
party,
because
I‘ve
decided:
I
am
giving
up
on
Broadway
KATY
What?
What
about
the
second
open
call
for
“Mannequin”?
“Once
Upon
a
Time
in
New
York"
Network
Draft
1/17/19
52
Jorge
shakes
his
head,
emotions
and
hurt
from
being
rejected
coming
through
—-
OFF
Raty,
even
down,
she’s
there
for
her
friends
--
JORGE
T
can’t
do
it.
I
am
so
tired
of
getting
rejected
over
and
over
and
over
again
because
I
don’t
fit
into
their
little
box.
They've
made
it
abundantly
clear:
The
Powers-That-
Be
don’t
want
someone
like
me.
And
I
can’t
try
to
act
masc,
and
I
won't
code
switch
just
to
get
roles.
I
can’t
--
KATY
So
maybe
--
maybe
you
do
the
exact
opposite
--
and
show
them
a
side
of
you
they’ve
never
seen
before
--
JORGE
Katy
Keene,
are
you
saying
what
I
think
you’re
saying?
KATY
Yes
--
(Cheshire
cat
smile)
--
but
you’'re
gonna
need
a
new
dress
first.
END
OF
ACT
FOUR
48.
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50
KATY
KEENE
-
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"Once
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53
54
ACT
FIVE:
“REALITY
BITES”
INT.
LOPEZ
DELI
GROCERY
-
FLASEBACK
53
Lunch-rush
on
a
typical
day
at
the
Lopez
Bodega.
As
before,
Jorge
works
the
sandwich
counter,
which
is
surrounded
by
five
strapping
guys,
JORGE'S
BROTHERS,
all
of
them
horsing
around,
as
JORGE’S
MOTHER
looks
at
them,
adoringly
—-
RATY
(V.0.)
My
roommate,
Jorge,
is
the
youngest
of
five
boys
(two
cops,
a
plumber,
a
construction
worker,
and
a
New
York
Yankee).
He
came
out
to
his
folks
when
he
was
fourteen.
And
though
they
haven’t
“met”
Ginger
yet,
they're
incredibly
supportive
of
Jorge’s
passion:
To
originate
a
role
in
a
Broadway
musical...
INT.
BROADWAY
THEATER
-~
THE
NEXT
DAY
54
Back
at
another
open
call
for
“Mannequin.”
RKATY
(V.0.)
...even
if
that
musical
is
based
on
a
cheesy
80s
rom-com.
Katy
and
Josie
sit
in
the
last
row
of
the
theatre,
there
to
support
—-
GINGER
(in
full,
stunning
drag)!
She’s
onstage,
front
and
center,
amidst
the
other
hopefuls,
slaying
the
choreography,
taking
her
performance
to
a
whole
new
level
—-—
JOSIE
I
can’t
believe
you
made
that
outfit
last
night
--
in
one
night
——
(notices
Katy'’s
emotional)
Katy,
you
okay?
KATY
Yeah,
I'm
just
--
I'm
realizing:
This
is
the
kind
of
thing
I’d
miss
by
moving
to
Philly
At
the
end
of
the
dance
combination,
Ginger
is
spent.
She’s
left
her
sweat
—--
her
heart
--
everything
—-
on
the
stage.
DIRECTOR
Number
39,
please
step
forward.
Holy
shit,
that’s
Ginger!
She
steps
forward,
smiling
--
this
is
it,
her
“Chorus
Line”
moment
--
except
--
(CONTINUED)
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"Once
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54
CONTINUED:
54
DIRECTOR
(CONT'D)
what,
did
you
think
I
wouldn’t
recognize
you?
Or
that
I
was
gonna
see
something
today
that
I
didn’'t
before?
This
is
Broadway,
not
some
drag
contest
in
the
Village.
Nice
try,
though.
Next
group.
Ginger
finds
herself
holding
back
tears
of
adrenaline
and
rage.
In
the
audience,
Katie
and
Josie
are
gob-smacked.
But
then,
Ginger
straightens
her
wig,
throws
her
shoulders
back
--
GINGER
You
know
what?
I‘ve
heard
it
all.
Too
soft,
too
fem,
too
gay,
too
skinny
(thankyouverymuch)
--
but
I
don’'t
care,
because
I
know
I'm
good
enough.
And
for
the
record,
those
Queens
in
the
Village
have
more
talent
in
their
acrylic
pinky
nail
than
most
of
the
people
in
this
theater.
If
you
all
can’t
see
talent
when
it’s
right
in
front
of
you,
then
you
don’t
deserve
to
have
me
in
your
chorus.
And
mark
my
words:
One
day,
you
will
know
my
name
--
Ginger
Lopez.
And
you’ll
see
it
in
lights.
Carnegie
Hall
In
the
back
row,
Katy
and
Josie
applaud
and
whistle,
giving
Ginger
a
standing
ovation
as
she
struts
off
the
stage
--
55
INT.
THE
PLAZA
HOTEL
-
LOBBY
-
DAY
55
as
Pepper
struts
Into
the
hotel,
on
top
of
the
world.
As
she
passes
the
concierge,
Didi
pulls
Pepper
aside
urgently
--
DIDI
Pepper,
the
Manager
wants
you
to
pay
your
bill.
He
tried
to
charge
the
card
you
have
on
file,
but
it
was
declined
--
again
--
PEPPER
Hmm,
I'm
a
little
cash-poor
at
the
moment,
but
tell
Dmitri
I'll
wire
him
the
money
in
a
couple
of
days
--
or,
you
know
what,
I‘ll
call
him
from
my
room
--
(CONTINUED)
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KEENE
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"Once
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55
CONTINUED:
55
DIDI
You
can’t.
He
deactivated
your
key
card
—-
you’re
locked
out
until
you
pay
your
bill
--
all
eighty
thousand
dollars
of
it
—-
Pepper
sees
the
Hotel
Manager,
DMITRI,
across
the
lobby
—-
PEPPER
Alright,
lock,
here’s
five
hundred
dollars
--
(she
hands
it
to
Didi)
Get
my
bags,
get
my
laptop
--
I'll
text
you
an
address
where
you
can
send
them
--
and
don’t
worry,
Didi,
I
know
this
isn’t
your
fault
--
Pepper
dashes
off,
narrowly
escaping
getting
caught
--
JOSIE
(PRE-LAP)
Welcome
to
Dunkin’
Donuts,
may
I
take
your
order?
56
INT.
DUNKIN'
DONUTS
-
DAY
56
Josie’s
working
the
cash
register
in
the
donut
shop,
in
uniform,
when
a
handsome
guy
steps
up
-~
oh,
crap,
it’s
--
JOSIE
--
aw,
hell.
Alexander,
what
are
you
doing
here?
How’'d
you
find
me?
AT.EXANDER
I
went
by
your
building.
Can
we
talk?
TIME-CUT
TO:
Alex
and
Josie
at
a
table,
framed
by
a
window
—-
ALEXANDER
It
was
my
idea
to
relaunch
the
record
label.
My
sister
threw
a
fit,
called
it
a
vanity
project.
So
my
dad
put
a
clock
on
it,
he
said:
“You
have
one
year
to
find
a
star,
someone
fresh,
and
I’11l
give
you
the
money
for
the
label.”
And
Josie,
you’re
the
star
I
want
to
do
it
with.
No
one
else.
JOSIE
(weighing
all
this...)
I
have
no
reason
to
believe
you
—-
except
you
knew
your
way
around
that
booth
like
a
pro.
(CONTINUED)
51.
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KEENE
-
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"“Once
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56
57
CONTINUED:
56
ALEXANDER
Mugic’'s
my
passion.
Give
me
another
chance,
you
won’t
regret
it.
JOSIE
1’11
—--
consider
it.
ALEXANDER
(hopeful)
What
about
the
night
we
spent
together?
Fuck.
Josie
really
likes
him,
but
knows
this
is
trouble
--
JOSIE
That
was
--
a
moment
of
weakness.
And
my
break’s
over,
so
—-
I’'ll
see
you
around,
Alex
—-—
Josie
stands,
puts
on
her
Dunkin’
Donuts
hat
again
--
and
doesn’t
even
look
back
--
INT.
LACY'S
DEPARTMENT
STORE
-~
RETURNS
COUNTER
-
DAY
57
Meanwhile,
Katy’s
manning
the
RETURNS
COUNTER
in
the
Lacy’s
basement.
It’s
windowless.
Bleak.
Suddenly,
Amanda
drops
off
an
enormous
jumble
of
tangled
clothes
--
AMANDA
Katy,
hiiii,
Gloria
needs
you
to
process
these
returns
for
a
priority
client,
ASAP
—-
KATY
But
--
none
of
these
have
tags
--
AMANDA
That
should
be
no
problem
for
a
“fashion
It
girl”
like
you,
Katy
--
KATY
Really,
Amanda?
You're
gloating?
Isn’t
it
enough
that
you
sabotaged
me?
And,
by
the
way,
you’re
not
gonna
get
away
with
that
--
AMANDA
I
deserve
this
promotion,
Katy,
I'm
from
the
Upper
East
Side,
okay?
KATY
Give
me
a
break,
Amanda,
you‘re
from
Westchester.
(MORE)
(CONTINUED)
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57
58
CONTINUED:
57
KATY
(CONT'D)
And
your
parents
still
bankroll
your
rent
so
you
can
spend
all
your
paychecks
on
Dior
Saddle
Bags.
You’re
not
fooling
anyone.
AMANDA
Neither
are
you.
You
may
not
look
like
it
--
or
sound
like
it
--
but
you’'re
a
gutter-girl
from
the
Lower
East
Side
--
and
that,
Katy,
will
never
change.
Oh,
and
the
lighting
down
here?
Is
doing
pothing
for
you.
In
a
huff,
Amanda
leaves
Katy,
who
--
after
a
beat
--
grabs
her
phone
and
starts
texting
Josie,
Jorge,
and
Pepper:
Drinks?
Tonight?
Ballroom?
They
immediately
respond:
Yes.
And:
Hell
yes.
And:
Already
drinking.
INT.
THE
BALLROOM
-
NIGHT
58
SLAM!!
Our
quartet
has
just
slammed
down
four
empty
cold
vodka
shots!
(They
are
not
their
first
shots
of
the
night.)
PEPPER
Before
I
forget:
Do
you
guys
mind
if
I
crash
at
your
apartment
for
a
few
nights?
A
pipe
burst
in
my
room
at
the
Plaza
--
JOSIE/GINGER
For
sure!/You
can
sleep
with
Katy
-~
KATY
(mischievous)
Okay,
it
might
be
the
vodka
talking,
but
I
had
an
epiphany
today
at
the
Returns
Counter:
Screw
Lacy’s.
I
gave
that
place
three
years
of
my
life
—-
Think
of
all
the
clothes
I
didn’t
design
while
I
was
at
Lacy’s
--
So
tomorrow,
I'm
quitting
--
JOSTIE
Katy,
do
whatever
you
need
to
do,
but
you
can’t
move
to
Philadelphia,
I
just
got
here
——
KATY
I...definitely
have
to
figure
that
out,
Josie,
but
first
--
tonight
—-
(she
holds
up
her
keys)
(MORE)
(CONTINUED)
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"Once
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58
59
60
CONTINUED:
58
KATY
(CONT'D)
who's
in
the
mood
for
a
little
fun?
INT.
LACY’'S
DEPARTMENT
STORE
-
NIGHT
59
Katy
has
unlocked
a
side
dcor
to
let
Josie,
Pepper,
and
Ginger
into
the
dark,
empty
store.
Lacy’s
is
all
theirs.
In
a
“Mannequin”-like
sequence,
the
girls
rush
around
various
departments,
trying
on
fabulous
clothes
and
accessories.
ANGLE
ON:
Pepper,
all
alone,
perusing
luxury
scarves.
She
opens
a
DISPLAY
CASE
and
picks
up
an
EXPENSIVE
SILK
SCARF.
she
looks
over
her
shoulder,
then
places
it
in
her
bag
--
The
sequence
culminates
in
a
SLOW-MOTION
STRUT,
all
our
girls
dressed
in
outfits
they
could
never
afford.
It’s
a
moment
of
wish-fulfillment,
when
--
record-scratch
--
Katy
spots
Harvey
Fierstein,
struggling
to
finish
his
display
window
—-—
KATY
CRAP,
someone’s
here,
we
need
to
go
--
Katy
ushers
the
girls
towards
the
exit,
but
Harvey
spots
her
--
HARVEY
--
Katy,
is
that
you?
Katy
closes
the
door
behind
her
friends
(who
are
outside
the
gtore
now),
then
turns
to
KATY
Hi,
Harvey
—--
I
forgot
my
wallet
--
(she
senses
he’s
distraught)
-—
are
you
okay?
HARVEY
No.
The
client
threw
out
my
concept
for
the
window
—-
the
day
before
it’s
scheduled
to
be
unveiled.
Now
I
have
until
sunrise
to
figure
out
a
new
way
to
display
twelve
evening
gowns.
ILf
the
c¢lient’s
unhappy,
I'm
done
for,
Mrs.
Lacy’ll
put
me
out
to
pasture
—-
KATY
(can’t
stop
herself)
...maybe...I
can
help?
OFF
Harvey,
he’ll
take
whatever
help
he
can
get
--
INT.
LACY’S
DEPARTMENT
STORE
-
WINDOW
DISPLAY
-
LATER
60
Katy
drops
a
box
of
accessories
in
front
of
Harvey
--
(CONTINUED)
54.
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KATY
KEENE
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60
CONTINUED:
Harvey
loo
"Once
Upon
a
Time
in
New
York"
Network
Draft
1/17/19
RATY
As
Oprah
says,
these
are
a
few
of
my
favorite
things.
Hopefully
they’1l
spark
something
--
ks
through
what
Katy
brought
--
HARVEY
Let's
see
—-
oooh,
look
at
these
bejeweled
cuffs
—-
KATY
It’s
weird,
but
I‘ve
always
been
obsessed
with
cuffs
--
especially
the
ones
Lagerfeld
designed
for
Chanel
in
the
80s
--
elegant,
powerful
--
like
Wonder
Woman,
bulletproof
--
my
mom
had
a
pair
she
wore
everywhere
—-—
HARVEY
Is
she
a
fashion
girl
like
us?
KATY
She
was
a
seamstress.
She
always
said:
“You
don’t
have
to
be
rich
to
be
stylish.”
Every
weekend,
we
would
come
to
Lacy’s
together
and
stare
at
your
windows
for
hours
--
We
couldn’t
afford
anything,
of
course,
but
we
would
get
inspired
by
our
favorite
designers
--
McQueen,
Chanel,
Saint
Laurent,
Balenciaga
--
then
we
would
go
home
and
make...our...own...
60
Having
a
vivid
memory,
Katy'’s
looking
out
the
window,
seeing
herself
as
a
toddler,
standing
with
her
mother,
holding
her
hand...
OFF
Katy,
an
almost
maniacal
look
in
her
eyes
—-
KATY
(CONT'D)
...wait...Harvey...I
just
had
a
crazy
ildea
for
your
window
--
but
you’re
gonna
have
to
trust
me
--
and
we’re
gonna
need
every
sewing
machine
in
the
store
--
END
OF
ACT
FIVE
55.
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57
KATY
KEENE
-
PILOT
"Once
Upon
a
Time
in
New
York"
Network
Draft
1/17/19
61
62
ACT
SIX:
“OPENING
DOORS”
INT.
THE
APARTMENT
—
KATY'S
BEDROCM
—
THE
NEXT
MORNING
61
Katy
sleeps
in
her
chic
eye
mask
when
her
phone
rings.
It’s
HARVEY.
Groggy,
Katy
picks
up
--
Pepper,
sharing
the
bed
with
Katy,
stirs
—-
KATY
HARVEY
(ON
PHONE)
Hello?
Katy,
where
are
you?
You're
going
to
miss
it
--
KATY
Omigod,
I’1l
be
right
there
-—-
Katy
hangs
up
and
whips
off
her
duvet
--
and
WE
CUT
TO:
EXT.
LACY’S
DEPARTMENT
STORE
-
WINDOW
DISPLAY
-
MORNING
62
Raty,
Josie,
Jorge,
and
Pepper
rush
toward
Lacy’s,
coffees
in
hand.
Harvey,
THE
CLIENTS,
Mrs.
Lacy,
Gloria
there
for
(the
currently
curtained)
window’s
unveiling
--
MRS.
LACY
It’s
tradition
here
at
Lacy’s
that
we
gather
for
the
unveiling
of
our
new
store
windows.
I
know
Harvey
and
his
team
have
been
hard
at
work
to
showcase
the
fabulous
gowns
by
our
friends
at
Commes
Des
Filles.
So,
without
further
ado
~-
Mrs.
Lacy
motions
--—
the
CURTAIN
DROPS
—-
everyone
gasps
in
amazement
--
APPLAUSE!!
—-
even
the
Clients
are
pleased
--
and
then
we
see
it,
too:
The
tableau
is
a
SEWING
ROOM
(echoing
our
opening
image).
The
MANNEQUINS
are
SEAMSTRESSES
wearing
and
making
COUTURE
GOWNS.
Fabric
flows
from
all
angles.
Simple,
timeless,
in
motion
--
MRS.
LACY
(CONT’D})
This
is
just
--
Harvey,
speechless...
HARVEY
It
was
all
Katy
Keene's
idea.
Which
is
why,
I’'d
like
to
offer
her
a
job
in
my
department
--
KATY
(in
shock)
Harvey...
(CONTINUED)
56.
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by
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Access
58
KATY
KEENE
-
PILOT
"Once
Upon
a
Time
in
New
York"
Network
Draft
1/17/19
62
63
64
CONTINUED:
62
HARVEY
It’s
low
pay
and
long
hours,
but
be
rewarded
for
your
talent.
{side-eyeing
Gloria)
Not
punished
by
jealous
hags.
KATY
I,
I
don’t
know
what
to
say
--
HARVEY
Say
yes,
on
one
condition:
not
letting
you
stay
here
forever.
Six
months,
tops.
(Okay,
maybe
nine.)
Then,
you’re
out
in
the
world
—-
doing
what
you're
meant
to
be
doing.
Designing.
Katy,
eyes
wet,
hugs
her
new
fairy
godmother
--
as
Gloria
turns
tail
and
stomps
into
the
store
--
INT.
LACY'S
DEPARTMENT
STORE
-~
MOMENTS
LATER
63
When
Gloria
arrives
at
her
domain,
Amanda
is
holding
up
a
GIANT
BOUQUET
OF
FLOWERS
AMANDA
These
were
just
delivered.
GLORIA
For
me,
I
assume.
(snatching
the
card)
“Thank
you
for
your
help.
Let
me
know
how
I
can
return
the
favor...
Katy.”
Signed
—-
Errol
Swoon.
Gloria
rips
up
the
note,
tosses
the
flowers
into
the
trash
PEPPER
(PRE-LAP)
It’s
mulberry
silk
--
INT.
CAFE
DES
ARTISTES
DAY
64
Pepper
sits
across
from
Didi,
who’s
Jjust
opened
a
gift
—-
the
silk
scarf
Pepper
stole
from
Lacy’s
—-—
DIDT
Pepper,
you
didn’t
have
to
get
me
anything
(but
I'm
glad
you
did,
this
is
gorge)
--
(CONTINUED)
57.
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by
Breakdown
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59
KATY
KEENE
-
PILOT
"Once
Upon
a
Time
in
New
York"
Network
Draft
1/17/19
64
65
66
CONTINUED:
64
PEPPER
Picked
it
up
in
Paris.
A
thank
you
for
getting
my
things
back
to
me.
And
for
being
such
a
good
friend.
DIDI
Where
are
you
gonna
live
now?
PEPPER
Me?
Oh,
my
usual
suite
at
the
Waldorf.
I’ll
be
just
fine
—-
Pepper
sips
champagne,
and
smiles
that
smile
of
hers...
GINGER
(PRE-LAP}
New
York
City,
remember
you
heard
her
here
first
--
INT,
THE
BALLROOM
-
THAT
NIGHT
65
Katy,
Josie,
and
Pepper
around
a
table
--
Ginger,
in
all
her
glory,
is
on
the
Ballroom’s
stage,
introducing
--
GINGER
-—
all
the
way
from
podunk
Riverdale
--
she
came
here
to
sing,
so
earlier
today,
I
warned
her
I
was
gonna
make
her
sing
—-
let’s
give
a
big
Ballroom
welcome
to
--
Jogie
McCoy!!
Ginger
cedes
the
mic
to
Josie,
who'’s
nervous-but-excited
--
JOSTIE
You
guys,
I
have
been
mugged,
I
have
been
torn
down,
I
have
been
lied
to,
but
I'm
exactly
where
I
want
to
be:
New-York-Damn-City!
This
one’s
for
all
the
dreamers
out
there
--
Josie
starts
to
sing.
Everybody
begins
to
dance.
After
a
few
moments
of
youthful
abandon,
Katy
spots
KO
at
the
back
of
the
club
—-
he
smiles,
she
smiles
back
--
but
both
of
them
know
that
they
have
to
have
The
Conversation.
So
WE
CUT
TO:
INT.
RAY'S
PIZZA
-
NIGHT
66
Katy
and
KO
are
in
line
for
late
night
slices.
Katy’s
face
is
up
against
the
glass,
debating
her
order.
Ray’s
at
the
ready.
RAY
What
can
I
get
you,
Katy?
(CONTINUED)
58.
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by
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Access
60
KATY
KEENE
-
PILOT
66
CONTINUED:
“Once
Upon
a
Time
in
New
York"”
Network
Draft
1/17/19
KATY
Hey,
Ray,
I'm
debating
between
cheese
and
pepperoni
--
or
whatever
your
biggest
slice
is
--
KO,
if
you
get
the
fennel
sausage,
can
I
have
a
bite?
KO
(grins)
Depends.
Are
we
moving
to
Philly?
KATY
(moment
of
truth-time:)
I
have...been
thinking
about
that.
Angd...I've
made
some
decisions.
Even
though
I
didn’t
get
the
promotion,
I
want
to
stay
in
New
York.
Especially
since
going
to
pursue
designing
again,
as
a
career,
Still
working
at
Lacy's,
but
just
as
a
means
to
opening
my
own
shop
someday
--
is
that
okay?
KO
(he
nods,
then:)
Why
the
change
of
heart?
KATY
Meeting
Josie
--
watching
her
chase
her
dream
-~
reminded
me...I
should
be
doing
the
same
thing.
And
so
should
you,
KO.
So
maybe
you
go,
and
we
do
the
long-distance
thing
--
KO
I'm
not
going
anywhere
without
you,
Katy,
you're
everything
to
me.
In
fact,
I
had
a
feeling
things
might
play
out
this
way,
so...if
we’re
staying
in
NYC,
we
should
make
it
official
KO
Kelly
gets
down
on
one
knee
--
KATY
K0,
what
the
hell
are
you
doing?
KO
Katy
Keene,
will
you
marry
me?
66
Everyone
in
the
pizzeria
“awwws”
and
cheers,
including
Ray.
KO
anxiously
waits
for
an
answer.
OFF
Katy,
gobsmacked
—-
END
OF
PILOT
59.
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by
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Services
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Access
61
62
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