46439
REVISED
FINAL
PILOT
EPISODE
DECEMBER
8,
1971
TWENTIETH
CENTURY-FQX
TELEVISION
¥
1
5439
Pilot
Episode
by
Larry
Gelbart
REVISED
FINAL’
December
8,
1971
2
6439
THE
PLACE
The
river
valley
in
which
the
4077th
MASH
is
situated
is
almost
surrounded
by
mountains.
The
components
of
the
post
are
spread
out
in
a
rough
horseshoe
with
a
large
compound
of
level
ground
in
the
middle.
At
the
nearest
end
of
the
horseshoe
is
the
main
Hospital
Building
made
of
wood
with
a
tin
roof
marked
by
a
large
Red
Cross;
everything
else
is
made
of
canvas.
To
the
left
of
the
main
building.
are
strung
out:
the
Admitting
Ward,
Laboratory,
Dental
Clinic,
Mess
Hall,
PX,
Shower
Tent,
Barber's
Tent
and
the
Enlisted
Men's
Tents.
On
the
right
side
are
the
Post-Op
Ward,
Officers'
Tents,
Nurses'
Tents,
Korean
Domestics'
Tents
and,
finally,
the
Officer's
Club.
There
are
two
wooden,
painted
signs
driven
into
the
ground
that
we
see
from
time
to
time.
The
first
reads:
"THIS
IS
WHERE
IT
IS
-
PARALLEL
38"
Below
these
words
arrows
point
to
"NORTH
KOREA"
in
one
direction,
"SOUTH
KOREA"
in
the
opposite.
The
second,
larger
sign
has
multiple,
hand-carved
Plaques
that
point
in
various
directions
and
give
the
mileage
to
such
diverse
places
as
TOKYO,
SEOUL,
INDIANAPOLIS,
SAN
FRANCISCO,
DEATH
VALLEY,
CONEY
ISLAND,
etc.
3
6439
SET
LIST
INTERIORS:
HENRY
BLAKE'S
TENT
HOT
LIPS'
TENT
OPERATING
ROOM
THE
SWAMP
HENRY
BLAKE'S
OFFICE
AND
OUTER
OFFICE
NURSES'
TENT
RECREATION
TENT
BARBER'S
TENT
POST-OP
WARD
MESS
HALL
SEOUL
OFFICERS'
CLUB
STATESIDE
BASE
-
DOCTOR'S
OFFICE
INT./EXT.
HAMMOND'S
HELICOPTER
EXTERIORS:
HELICOPTER
PAD
MASH
COMPOUND
TENT
#6
"THE
SWAMP"
HOT
LIPS'
TENT
(WINDOW)
KIMPO
AIRFIELD
(SEOUL)
IMJIN
RIVER
BANK
COM
4
6439
THE
PEOPLE
CAPT,
BENJAMIN
FRANKLIN
PIERCE
("HAWKEYE"
New
Englander;
28,
stoop-
shouldered,
spectacled,
usually
in
need
of
a
haircut.
CAPT,
JOHN
F.X.
McINTYRE
("TRAPPER
Mid-or-Southwesterner,
28.
A
bit
neater
than
Hawkeye,
but
not
much.
Chief
interest:
medicine,
golf,
very
dry
martinis
and
women
-
not
necessarily
in
that
order.
HO-JON.
Korean
houseboy
for
"Tne
Swamp";
speaks
relatively
fluent
English.
LT,
COL.
HENRY
Commanding
Officer,
4077th
MASH.
48,
overweight,
under-
haired;
apt
to
stutter
in
times
of
stress.
A
man
who
doesn't
like
the
boat
rocked.
CAPT,
LESLIE
U.S.
ARMY
NURSE,
33;
she
has
assisted
Henry
so
long
they
have
a
smooth,
almost
husband/wife
relationship.
FATHER
JOHN
PATRICK
MULCAHEY
("DAGO
YOUNG,
lean,
hungry-looking,
hooked
nosed,
red-haired;
Regular
Army,
regular
guy.
MAJOR
MARGARET
HOULIHAN
("HOT
Chief
Nurse;
35,
very
well-
built,
a
lot
of
passion
beneath
her
outward
appearance
of
being
only
interested
in
going
by
the
book.
.
MAJOR
FRANK
35,
mid-Westerner;
officious,
short-tempered
hypocrite.
CAPT,
OLIVER
WENDELL
JONES
28,
neurosurgeon;
former
college
football
star.
CORPORAL
"RADAR"
O'REILLY,.......
Young,
short,
long-necked;
his
ears
leave
his
head
at
perfect
right
angles.
Cont.
5
6439
THE
PEOPLE
(Cont.)
PRIVATE
LORENZO
CAPT,
BRIDGET
McCARTHY
LT.
DISH.
CAPT,
"UGLY
JOHN"
BLACK.......00.
BRIG,
GEN.
HAMILTON
HARRINGTON
HAMMOND....
LT,
GINGER
19,
dim
bedpan
jockey
in
Post-Op
Ward.
30,
attractive
no-nonsense
Army
Nurse.
24,
without
question
the
best-looking
nurse
in
military
history.
Austrailian,
Chief
Anesthesiologist,
sports
a
huge
RAF
moustache.
Mid-50's,
career
officer;
puffy
with
self-importance,
precious
little
humor.
Army
Nurse,
25,
delicious.
In
addition
to
the
MASH
personnel,
there
are
a
number
of
young
Korean
boys
who
serve
either
as
Waiters
in
the
Mess
Hall
or
as
Houseboys.
There
are
also
some
Korean
women
who
help
with
the
cooking
and
the
endless
laundry
that
is
part
of
any
hospital
routine.
The
one
member
of
the
camp
seen
most
frequently
is
the
CAMP
MUTT,
a
scruffy
little
dog.
COM
6
"MASH"
ACT
ONE
FADE
IN
CLOSE
SHOT
-
GOLF
BALL
ON
GROUND
1
Supered
over,
the
legend:
"KOREA,
1950...
A
hundred
years
CAMERA
ZOOMS
BACK
to
reveal:
EXT,
A
LEVEL
HILLTOP
ON
RIM
OF
MASH
COMPOUND
2
A
lovely
Spring
day.
Preparing
to
drive
the
golf
ball
is
HAWKEYE
PIERCE,
Standing
by,
sipping
a
martini
is
TRAPPER
JOHN
McINTYRE,
Holding
Hawkeye's
drink
is
their
Korean
caddy/houseboy,
HO-JON,
neat~looking
in
his
GI
castoffs,
whereas
Hawkeye
and
Trapper
appear
slightly
disreputable
in
their
soiled
fatigue
pants,
gaudy
Hawaiian
sport
shirts
and
golf
caps.
Hawkeye
addresses
the
ball,
then
sends
it
sailing
o.s.
Pleased,
he
hands
his
club
to
Ho-Jon,
who
replaces
it
in
a@
well-equipped
golf
bag
and
hands
Hawkeye
his
martini.
Hawkeye
gives
Trapper
a
challenging
glance
as
Trapper
is
handed
a
club
and
second
golf
ball
by
Ho-Jon.
INT,
HENRY
BLAKE'S
TENT
3
HENRY
BLAKE,
in
surgeon's
cap,
his
masked
lowered,
wears
look
of
great
concentration
as
he
stares
down,
trying
to
accomplish
an
action
that
is
below
frame.
LESLIE
SCORCH
looks
over
his
shoulder,
equally
concerned
about
what’
he
is
doing.
CLOSE
SHOT
-
DAGO
RED
4
He
is
napping
outside
a
tent
in
the
warm
sun;
his
markings
identify
him
as
a
priest.
A
mosquito
is
heard
buzzing
about
his
face.
He
shakes
his
head
in
annoyance.
A
beat,
then
he
raises
his
hand
to
chase
the
insect
from
his
fore-
head
and
automatically,
still
asleep,
makes
the
sign
of
the
Cross.
INT,
HOT
LIPS!
TENT
-
DAY
5
HOT
LIPS
and
FRANK
BURNS
sit
on
either
side
of
a
small
table,
engrossed
in
their
individual
reading.
She
makes
notes
from
the
U.S.
Army
Manual,
he
reads
the
Bible.
CAMERA
PANS
to
the
floor
to
show
both
are
barefoot
and
playing
“toesies"
with
each
other.
COM
7
6439
2
EXT.
MASH
COMPOUND
-
DAY
6
A
football
is
being
tossed
expertly
by
SPEARCHUCKER
to
RADAR
and
BOONE.
INT.
HENRY'S
TENT
-
DAY
T
Henry's
hands
still
work
on
his
out-of-frame
chore,
with
Leslie
in
attendance.
Suddenly,
there
is
a
loud
"Pop!"
ANOTHER
ANGLE
-
HENRY'S
TENT
8
Shows
us
Henry
has
just
opened
a
bottle
of
champagne.
Leslie
quickly
puts
two
glasses
under
the
overflowing
bottle.
EXT.
LEVEL
HILLTOP
-
DAY
9
Hawkeye
and
Ho-Jon
watch
Trapper,
determined
to
show
his
best
form,
pull
his
club
back
and
drive
the
ball
hard
and
clean.
EXT,
GOLF
BALL
-
TRAVELING
SHOT
-
DAY
10
CAMERA
FOLLOWS
the
ball's
high,
graceful
trajectory.
As
it
nears
the
barren
ground,
CAMERA
picks
up
a
painted
sign:
"DANGER
-
MINEFIELD"
Slight
pause,
then
a
trémendous
explosion
where
the
ball
falls
in
the
field.
TRAPPER
Fore!
HAWKEYE
Well,
if
you're
going
to
make
your
own
holes.....
CLOSE
SHOT
-
RADAR
O'REILLY
-
DAY
11
Catching
a
pass,
he
suddenly
‘cocks
his
head
to
one
side.
RADAR
Here
they
come!
ANGLE
ON
SPEARCHUCKER
12
SPEARCHUCKER
(puzzled)
I
don't
hear
anything.
THREE
SHOT
-
RADAR,
SPEARCHUCKER
AND
BOONE
13
RADAR
Wait
for
it!
The
other
two
look
about,
still
unable
to
hear
whatever
it
is
Radar
has
picked
up.
They
don't
have
to
wait
long.
The
unmistakable
sound
of
helicopters
in
the
sky
becomes
louder
and
somewhat
ominous
as
they
approach
the
camp.
COG
8
3
TITLE
SEQUENCE
-
DAY
14
Over
the
following,
we
hear
a
GIRL
singing
the
ballad,
"AGAIN"
("Again,
this
couldn't
happen
again,
etc."):
A.
AIR
RESCUE
HELICOPTERS
appear
in
the
sky,
growing
larger
and
louder
as
they
near
the
M4SH
compound.
B,
CLOSE
SHOT
-
P.A,
SPEAKER
MOUNTED
ATOP
HIGH
POST
P.A,
VOICE
Attention,
all
personnel!
All
personnel
report
immediately
to
Admitting
Ward
and
Operating
Room!
om
GENERAL
CAMP
AREA
is
alive
with
activity.
Checkerboards
are
thrown
aside.
A
pair
of
Corpsmen
run
out
of
the
Shower
Tent,
wearing
only
towels.
A
Corpsman
dashes
from
the
Barber's
Tent,
his
hair
only
shaved
off
half
his
head.
The
CAMP
MUTT
runs
about
excitedly.
Occasional
Korean
and
Australian
members
of
MASH
are
involved
in:
D.
UNLOADING
THE
CHOPPERS
Countless
hands
help
remove
the
wounded
and
begin
treatment
even
before
they
reach
the
Hospital,
administering
plasma,
injecting
syringes,
etc.
There
is
considerable
fumbling,
stumbling
and
cursing
by
Corpsmen
and
the
wounded.
E.
THE
P.A.
SPEAKER
AGAIN
competing
with
the
roar
of
the
choppers,
the
various
jeep,
ambulance
and
truck
engines:
P.A,
VOICE
All
personnel!
Both
day
and
night
shifts!
Report
to
Admitting
Ward
and
Operating
Room!
Attention,
all
personnel
...
Supered
over
14-A
through
14-E
are
OPENING
TITLES.
At
their
conclusion,
the
song
"AGAIN"
fades
and
we
are
in:
INT.
OPERATING
ROOM
-
DAY
15
Working
at
different
tables,
all
dressed
in
surgical
gear,
are:
Hawkeye,
assisted
by
LT,
DISH;
Trapper
and
Spear-
chucker,
working
side
by
side,
assisted
by
KNOCKO;
Henry,
assisted
by
Frank,
assisted
by
GINGER.
Hot
Lips
circulates,
overseeing
the
nurses!
work.
The
room
is
filled
with
an
aura
of
efficient
professional-
ism,
the
swift
completion
of
difficult
decisions
and
tasks,
Cont.
9
6439
4
15
Cont.
Dago
Red
goes
from
table
to
table
offering
words
of
solace’
and
encouragement.
Radar
and
Boone
peer
through
the
door
cut-outs
with
keen
interest.
The
following
speech
begins
CLOSE
on
Hawkeye
and
continues
as
CAMERA
studies
the
faces
of
the
various
men
and
women,
glimpses
what
they
are
doing
and
does
not
spare
us
entirely
some
of
the
unpleasantness
to
be
found
in
such
a
situation.
HAWKEYE'S
VOICE
{o.s.)
'Dear
Dad
...
You
said
I
sounded
a
bit
callous
about
my
job
in
my
last
letter.
Let
me
see
if
I
can
put
things
another
way.
At
this
particular
Mobile
Army
Hospital,
we
are
not
concerned
with
the
ultimate
reconstruction
of
the
patient.
We
care
only
about
getting
the
kid
out-of
here
alive
enough
for
someone
else
to
put
on
the
fine
touches.
We
work
fast
and
wetre
not
dainty,
a
lot
of
these
kids
who
can
stand
two
hours
on
the
table
just
can't
stand
one
second
more.
We
try
to
play
par
surgery
on
this
course.
Par
is
a
live
patient.'!
At
the
finish,
we
are
on:
TWO
SHOT
-
HAWKEYE
AND
DISH
16
She
blots
his
forehead
as
he
operates
on
his
patient.
HAWKEYE
I'll
debride
the
wound,
then
we'll
go
in
after
the
spleen.
Dish
nods
her
pretty
head
in
understanding.
HAWKEYE
You
wouldn't
like
to
play
a
little
doctor
when
we
finish,
would
you?
Her
eyes
disapprove
and
smile
at
the
same
time.
TRAPPER
AND
SPEARCHUCKER'S
TABLE
17
They
are
having
a
rough
time
with
their
patient.
SPEARCHUCKER
We're
losing
him.
Cont.
CON
10
6439
17
Cont.
TRAPPER
(calls
out)
Hey,
Red!
Dago
Red
starts
for
their
table.
TRAPPER
We
need
a
little
Cross
Action
here.
Put
in
a
fix,
will
you?
Dago
Red
begins
praying
over
their
patient
as
they
go
on
working
on
him,
.
DAGO
RED
.-.
May
God
remit
unto
thee
the
pains
of
the
present
and
future
life,
open
to
thee
the
gates
of
heaven
and
bring
thee
to
ever-
lasting
life.
Hot
Lips
steps
up
close
to
Hawkeye,
inquires
officiously:
HOT
LIPS
Everything
under
control?
HAWKEYE
Fine,
but
if
you
don't
move,
I'll
have
to
saw
around
your
B
Cups.
Offended,
Hot
Lips
moves
on.
FRANK'S
TABLE
18
FRANK
(hotly,
to
Ginger)
I
don't
want
a
Kelly
clamp,
Lieutenant!
GINGER
.
But
that's
what
you
asked
for,
FRANK
Give
me
what
I
want
not
what
I
ask
for.
I'm
the
doctor,
Lieutenant.
ANOTHER
ANGLE
-
TO
INCLUDE
HAWKEYE
19
HAWKEYE
Cut
the
crapola,
Frank;
you
can
show
us
all
your
diploma
later!
COG
11
6
VARIOUS
TABLES
20
As
the
work
continues,
all
the
following
are
heard
o.s.:
HENRY'S
VOICE
Gelfoam
and
chisel.
LESLIE'S
VOICE
Gelfoam
and
chisel.
SPEARCHUCKER'S
VOICE
Common
carotid's
cut
right
through.
HAWKEYE'S
VOICE
Cross-match
him
for
five
units.
O-positive.
FRANK'S
VOICE
I
need
some
drainage
here.
HENRY'S
VOICE
Don't
like
the
look
of
that
pleural
cavity.
TRAPPER'S
VOICE
How's
he
holding,
Gas-Passer?
DISH'S
VOICE
I'm
getting
some
bubbles
here.
HAWKEYE'S
VOICE.
Do
two
cutdowns
and
start
the
plasma.
TRAPPER
AND
SPEARCHUCKER'S
TABLE
21
Dago
Red
is
making
the
sign
of
the
Cross
over
their
patient.
DAGO
RED
May
Almighty
God
bless
thee,
Father,
Son
and
Holy
Ghost.
KNOCKO
(taking
patient's
pulse)
He's
coming
around!
TRAPPER
(smiles,
gratefully)
Thanks,
Red.
Your
last
rites
never
fail.
Must
be
your
delivery.
Dago
Red,
Pleased,
yet
somehow
embarrassed,
moves
along.
The
surgical
activity
continues.
DISSOLVE
TO:
COM
12
7
EXT.
MASH
COMPOUND
-
DAY
22
Doctors
and
Nurses
leave
the
Hospital.
In
fatigues
once
more,
411
bone-tired;
a
minimum
of
small
talk.
Frank
and
Hot
Lips,
both
clearly
upset,
approach
Hawkeye.
FRANK
Pierce!
Hold
up!
How
dare
you...
HAWKEYE
(wearily)
Lay
off,
Frank.
I've
had
a
hard
day
at
the
office.
.
FRANK
Your
conduct
in
there
--
(indicates
Hospital)
-
was
not
only
unbecoming
an
officer,
it
was
equally
reprehensible
as
a
medical
man.
HAWKEYE
Frank,
I
happen
to
be
an
officer
only
because
I
foolishly
opened
_an
invitation
from
President
Truman.
to
come
to
this
costume
party.
As
for
my
ability
as
a
doctor,
if
you
honestly
question
that,
I'm
afraid
I'll
just
have
to
challenge
you
to
a
duel.
Trapper
ENTERS
FRAME,
his
arm
around
a
Nurse's
waist.
TRAPPER
Swords
or
pistols?
HAWKEYE
I
thought
specimen
at
twenty
paces,
FRANK
(irately)
There
is
a
lady
present!
HAWKEYE
(to
Hot
Lips)
Sorry,
baby.
HOT
LIPS
Major,
to
you!
HAWKEYE
Right
you
are,
Major
Baby.
Cont.
13
6439
8
22
Cont.
Hot
Lips
reacts,
then
shoots
the
Nurse
a
disapproving
look,
Getting
the
message,
the
Nurse
takes
Trapper's
hand
from
her
waist,
FRANK
You're
both
a
disgrace
to
this
outfit.
HAWKEYE
Listen,
Frank,
we've
all
had
twelve,
straight
hours
of
meatball
surgery
and
my
brain
is
sending
me
urgent
rest
telegrams.
Surely,
you
must
be
beat,
too,
after
all
that
mal-
practice
you
just
got
in.
Frank
looks
ready
to
explode.
TRAPPER
You
wasted
enough
stitches
in
there
to
sew
a
hem
‘round
the
entire
U.S.
Army.
HOT
LIPS
dismissed,
McIntyre!
(to
Hawkeye)
And
you!
HAWKEYE
Thanks,
Mother.
We've
got
to
get
up
early
anyway
and
fix
MacArthur's
hernia.
Come
on,
Mary.
Hawkeye
and
Trapper
LEAVE
4
steaming
Frank
and
Hot
Lips.
EXT,
P.A.
SPEAKER
-
CLOSE
SHOT
-
DAY
23
A
JAPANESE
GIRL
SINGER,
backed
by
a
Japanese
dance
band
is
HEARD
doing
"DEAR
HEARTS
AND
GENTLE
PEOPLE,"
It
continues
over:
EXT.
MASH
COMPOUND
-
DAY
2k
Hawkeye
and
Trapper,
his
arm
around
another
Nurse's
waist.
He
releases
her
as
they
near:
EXT.
TENT
#6
-
"THE
SWAMP”
-
DAY
25
A
wooden
sign
over
the
door,
in
red
paint:
"THE
SWAMP,"
VOCAL
cuts
OUT
as
Hawkeye
and
Trapper
ENTER:
INT.
"THE
SWAMP"
~
DAY
26
Four
canvas
cots,
sleeping
bags
on
them,
a
plank
floor,
oil
stove,
electric
light,
a
few
crude
shelves,
a
table,
a
chair,
Cont.
COG
14
Alaa
9
26
Cont.
assorted
crates
serving
as
same.
In
one
corner,
the
pride
of
the
tent
-
a
bubbling
still,
a
homemade
collection
of
pipes
and
tubing
which
manufactures
the
lethal
“Swampmen's
Gin."
Spearchucker,
in
his
underwear,
lies
on
his
cot
enjoying
a
can
of
beer,
a
cigarette
and
a
letter
from
home.
Ho-Jon
has
his
nose
in
a
book.
TRAPPER
(finishing
a
story)
Oh,
she
didn't
mind
my
checking
her
tonsils,
she
just
didn't
understand
why
she
had
to
get
undressed
first.
HAWKEYE
That's
a
woman
all
over.
TRAPPER
Best
place
for
‘em
to
be.
As
they
make
themselves
comfortable,
putting
on
such
civilian
items
as
a
Panama
hat,
house
slippers,
etc.:
SPEARCHUCKER
Night,
all.
(tosses
beer
can
to
Ho-Jon)
I've
left
a
call
for
Nineteen
sixty-
five,
He
turns
over
to
Ho-Jcn
brings
Hawkeye
and
Trapper
two
fresh
martinis
from
the
still.
HAWKEYE
Thank
you,
Ho-Jon.
(sips,
approves)
Mammm.
Finest
kind.
TRAPPER.
Just
like
mother
used
to
make,
HAWKEYE
We've
got
to
do
it
someday,
you
know.
Throw
away
all
the
guns,
have
every
joker
from
the
North
and
the
South
in
here
for
a
cocktail
party;
the
last
man
standing
on
his
feet
wins
the
war.
RADAR
-
You
guys
got
mail.
TRAPPER
(yawning)
I
don't
feel
mail.
God
15
HAWKEYE
Go
thead,
open
it,
they
can't
draft
you
again.
They
open
their
respective
letters.
TRAPPER
Bad
news
from
my
wife.
(pause;
then)
She
still
loves
me.
(looks
at
letter)
Would
you
believe
she
still
thinks
I
got
sent
to
Korea
as
part
of
a
secret
plot
to
cheat
on
her?
HAWKEYE
Well,
didn't
you?
TRAPPER
(smiles)
Yeah,
but
how'd
she
figure
it
out?
HAWKEYE
(scanning
his
own
letter)
Ho-Jon!
It's
from
Dean
Lodge.
TRAPPER
Is
that
a
good
place
to
stay?
HAWKEYE
Head
of
my
alma
mater.
(to
Ho-Jon)
This
is
beautiful.
(reads)
‘Dear
Hawkeye,
as
Dean
of
the
College,
I
naturally
remember
you
very
well.'
(aside)
After
my
first
autopsy
I
mailed
him
a
nervous
system,
(resumes
reading)
request
to
enter
the
Korean
boy,
Ho-Jon,
seems
one
of
your
nobler
gestures
and
since
his
academic
record
meets
our
requirements,
we
will
be
pleased
to
accept
him
this
fall,
providing
you
can
get
him
here
and
also
send
me
a
thousand
dollars
tuition
before
the
fifteenth.
It
was
good
hearing
from
you.
If
you
do
to
the
Army
what
you
did
to
this
collége,.
America's
finished.
Yours
sincerely,
et
cetera,
et
cetera...'
wae
Cont.
10
26
Cont.1l
16
6439
ll
26
Cont.2
HO-JON
Hot
damn!
TRAPPER
Terrific.
HO-JON
(very
sincerely)
How
can
I
ever
thank
you?
HAWKEYE
(lightly)
You
just
get
over
there
and
become
the
best
possible
you
you
can.
Trapper
studies
the
Dean's
letter,
frowns.
TRAPPER
A
thousand
bucks?
HAWKEYE
More
like
two,
after
transportation,
clothes.
(to
Ho-Jon)
You'll
be
living
with
my
folks,
so
that's
no
problem.
Trapper
thinks
hard.
A
slight
snore
from
Spearchucker's
bec
TRAPPER
Maybe
we
could
sell
Spearchucker
while
he's
asleep.
HAWKEYE
No.
sweat,
Trapper,
got
it
all
taped.
What
is
on
the
mind
of
every
man
on
this
base,
no
matter
what
the
time
of
day,
or
position
of
the
sun,
stars,
or
moon?
TRAPPER.
Sex....Except
for
the
baseball
perverts.
HAWKEYE
And
after
that?
TRAPPER
Home.
Or
Tokyo,
whichever
comes
first.
HAWKEYE
Right.
Radar'll
print
the
tickets,
you
get
the
signs
painted.
Cont.
God
17
TRAPPER
Would
you
like
to
tell
me
what
word
going
to
put
on
that
sign?
s
12
26
Cont.3
Hawkeye
moves
his
hand
to
indicate
an
invisible
poster:
HAWKEYE
‘All
you
can
drink.
Ten
bucks
a
head.
Giant
door
prize
--
weekend
pass
for
two
in
Tokyo;
lucky
winner
to
share
the
company
of
a
gorgeous
nurse!'
TRAPPER
You're
out
of
your
gourd.
HAWKEYE
(confidently)
Fall
in,
doctor.
INT.
HENRY'S
OFFICE
-
DAY
27
Henry,
at
his
desk,
in
fishing
cap
with
casting
flies
stuck
in
it
and
hunting
jacket.
Signing
some
papers,
he
doesn't
notice
Radar
ENTER
and
stand
slightly
behind
him,
calls:
HENRY
Radar!
;
RADAR
Yes,
sir!
HENRY
Hell's
Bells,
Radar,
don't
do
that!
RADAR
Well,
you
wanted
to
see
me,
sir.
HENRY
Yes,
but
let
me
say
I
want
to
see
you
before
I
see
you.
RADAR
Yes,
sir.
(hands
him
forms)
You
wanted
these,
sir.
HENRY
How'd
you
know
that?
RADAR
That's
why
you
called
me.
God
Cont.
18
6439
HENRY
Oh,
yes.
Radar
picks
up
the
papers
Henry
was
signing.
RADAR
You
wanted
to
give
me
these,
sir.
HENRY
(pleased
to
hear
it)
Oh,
yes.
RADAR
Captains
Pierce
and
Mcintyre
here
to
see
you,
sir.
HENRY
(unhappily)
Show
them
in.
(addressing
them)
Men.
Hawkeye
and
Trapper
ENTER.
Radar
EXITS.
TRAPPER
How
are
you
today,
Colonel?
HENRY
That's
not
what
you
came
to
ask.
The
last
thing
you
want
to
know
when
you
say,
‘how
are
you'
is
how
am
I.
HAWKEYE
All
right,
Henry,
we'll
skip
the
gristle
and
get
right
down
to
the
bone.
(hands
him
Dean's
letter,
continues)
What
I
want
from
you
is
two
weekend
passes
so
I
can
raise
that
tuition.
I'm
going
to
raffle
them
off
along
with
the
company
of
one
of
our
nurses
whose
heart
and
everything
else
is
in
the
right
place.
HENRY
It
seems
a
good
enough
cause.
(frowns
}
Why
don't
I
trust
you,
Pierce?
TRAPPER
Because
he's
not
trustworthy.
Cont.
God
13
27
Cont.
19
6439
14
27
Cont.1
HENRY
That
might
be
it.
How
do
I
know
you're
on
the
level?
Which
nurse
have
you
conned
into
this?
HAWKEYE
I
haven't
approached
her
yet,
but
there
can
be
only
one
choice.
CLOSE
SHOT
-
GIRL'S
SHAPELY
ANKLE
AND
FOOT
28
Girl's
hand
applies
polish
to
toes.
CAMERA
PANS
UP
her
bare
leg
to
REVEAL
owner
of
it
all
-
Lt.
Dish.
HAWKEYE'S
VOICE
(o.s.)
A
girl
with
a
face
that
doesn't
quit.
A
girl
with
so
much
body
she
should
be
continued
on
the
next
girl
--
Lt.
Dish.
HENRY'S
VOICE
(o.s.)
She'll
never
agree
to
it.
CAMERA
PULLS
BACK
to
show
Dish
on
her
cot.
In
only
her
uniform
shirt
and
underpants,
she
is
alone
in:
INT.
NURSES'
TENT
-
DAY
29
Concentrating
on
her
nails,
Dish
does
not
see
Hawkeye
ENTER.
HAWKEYE'S
VOICE
(o.8.)
Ah,
but
she
will
because,
inaccessible
as
she
is
to
everyone
else
in
this
cruddy
outfit,
she
is
putty
in
the
hands
of
the
master.
Hawkeye,
now
behind
Dish,
bends
and
kisses
her
bare
neck.
DISH
(without
turning)
Oh,
Hawkeye,
that
makes
me
crazy.
HAWKEYE
My
lips
were
made
by
Stradivarius.
He
turns
her
around,
starts
to
cover
her
face
with
kisses.
HAWKEYE
Dish,
I've
got
to
ask
you
a
favor.
Cont.
COG
20
6439
15
29
Cont.
DISH
You
really
thrive
on
rejection,
HAWKEYE
Baby
...
DISH
Always
sneaking
up
on
me.
HAWKEYE
Who
sneaks
up
on
you?
INT,
RECREATION
TENT
-
DAY
30
A
bookshelf
with
an
aisle
on
either
side.
Dish
appears,
takes
down
a
book.
Suddenly,
Hawkeye's
hand
comes
through
the
books
several
shelves
lower,
from
the
other
aisle,
clutches
Dish's
blouse.
She
swats
it
with
her
book.
DISH'S
VOICE
(o.s.)
How
many
times
must
I
tell
you
I'm
engaged?
HAWKEYE'S
VOICE
(o.s.,
lying)
I'm
engaged,
too.
Think
of
me
as
a
dress
rehearsal.
EXT.
MASH
COMPOUND
-
DAY
31
Dish
sunbathes
alongside
a
tent
in
shorts,
bare
midriff.
From
behind
the
tent,
what
are
obviously
a
man's
arms
entwine
the
amazed
Dish's
waist,
though
it
looks
as
if
the
tent
itself
is
embracing
her.
DISH'S
VOICE
(0.8.,
pleading)
Hawkeye,
I'm
trying
to
stay
faithful.
HAWKEYE'S
VOICE
(o.s.)
Why
don't
you
take
a
five-minute
break?
INT.
SHOWER
TENT
-
DAY
32
Dish,
bare-shouldered,
under
the
shower,
shampoos
her
hair.
Soap
in
her
eye,
she
gropes
for
a
towel.
A
hand
enters
frame,
gives
her
oné.
She
wipes
her
eye,
sees
the
grinning,
bare-shouldered
Hawkeye,
hits
him
with
towel
till
he
retreats.
Cont.
God
21
6439
16
32
Cont.
DISH'S
VOICE
(o.s.,
resolve
going)
A
girl
can
only
take
so
much.
HAWKEYE'S
VOICE
(o.s.)
We
anywhere
near
that
point
yet?
BACK
TO
TENT
-
DAY
33
Dish,
still
in
Hawkeye's
arms,
struggling
a
lot
less,
DISH
You
said
you
wanted
a
favor?
HAWKEYE
(devouring
her
ear)
I'i1
tell
you
after
I
finish
my
lunch.
CAMERA
ZOOMS
BACK
from
window
of
Nurses'
Tent
to:
EXT,
WINDOW
-
HOT
LIPS'
TENT
-
DAY
34
Hot
Lips
lowers
a
pair
of
binoculars
from
her
eyes.
INT.
HOT
TENT’
-
DAY
35
Hot
Lips,
in
a
bathrobe,
turns
away
from
the
window.
HOT
LIPS
Sickening!
FRANK
Animals!
Animals!
OUT
36
EXT.
P.A.
SPEAKER
~
DAY
37
P.A.
VOICE
(o.s.)
Don't
miss
tonight's
feature
movie:
Paul
Douglas
and
Linda
Darnell
-
in
'Everybody
Does
It.'
TIME
LAPSE:
.
22
5439
17
INT.
THE
SWAMP
-
DAY
38
Trapper
counts
the
money.
Hawkeye
contributes
receipts.
HAWKEYE
Here's
ten
from
Radar.
And
here's
ten
from
the
famous
Pole.
And
here's
ten
(holding
up
ticket)
for
the
winning
ticket.
TRAPPER
be
able
to
sell
tickets
to
your
lynching
if
you
walk
off
with
this
raffle.
HAWKEYE
Don't
worry.
about
it.
How
we
doing?
TRAPPER
Six
hundred
and
forty.
We're
a
little
short.
HAWKEYE
(crossing
to
Frank's
locker)
But
not
everybody
has
contributed
yet.
TRAPPER
What
are
you
doing
in
Frank's
gear?
HAWKEYE
Selling
nickel-nose
a
ticket.
I
know
he
wouldn't
mind
if
he
were
alive
today.
Hawkeye
goes
to
the
duffle
bag
under
the
fourth
cot.
As
he
rummages
about
in
it,
Frank
ENTERS
and
is
instantly
angered.
FRANK
What're
you
doing
there?
HAWKEYE:
Just
wanted
to
borrow
your
Bible,
Frank.
FRANK
(going
to
him)
Since
when
are
you
interested
in
the
Bible?
Cont.
KNOWTALIGE
GOS
23
6439
18
38
Cont.
TRAPPER
Frank,
do
you
believe
there's
life
after
selective
service?
FRANK
Shut
up!
(grabs
Hawkeye)
Get
away
from
there!
HAWKEYE
Don't
get
physical,
Frank;
you'll
blow
your
sainthood.
FRANK
I've
taken
just
about
as
much
as
I
can
from
you
two.
Between
your
snide
remarks,
your
corruption
of
Ho-Jon,
your
--
your
--
(starts
ripping
down
pinups)
turning
this
place
into
a
brothel
-
TRAPPER
(moving
for
him)
Watch
it,
sweetheart.
FRANK
(crossing
to
still)
-
and
a
distillery!
TRAPPER
You
touch
that
gin
machine,
your
head's
going
to
have
to
go
into
the
shop.
Frank
ignores
the
warning,
starts
to
wreck
the
still.
Hawkeye
grapples
with
him,
finally
picks
up
Frank's
duffle
bag-and
pulls
it
down
over
Frank's
head.
Trapper
opens
the
tent
door
just
in
time
for
Hawkeye
to
boot
Frank
out.
INT.
HENRY'S
OFFICE
-
DAY
39
Henry
is
addressing
Hawkeye
and
Trapper.
HENRY
You
figure
you
have
me
over
a
barrel,
don't
you?
Well,
let
me
tell
you
this
-
you
certainly
do.
You're
the
best
two
cutters
I've
got.
You
know
you're
essential
So
you
think
you
can
get
away
with
murder.
Unfortunately
for
you,
you
didn't
murder
Frank,
you
only
roughed
him
up
~
and
I
can't
let
you
get
away
with
that.
Cont.
24
6439
19
39
Cont,
HAWKEYE
Henry,
you
have
no
idea
what
it's
like
sharing
a
tent
with
a
guy
who
thinks
he's
all
twelve
disciples.
HENRY
Be
that
as
it
may.
If
I
don't
do
something
about
it,
report
the
incident
to
General
Hammond
and
he'll
put
my
butt
in
traction.
I'm
withdrawing
those
weekend
passes;
forget
about
that
party
and
raffle
business
tomorrow
night.
TRAPPER
That's
pretty
Regular
Army
of
you,
Henry.
HENRY
Just
as
well.
I've
got
to
see
Hammond
down
in
Seoul
for
a
few
days
and
I
wasn't
any
too
happy
about
the
party
taking
place
in
my
absence.
Hawkeye
and
Trapper
exchange
covert
looks
of
relief.
HENRY
(unaware)
That'll
be
all.
HAWKEYE
AND
TRAPPER
(in
unison)
Yes,
sir!
They
salute
smartly,
EXIT
in
crisp,
military
fashion.
As
Henry
returns
their
salute,
his
hand
stops
in
mid-air.
HENRY
(to
himself)
Wonder
what
they
meant
by
that?
WIPE
TO:
EXT.
MASH
COMPOUND
-
DAY
40
P.A.
is
transmitting
a
Japanese
Dance
Band
Playing
opening
bars
of
"I'm
In
Love
With
A
Wonderful
Guy’.
Henry
and
Leslie,
aboard
a
chopper,
wave
goodbye
to
Trapper,
Hawkeye,
Dago
Red
and
Hot
Lips.
Radar
sidles
up
to
Hawkeye,
hands
him
two
slips
of
paper,
explains:
Cont.
25
6439
20
4O
Cont
RADAR
The
two
weekend
passes
for
the
raffle,
sir.
HAWKEYE
(surprised)
When
did
he
sign
these?
As
he
waves
and
smiles
sweetly
at
Henry:
RADAR
When
he
thought
he
was
ordering
a
ton
of
ice
cream.
Fudge
Ripple.
Hawkeye
gives
him
a
broad
grin.
The
chopper
roars
up
OUT
OF
FRAME,
Hawkeye
shows
Trapper
the
passes.
Delighted,
they
start
to
walk
off
-
stop
as
P.A.
music
cuts
out.
P.A.
VOICE
(o.s.)
Attention,
all
personnel!
Both
day
and
night
shifts
will
be
confined
to
duty
in
the
Admitting
Ward
tomorrow
night.
All
other
activities
are
cancelled.
There
will
be
no
exceptions.
By
order
of
the
acting
Commanding
Officer
-
Major
Frank
Burns.
Hawkeye
and
Trapper
are
crestfallen.
Frank,
just
a
few
feet
away,
gives
them
a
superior,
victorious
smile.
Hawkeye
picks
up
a
rock.
CLOSE
SHOT
-
P.A.
SPEAKER
-
DAY
41
The
band
begins
to
play
once
again.
JAPANESE
VOCALIST
(o.8.,
sings)
‘I'm
in
love,
I'm
in
love,
I'm
in
love,
I'm
in
love,
I'm
in
love
with
a
wonderful
guy!'!
A
rock
flies
up
INTO
FRAME
and
hits
the
speaker
hard.
FADE
OUT
END
OF
ACT
ONE
COG
26
6439
21
ACT
TWO
FADE
IN
INT.
BARBER'S
TENT
-
DAY
he
Spearchucker
is
offering
a
raffle
ticket
to
Ugly
John,
who
is
having
his
moustache
trimmed
by
the
Barber.
SPEARCHUCKER
Come
on,
Ugly
John,
only
ten
bucks.
When
else
would
you
get
a
chance
for
a
weekend
with
Lieutenant
Dish?
UGLY
JOHN
How
they
pulling
this
off?
Frank
ordered
everyone
on
duty
tonight...Everyone!
SPEARCHUCKER
Hawkeye
says
nothing's
going
to
stop
the
party;
smart
money's
always
got
to
go
with
Hawkeye.
Ugly
John,
recognizing
this
truth,
starts
to
buy
a
ticket.
INT.
POST-OP
WARD
-
DAY
43
Hawkeye,
Trapper
and
Ginger
are
calling
on
patients;
taking
temperatures,
checking
charts,
etc.
An
exchange
of
quick,
conspiratorial
looks
passes
between
them
as
Frank
ENTERS.
HAWKEYE
(cheerily)
Morning,
Frank.
TRAPPER
(same)
Hi,
buddy.
PRANK
(warily)
Good
morning.
The
following
occurs
with
great
speed
and
smoothness:
HAWKEYE
Glad
you
got
here,
Frank.
(indicating
a
patient)
Hey,
you
want
to
hear
something
wild?
Cont.
27
6439
43
Cont.
Frank
crosses
to
Hawkeye.
Trapper
falls
in
behind
hin,
taking
a
freshly-filled
hypodermic
needle
from
Ginger.
As
Frank
leans
over
Hawkeye's
patient,
Trapper
rams
the
needle
into
Frank's
backside.
Ginger
immediately
throws
the
ward
doors
open
and
Radar
and
Boone
quickly
wheel
IN
a@
surgical
trolley:
Hawkeye
and
Trapper
catch
the
already
unconscious
Frank,
deposit
him
on
the
trolley
and
wheel
him
to
an
empty
bed
on
which
he's
placed
by
Radar
and
Boone.
Hawkeye
turns
to
Trapper.
HAWKEYE
Get
out
there
and
sell!
Trapper
happily
EXITS
with
Ginger.
As
Boone
undresses
Frank,
Radar
begins
to
bandage
his
face
and
upper
body,
while
Hawkeye
writes
on
the
chart
at
the
foot
of
Frank's
bed.
HAWKEYE
Okay,
let's
make
sure
this
patient
gets
all
the
rest
he
so
badly
needs.
I'd
say
he
should
be
sedated
every
hour
on
the
hour.
He
makes
this
note.
By
now
Frank's
face
has
been
completely
covered.
Radar
and
Boone,
tucking
him
under
the
blanket,
stop
as
Hot
Lips
ENTERS
and
orders:
HOT
LIPS
Just
a
moment!
They
hold
their
breaths
as
she
strides
toward
them.
HOT
LIPS
That
is
the
sloppiest
bed-making
I've
ever
seen!
HAWKEYE
My
very
words,
Major
sir,
Major
matam
sir.
Perhaps
you
might
show
these
callow
lads
the
correct
definitive
method..
As
she
begins
making
Frank's
bed
very
smartly
and
snugly:
HOT
LIPS
The
chief
aim
is
to
make
the
patient
secure,
so
that
he
isn't
likely
to
move
around
and
do
himself
any
harm.
HAWKEYE
Or
anyone
else.
Cont.
28
6439
23
43
Cont.1
Hot
Lips
looks
at
the
bandaged
Frank.
HOT
LIPS
What's
wrong
with
this
man?
HAWKEYE
Shock.
Never
knew
what
hit
him.
Hot
Lips
completes
her
job,
steps
back
smartly.
HAWKEYE
There
you
are,
men.
A
lesson
by
a
dedicated
woman
in
the
proud
tradition
of
Florence
Nightingale
and
Nurse
Edith
Cavell.
Hot
Lips,
gazing
at
Frank's
chart
is
surprised,
flattered.
HOT
LIPS
Really,
Captain...
HAWKEYE
She
merits
our
highest
respect,
not
only
on
a
medical
level,
but
because
of
her
flawless
masterful
performance
as
a
female
impersonator.
,Now,
let's
get
the
hell
out
of
here.
As
they
move
OFF,
Hawkeye
gives
the
outraged
Hot
Lips
a
bright
smile
and
a
two-eyed
wink.
EXT,
P.A.
SPEAKER
-
DAY
uy
P.A.
VOICE
There
are
a
limited
number
of
tickets
still
available
for
tonight's
Ho-Jon
party.
Don't
be
left
out.
America
has
sent
thousands
of
boys
to
Korea
-
the
least
we
can
do
is
send
one
Korean
to
America.
DISSOLVE
TO:
INT.
MESS
HALL
-
DAY
45
It
is
festooned
with
Japanese
lanterns
and
crepe
paper.
To
a
phonograph
playing
a
dance
band
rendition
of
"It's
Magic,"
the
ticket
holders
are
beginning
to
ARRIVE
in
a
wild
mixture
of
GI
and
Oriental
garb:
fatigues,
papa-san
suits,
leis,
muumuus,
"bird
cage"
hats,
kimonos,
etc.
Radar
stands
guard
over
a
gaily
painted
oi]
drum
that
is
filling
up
with
raffle
tickets.
CLG
29
6439
2k
TWO
SHOT
-
HAWKEYE
AND
DISH
46
They
are
being
handed
martinis
by
a
beaming
Ho-Jon.
DISH
You
still
haven't
told
me
how
I
get
out
of
going
away
with
the
winner.
And
why
do
I
have
the
feeling
it's
going
to
be
you?
HAWKEYE
You
don't
trust
me.
DISH
(smiles
sweetly)
Not
since
the
first
time
I
found
you
hiding
inside
my
sleeping
bag.
She
CLINKS
his
glass
and
drinks.
TIME
LAPSE:
INT.
MESS
HALL
-
NIGHT
47
The
party
has
grown
in
number.
Couples
dance
cheek-to-
cheek
to
"Mona
Lisa."
Hot
Lips
ENTERS
abruptly.
After
taking
it
all
in,
she
pushes
past
Trapper,
dancing
with
Knocko,
and
addresses
Hawkeye,
his
eyes
blissfully
closed
as
he
glides
slowly
with
Dish.
HOT
LIPS
Captain
Pierce!
HAWKEYE
(opening
one
eye)
Sorry,
honey,
my
dance
card's
all
full.
HOT
LIPS
Where
is
he?
HAWKEYE
Who?
FLASH
CUT
TO:
INT,
POST-OP
WARD
~
NIGHT
48
Spearchucker,
in
fatigues
and
party
hat,
pulls
Frank's
blanket
down
and
gives
him
a
second
injection
in
his
bottom.
HOT
LIP'S
VOICE
(o.s.)
You
know
very
well
who.
Major
Burns.
He's
been
missing
for
hours.
COG
30
6439
25
BACK
TO
MESS
HALL
49
HAWKEYE
(melodramatically)
I
thought
you'd
heard.
HOT
LIPS
(worried)
Heard
what?
HAWKEYE
Frank's
gone
over
to
the
enemy.
They
offered
him
a
hundred
dollars
a
week
more.
Plus
a
royalty
on
bedpans.
HOT
LIPS
(increasingly
frustrated
When
I
find
him,
you'll
be
under
arrest!
HAWKEYE
Wouldn't
bother
me.
My
spies
tell
me
three
companies
of
Canadians
attacked
Hill
Fifty-Five
about
an
hour
ago.
By
midnight
this
place
will
be
flooded
with
casualties.
Personally,
I
don't
plan
to
work
if
”
I'm
busted.
HOT
LIPS
Tell
that
to
Major
Burns.
She
starts
off,
he
stops
her,
adopts
a
friendly
tone:
HAWKEYE
Look,
Hot
Lips,
why
don't
you
stop
worrying
about
Elmer
Gantry?
Grab
yourself
a
partner
and
give
him
a
dancing
physical.
Hot
Lips,
too
angry
to
speak,
storms.OFF.
TRAPPER
You
will
live
dangerously.
HAWKEYE
What
can
she
do
to
us?
INT.
HENRY'S
OUTER
OFFICE
-
NIGHT
50
Hot
Lips
is
on
the
telephone.
Cont.
31
6439.
26
50
Cont.
HOT
LIPS
General
Hammond,
please.
Tell
him
it's
Major
Houlihan.
Major
Margaret
Houlihan
-
from
Fort
Benning.
INT,
OFFICERS!
CLUB
-
SEOUL
-
NIGHT
51
GENERAL
HAMMOND
sits
at
a
table
with
an
attractive
ARMY
NURSE,
Henry
and
Leslie.
A
WAITER
WHISPERS
in
Hammond's
ear,
having
obviously
interrupted
the
foursome's
dinner.
(eyes
glinting)
Major
Houlihan??
FLASH
CUT
TO:
INT,
STATESIDE
BASE
-
DOCTOR'S
OFFICE
-
DAY
52
Hammond,
years
younger,
with
the
insignia
of
Colonel,
is::
in
a
passionate
embrace
with
a
young
Lieutenant
Houlihan.
WAITER'S
VOICE
(o.s.)
She
says
it's
a
matter
of
extreme
urgency,
sir.
Hammond
backs
Hot
Lips
into
a
tall
glass
cabinet
as
they
tear
amorously,
hungrily
at
each
other's
clothing.
BACK
TO
SEOUL
OFFICERS!
CLUB
53
HAMMOND
(to
others)
Excuse
me,
please.
As
he
rises,
we
HEAR
o.s.
a
loud
SHATTERING
-
the
kind
that
might
be
heard
if
a
tall
glass
cabinet
crashed
to
the
floor.
EXT.
KIMPO
AIRFIELD
-
SEOUL
-
NIGHT
54
A
helicopter
with
Hammond,
Henry
and
Leslie
takes
off
swiftly
and
noisily.
INT.
MASH
MESS
HALL
-
NIGHT
55
Couples,
well
sloshed,
are
dancing
to
"Enjoy
Yourself,
It's
Later
Than
You
Think."
Ugly
John
approaches
Hawkeye,
who
is
pouring
a
drink
for
Dago
Red..
UGLY
JOHN
When's
the
draw,
Hawkeye?
Cont.
32
6439
27
55
Cont.
HAWKEYE
Any
minute,
Ugly
baby.
Have
another
pop.
EXT.
MASH
COMPOUND
-
NIGHT
56
Hot
Lips
walks
about
with
a
flashlight,
calling:
HOT
LIPS
Frank...?
Frank...?
BACK
TO
HAWKEYE
AND
DAGO
RED
57
Dago
Red
takes
a
polite
swig
of
his
drink.
It
clearly
takes
his
breath
away.
Hawkeye
smiles
proudly.
HAWKEYE
Really
curls
your
hair
shirt,
don't
it?
OUT
58-
60
INT.
POST-OP
WARD
-
NIGHT
61
Hot
Lips
moves
from
bed
to
bed.
Her
light
falls
on
Frank's
bed
chart.
Ever
the
dutiful
nurse,
she
looks
from
the
chart
to
her
watch,
puts
the
flashlight
down,
turns
on
Frank's
overhead
light,
fills
the
syringe
on
his
bedstand
and
holds
it
up
to
the
light.
INT.
MESS
HALL
-
NIGHT
62
The
party
is
at
its
peak.
Everyone
is
fairly
loaded.
HAWKEYE
(calls
out)
All
right,
people!
Hold
it
now!
Gather
(as
they
do)
First,
I'd
like
to
announce
that
your
generosity
and
thirst
have
raised
over
eighteen
hundred
bucks
tonight...
We
HEAR
CHEERS
from
assemblage.
Cont.
God
33
a
6439
28
62
Cont.
HAWKEYE
means
Ho-Jon's
college
career
is
off
to
a
flying
start.
We
HEAR
more
CHEERS
all
around.
HAWKEYE
Right
now,
I
want
you
to
get
out
your
raffle
tickets
‘cause
this
is
when
the
whole
thing
hits
the
fan.
CLOSE
SHOT
-
RADAR
63
In
the
spirit
of
the
party,
he
now
wears
a
bedpan
for
a
hat.
Suddenly,
he
cocks
his
head,
“hears"
something.
INT.
POST-OP
WARD
-
NIGHT
64
Hot
Lips
pulls
Frank's
blanket
aside,
lowers
his
drawers
to
jab
his
bottom.
Her
eyes
widen
in
recognition.
HOT
LIPS
Frank!!
EXT.
MASH
COMPOUND
~
NIGHT
65
Hammond's
chopper
has
just
put
down.
He
steps
from
it,
followed
by
Henry
and
Leslie,
to
receive
a
salute
from
the
waiting,
tipsy
Radar,
still
wearing
his
bedpan
helmet.
INT.
MESS
HALL
-
NIGHT
66
Dish
stands
beside
Hawkeye,
an
uneasy
smile
on
her
face.
Guests
crowd
around,
tickets
in
hand.
HAWKEYE
And
now,
the
imcomparable
Lieutenant
Dish,
star
of
Stage,
Screen
and
Radiology,
will
dip
her
sensuous
claw
into
the
bowl
and
come
up
with
the
lucky
winner!
He
takes
her
hand,
guides
it
into
the
oil
drum.
CLOSE
SHOT
-
HAWKEYE
AND
DISH'S
HANDS
IN
OIL
DRUM
67
He
moves
her
fingers
to
a
ticket
taped
to
the
inside.
TWO
SHOT
-
HAWKEYE
AND
DISH
68
Her
look
of
surprise,
his
reassuring
wink.
COG
34
6439
29
ANOTHER
ANGLE
~-
MESS
HALL
69
Hammond
ENTERS
with
Henry,
Leslie
and
a
sobered
Radar,
his
bedpan
under
his
arm.
Unseen
by
anyone,
they
observe:
HAWKEYE
Here
it
is,
ladies
and
germs!
The
name
of
the
fortunate
man
who
will
spend
a
glorious
weekend
in
Tokyo
with
the
completely
edible
Lieutenant
Dish!
And
the
winner
is
~--
(takes
ticket
from
Dish)
-~-
Father
John
P.
Mulcahey!!
Wild
WHISTLING
and
APPLAUSE.
Trapper
leads
the
stunned
Dago
Red
to
Dish,
who
looks
at
Hawkeye
with
gratitude
and
admiration.
Henry's
stutter
returns
as
he
SHOUTS:
HENRY
T-T-Ten-Hut!
Every
head
turns
to
see
who
has
given
this
remarkable
order.
Henry
comes
forward
with
Hammond,
who
addresses
them:
HAMMOND
Do
I
understand
that
the
priest
of
this
outfit
has
just
won
a
weekend
with
a
nurse
in
Tokyo??
HAWKEYE
It's
a
prayer
come
true.
HAMMOND
(barks)
Who
are
you?
HAWKEYE
Captain
Benjamin
Franklin
Pierce.
Who're
you,
sarge?
HAMMOND
(through
clenched
teeth)
What
do
you
think
these
stars
mean?
HAWKEYE
You're
Tinkerbell?
HENRY
This
is
B-B-Brigadier
General
Hammond,
Chief
M-M~Medical
Officer,
Seoul
Sssector.
Cont.
COS
35
30
69
Cont.
HAMMOND
Which
one
here's
McIntyre?
TRAPPER
Yo!
HAMMOND
You
and
Pierce
are
both
under
arrest!
TRAPPER
I'd
like
to
get
a
second
opinion
on
that.
HAWKEYE
What's
the
charge,
General?
And
let
me
warn
you
that
anything
you
say'll
be
held
against
us.
HAMMOND
Breaking
orders
by
throwing
this
party!
Henry
snatches
the
weekend
passes
from
a
sheepish
Dago
Red,
gives
him
a
disapproving
look
before
adding:
HENRY
Handing
out
unauthorized
p-p-passes!
All
turn
as
Hot
Lips
ENTERS,
supporting
a
semi-conscious
Frank,
still
partially-bandaged,
trailing
yards
of
gauze.
HAWKEYE
(dramatically)
The
Mummy
strikes!
HENRY
Burns!
HAMMOND
(forgetting
himself)
Hot
Lips!
Hawkeye
and
Trapper
turn
to
each
other,
their
eyebrows
raised
at
his
use
of
the
name.
HAWKEYE
AND
TRAPPER
(in
unison)
Hot
Lips?
Hammond
blusters
on:
HAMMOND
Get
your
MP's,
Henry!
On
the
double!
These
two
are
going
to
be
court-
martialed.
Cont.
CO
36
6439
HAWKEYE
(hopefully)
In
Tokyo?
TRAPPER
Frisco?
HAMMOND
Right
here
is
where
you'll
be
tried
and
right
here
is
where
you'll
serve
your
time.
Now,
get
moving,
you're
under
arrest!
Hawkeye
looks
at
his
watch,
then:
HAWKEYE
Sorry,
General,
I'm
afraid
we
can't
I
might
do
be.
It's
a
good
idea.
the
same
thing
in
your
place
but....
HAMMOND
You
can't
what!
RADAR
(suddenly)
‘Listen!
HAMMOND
What!
‘RADAR
Wait
for
it.
HAWKEYE
(to
Hammond)
The
helicopters
you're
about
to
hear
are
going
to
be
filled
with
a
lot
of
Canadians
who
went
to
a
different
party
tonight.
;
Distant
helicopters
are
heard
o.s,
HAWKEYE
Without
us,
some
of
those
kids
aren't
going
to
get
home
from
the
party.
Helicopters
grow
louder.
TRAPPER
You
can
put
us
in
the
clink
right
after,
General,
but
we're
a
little
short
around
here
so
you
better
move
your
two-star
can
cause
you
got
a
night's
work
ahead
COG
of
you.
Cont.
31
69
Cont.1
37
32
69
Cont.:
HAWKEYE
(to
Hammond)
Let's
get
ready,
man.
I
hope
you
remember
your
stuff,.Doc,
we
run
a
very
tight
ship.
TRAPPER
Let's
get
those
nails
clean.
Hot
Lips,
why
don't
you
give
the
General
a
good
scrubbing
for
old
times'
sake.
Everyone
begins
to
get
ready.
Hawkeye
and
Trapper
taking
Hammond's
arms,
lead
their
new,
surprised
colleague
out
the
door.
DISSOLVE
TO:
EXT.
MASH
COMPOUND
-
DAWN
70
Exhausted
Doctors
and
Nurses
leave
the
Hospital.
Henry
walks
with
exhausted,
yet
elated
Hammond.
HAMMOND
I
haven't
put
in
a
stretch
like
that
for
years,
Henry.
HENRY
Makes
you
remember
what
you're
about,
doesn't
it?
Hammond
nods
his
agreement.
Henry
turns
and
is
about
to
call
out,
sees
Radar
appear
right
behind
him.
RADAR
Yes,
sir?
HENRY
Hells
bells,
Radar!
How
many
times
must
you?
RADAR
Yes,
sir.
I've
alerted
the
General's
pilot,
sir;
he's
ready
to
take
off
any
time.
HENRY
I
want
you
to
alert
the
General's
“pilot.
‘
.
:
(realizing)
To
be
ready
to
take
off
any
time.
Cont.
COM
38
33
70
Cont.
RADAR
I've
already
done
that,
sir.
HENRY
And
that's
an
order.
HAMMOND
Henry,
those
two
maniacs
are
the
best
I've
seen;
made
me
feel
like
&
horse
doctor
in
there.
Maké
sure
you
don't
lose
‘em
-~
not
even
to
me,
‘
HENRY
(relieved)
Yes,
sir.
You
leaving
right
now?
I
was
hoping
to
give
you
a
box
of
your
favorite
---
RADAR
Cigars.
Before
Henry
realizes
it,
Radar
has
slipped’
him
a
box
of
cigars
unseen
by
Hammond.
Henry,
befuddled
as
always
by
Radar,
hands
the
General
the
box,
‘
HENRY
(finishing)
-
cigars.
HAMMOND
Thank
you,
Henry.
Don't
forget
what
I
said.
They
exchange
salutes.
Hammond
walks
OFF.
Hawkeye
and
Trapper
appear,
react
to
Hammond's
exit.
HAWKEYE
(to
Henry)
Where's
he
going?
We're
all
set.
He
raises
his
right
hand
and
we
see
that
he
and
Trapper
are
handcuffed
to
each
other.
;
HENRY
Forget
it.
He
was
too
impressed
to
arrest
you.
TRAPPER
(to
Hawkeye)
We
did
it
again.
Screwed
up
in
reverse,
Cont.
GO
39
HAWKEYE
I
keep
telling
you
-
we've
got
to
give
up
this
preoccupation
with
keeping
people
alive
or
we'll
never
get
out
of
here.
.
As,
handcuffed,
they
make
for
The
Swamp.
TRAPPER
It's
no
use.
We're
doomed...
HAWKEYE
Maybe
if
we
started
using
rusty.
instruments...
‘
TRAPPER
Stopped
washing
our
hands...
.
HAWKEYE
Raised
our
prices...
out
THE
END
70
Cont.
71-
FADE
OUT
40
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