NIP/TUCK
Pilot
Ryan
Murphy
Shooting
Draft
The
Shephard/Robin
Company
FX/Warner
Bros.
Television
January
24,
2003
1
l
.
.
INT.
OFFICE
--
DAY
1
Plastic
surgeon
SEAN
McNAMARA,
38,
looks
directly
at
us.
SEAN
Tell
me
what
you
don't
like
about
yourself.
We
PAN
around
his
desk,
meet
the
patient
--
SILVIO
PEREZ,
40s.
His
brother,
ALEJANDRO,
30,
got
the
good
looks
in
the
family.
With
a
slight
accent
--
ALEJANDRO
My
brother
has
always
been
unhappy
about
appearance.
He
sees
how
effortless
it
is
for
me
teo
go
into
a
disco
and
pick
up
a
woman,
and
when
he
tries
this
he
is
rebuffed.
(pauses,
clears
throat)
He’'s
tried
changing
his
cologne,
working
out,
but
the
caliber
of
women
he
wants
are
not
impressed.
He
wants
a
change.
'
SEAN
Mr.
Perez,
what
exactly
are
you
interested
in
changing?
A
ALEJANDRO
My
brother
would
like
a
new
nose.
(a
long
pause)
He's
also
interested
in
a
new
jawline.
He
has
acne
scars
as
you
can
see,
he
would
like
those
removed.
He’s
also
very
self-
conscious
about
his
hairline,
the
Rogaine
did
not
work.
SEAN
I'm
sorry...Alejandro
is
it?
I‘m
not
comfortable
having
you
speak
for
your
brother
when
he’s
the
one
reguesting
such
extensive
surgery.
Mr.
Perez,
maybe
you
could
talk
to
me
about
--
ALEJANDRO
My
brother
does
not
speak
English.
SEAN
I'm
sorry,
I
don‘t
speak
Spanish.
ALEJANDRO
You
live
in
Miami
and
you
don'’'t
speak
Spanish?
Take
a
Berlitz
class,
man.
Sean
pauses,
uncomfortable.
He
smiles,
tightly.
{CONTINUED)
2
CONTINUED:
SBAN
My
partner
will
be
here
soon.
EXT.
MIAMI
STREET
-~
DAY
(SIMULTANEOUS)
2
Plastic
surgeon
CHRISTIAN
TROY,
39,
walks
a
few
blocks
work.
BEAUTIFUL
WOMEN
notice
his
confident
strut
and
smile
at
him.
He
lobs
a
dashing
grin
right
back.
A
BLONDE
passes.
TIGHT
ON
CHRISTIAN'S
EYES.
From
his
POV,
.white
lines
from
a
grease
pencil
are
drawn
around
her
jaw
and
nose
highlighting
imperfections
--
things
to
improve.
All
her
flaws
are
corrected,
instantly
and
easily,
in
his
mund,
A
stunning
AFRICAN-AMERICAN
passes,
smiles
sexily.
Christian
zeros
in
on
her
chest,
she’'s
a
B
CUP.
his
POV,
her
breasts
suddenly
MORPH
and
inflate
into
perfect
high
C’s.
Chraistian
walks
straight
at
us...
MATCH
CUT
T0:
INT.
OPERATING
ROOM
~-
DAY
(MINUTES
LATER)
3
...and
directly
into
a
prep-ready
surgery,
his
scrubs
on.
A
PRETTY
LATINA,
25,
is
naked
and
bottem’s
up.
QUICK
CUTS:
he
slices
her
buttocks,
then
holds
up
what
looks
to
the
novice
to
be
two
plastic
shoe
horns.
LIZ
CRUZ,
a
smartass
lesbian
anesthesiologist
in
her
30s,
shakes
her
head
disapprovingly.
LIZ
Ass
implants.
What
will
they
think
of
next?
*
Chrastian
roughly
shoves
the
implants
into
the
laser
slits.
LIZ
Jesus!
JIt’'s
like
stuffing
a
turkey.
CHRISTIAN
In
that
case,
then
this
turkey’s
been
stuffed
twice
this
week.
LI12
reason
girls
like
me
beccme
dykes.
CHRISTIAN
If
my
craftsmanship
offends
you
so
much
sefiorita,
then
why
are
you
working
here?
LIZ
Two
words,
Esai
--
life-style.
(CONTINUED)
3
3
CONTINUED:
Sean
enters,
scrubs
on.
SEAN
We
need
to
switch.
There's
a
potential
patient
in
my
office
I
understand.
Feel
him
ocut,
see
if
you
suspect
BDD.
CHRISTIAN
Will
de,
partner.
Christian
pulls
out
of
the
latina’s
ass,
snaps
off
his
gloves.,
Sean
takes
over
the
operation,
He
pauses.
Then
--
SEAN
You
put
these
in
wrong.
CHRISTIAN
(turning,
at
the
door)
I'm
sorry?
SEAN
These
implants,
ycu
put
them
in
upside
down.
Chrastian
pauses.
Charmingly,
to
cover
--
CHRISTIAN
You
saved
my
ass
again.
He
exits.
LIZ
And
her‘s.
She’'s
not
amused.
Sean
reaches
in
the
buttocks,
turns
the
implants
around.
4
INT.
OFFICE
-~
DAY
(LATER)
Silvic
tells
his
story
in
Spanigh.
The
conversation
between
Silvio,
Alejandro
and
Christian
is
translated
VIA
SUBTITLES.
SILVIO
.
Nunca
me
ha
gustado
como
me
vea.
Para
mi
hermano
es
bien
facil
conocer
chicas
in
la
disco...
{ENGLISH)
I‘ve
always
been
unhappy
about
my
appearance.
I
see
how
effortless
it
is
for
my
brother
to
go
into
a
disco...
{CONTINUED)
4
4
CONTINUED:
CHRISTIAN
Senor
Perez,
usted
vive
la
avenida
Colins
cuarenta
y
cinco
veinticinco.
Es
una
vivienda?
(ENGLISH)
Mr.
Perez,
you
reside
at
4525
Collins
Avenue.
It’‘s
a
house?
SILVIO
Yes.
CHRISTIAN
Senor
Perez,
mi
socic
piensa
gque
usted
tiene
un
desorden
morfologico,
sin
embargo
yo
no
pienso
gue
usted
odia
su
cuerpo.
Yo
creo
que
usted
esta
huyendo.
{
ENGLISH)
Mr.
Perez,
my
partner
thinks
you
have
body
dismorphic
disorder.
I
donot.
I
don’t
think
you
hate
your
bedy.
I
think
you’re
running.
Christian
and
Silvio
lock
eyes...it’s
a
staredown.
CHRISTIAN
(cont'd)
Cuarenta
y
veinticinco
de
la
avenida
Colins
no
es
una
residencia
es
el
hotel
Eden
Roc,
yo
soy
ur
a
las
tapas
en
la
hora
feliz
ahi.
Quiere
hablar
de
la
verdadera
razon
por
la
cual
esta
agui?
{ENGLISH)
.
4525
Collins
ig
not
a
residence,
it’s
the
Eden
Roc
Hotel,
I'‘m
quite
fond
of
the
happy
hour
tapas
there.
Want
to
talk
about
the
real
reason
you
breezed
into
town?
Christian
smiles,
leans
forward
a
little
bit.
In
English:
CHRISTIAN
(cont’'d)
And
do
me
&
big
favor,
Mr.
Perez.
When
you
answexr,
drop
the
*noc
hablo
English”
bullshit.
It
dossn’t
add
to
my
confusion
about
your
predicament,
it
only
highlights
yours.
Your
accent
and
inflection
are
completely
westernized,
I'm
gueesing
from
the
influence
of
twenty
years
of
"I
Love
Lucy’
reruns.
(CONTINUED)
5
é
CONTINUED:
(2}
é
Christian
rises
to
feed
fish
in
Sean’'s
agquarium
behind
him.
In
the
reflection,
he
subtly
spies
on
them
--
Alejandro
makes
a
go”
gesture,
Silvic
flashes
a
nasty
glare
which
silences
him.
Christian
turns,
sits
down
again.
Gently
--
CHRISTIAN
I'm
a
doctor,
what
you
tell
me
during
a
consultation
is
confidential.
Alejandre
looks
down,
nervous.
But
Silvio
pulls
ocut
a
briefcase,
pushes
it
across
the
table
with
a
confident
smile.
SILVIO
{in
perfect
I
prefer
to
let
my
money
talk.
Twenty
thousand
dellars.
Accoxrding
to
your
website,
that's
your
fee.
Chraistian
opens
the
briefcase,
sees
filled
with
cash.
He
pauses,
takes
a
whiff
of
the
money.
CHRISTIAN
Funny,
it?
How
certain
things
from
Colombia
have
a
pungent
aroma
that
can
stink
up
a
room.,
Coffee,
for
instance.
And
then,
of
course,
cartel
money.
SILVIO
I‘m
not
from
Colombia.
My
brother
and
I
are
Argentinean,
CHRISTIAN
Mr.
Perez,
if
you
were
from
Argentina,
I
wouldn‘t
have
to
recommend
poxcelain
veneers.
It’s
the
only
South
American
country
with
fluoride
in
the
water.
Silvio
begins
to
sweat.
Christian
pushes
back
the
briefcase.
SILVIO
.
I've
been
to
three
other
surgeons
in
town.
They
would
not
do
the
operation.
:
Like
your
partner,
they
were
suspicious.
CHRISTIAN
One
last
time...why
are
you
running?
SILVIO
(after
a
long
pause)
I
wasg
with
the
boss'
garl.
CHRISTIAN
Mr.
Perez,
you
gag.
(CONTINUED)
6
CONTINUED:
Christian
and
Silvio
share
a
dark
chuckle,
but
Alejandro
laugh.
Sean
enters,
implant
operation
completed.
He
quietly
sits
down.
The
Silvio/Christian/Alejandro
conversation
reverts
back
to
Smanish.
Sean
ig
in
the
dark.
CHRISTIAN
Senor
Perez,
la
cirugla
facial
que
usted
reguiere
le
cuesta
$30,000
dolares.
Quiza
le
parezca
carc
perc
somos
los
mejores
carujancs
y
estamos
mejorando
cada
vez
mas.
(ENGLISH)
Mr.
Perez,
a
facial
rejuvenation
in
the
manner
of
your
request
would
be
$30,000.
That
may
seem
expensive,
but
we're
the
best,
and
we’'re
getting
even
better.
Sean,
in
English}
Still
trying
to
get
to
the
bottom
of
this.
He
turns
back
to
Alejandro
and
Silvio,
continuing
in
Spanish,
CHRISTIAN
(cont’d)
A
finales
del
ano
esperamos
inaugurar
nuestro
propio
espa/centro
de
recuperacion
y
distribuir
nuestros
proplo
linea
de
productos.
Sin
duda
alguna
seremos
el
centro
guirurgico
mas
grande
del
sur
de
la
Florida.
(ENGLISH)
By
the
end
of
the
year,
we
hope
to
open
our
own
recovery
slash
spa
center
and
distribute
our
own
product
line.
Without
a
doubt,
we'’ll
be
the
best
plastic
surgery
operation
in
Southern
Florida.
SILVIO
Quiero
a
los
mejores,
registreme.
(ENGLISH)
I
want
the
best.
Sign
me
up.
CHRISTIAN
Perdone,
pero
aqui
no
vale
su
dinero.
(ENGLISH)
Sorry.
Your
money’s
no
good
here.
Silvio
looks
at
Christian
darkly.
He
knows
he‘s
being
toyed
with,
but
he
has
no
more
options.
A
beat,
then
~-
SILVIO
Le
doy
$300,000
dolares
si
me
hace
la
cirugia.
En
(ENGLISH)
{MORE)
(CONTINUED)
7
4
CONTINUED:
(4)
4
)
SILVIO
(cont'd)
If
you
do
the
surgery
I’ll
pay
vou
$300,000.
Christian
pauses,
smoothly
turns
to
Sean.
In
English
--
CHRISTIAN
I
don’t
thank
this
guy
has
BDD.
His
expectations
aren’'t
unrealistic,
he
doesn’t
want
to
look
like
Tem
Cruise
or
anything.
He's
just
and
wants
a
fresh
start.
{turns,
to
Silvio
--)
My,
Perez,
let's
schedule.
Off
look
of
relief,
we
begin
TITLE
SEOUENCE.
5
EXT.
MIAMI
CAUSEWAY
--
DUSK
i
&
An
AERIAL
VIEW
of
Mercedes
convertible
as
it
glides
across
the
bridge
connecting
the
city
to
South
Beach.
6§
EXT.
MIAMI
ATHLETIC
CLUB
--
DUSK
6
The
Mercedes
roars
into
valet
parking.
7
INT.
MIAMI
ATHLETIC
CLUB
-~
NIGHT
7
Where
the
elite
pay
$20
grand
a
year
to
sweat
in
style,
Christian
sits
at
the
bar
nursing
a
Patren
tegquila.
His
eves
are
drawn
to
a
BEAUTY
two
stools
away
in
garb.
CHRISTIAN
Single
or
doubles?
The
BEAUTY
ignores
him.
Then
--
BEAUTY
Doubles.
I'm
meeting
my
boyfriend,
CHRISTIAN
May
I
buy
you
a
drink?
BEAUTY
I
don’t
drink,
CHRISTIAN
Can
I
buy
you
an
sppetizer?
BEAUTY
I'm
a
model.
I
don't
eat.
Christian
pauses.
Thas
arrogant
bitch
is
a
lot
of
work.
time
to
seal
the
deal.
He
peels
off
bills
to
close
his
tab.
{
CONTTNUED)
8
7
]
10
11
CONTINUED:
7
BARTENDER
one
for
the
road?
CHRISTIAN
No
thanks.
I
have
to
operate
tomorrow.
The
beauty
slowly
turns
and
looks
at
him.
,
BEAUTY
You‘re
a
doctar?
CHRISTIAN
(a
wolfash
grin)
Plastic
surgeon.
SNASH
CUT
TO:
INT.
CHRISTIAN’S
SOUTH
BEACH
PENTHOUSE
--
NIGHT
8
Against
a
backdrop
of
white
silk
curtzins
billowing
in
a
balmy
breeze
we
find
Christian,
glistening
with
sweat,
fucking
the
model.
She
groans
with
pleasure
and
abandon.
EXT.
CORAL
GABLES
HOUSE
--
NIGHT
]
Uppermiddle-class
in
a
family-friendly
neighborhood.
As
we
PUSH
acrose
a
front-lawn
we
h
-~
VOICE
Bread.
Rembrandt
toothpaste.
Bananas...
'
INT.
BEDROOM
-~
NIGHT
10
We
meet
the
woman.
CLAIRE
McNAMARA,
39,
is
underneath
her
husband
Sean
as
he
gives
her
the
once-a-week
high
hard
one.
As
he
mechanically
pumps
away
with
no
kissing
to
distract
her,
she
mentally
continues
her
grocery
list.
VOICE
Wolfgang
Puck
pizzes.
Grape
jelly...
INT.
CHRISTIAN’S
--
NIGHT
11
The
model
is
now
giving
Christian
a
blow-job.
CHRISTIAN
You’re
a
bad
girl,
aren’t
you
Kimber?
&
nasty
dirty
bad
girl.
He
flips
her
over,
sprinkles
a
LINE
OF
COCAINE
down
her
spine,
snorts
it
as
she
giggles.
-
9
12
13
14
15
INT.
SEAN'S
BEDROOM
--
NIGHT
12
The
monogamous
Eex
between
Sean
and
Claire
continues.
We
go
into
Sean’s
head
as
he
dutifully
thrusts
away.
SEAN‘S
VOICE
I'm
gonna
fire
the
gardener.
The
hedges
in
fromt
are
lopsided,
it
loocks
like
he
trimmed
them
drunk.
(pauses,
conflicted)
Maybe
Claire
should
fire
him,
she's
better
at
that
sort
of
thing.
CLATRE
Are
you
finighed
honey?
He
orgasms
with
a
contained
shudder,
SEAN
Yes.
INT.
CHRISTIAN’S
LAVA
ROCK
SHOWER
~=-
NIGHT
13
Christian
and
the
model
conclude
their
passion
under
a
sexy
waterfall.
He
orgasms
loudly,
almost
violently.
INT.
SEAN‘S
BEDROOM
--
NIGHT
u
Claire
rolls
over,
looks
at
the
moon.
Her
eyes
are
pained.
Sean
is
asleep
and
oblivious
as
the
TITLE
SEQUENCE
ENDS.
EXT.
CHRISTIAN‘S
BALCONY
--
MORNING
15
Wearing
Christian‘s
shirt
from
the
night
before,
model
RKimber
leans
against
the
balcony
and
stares
at
the
ocean,
bathed
in
the
glow
of
the
rising
sun
and
her
night
with
Christian.
Fresh
from
the
shower,
he
appears,
hugs
her
from
bshind.
KIMBER
Take
me
back
to
bed,
Praince
Charming...
CHRISTIAN
Don't
you
have
a
boyfriend
you
have
to
explain
last
act
to?
KIMBER
not
my
fiancee
or
anything,
he's
Just
a
bouncer
at
Level.,
And
I
didn’t
move
here
from
Minnesota
to
settle
down
in
a
one-bedroom
in
Hialeah,
that’s
for
sure.
(CONTINUED)
10
10.
15
CONTINUED:
15
CHRISTIAN
There
are
advantages
to
having
a
bouncer
boyfriend.
You
never
have
to
wait
behind
a
velvet
rope.
KIMBER
Please.
You
think
a
girl
like
me
has
to
wait?
I
always
go
to
the
front
of
the
lane.
Like
last
week,
I
was
with
my
girls
at
that
new
club
Rendezvous
and
the
owner
“right
this
way,
Ten.*
The
perfect
ten,
that’s
what
he
called
me.
CHRISTIAN
Booked
any
covers
yet?
A
well-placed
arrow.
A
beat,
she
looks
out
at
the
ocean.
KIMBER
I‘m
only
21.
I‘ve
got
time,
right?
CHRISTIAN
Absclutely.
Of
course,
it
takes
a
lot
of
discipline
and
work
to
get
there,
to
be
perfect.
But
if
you
fix
the
flaws,
you
could
absolutely
be
a
ten.
KIMBER
What
am
I
now?
Tell
me.
»
She
drops
the
robe
and
stands
before
him,
naked
and
.
vulnerable.
He
scrutinizes
her,
then
unflinchingly
--
CHRISTIAN
You're
an
eight.
He
pauses,
turms
her
face
slowly
toward
the
cruel
morning
sunlight.
His
index
finger
traces
her
undereye
area.
CHRISTIAN
You‘re
also
26,
you
should
have
worn
sunscreen.
But
with
a
light
peel
under
the
eyes,
you
could
look
twenty.
Even
so...you're
a
very
pretty
girl,
Kimber.
KIMBER
I
don‘t
want
to
be
pretty.
I
want
to
be
better.
I
want
to
be
perfect.
(pauses,
panic
raising)
I
haven’'t
booked
anything
in
two
months.
Tell
me.
.
.
(CONTINUED)
11
15
,
CONTINUED:
(2)
.
15
SN
CHRISTIAN
All
raght.
Do
you
have
&
lipstick?
She
reaches
in
her
purse,
pulls
out
a
tube
of
berry
stain.
He
looks
her
over,
like
a
painter
contemplating
an
empty
canvas.
Then
from
the
POV
of
Xamber's
face
and
body,
we
see
Christian
making
swooping
circles
with
the
lipstick.
CHRISTIAN
(cont’d)
Beauty
is
symmetry.
Your
left
eve
is
half
a
millimeter
higher
than
your
right,
we
could
properly
£ix
that
with
a
malaer
augmentation.,..that’s
a
cheekbone
enhancement.
I‘d
give
you
some
Botox
here,
and
here,
which
would
provide
a
good
lift.
Irish?
KIMBER'S
VOICE
Part.
CHRISTIAN
.
That
explains
the
slightly
£lat
boxer
_nose,
we
can
shave
the
cartilage
to
give
.
..
-
you
the
Christy
Turlaington
thing.
The
=,
breasts
could
go
one
size
bigger
to
a
low
N
C,
you
could
finish
off
with
some
lipo.
Pretty
much...
16
INT.
BATHROOM
--
SIMULTANEOUS
16
CHRISTIAN
These
are
your
problem
areas.
He
her
around
to
look
in
the
mirror.
Her
eyes
grow
wide
1n
shock
~-
her
face
and
body
are
slashed
in
red
lines...she
looks
like
a
human
bull's-eye,
Her
eyes
with
tears.
KIMBER
Am
I
really
this
ugly?
I
was
homecoming
CHRISTIAN
Don‘t
be
upset.
Let
your
shorteomings
and
flaws
fuel
you,
let
them
push
you
further
than
you
ever
thought
you
could
go.
When
you
stop
striving
for
perfection,
you
maght
as
well
be
dead.
He’'s
genuine
here,
spooky.
She
nods,
moved
by
ham.
17
INT.
SEAN
AND
CLAIRE’S
BEDROOM
~--
MORNING
17
Sean
and
Claire
prepare
for
work.
As
he
shaves
--
(CONTINUED)
12
17
12.
CONTINUED:
17
SERN
I
want
to
fire
Julio
Esperanza.
CLATRE
Why?
SEAN
He's
sloppy.
He's
careless,
he
can‘t
even
trim
a
hedge
strzight.
When
you
pay
him
this
week,
tell
him
--
CLAIRE
Oh
no
buddy,
I‘m
not
doing
your
dirty
work.
He
has
three
kids
and
his
wife
makes
us
paella
every
year
for
Christmas.
Instead
of
firing
him,
why
don't
you
just
tell
him
what
you
want?
Be
specific.
Isn't
that
what
you
always
ask
of
your
own
clients?
SEAN
Are
you
implying
a
professicnal
similarity
between
me
and
the
gardener?
CLAIRE
Ne,
but
you
just
did.
Clairre
pauses.
Playfully
--
CLAIRE
Have
you
noticed
anything...different?
SEAN
Like
what?
CLAIRE
I
know,
it's
silly,
but...ever
since
I
nursed
Annae,
I‘ve
noticed
that
my
boobhs
are
dropping.
Do
you
think
I
should,
you
know...consider
a
1lift?
SEAN
Aren’t
you...past
all
that
stuff
now?
CLAIRE
Ch,
I
fergot,
right,
I
should
just
cut
to
the
chase
and
have
my
uterus
bronzed.
SEAN
I
didn’t
mean
that.
Let
me
see.
She
strikes
a
sexy
Playboy
pese.
But
he
deesn’t
laugh.
{
CONTINUED)
13
17
18
13.
*
CONTINUED:
(2)
'
17
SEAN
For
your
age,
gravitationally,
exactly
where
they
should
be.
His
precise
medical
response
deflates
her.
He
turns
back
to
the
mirror
to
rinse
his
face.
SEAN
By
the
way,
I
told
Annie
she
could
adopt
the
gerbil
her
kindergarten
teacher’s
trying
to
unload.
CLATRE
Sean,
you
hear
me
last
week?
I
specifically
told
her
she
couldn't
bring
it
home.
SEAN
What’s
the
big
deal,
it's
not
like
a
puppy.
It
makes
messes
in
a
cage.
CLAIRE
It
still
shats,
Sean.
And
that'’s
more
shit
for
me
to
clean
up.
SEAN
Claire,
come
on...it's
not
like
you’re
Mia
Farrow
tending
to
ten
paraplegic
kids
with
polio.
We’'ve
got
two
and
a
gerbil
and
a
maid.
{busses
her
cheek)
It‘s
manageable.
PUSH
IN
on
en
upset
Claire
as
she
watches
him
exit.
INT.
KITCHEN
--
DAY
(MINUTES
LATER)
18
French
toast
sizzles
in
a
skillet
manned
by
ROSA
CITONE,
the
McNamara
family
maid.
Sean
sits
at
the
kitchen
table
reading
The
Miami
Herald.
His
two
children,
ANNIE
(five)
and
MATT
(15)
sit
with
him.
Matt
reading
a
textbook
as
he
+
shovels
cereal
into
his
mouth.
Annie
spills
her
juice.
.
Without
looking
up
from
the
paper,
Sean
stops
the
orange
flow
with
a
dam
of
napkins,
pours
her
another
glass.
Whispering
~-
ANNIE
Mommy
always
yells
at
me
when
I
do
that.
SEAN
{whispering
back)
Mommy
doesn’t
need
to
know.
Our
secret.
Why
are
we
whispering?
(CONTINUED)
14
18
CONTINUED:
18
ANNIE
We’'re
Spy
Kids.
SEAN
Whatcha
reading
Matt?
ANNIE
Dad'!
You
asked
him
the
same
guestion
two
days
ago!
Matt's
reading
about
alligators
for
his
science
fair
project
on
the...what
is
it
again?
MATT
On
the
vanishing
Everglades
ecosystem.
But
of
course
Dad
asked
me
the
same
question
twe
days
ago,
Annie,
because
Dad
never
listens
to
anything
I
say.
SEAN
Alligators,
huh?
Sounds
interesting.
ANNIE
and
scary!
(““-;
MATT
.
Yeah,
they
are.
Like,
did
you
know
that
at
the
turn
of
the
century,
settlers
dying
of
starvation
in
the
Everglades
would
use
dead
human
bodies
as
bait
to
lure
alligators
so
they
could
eat
them?
.
But
the
funny
thing
i1s...the
alligators
.
wouldn’'t
bite.
They’d
attack,
then
spit
the
bodies
out.
ANNTIE
wWhy.
..why
would
they
spit
them
out?
MATT
Turns
out
gators
find
the
taste
of
human
flesh,..boring.
Oh,
but
I
tell
you
one
time
the
settlers
saw
a
wild
boar
fall
in
the
water
and
the
gators
went
berserk?
Turns
out
pork
is
the
gators
version
of
a
Big
Mac
or
same
shit.
Matt
takes
a
chomp
out
of
his
sister’s
bacon.
She
screams.
SEAN
Enough
Matt.
You're
scaring
your
sister.
and
watch
your
mouth,
(
pauses,
rattled.,
Then
in
Spanish,
SUBTITLED:
(CONTINUED)
15
18
15.
.
CONTINUED:
(2)
.
18
ANNIE
Rosa,
me
das
mas
toncio
depavo
por
favor?
{ENGLISH)
Rosa,
may
I
have
some
more
turkey
bacan
poxr
favor?
SEAN
Annie
honey,
I
teld
you,
when
you're
around
Daddy,
please
don‘t
speak
an
a
foreign
language
daddy
doesn’'t
understand,
CLAIRE
{entering,
heading
for
coffee)
We
live
in
South
Florida
Sean,
English
is
the
foreign
language.
Matt
pointedly
looks
at
his
father,
starts
talking
in
Spanish.
VIA
SUBTITLES
aB
everyone
speaks
in
Spanish:
MATT
Mami,
necesito
dinero
para
mi
lonche.
(ENGLISH)
Mom,
I
need
money
for
lunch.
CLAIRE
Veinte
dolares
son
sufciente?
(ENGLISH)
Is
twenty
enocugh?
MATT
ANNIE
Rosa,
me
das
un
pco
de
jalea
tambien?
{ENGLISH)
Rosa,
can
I
also
have
some
jelly?
ROSA
Soy
tu
cocinera
y
tu
sirvienta,
no
tus
piernas.
Psrate
y
tomala
tu.
{ENGLISH)
I'm
your
cook
and
your
maid,
not
your
legs.
Get
up
and
get
i1t
yourself.
CLAIRE
Bien
dicho
Rosa!
(ENGLISH)
Way
to
go,
Rosa!
Sean
just
stares
at
this
family
he
communicate
with.
16
18
20
16.
EXT.
HOUSE
--
LATER
19
Sean
exits
down
the
front
walk,
holding
his
suitcase.
He
passes
JULIO,
the
gardener,
who
is
butchering
a
rosebush.
Sean’s
bloodpressure
skyrockets.
JULIO
ESPERANZA
Good
morning
to
you,
Mr.
Sean!
Is
there
.
anything
extra
you‘d
like
done
teday?
SEAN
{after
a
long
beat)
No,
Julio.
Keep
up
the
good
work.
EXT.
MIAMI
HARBOR
~-
LATER
20
ANGLE:
a
father
and
son
carry
a
lunch
cooler
as
they
walk
up
the
dock
toward
their
boat
for
a
morning
of
seiling.
PUSHING
CLOSER,
we
Eee
it’s
actually
Christian
with
Matt.
They
begin
to
untie
the
boat
with
perfeect
synchronicity.
CHRISTIAN
God
it's
beautiful
out
here,
huh?
MATT
Perfect
weather
for
skipping
school.
CHRISTIAN
I
want
you
back
by
third
period
Mattie,
we
agreed.
Here,
I
wrote
you
a
doctor's
excuse.
MATT
Thanks
Uncle
Chris.
And
thanks
for
the,
you
know,
medical
consultation
stuff.
Whnen
can
we
schedule
the
operation?
CHRISTIAN
Whoa
killer,
slow
down.
Like
it
or
not
we
still
have
to
talk
to
your
dad
about
this.
You're
under
18,
he
has
to
sign
the
consent
form.
MATT
He'’ll
never
go
for
it.
He’s
such
an
asshole,
CHRISTIAN
Hey
--
don't
call
your
father
that,
you
don’t
know
how
lucky
you’ve
got
it.
serious
tone
deflates
Matt.
Christian
sees
this,
=-
.
{CONTINUED)
17
.20
21
22
17,
CONTINUED:
CHRISTIAN
(cont'd)
Besides
--
your
dad‘s
not
an
asshole.
(a
beat)
Robots
can’t
be
assholes.
And
the
mood
is
restored.
Christian
grins,
pops
a
Coors
from
the
cooler,
tosses
Matt
the
keys.
He
catches
them,
thrilled.
MATT
You‘re
gonna
let
me
drive?
CHRISTIAN
Yeah.
That
way
I
get
to
drink.
They
laugh
as
they
climb
on
board.
PANNING
the
boat‘s
gleaming
exterior,
we
notice
that
Christian
has
christened
his
$100,000
toy
*The
Boatox.”
.
INT.
MCNAMARA/TROY
OFFICES
--
DAY
(LATER)
21
OMIT
INT.
SEAN'S
OQFFICE
--
DAY
(LATER}
22
MARIE
MICHAELS
This
is
my
Joey
last
At
Epcot.
Sean
looks
at
the
picture
of
JOEY,
14
and
full
of
life.
He
has
a
brilliant
Matt
Damon
smile
and
is
a
good-looking
kad.
SEAN
And
after
the
accident?
MARIE
It
was
no
accident,
okay?!
I‘m
sorry,
I‘'‘m
still
reelin‘,
you
know?
SEAN
Can
I
see
the
current
pactures
please?
*
Marie
hands
over
a
handful.
Sean
looks
at
the
pictures
with
‘no
emption,
even
though
they
are
horrifying.
The
previously
handsome
Joey
is
now
terribly
burned.
CLOSE-UP
CLINICAL
SHOTS
of
his
charred
arms
and
legs
are
difficult
to
look
at.
SEAN
How
many
grafts
has
he
been
through?
MARIE
We
had
to
stop
at
five,
he
needs
three
more.
Shitty
HMO...
{
CONTINUED)
18
18,
22
CONTINUED
22
.
SEAN
Ms.
Michaels,
like
to
help.
But
~-
MARTE
Pleage
say
no.
Can’t
we
make
an
arrangement
or
somethin’?
Like,.,you
know,
a
lay-a-way?
SEAN
Ms.
Michaels,
it’s
not
the
money,
the
time.
We’re
booked
solid
for
the
next
six
months.
If
it
were
a
more
simple
operatian,
1
could
squeeze
you
in,
but
because
grafts
of
this
nature
are
complicated.
..
MARIE
I
get
it.
So
if
I
wanted
something
silly
and
stupid
like
a
goddamm
boob
job
--
somethin’
you
could
make
a
quick
buck
on
maybe
you
could
squeeze
me
in.
SEAN
:
Ms.
Michaels,
I’'m
going
to
give
you
the
==
the
number
of
Dr.
Michael
Lewengard,
a
colleague
of
mine
I
~-
MARIE
Screw
you!
I
already
went
to
him,
he
blew
me
off
and
then
reccmmended
you!
why
I‘m
here!
'
{a
long
beat,
then
--)
Congratulations
on
your
fancy
expansion,
doctor.
Looks
like
you’ve
done
real
for
yourself.
And
thank
you
for
your
precious
time.
she
stands
to
leave.
At
the
door,
she
turns.
Softly
--
MARIE
(cont’‘d)
The
next
time
you’ve
got
some
little
size
four
on
your
table
and
you’re
givin‘
her
liposuction
she
really
doesn’t
need,
you
think
of
my
Joey,
and
what
you
coulda
done
for
him.
Shame
on
you.
23
INT.
OPERATING
ROOM
--
DAY
(LATER)
23
Sean
and
Christian
gelect
surgical
utemsils
for
Silvio’s
operation,
Scalpels,
an
electrie
saw,
etc.
Sean
is
still
upset
from
his
previous
cansult.
Teo
distract
himself
--
{CONTINUED)
19
23
,
CONTINUED:
19.
23
SEAN
So
check
out
this
bombshell.
We’'re
getring
ready
this
morning
and
Claire
tells
me
she
wants
her
breasts
done.
CHRISTIAN
Well,
I
can
see
where
she's
from.
At
this
Fourth
of
July
poolparty
at
the
homestead,
I
did
think
her
tits
were
hanging
like
sand
in
tube
socks.
you're
thinking
conflict
of
interest,
I‘d
like
to
volunteer
my
services.
SEAN
Still
have
a
crush
on
the
Mrs.,
do
we?
CHRISTIAN
Let
the
record
show
I
dated
her
first
and
passed
my
sloppy
seconds
off
to
you.
SEAN
Screw
you,
one
date
and
she
didn‘t
even
let
you
kiss
her.
She
thought
you
were
too
smooth.
My
wife’s
perceptive.
CHRISTIAN
But
you’re
not.
A
lot
goes
on
in
your
family
you
don‘t
even
know
about.
If
my
kid
was
getting
brutally
razed
at
pick
up
on
his
changed
behavior.
SEAN
Matt’s
having
trouble
at
school?
And
he
told
you
this?
CHRISTIAN
He‘s
torn
up.
I
guess
he
was
showering
in
gym
and
shit
and
some
tough
guys
started
laughing
at
him
and
calling
him
Anteater.
SEAN
Anteater?
CHRISTIAN
Basically,
he’'s
self-conscious
about
his
dick
and
he
wants
a
circumcision.
SEAN
He
need
a
circumcision.
That’s
a
vanity
operation.
(CONTINUED)
20
23
CONTINUED:
Gloves
on
20.
(2)
CHRISTIAN
in
the
vanity
business,
Sean,
That’s
what
we
do.
Shit,
I
remember
when
I
was
his
age.
I
got
in
fights
every
goddamn
day.
SEAN
Not
over
your
pemis.
CHRISTIAN
Over
my
Dollar
Mart
polo
shirts
I
stuck
construction
paper
alligators
on
trying
to
pass
them
off
as
Izods.
Appearance
is
everything
for
a
kid,
it’'s
how
you
fit
in.
Snip
snip,
he
feels
better
about
himself,
and
you
can
make
that
happen.
How
coal
is
fatherhood?
SEAN
I'‘m
not
doing
anything
to
my
son’s
penis
or
my
breagts,
T
don‘t
want
my
family...infected
by
what
we
do
here.
CHRISTIAN
What
do
we
do
here
Sean,
other
than
make
pecple
feel
better
about
themselves?
SEAN
What
we
do
here
is
let
people
externalize
the
hate
they
feel
about
themselves.
Whach
is
why
I
want
to
hire
a
full-time
psychologist,
to
screen
people
better.
CHRISTIAN
Great.
And
let’s
do
yoga
in
the
lobby.
SEAN
Since
Botox
went
wide,
1t‘s
become
&
factory
in
here.
no
discernment,
no
caution,..
CHRISTIAN
Thig
is
a
businesg,
Sean.
A
good
business
that's
on
the
verge
of
setting
us
up
for
life.
SEAN
Well
maybe
I
don’t
want
to
be
an
this
business
anymore,
and
hands
held
up,
Sean
and
Christian
enter
the...
23
21
25
21.
INT.
OPERATING
ROOM
DAY
24
..
.where
an
unconscious
SILVIO
PEREZ
lies
on
a
metal
gurney.
LIZ
Boys,
our
patient
is
comfortably
in
twilight
and
ready
to
be
carved.
SEAN
do
it.
In
QUICK
CUTS,
we
see
the
mechanics
of
Silvio's
transformation.
Christian
deftly
peels
off
his
facial
epidermig,
trims
it,
tightens
it,
as
Sean
inserts
cheekbone
implants,
then
breaks
Silvio‘’s
nose
and
resets
it.
Saw
in
hand,
Christian
begins
to
thin
Silvio’s
jutting
chin.
SEAN
You’'re
shaving
too
deep.
CHRISTIAN
It’s
fine.
SEAN
Do
you
want
it
fine
or
do
you
want
it
perfect?
Sean
holds
out
his
hand.
Christian,
pissed,
hesitates,
but
hands
over
the
saw.
.
INT.
RECOVERY
ROCM
--
DAY
(LATER)
25
We
PADE
UP
on
Silvio,
still
unconscious,
in
post-op
and
now
wearing
an
eerie
cobalt
blue
mask.
Alejandro
sits
in
a
chair,
on
vigil.
Sean
enters,
checks
Silvio‘s
vital
sigms.
SEAN
He's
on
meorphine,
there’s
no
pain.
He'’ll
be
up
and
around
at
the
hospital
by
week’s
end.
A
transport
ambulance
just
arrived,
you
can
ride
with
him
to
Dade
County
if
you
want.
ALEJANDRC
What's
with
the
mask?
SEAN
A
new
break-through.
Pulse
magnets
bring
constant
rejuvenating
bloodflow
to
the
surface
of
the
skan.
22
27
28
22.
INT.
CHRISTIAN'S
OFFICE
-~
DAY
26
Christian
logs
in
on
a
COMPUTER
as
Kimber
watches
in
a
surgery-prep
gown.
CHRISTIAN
Before
you
sign
the
final
consent
form,
I
thought
you
might
want
to
see
some
of
my
.
greatest
hits.
.
On
the
SCREEN,;
startling
BEFORE
and
APTER
of
WOMEN.
..6's
before
he
sliced
and
diced,
now
B’s
and
9's.
Kimber
1s
impressed.
Her
current
FACE
fille
the
screen.
CHRISTIAN
This
ie
you...and
thies
is
what
you‘’ll
look
like
when
I'm
done.
KIMBER
(re:
her
new
AFTER
shot)
I...I
don’t
reelly
see
any
difference.
CHRISTIAN
Agents
who
book
you
will,
photographers
looking
through
telephoto
lens
that
highlight
every
flaw
absclutely
will.
I
told
you
--
beauty
is
millimeters.
See
this
girl,
haby?
She's
my
ten.
EXT.
HALLWAY
--
DAY
27
'
Sean
heads
for
his
office.
Alejandro
catches
up
with
him.
ALEJANDRO
Dr.
Sean,
excuse
me.
I
forgot
to
ask
...does
the
300
grand
cover
everything,
or
is
the
hospital
stay
extra?
SEAN
Did
you
pay
by
check,
Mr.
Perez?
ALEJANDRO
Cash.
-
INT.
CHRISTIAN'S
OFFICE
--
DAY
28
Rimber
is
now
giving
Christian
a
blow
job.
Just
as
he
reaches
orgasm,
an
upset
knocking
at
the
door.
CHRISTIAN
Coming...
Christian
exits
to
find
-~
.
23
29
EXT.
CHRISTIAN'S
QFFICE
~-
DAY
SEAN
Where’d
you
hide
the
extra
Perez
money?
CHRISTIAN
You
wamma
play
accountant,
go
check
the
goddamn
corporate
account.
putting
that
money
back
into
our
company.
The
Alpha
Lipoic
Firming
activator
sample
costs
three
times
the
projection.
It
has
to
be
perfect,
it’s
the
cornerstone
of
the
skincare
line.
SEAN
Why
didn‘t
you
tell
me?
CHRISTIAN
Now
you’'re
suddenly
interested
in
cosmeceuticals?
SEAN
It's
drug
money,
isn't
CHRISTIAN
I
didn’t
ask.
Neither
did
you.
It’'s
what
he
offered.
If
we
turned
him
away,
he’'d
go
down
the
block
to
Myers
or
Jacobian.
SEAN
And
I
would
have
slept
better.
NURSE
Excuse
me
Dr.
Troy,
the
architect
is
here
to
show
you
the
marble
samples
for
the
steam
room.
SEAN
Steam
room?
Our
recovery
unit
addition
now
has
&
marble
steam-room?
I
didn't
approve
that,
I
wasn’t
even
consulted
on
that,
that’s
a
ridiculous
unneccessary
expenditure.
CHRISTIAN
You
stay
out
here
and
moralize,
Sean.
I'd
listen,
but
I'm
trying
to
run
a
business.
END
ACT
ONE
23.
25
(CONTINUED)
24
24.
28
CONTINUED:
25
ACT_THO
30
INT.
SEAN’'S
OFFICE
=--
DAY
30
Sean
looks
directly
at
us.
SEAN
Tell
me
what
you
like
about
yourself.
We
PAN
arcund
the
desk,
see
Sean’s
morning
consult
is
Matt.
MATT
Look
dad...I'm
grateful
you're
treating
me
like
an
adult.
But
if
we
have
to
do
this,
could
we
please
skip
the
psycho
mind
probs
stuff?
SEAN
Matt,
honestly,
why
do
you
want
a
circumecision?
.
MATT
(uncomfortable)
I
want
1t
removed
because...you
know.
SEAN
No,
I
don't
know.
N
MATT
Yeah,
because
you
don‘t
have
a
stupid
hard-top!
SEAN
Your
mother
and
I
thought
-a
lot
about
this
topic,
and
we
didn’t
give
you
a
circumcision
because
you
were
six
weeks
premacture.
Your
little
fighting
body
didn’t
need
the
stress
of
an
operation.
MATT
I
could‘ve
taken
it.
SEAN
Matt,
why
did
you
go
to
Christian
with
your
concerns
instead
of
me?
MATT
Because
he's
cooler
than
you.
And
he
listens
to
me.
I
don’t
get
that
Pather
Knows
Best
bullshit
from
him.
He
treats
me,.,like
a
man.
(CONTINUED)
25
i
|
|
|
]
30
CONTINUED:
.
25.
SEAN
You
want
straight
talk,
Matt?
I’ll
give
it
to
you,
right
now.,
A
carcumcision
on
a
post-puberty
male
15
a
suturs-heavy
procedure
recuiring
some
degree
of
nerve
reassemblage,
it's
extremely
painful.
For
a
week
to
ten
days
after
the
operation,
you'll
be
pissing
fire.
MATT
It
can’'t
be
eny
worse
than
when
I
broke
my
leg
and
the
shin-bone
stuck
through
my
muscle,
right?
And
you’ll
give
me
pain
drugs,
right?
Maybe
I
could
try
Oxycontin.
SEAN
Matt,
I'm
gonna
make
an
appointment
with
a
psychologist.,
I
apologize
we
don’‘t
have
one
on
staff
here,
we
should,
MATT
What?
SEAN
You've
never
bowed
to
peer
pressure
before.
I
think
something’s
going
on.
MATT
I
just
want
it,
okay?
I
don’t
want
guys
talking
trash
about
me,
and
I
know
women
like
it
when
you’re
not
cut.
The
smell
or
something,
even
though
I
keep
it
clean
and
stuff,
so
feel
free
to
skip
the
hygiene
lecture.
SEAN
Matt,
are
you
having
sex
with
girls?
MATT
Not
with
girle,
dad,
with
Yanegga.
Maybe
you’ve
overheard
me
talking
to
Mom
&bout
her.
She’'s
beautiful
and
she‘s
a
varsity
cheerleader
and
she
can
have
anybody
and
she
chose
SEAN
S0
you
have
had
sex.
MATT
getting
there.
And
I
know
she’ll
see
it
and
hurl,
30
(CONTINUED)
26
30
)
31
26,
CONTINUED:
(2}
30
SEAN
Matt,
this
girl
genuinely
cares
zbout
you,
she
won't
care
about
something
as
trivial
as
extra
skin,
MATT
This
25
my
life!
It’g
not
trivial!
For
once
give
me
something
that
I
need!
-
INT.
WAITING
ROOM
--
DAY
(SIMULTANEOUS)
-
31
DOWN
COMES
A
MENACING
BUZZ-SAW...on
a
piece
of
wood.
A
CONSTRUCTION
WORKER
exits
with
it,
passing
Claire,
her
hair
freshly
styled.
She
is
sitting
next
to
HEDDA
GRUEMAN,
60s.
Pushy,
nosy
and
dressed
head
tc
toe
in
Palm
Beach
peach.
Claire
realizes
this
woman
is
staring
at
her,
and
slowly
looks
up.
MRS.
GRUBMAN
My
daughter’s
getting
married
next
month!
why
I‘m
here.
I'm
gonna
freshen
up
the
eyes
a
bit.
Wedding
pictures
are
forever,
you
know?
Claire
smiles
stiffly,
and
returns
to
her
magazine.
Mrs.
Grubman
looks
at
Claire’s
chest.
Wryly
--
MRS.
GRUBMAN
(cont’d)
Going
bigger?
Before
a
galled
Claire
can
respond,
Christian
suddenly
appears
and
smiles
at
his
3
o’clock.
CHRISTIAN
Mrs,
Grubman,
right
this...Clazire.
To
what
do
we
owe
this
pleasure?
CLAIRE
having
&
profegsional
sit-down
with
Matt.
To,
you
know,
try
and
talk
him
out
of
the
CHRISTIAN
I
heard.
Tough
stuff.
CLAIRE
Things
Dr.
Spock
did
not
write
a
chapter
about.
Hey,
thanks
for
talking
to
Matt
last
week.
CERISTIAN
Everybody
needs
someone
in
theixr
life
listen...right?
(CONTINUED)
27
27,
31
CONTINUED:
From
the
look
on
her
face,
he
sees
she
have
that
person
anymore.
Christian
studies
her,
breaks
into
&
smile,
CHRISTIAN
I
thought
something
was
differemt.
You
changed
your
hair.
You
look
amazing.
Claire
shoots
a
triumphant
“fuck
you*
look
at
Mrs.
Grubman.
CLAIRE
Just
thought
I'd
try
something
new.
CHRISTIAN
New?
You
wore
your
hair
like
that
when
we
ware
in
school.
I
always
thought
it
looked
hot
on
you
back
then,
too.
Does
Sean
like
it?
CLAIRE
{after
a
beat)
He
hasn’t
mentianed
it.
They
lock
eyes,
There's
a
chemistry
here
that
Christian
finds
darkly
exciting
and
Claire
is
terrified
of.
To
change
the
subject
--
‘\‘.“‘.
Y
CLAIRE
(cont‘d)
So
the
construction
seems
to
be
coming
along
nicely.
CHRISTIAN
Wait
until
you
see
the
steam
room
in
the
recovery
center.
Nero
Portoro
marble,
top
of
the
line.
CLAIRE
How'd
you
talk
Sean
into
that
one?
This
is
a
man
who
wants
to
rinse
and
reuse
paper
plates.
CHRISTIAN
It’s
just
smart
business,
the
ladies
flocking
from
Palm
Beach
know
and
expect
.
lwaury
=
.
MRS.
GRUBMAN
Speaking
of
which
Dr.
Troy,
I
did
have
a
3
o
clock
appointment
and
it’s
now
3
fifteen.
CHRISTIAN
Have
me
over
to
the
house
cne
of
these
days.
I
miss
my
family.
{CONTINUED}
28
28.
CONTINUED:
(2)
32
CLAIRE
I'd
like
that.
So,
um,
would
the
kids.
Christian
turns
to
Mrs.
Grubman
and
smiles
seductively.
CHRISTIAN
And
now
all
my
attention
28
focused
on
my
faverite
patient.
.
He
ushers
her
to
his
office.
Over
his
shoulder,
he
winks
at
Claire.
It’s
&
sexy
wink.
It
disturbg
and
excites
her.
ANGLE.
Matt
and
Sean
exit
from
Sean’'s
office.
SEAN
Field
trip.
We'll
meet
you
at
home.
Matt
looks
at
his
mother
and
rolls
his
eyes.
INT.
DADE
COUNTY
BURN
UNIT
--
REHABILITATION
ROOM
~--
DAY
32
Burn
victim
JOEY
MICHAELS
learms
to
walk
again.
RACK
FOCUS:
and
Sean
are
behind
a
glass
cobservation
wall.
SEAN
That
boy
is
your
age,
Matt.
I
heard
about
this
case
last
week.
His
mother
divorced
his
father.
During
an
overnight
visit,
his
father
set
him
on
fire
while
he
was
asleep.
MATT
Why?
SEAN
So
he
have
to
pay
child
support.
MATT
*Tonight,
on
the
WB...a
father-son
field
trip
to
a
burn
unit
turns
out
to
be
just
what
the
doctor
ordered
when
his
uncut
kid
sees
burn
boy
and
realizes
“what
am
I
worried
about
my
dick
for?
I
should
be
grateful
for
all
my
parts
that
scorched!”
Sorry,
dad.
I
stopped
watching
that
network
when
I
was
a
13-
year-old
girl.
SEAN
How
dad
you
become
so0
goddamn
cynical?
I
don‘t
even
know
why
I
try
with
you.
MATT
You
never
have
bhefore,
why
start
now?
(CONTINUED)
29
O
29,
32
CONTINUED:
32
.
Suddenly,
the
burn
boy
loocks
up.
He
and
Matt
lock
eyes.
Matt
15
extremely
uncomfortable,
and
loocks
away.
MATT
be
in
the
car.
Matt
exits.
Sean
watches,
alone,
as
we
DISSOLVE
TQ...
33
INT.
ANOTHER
SECTION
OF
DADE
COUNTY
HOSPITAL
~-
DAY
33
Christian
and
Alejandro
stride
down
the
hallway.
CHRISTIAN
How's
the
patient?
ALEJANDRO
Pissed
they
only
have
vanilla
ice
cream.
CHRISTIAN
When
our
recovery
spa
center
igs
done,
we’ll
be
serving
fresh
fruit
smoothies.
34
INT.
SILVIO’S
ROOM
--
DAY
(SIMULTANECUS)
3¢
Chrastian
and
Alejandro
enter
to
see
an
empty
bed.
CHRISTIAN
Where's
your
ALEJANDRO
I
don't
know,
he
was
here
a
minute
ago.
CHRISTIAN
Wall
if
you
want
me
to
do
a
follow-up,
find
ham.
I
have
another
appeintment
in
half
an
hour.
.
PFUSH
IN
on
Alejandro,
as
something
dawns.
35
INT.
PEDIATRIC
WING
DAY
35
Christian
follows
&
panicked
Alejandro
as
he
gpeed
walks
past
the
cheerily
decorated
rooms,
checking
inside
each
one.
CHRISTIAN
Why
would
your
brother
be
on
this
36
INT.
PEDIATRIC
ROOM
--
DAY
36
sits
on
the
bed
of
a
beautiful
GIRL,
who
is
eating
scomething
Silvaio
15
spooning
into
her
mouth.
(CONTINUED)
30
36
37
30.
CONTINUED:
36
His
magnet
mask
is
still
on,
giving
him
an
otherworldly
chilling
appearance.
All
we
can
see
are
his
hot
wet
eyes.
They
convergse
in
ENGLISH.
SILVIO
This
will
make
your
tonsils
feel
better.
LITTLE
GIRL
Are
you
the
Boogieman?
The
girl
turns
--
Alejandro
and
have
arrived
in
doorway.
DEf
Christian's
clemrly
concerned
look
SILVIOD
I
gave
her
my
ice
cream.
I
didn‘t
want
it
to
go
rto
waste,
Silvio
exits,
but
not
before
staring
nastily
at
his
brother,
Chastised,
slightly
afraid,
Alejandro
loocks
down.
Christian
gently
addresses
the
little
girl.
CHRISTIAN
How’s
that
ice
cream
sweetheart,
are
you
LITTLE
GIRL
Yes.
Chraistian
follows
Silvic
out
into
the
hallway
as
he
shuffles
toward
the
elevator.
Confused,
Christian
sees
Silvio
in
an
elevator
now,
waving.
Christian
turns
and
sees
the
girxl
in
the
hallway,
waving
back
at
her
new
friend.
Dry-mouthed
--
CHRISTIAN
Durang
our
consultatiosn,
your
brother
mentioned
he
was
with
the
boss'
girl.
How
old
was
she?
ALEJANDRO
(weakly)
She
was
gix.
Down
the
hall,
Silvio
is
st:ill
spookily
to
the
girl
as
the
elevator
doors
close.
Chrastian
is
quietly
devastated.
INT.
SEAN’S
OFFICE
~~
DAY
(LATER)
37
A
reflective
Sean
stares
out
the
window.
Liz
enters.
LIZ
We’'ve
got
a
walk-in
problem.
31
31.
38
INT.
RECOVERY
ROOM
--
DAY
38
Kimber
sobs
as
Sean,
with
Liz's
help,
re-sutures
her
left
breast.
She
bandaged
and
bruised
from
her
recent
surgery.
SEAN
Ms.
Henry,
you’ve
got
to
celm
down.
The
contractions
from
your
diaphragm
have
gplit
five
stitches.
KIMBER
Is
Christian
here?
I
want
my
surgeon
to
do
this.
SEAN
Dr.
Troy’s
in
the
field
with
another
patient.
Are
you
upset
with
the
surgeries,
Ms.
Henry?
This
swelling
and
tenderness
15
normal,
gave
it
another...
KIMBER
I
don’t
understand
this,
I
haven’t
heard
.
from
him
since
my
operation!
I
thought
we
were
gonna
be
together!
SEAN
Ms.
Henry,
I
think
you’‘re
confusing
Dr.
Troy's
pleasant
and
very
thorough
bedside
manner
with
real
emoticns.
LIZ
If
it’'s
any
consolation
honey,
not
the
first
girl
he's
done
this
to,
But
at
least
you
got
some
gooad
tits
out
of
it,
heal
in
more
ways
than
one
and
go
on
with
your
KIMBER
No,
no
you’‘re
wronpg.
He...he
told
me
he
had
feelings
for
me,
he
told
me
he
wanted
to
see
me
again.
LIZ
He's
had
six
fuck
and
fixes
this
month.
That’s
all
you
are
to
ham
okay?
A
fuck
-
and
a
fix.
You
deserve
to
know.
KIMBER
He
calls
me
what?
SEAN
Liz,
you're
out
of
line.
(CONTINUED)
32
38
39
40
41
32.
CONTINUED:
38
LIZ
No
Sean,
are
cut
of
line.
You
co-own
this
business,
this
reflects
on
you
and
your
character.
Wake
up!
EXT.
HIGHWAY
--
DUSK
39
White
lines
roar
by
as
we
hear
a
BERLITZ
TAPE
begin
to
play.
BERLITZ
ANNOUNCER
“Speaking
Spanish
can
be
fun!
Repeat!”
INT.
SEAN‘S
VOLVO
~--
DUSK
40
Sean
has
a
focused
manic
intensaty
as
he
listens
the
tape.
SEAN
"Hablando
espanol
pude
ser
divertido!”
His
cell
phone
rings.
INT.
SEAN‘S
OFFICE
--
DUSK
41
A
pissed
Christian
is
loocking
at
Sean’s
empty
desk.
CHRISTIAN
The
construction
workers
ripped
us
off.,
SEAN
We
weren’t
ripped
off,
Christian.
I'm
quitting.
I'm
starting
over
before
it‘s
too
late.
CHRISTIAN
.
Sean,
are
you
at
home?
I'm
coming
over
and
we're
gonna
talk
about
--
SEAN
It's
my
turn
to
talk
now
Christian,
okay?
The
mute
finally
speaks!
So
ligten
up!
Thank
you
for
using
your
cock
as
a
lure
to
get
emoticnally
damaged
young
women
into
our
office,
it’'s
a
brilliant
sales
ploy!
Thank
you
for
being
so
ruthlessly
ambitious
that
you
would
gladly
aceept
drug
money,
a
business
transaction,
by
the
way,
that
could
lead
the
feds
straight
to
our
f£ront
door!
Maybe
you
want
to
have
your
medical
license
revaked
and
spend
your
40s
taking
it
up
the
ass
in
prison
but
I
do
not!
(CONTINUED)
33
CHRISTIAN
Done?
SEAN
I'm
just
getting
started,
Christian!
Thank
you,
thank
you
for
becoming
so
repugnant
to
me
that
I
am
finally
taking
charge
of
my
life!
CHRISTIAN
what
are
you
going
to
do?
SEAN
For
ten
years
1've
been
consumed
with
transforming
other
people,
Starting
today,
I
am
transforming
myself!
He
hangs
up,
turns
the
wheel
and
roers
into
a
strip
mall.
As
he
parks
and
a
REALTOR
stands
waiting
with
keys
near
a
MEDICAL
OFFICES
FOR
RENT
sign,
we...
EXB
ACT
TWO
{
CONTINUED)
34
34.
CONTINUED:
(2)
41
ACT
THRER
INT,
UNIVERSITY
QF
MIAMI
APARTMENT
--
NIGHT
(FLASHBACK)
42
A
VIDEOCAMERA
turms
on.
CLAIRE’S
VOICE
Is
it
on?
Okay
it’'s
on.
Christian!
Tell
our
viewing
audience
what
we’'re
doing
here
on
the
night
of
August
25,
The
camera,
operated
by
Claire
in
verite
style,
focuser
on
Christian
and
Sean
at
a2
rolling
a
joint
and
counting
pennies,
Everyone
as
25...at
the
height
of
their
promise.
CHRISTIAN
Well
Claire,
1t’‘s
a
momentous
night.
We're
getting
your
fiancee
high
for
the
first
time
ever
and
scrounging
up
change
to
pay
the
overdue
electricity
bill.
SEAN
{deadpan,
to
camera)
See
Sean
count.
See
Sean
eat
government
cheese,
They
break
up.
We
PULL
OUT
of
the
picture
to
see
it's
on
a
plasma
in
Claire
and
Sean's
current
housg.
(laire
watches,
wistful.
Christian
passes
the
joint
te
Sean.
He
tokes,
then:
SEAN
I
don't
feel
anything.
CHRISTIAN
'
Keep
smoking
and
keep
counting.
CLAIRE’S
VOICE
Christian,
if
you
would
have
put
the
money
vou
scored
this
weed
with
toward
the
bill,
we'd
have
made
the
payment.
CHRISTIAN
*Call
me...irresponsible...*
CLAIRE’S
VQICE
I
guess
I’'ll
have
to
hock
this
camera,
guys,
or
we'll
be
in
the
dark.
SEAN
Your
parents
just
gave
you
that
to
celebrate
your
nursing
school
graduation,
baby,
you
can‘t
do
that.
{CONTINUED)
35
42
35,
CONTINUED:
VOICE
)
Ladies
and
gents,
he
just
called
me
baby
--
he
is
high!
Wait,
I
was
out
of
focus,
say
that
again
on
the
record.
SEAN
{in
focus,
sweet)
I
love
you,
baby.
ANGLE:
present
day
Claire,
watching,
very
moved
by
this.
CLAIRE'S
VOICE
Okay...since
this
is
our
one
and
only
videotape,
let’s
tell
our
audience
what
all
this
hard
work
and
eating
ramen
noodles
24/7
has
been
about.
Christian...
what
do
you
want
out
of
your
life?
CHRISTIAN
What
I
want
is...a
girl
like
Claire...
{Claire
and
Sean
mock
“aak*)
...and
a
kick-ass
practice
with
Sean
where
we
make
women
feel
better
about
-
themselves.,
.my
speciality.
CLAIRE'S
VOICE
Yeah,
we’ve
certainly
witnessed
that,
Sean...what
do
you
want?
SEAN
Well,
I
want
you...
{more
mock
I
want
to
make
people’s
lives
better.
I
want
to
make
a
difference.
Claire,
give
me
the
camera.
She
passes
it
to
him,
he
focuseg.
The
face
of
a
young
Claire
--
Dbeautiful,
funny
and
not
jaded
--
£ills
the
screen.
SEAN’S
VOICE
What
do
you
want?
At
the
door,
a
KNOCK.
Present
day
Claire
grabs
the
remote,
PAUSES
THE
PICTURE.
She
gets
up
and
answers
the
door.
CHRISTIAN
Hey.
Is
he
here?
CLAIRE
No,
he
left
for
work
hours
ago.
Christian,
is
there
something
wrong?
42
36
36.
43
INT.
SEAN
AND
CLAIRE’S
FAMILY
ROOM
--
DAY
(LATER)
43
Christian
and
Claire
sit
drinking
coffee.
Claire
looks
shocked
and
pissed.
A
beat,
then
--
CHRISTIAN
I‘m
sweetheart.
I
presumed
ycu
knew.
Liz
told
me
he
was
setting
up
shop
next
to
some
fungus-ridden
nail
salon
right
before
she
quit
and
left
me
with
no
anesthesiologist.
CLAIRE
why...why
would
he
do
this?
CHRISTIAN
I
think
our
boy's
having
a
mid-life
crigis.
If
I
find
out
he's
screwing
arocund,
you
have
my
word,
I'll
kill
ham.
CLATRE
You
think
he’s
having
an
affair?
CHRISTIAN
o)
That
was
out
of
line.,
I‘m
sure
he’s
not,
\
I
mean,
you
guys
have
always
had
a
hot
.
time
between
the
sheets
raight?
CLAIRE
He
told
ycu
that?
CHRISTIAN
He
used
to
tell
me
I
miss
him.
CLAIRE
I
miss
ham
too.
She
starts
picking
up
Annie’s
toys,
he
won't
see
her
cry.
CHRISTIAN
He
needs
you,
Claire,
CLAIRE
There’s
a
big
difference
between
need
and
want.
2
beat,
then
Christian
turns
and
gestures
at
the
large
TV
with
her
face
still
paused
and
frozen.
)
CHRISTIAN
O
Is
that
new
art?
(CONTINUED)
37
43
CONTINUED:
43
CLAIRE
.
What?
Oh,
no,
I
was
just
watching
an
old
tape.
CHRISTIAN
To
see
how
much
your
breasts
have
changed?
She
freezes.
He's
right.
CHRISTIAN
Isn’t
that
why
you
changed
your
hair,
why
you
want
implants?
So
he’ll
notice
vou
again...want
you
again
like
he
did
when
we
were
young?
CLAIRE
I
just
asked
him
if
he
thought
I
needed
them...
CHRISTIAN
5¢
he
could
tell
you
you
didn’t.
You
didn’t
get
the
response
you
wanted.
CLAIRE
{voice
cracking)
No.
CHRISTIAN
Let
me
see
them.
She
laughs
in
his
face.
Did
she
hear
this
right?
CHRISTIAN
(cont'd)
I'm
a
doctor
Claire,
I
do
over
300
breast
augmentations
a
year,
more
than
double
the
number
Sean
does.
I‘ll
be
objective.
Let
me
see
them.
Her
mouth
goes
dry.
She’s
both
alarmed
and
excited.
Would
this
be
cheating?
Would
it
make
her
feel
better?
looks
toward
the
kitchen
doorway,
to
make
sure
no
one
home.
Hand
shaking,
she
slowly
unbuttons
her
blouse.
CHRISTIAN
(cont'd)
.
The
symmetry
18
perfect.
Sagging
is
minimal,
despite
two
rigorous
sessions
of
breast
feeding.
The
tone
is
immaculate.
He
rubs
his
thumb
across
her
right
nipple.
They
lock
eyes.
{
.
CHRISTIAN
(cont‘d)
Ry
How’s
the
sensitivity?
{
CONTINUED)
38
43
44
CONTINUED:
(2)
Fine.
-
CHRISTIAN
I
can’t
recammend
surgery,
Claire.
Your
breasts...are
perfect.
His
hand
is
still
on
her
right
breast.
Neither
moves.
from
the
kitchen
--
ANNIE'S
VOICE
Mom!
3B.
43
Then,
As
1f
a
trance
is
broken,
Claire
turns
away
and
quickly
buttons
her
hlouse.
Annie
appears
holding
a
cage.
ANNIE
Uncle
Chris!
CHRISTIAN
{scooping
her
up)
How's
my
best
girl?
-
ANNIE
Loock
at
my
new
gerbil,
I
named
him
Frisky!
Claire
looks
less
than
overjoyed
at
this
addition.
Annie
and
Christian
pet
him.
A
beat,
then
Chrastian
turns
to
Claire.
CHRISTIAN
I
don’'t
want
Annie
to
have
to
go
to
public
school,
Claire.
You
have
to
talk
to
him.
He
listens
to
yocu,
he
always
has.
You’'re
his
compass,
The
TV’'S
PAUSE
TIMER
runs
out
and
the
1987
video
continuves.
The
videc
PANS
WIDER,
revealing
that
Claire
is
eight
months
pregnant
with
Matt
here.
CLAIRE
(1987)
What
do
I
want?
I
want
a
family,
I
want
to
go
back
to
school
and
become
a
pediatrician
once
you
guys
get
the
business
established.
{a
beat,
grins
sweetly)
I
just
want
to
be
happy...
EXT.
MCNAMARA
HOUSE
-~
DAY
(LATER)
44
Sean,
wearily
home
from
work,
trudges
up
the
walk
with
briefcase.
With
no
warning
a
LARGE
BRANCH
falls
from
the
sky
and
lands
inches
away
from
his
head.
He
jumps.
(CONTINUED)
39
39
44
CONTINUED:
4“4
v
-
|
Jesus!
He
looks
up
into
a
maple
revealing
gardener
Julic
Esperanza.
JULIO
ESPERANZA
j
Oh,
Mr.
Sean!
I
did
not
see
you,
sir!
I'm
trammng
the
tree,
Making
it
pretty!
PUSH
IN
on
Sean,
as
he
watches
Julio
continue
to
needlessly
butcher
the
tree
and
he
flashes
to
SUBLIMINAL
IMAGES...of
himself,
tightening
Silvic
Martel’s
face...cutting
Silvic’s
jawbone.,.
in
his
mind,
similar
unnecessary
savagery.
SEAN
.
Julie,
stop.,
I
said
stop
it,
goddamm
it!
JULTO
ESPERANZA
Is
there
&
problem,
Mr.
Sean?
SEAN
Yes.
Yes,
there
is
a
problem,
Julie.
You
butcher
my
trees
and
my
hedges...you
hack
them
to
pieces
when
they
need
careful
M
nurturing!
I'm
sorry,
but
I
have
to
trim
the
deadwood.
You're
fired,
JULIO
ESPERANZA
But
Mr.
Sean.,.Il've
been
with
you
for
seven
years!
loval
to
you,
sir.
.
SEAN
Julio,
our
arrangement
here
is
over.
PUSH
IN
on
Julio
up
in
the
tree...
almost
crying.
45
INT.
KITCHEN
--
DAY
45
Claire
is
at
the
sink,
cutting
vegetables
for
a
stew
as
Sean
He
opens
the
fridge
to
get
a
beer.
SEAN
You
need
hire
ancther
gardener.
I
just
fired
Julioc.
s
CLAIRE
No
Sean,
you
need
to
hire
another
gardener.
It
tock
me
two
years
to
find
somebody
who
would
actually
show
up
every
week
and
clean
the
poolfilter.
Next
to
giving
barth,
it’s
the
most
difficult
thing
I've
ever
done.
It's
your
problem.
(CONTINUED)
40
45
CONTINUED:
Suddenly,
floor
and
She
throws
40.
45
something
small
and
gray
runs
across
the
kitchen
disappears.
A
stunned
Sean
digests
this.
Then
--
SERN
We
have
mice.
CLAIRE
That’s
niot
a
mouse
Sean,
it's
Frisky
the
gerbil.
HBe
escaped
from
his
cage.
SEAN
Well...did
you
try
and
catch
it?
CLAIRE
I
would
have,
but
I
was
too
busy
cleaning
up
the
trail
of
shit
it
left
everywhere.
See
Sean,
in
your
operating
room
everything
1s
pristine
and
controllable,
but
that’s
not
how
it
is
for
the
rest
of
us
out
here
in
the
real
world,
In
the
real
world,
hedges
aren’'t
trimmed
perfectly
and
stupid
gerbils
escape
from
cages.
SEAN
Okay,
what
is
wreng
with
you?
CLAIRE
You
take
me
for
granted.
te
him)
I
buy
ycur
faverite
beer,
I
get
up
with
your
kids
when
they‘re
sick
so
you
can
sleep
in
and
be
rested
for
the
next
day's
work,
I
literally
shovel
the
domestic
equivalent
of
a
goddamn
prep
nurse
to
you.
the
knife
into
the
sink
and
turms
to
ham.
CLAIRE
Did
you
think
I
find
out?
What
are
you
doing,
Sean?
When
were
you
going
te
tell
me?
SEAN
I
was
waiting
for
the
right
moment.
CLAIRE
Well
why
not
last
wesk
when
you
fucked
me,
but
wouldn't
kiss
me?
We
could
have
talked
then.
Sean
pauses,
sits
down
and
sips
his
beer.
Thoughtfully
-~
(CONTINUED)
41
45
CONTINUED:
41.
(2)
45
SEAN
This
is
the
right
thing
for
me.
I‘ve
-
wanted
to
do
pro
bono
work
for
a
while
now,
I'm
gonna
do
that.
I
saw
this
boy
the
other
day,
he
was
horribly
burned.
I
want
to
spend
my
time
and
talent
working
on
people
like
him.
Liz
is
coming
with
me,
she
also
thinks
this
is
a
great...
Claire
picks
up
a
cup
and
throws
it.
It
misses
Sean's
head
by
inches,
to
smithereene.
He
jumps
up,
furious.
SEAN
What
in
the
hell
is
i1t
with
people
in
this
house
throwing
things
at
my
head?!
CLAIRE
Finally,
scme
passion!
Congratulations,
you're
not
bloodless
after-
all!
Do
you
know
how
long
it‘s
been
since
I
heard
you
laugh?
Since
I‘'ve
seen
you
be
emotional?
Christ
Sean,
I
haven't
seen
you
cry
since
Matt
was
born!
SEAN
I'm
not
going
to
apclogize
for
that.
I'm
a
surgeon,
1f
I
get
emotional,
patients
die.
CLAIRE
I'm
not
one
of
your
patients,
Sean!
I'm
your
wife!
And
on
your
watch
a
death
has
occurred!
The
death
of
you
and
me!
Thas
marriage
doesn‘t
even
have
a
pulse
anymore.,
SEAN
I
know
that.
And
sad
about
that.
Claire,
I
realize
that
we
do
need
to
fix
something.
not
your
breasts.
We
need
to
fix
yg.
I
want
us
to
be
like
we
used
to
be.
We
had
parity,
equality.
.
CLATRE
How
can
there
be
eguality
in
a
marriage,
Sean,
when
you
don’'t
respect
me
encugh
anymore
to
at
the
very
least
tell
me
that
-
you‘re
walking
away
from
everything
we
sacrificed
our
lives
for!
SEAN
Are
we
being
completely
honest?
I
guess
I
don’t
respect
you
like
I
used
to.
{CONTINUED)
42
45
46
CONTINUED:
(3)
CLAIRE
and
the
floodgates
open,
great!
SEAN
What
do
you
do
with
your
days
Claire?
You
shop,
you
get
your
vagina
waxed
like
some
porn
starlet,
you
have
lunch
with
your
girlfriends.
Sorry,
that
seems
like
easy
street
to
me.
And
yet
when
I
come
home,
stone.,
You
don't
show
me
any
regpect,
even
though
I
think
I‘ve
given
you
a
life
that's
pretty
goddamn
sweet.
CLAIRE
You
gave
me
nothing,
I
made
this
life
with
you!
But
do
you
think
this
is
what
I
wanted...to
be
some
doctor’'s
wife?!
it’s
not!
SEAN
Then
change
your
life!
Change
it
like
I'm
changing
mine!
CLAIRE
This
isn’'t
a
change,
Sean.
This
15
a
.
You
want
a
change?
Me,
going
back
to
college
in
a
year
when
Anme
starts
school
and
getting
my
doctor's
degree,
that
is
a
change,
gy
change,
the
change
we’'ve
been
talking
about
for
ten
years!
Apparently,
you
forgot
about
that.
He
doesn’'t
say
anything.
CLATRE
(cont'd)
If
you
think
I'm
gonna
start
over
at
the
bottom
again
and
work
two
part-time
jobs
and
sit
on
my
dream
again
so
you
can
whigtle
your
way
through
a
mid-life
crisis,
you
are
horribly
mistaken,
SEAN
My
God.
When
was
the
last
time
we
went
to
you
didn’'t
hate
me?
She
turng
back
to
the
Her
silence
answers
the
gqueation.
Sean
says
nothing.
DISSOLVE
TO:
INT.
STRIP
MALL
MEDICAL
OFFICE
MORNING
45
Sean
is
asleep
on
the
lobby
couch.
There
is
a
pounding
at
the
door.
More
pounding,
louder.
(CONTINUED)
43
46
CONTINUED:
43.
46
Sean
stumbles
to
the
door,
sees
Christian
outside
in
the
blinding
cloudless
sunlight,
wearing
cool
Dior
ghades
and
Christian
.
holding
up
a
paper
cup
of
coffee.
Sean
pauses,
lets
him
in.
CHRISTIAN
So
I
hear
your
marriage
jumped
the
shark
last
week.
My
condolences.
him
the
coffee.
He
takes
it,
sips.
CHRISTIAN
{(cont'd)
Nice
place.
If
you
put
a
Nagel
print
on
the
wall
you‘re
suddenly
right
back
te
where
you
started.
SEAN
Chrigtian,
I‘m
not
coming
back.
CHRISTIAN
Yes
you
are,
We’ve
worked
to¢
hard
to
get
here.
And
even
though
you
admit
it,
you
need
me.
Just
like
I
need
you.
I'm
the
salesman,
the
plamner,
you‘re
the
talent.
We
we
always
have.
SEAN
N
You’ll
do
fine
without
me,
Christian.
With
your
corner
on
the
placebo
surgery
market,
you
could
easily
f£ind
another
partner.
CHRISTIAN
You
think
a
big
change
like
this
will
be
eagy?
It
will
not.
You
want
to
change,
great,
do
the
nip
and
tuck
route...subtle
almost
imperceptible
shifts,
isn’t
that
what
you
recommend
to
all
your
patients?
But
delude
yourself
into
thinking
vou
have
the
time
or
the
patience
for
an
entire
life
lift.
We‘re
not
27
anymore.
We‘'re
40
and
brother,
we’re
on
the
cusp
of
what
we
dreamed
about.
SEAN
It’s
not
my
dream
anymore.
Christian
pauses,
pulls
out
a
FRAME.
A
DOLLAR
behind
glass.
CHRISTIAN
Here.
You
left
it
when
you
were
cleaning
out
your
office.
The
first
dollar
we
ever
made.
Romantic,
isn’t
Christian
cracks
it
over
his
knee,
pulls
out
the
dollar.
{CONTINUED)
44
44.
46
CONTINUED:
(2)
46
CHRISTIAN
(cont'd)
be
taking
this.
As
part
of
our
settlemaent,
SEAN
What
are
you
talking
about?
CHRISTIAN
You
signed
a
contract.
With
me,
a
corporation
contract.
In
case
you
forgot,
|
.
the
contract
stipulates
that
if
the
|
corporation
ig
dissolved,
as
I
see
now
that
it
is,
the
disbanding
partner
has
to
buy
the
other
partner
out.
SEAN
I
don't
want
anything
but
a
clean
start.
i
CHRISTIAN
Tough
shit,
pay
up.
You've
got
one
week
or
I'm
gonna
hire
&
lawyver
and
freeze
your
assets.
Then,
I‘m
comang
after
your
house,
your
pension
plan,
maybe
Matt’s
college
fund.
=
SEAN
\‘J
You
wouldn't
do
that.
CHRISTIAN
Try
me.
(gets
it
together,
then
--}
Get
a
decent
carpet
in
here.
As
he
exits
=--
SEAN
.
Silvip
Perez
18
scheduled
to
be
released
today,
you
need
to
sign
him
out.
CHRISTIAN
Let
him
rot.
Christian
exits.
Sean
looks
around
at
his
shitty
new
office,
silently
overwhelmed.
47
INT.
MCNAMARA
HOUSE
--
KITCHEN
--
DAY
(LATER)
47
QUICK
CUTS...of
Claire
at
the
kitchen
table
feverishly
£illing
out
a
University
of
Miami
medical
school
application.
She
writes
her
name
to
show
off
her
new
liberataon:
CLAIRE
MURRAY
McNAMARA.
She
writes
her
address.
(CONTINUED)
45
47
48
49
45.
CONTINUED:
.
47
Her
hand
FREEZES
over
the
space
asking
for
her
age.
She
slowly
writes
39.
Stares
at
the
number.
And
begins
to
cry.
'Matt
appears.
Sensing
him,
Claire
quickly
wipes
her
eyes.
MATT
Mom,
I'm
gonna
go
te
the
arcade
after
school.
CLAIRE
No,
you're
not
Matt.
I
need
you
to
clean
cut
the
pool.
MATT
But.
..
CLAIRE
I
need
you
to
clean
out
the
pool!
I
am
gick
of
doing
everything
around
here!
Matt
freezes.
He’s
never
seen
mother
so
raw.
Quietly
MATT
Ckay.
He
exits.
Claire
pauses,
to
get
it
together.
And
then
the
cereal
box
on
the
table
MOVES.
Claire
gasps,
freaked.
She
pushes
her
chair
back
as
the
cereal
box
shakes
and
then
FALLS
OVER.
Frisky
the
gerbil
scampersgs
out
of
the
box.
Sits
there,
contentedly
munching
a
corn
flake.
And
then
defecates.
CLAIRE
I
am
not
geoing
to
keep
cleaning
up
your
shit!
She
pauses,
then
quickly,
in
&
rugh
of
emotion,
picks
the
gerbal
up
by
the
tail
and
enters...
INT.
DOWNSTAIRS
BATHROOM
--
DAY
48
...where
she
drops
the
gerbil
in
the
teilet,
slams
down
the
and
FLUSHES.
Her
hand
instantly
rushes
up
to
her
mouth.
She’s
horrified
at
what
she’s
done.
Should
she
pick
up
the
lid?
She
can’t
bear
to
loock.
She
quickly
exats
the
bathroom,
closing
the
door
behind
her.
INT.
HIGH-END
MIAMI
HOTEL
LOBBY
--
DAY
49
sunglasses
cn,
Christian
waits
for
an
elevator
holding
a
silver
DOCTOR‘S
BAG.
The
door
opens.
A
PATHER
exits,
holdaing
the
hand
of
his
SEVEN-YEAR~OLD
SON.
(CONTINUED)
46
46.
45
CONTINUED:
49
As
Christian
gets
on
the
elevator
and
turns,
the
exiting
boy
loocks
back
at
him
and
smiles.
Christian
is
extremely
moved
by
the
boy’s
innocence.
The
door
closes,
As
the
GLASS
ELEVATOR
RISES,
we
are
TIGHT
on
Christian
as
he
is
overwhelmed
by
recollection.
BLURRY
IMAGES
and
ECHOING
VOICES
HAUNT
HIM
as
WE
INTERCUT
T0...
50
INT.
FOSTER
CARE
HOME
--
DAY
(FLASHBACK)
50
SEVEN-YEAR-QLD
Christian
sits
on
the
flooxr,
drawing
a
of
a
WOMAN
he
has
labeled
MOMMY,
Even
at
that
age,
his
artistry
is
exceptional.
.
VOICE
Christian,
get
over
here!
Chrastian
looks
up,
frightened.
51
INT.
ELEVATOR
~-
DAY
51
TIGHT
on
Christian’s
face
as
the
elevator
roars
upward,
blurry
images
of
Miami
ocutside
interspersed
with
another
memory
of...
52
INT.
FOSTER
CARE
HOME
--
DAY
(FLASHBACK)
52
Christian
approaches
an
EASY
CHAIR.,
All
we
see
is
a
rear
view
of
the
chair,
an
arxm
held
over
one
side
holding
a
beer.
YOUNG
CHRISTIAN
Yes,
Mr.
Troy?
MAN'‘'S
VOICE
I
told
you
to
call
me
daddy.
Do
you
want
your
allowance,
Son?
Come
sit
on
my
lap
1f
you
want
your
allowance.
Christian
fights
emotion,
dreading
this
familiar
routine.
53
INT.
ELEVATOR
--
DAY
53
The
elevator
roars
upward,
the
sound
overwhelming.
54
INT.
FOSTER
CARE
HOME
~-
DAY
54
oMIT
5§
INT.
ELEVATOR
--
DAY
s5
Present
day
Christian.
The
elevator
slows,
them
the
door
opens
and
Christian
steps
away
from
his
past
into
madness.
{CONTINUED)
47
47.
85
CONTINUED:
55
"Turn
the
Beat
Around”
blares
as
five
lovely
LATINAS
dance
around
in
Versace,
sipping
champagne
and
snorting
cocaine.
»
CELIA
snorts
coke
Christian
approaches
her,
silent.
CELIA
You
bring
the
good
stuff?
And
it
had
berter
be
good
when
you're
charging
$1000
a
girl,
okay?
LATINA
TWO
Celia,
you
spoil
us!
CELIA
my
boyfriend’'s
money.
He
wants
me
to
look
my
best.
CHRISTIAN
This
ie
the
best
there
is,
ladies.
Grade
.
A
Botox
mixed
with
contraband
silicone.
He
opens
hisg
briefcase,
pulls
out
a
chilled
syringe,
He
flicks
the
needle.
A
crystalline
bead
appears
on
the
tip.
CELIA
partner?
I
told
you
I
wanted
)
two
doctors,
there
are
ten
girls
here.
CHRISTIAN
{coolly
ironac)
I've
done
ten
women
before.
I
hate
to
do
this
up-front,
Celia.
But..,
He
rubs
his
fingers
together.
He
needs
his
cash.
CELIA
You
act
like
this
is
a
drug
deal.
CHRISTIAN
(21l
charm)
It
is.
56
INT.
SILVIO
MARTEL'S
HOSPITAL
ROOM
-~
DAY
56
POV
OF
SILVIO,
Sean
and
Alejandro
above
staring
down
at
him.
Sean
is
all
business
and
wants
out
of
here
quackly.
SEAN
¢
Let's
see
how
you’re
healing.
ANGLE:
Sean'’'s
fingers
gently
lifting
the
magnet
mask
off
Silvie’'s
face.
Sean
nods,
pleased.
Alejandro
is
shocked.
{CONTINUED)
48
48.
56
CONTINUED;
§
56
SEAN
(cont’d)
Very
nice.
Would
you
like
to
see?
ANGLE:
Sean
hands
him
a
mirrer.
We
see
Silvio‘s
new
face
an
the
reflection
at
the
exact
moment
he
does.
Even
with
the
mottled
bruising,
it's
an
amazing
transformation.
SILVIO
{thrilled,
in
SPANISH)
Amazing.
Now
the
girls
will
not
be
able
to
resist
me.
PUSH
IN
ON
Alejandro,
desply
disturbed.
Sean
turns
to
him.
SEAN
wWhat
did
he
say?
"Good
job.*
SEAN
The
swelling
is
minimal,
you‘re
£ine
to
travel,
I‘ll
go
sign
you
out,
As
Sean
heads
for
the
door,
Silvio
locks
at
Alejandro
and
gestures
at
the
fat
around
his
waist.
He
says
something
quackly
in
Spanish.
ALEJANDRO
Dr.
McNamara,
my
brother
has
a
question,
SEAN
(turning,
not
amused)
what?
ALEJANDRO
.
Can
you
transform
his
waistline,
later
.
today,
like
you
did
his
face?
We’ll
pay
you
two
thousand
dollars.
SEAN
I‘m
setting
up
&
new
practice,
I‘m
not
completely
equapped
for
surgery
yet.
{exiting)
If
he
wants
a
new
waist,
tell
him
to
knock
off
the
Cheeto'’s.
SILVIO
(in
perfect
English)
How
about
twenty
thousand?
Sean
slowly
turns,
shocked
at
his
hidden
bilingual
talents.
{CONTINUED)
49
2
-’
SILVIO
(cont'd)
Money
like
that
would
certainly
come
in
handy
for
a
businessman
starting
over
from
scratch.
Off
Sean's
dilemma,
we
CUT
TO:
INT.
PENTHOUSE
~-
DAY
(LATER)
57
Christian
pushes
a
syringe
into
Celia‘s
face.
Stab,
plunge,
stab,
plunge...each
thrust
deposits
a2
microdroplet
of
Botox
laced
with
silicon.
Trickles
of
blood
drip
down
her
cheeks.
As
Christian
wipes
away
the
blood
--
CHRISTIAN
How’d
you
hear
about
me?
CBLIA
Word
of
mouth.
CHRISTIAN
Don’t
lay
flat
for
four
hours.
CELIA
English.
CHRISTIAN
you’'ll
be
one
hot
biteh.
CELIA
You
mean
hotter.
I
have
one
more
girlfriend
waiting
to
see
you.
CHRISTIAN
send
her
in.
Celia
exits.
As
Christian
flicks
another
syringe,
the
door
opens
and
TWO
MENACING
LATIN
MEN
enter.
The
leader,
a
scary
locking
dude
in
cornrows
and
a
stylish
suat,
locks
the
door.
MAN
Dr.
Troy,
allow
me
to
introduce
myself.
I'm
Escobar
Gallardo,
Celia’s
boyfriend.
(smiles
darkly)
I'm
also
the
former
boss
of
Mr.
Silvio
Perez.
,Off
Christian’'s
alarm,
we...
END
ACT
THREE
(CONTINUED)
50
57
58
50.
CONTINUED:
57
ACT_FOUR
MCNAMARA
HOUSE
--
DAY
58
Sean
zits
in
his
car
outside,
smoking.
Matt
exits
from
the
garage
with
a
pool
sweep.
He
sees
his
father
in
the
closed
car
in
a
slight
cloud.,
It's...strange.
Matt
walks
over
to
the
car,
knocks
on
the
window.
BSean
lowers
it.
A
weird
beat.
MATT
I
didn‘t
know
you
smoked.
SEAN
Neither
did
I.
MATT
What
are
you
doing
here?
SEAN
Thinking.
MATT
Thinking
about
what?
SEAN
If
I
want
to
go
through
with
something.
MATT
stopping
you?
SEAN
Honestly?
What
you
would
think
of
me
if
I
did.
MATT
Well
don't
let
me
stop
you,
Dad.
Go
ahead,
do
it.
Almost
all
my
parents
are
divorced,
life
goes
on.
SEAN
Your
mom
and
I
aren’'t
getting
divarced.
we’'re
just...taking
some
time
apart.
I
was
contemplating
a
work-related
matter.
MATT
Well,
speaking
of
work,
come
on.
Since
you
fired
Julio,
Mom's
making
me
sweep
the
I
shouldn’t
have
to
clean
up
after
your
mistakes
alone.
Sean
pauses,
then
gets
out
of
the
car,
takes
the
sweep.
They
walk
to
the
pool
and
begin
to
clean
at.
A
beat,
then
--
(CONTINUED)
51
58
51.
CONTINUED:
58
MATT
(cont’d)
Did
she
kick
you
out
because
you
were
screwing
some
other
chick?
SEAN
I
would
never
cheat
on
your
mother.
MATT
So
are
you
gonna
give
me
the
operation
or
what?
SEAN
No
Matt.
I'm
not.
MATT
Then
just
have
Christian
do
it.
SEAN
You
stay
away
from
him!
Matt
finds
his
father’'s
sudden
burst
of
anger
astonishing.
He's
never
seen
him
this
passionate.
A
beat,
then
--
MATT
why
do
you
even
gare
about
this?
SEAN
(emotional)
I
care
because
you
are
my
son,
dammat!
My
firstborn.
I
have
always
cared!
And
I
know
I
have
failed
you,
deeply.
It
is
painfully
clear
to
me
in
this
moment
of
your
disturbing
self-loathing
that
I
should
have
prevented
that
I'm
a
shitty
father
and
that
just
kills
me,
Matt.
More
than
any
other
failure
in
my
life,
and
they
are
racking
up
in
apocalyptic
that
is
my
great
devastation.
Matt
is
quietly
stunned.
Sean
pauses,
gets
it
together
again.
MATT
so
is
this
behavior
a
genetic
thing
I'm
doomed
to
act
out
too?
You
know...you
doing
exactly
what
your
dad
did.
Leave
your
wife
and
kids,
mmke
your
first
family
eell
the
house,
Mom’ll
hit
the
bottle
like
grandma
did,
have
to
get
a
job
at
Foorlocker
to
put
myself
through
-
school,
If
that's
what’s
gonna
happen,
Just...be
straight
with
me.
{CONTINUED)
52
52.
58
CONTINUED:
(2}
-
Sean
is
extremely
moved.
His
son
locks
so
wulnerable
and
young
right
now.
He
can
remember
being
that
age.
SEAN
Matt,
look
at
me.
I
will
always
take
care
of
this
family.
Understand?
Matt
nods.
Sean
returns
to
cleaning
the
pool.
SEAN
Let’s
pick
up
the
pace.
got
an
operation
in
one
hour.
59
INT.
MCNAMARA
HOUSE
--
DAY
89
is
putting
away
groceries.
Annie
bounds
in.
ANNIE
Mom,
have
you
found
Prisky
vet?
CLAIRE
(a
beat,
then)
No
honey.
ANNIE
I'm
gonna
look
downstairs.
Annie
exits.
PUSH
IN
on
Claire...guilt-ridden.
Suddenly,
a
SCREAM.
Claire
jumps
out
of
her
skin,
turms
to
see,
standing
in
the
doorway
--
Anmie.
Holding
something
wet,
matted
and
unmoving
in
her
lattle
cupped
hands.
Annie
begins
to
cry.
ANNIE
(cont’d)
He
fell
in
the
toilet!
CLAIRE
(barely
keeping
it
together)
What?
ANNIE
He
wanted
to
go
swimming
and...he
was
barely
moving
around
in
the
He
got
tired!’
PUSH
IN
on
Claire...slowly
moving
toward
her
outstretched
hand
in
which
sits
the
gerbil.
ANNIE
(cont’d)
His
heart's
barely
beating!
He's
so
cold!
(CONTINUED)
53
58
60
53.
CONTINUED:
59
Claire
looks
at
her
daughter's
heartbroken
face.
She
has
never
felt
worse.
A
beat,
then
-~
»
QUICK
CUTS:
the
OVEN
being
turned
to
WARM;
a
COOKIE
SHEET.
being
pulled
out
of
the
cupboard;
Frisky
being
put
on
the
cookie
sheet
and
shoved
into
the
oven.
ANNIE
{(cont’'d)
{crying
harder,
confused)
what
are
you
doing?!
Claire
frantically
sets
a
timer
for
45
seconds.
We
go
TIGHT
on
her
worried
eyes
as
the
seconds
count
down.
The
timer
DINGS.
And
then,
quickly,
Claire
cpens
the
oven,
plucks
Prisky
off
the
cookie
sheet
and
cups
him
in
her
hands.
CLAIRE
(£rantic)
Come
on,..warm
up...warm
up...
And
then,
miraculously,
the
moribund
gerbil
suddenly
jerks
to
life
and
scampers
up
Claire's
arm.
Annie
plucks
him
off.
The
two
of
them
look
at
the
gerbil,
freaked,
but
restored.
ANNIE
{granning,
in
awe)
'
Mom.
..you’re
such
a2
good
doctor!
CLAIRE
1
am?
PUSH
IN
on
Claire,
as
her
chin
begins
to
tremble
at
the
first
tingle
of
possibility
she’s
felt
in
years.
CLAIRE
(cont'd)
I
am,
She
holds
her
daughter
tight
as
we
SLOW
PAN
out.
INT.
HOTEL
PENTHOUSE
-~
DAY
Christian
surfaces,
sputterang
and
gasping,
in
the
hot-tub
where
JOSE,
Escebar’s
number
two,
was
holding
him
down.
ESCOBAR
1've
been
gentle
with
you,
my
friend.
I'm
geing
to
ask
you
one
more
time.
I
know
you
operated
on
Silvie
Perez.
CHRISTIAN
You
know
shit.
Escobar
punches
him
vicicusly.
(CONTINUED)
54
54.
60
CONTINUED:
60
ESCOBAR
We've
checked
around
town,
your
colleagues
all
Silvao
down.
But
you...you
were
repeatedly
mentioned
by
your
colleagues
as
lacking
ethicg...scmeone
take
a
child
molester
on
as
a
client
if
the
price
was
right.
{pauses)
Silvio
stole
that
money
and
my
daughter‘'s
innocence.
You
can
understand
my
lack
of
patience.
A
beat
as
Christian
considers
this.
'
CHRISTIAN
*
He's
at
Dade
County.
Under
the
name
Cordova.
ESCOBAR
(to
Jose)
Tie
him
up,
then
check
it
out.
As
Christian
is
pulled
from
the
water,
we
CUT
TO:
6l
INT.
SEAN‘S
OPERATING
ROOM
-~
DAY
(LATER)
61
Sean
is
scrubbing
up
for
surgery.
Alejandro
enters,
SEAN
Alejandro,
you're
not
allowed
to
be
in
here.
ALEJANDRO
My
brother
is
very
nervous
thig
tame.
This
office
isn‘t
as
soothing
to
him
as
your
other
one
was.
He
misses
the
plants,
.
the
art
on
the
walls...it
was
comforting.
SEAN
So...what
&0
you
want
me
to
do?
Let
me
sit
in
and
be
with
him,
always
been
the
one
who
calmed
him
dowm.
He‘ll
be
fine
I'm
there,
I
have
no
problem
with
the
sight
of
blood.
SEAN
Sorry,
no.
ALEJANDRO
we’ll
pay
you
five
thousand
extra.
55
55.
62
INT.
OPERATING
ROQM
--
DAY
62
Alejandro
watches
quietly
in
a
corner.
As
Liz
monitors
the
twilight
drip,
Sean
begins
a
rather
violent
liposuction
on
'
8alvio,
who
out
ceold.
LIZ
My
CGod,
this
guy’'s
got
much
calcified
fat
ir's
like
digging
through
cencrete.
ANGLE:
Alejandro
making
sure
his
GUN
is
in
his
waistband.
63
INT.
PENTHOUSE
--
DAY
63
Christian,
wearing
only
his
underwear,
has
been
tied
to
a
Philippe
Starck
chair
that
sits
in
the
middle
of
the
room.
He
watches,
face
badly
battered
and
bleeding,
as
Jose
enters
to
whisper
something
to
Escobar.
A
beat,
then
Escobar
begins
to
circle
him.
ESCORBAR
Dr.
Troy,
why
didn‘t
your
partner
come
with
you
today?
I
was
looking
forward
to
meeting
him.
'
He's
in
San
Prancisco.
At
an
A.M.A.
.
convention.
Escobar
nods,
appeased.
Christian
is
quietly
relieved.
A
beat
as
he
continues
to
circle
him,
Then
--
ESCOBAR
Question:
are
there
any
side
effects
to
the
drug
you
pumped
into
my
girlfriend’s
face...this
Botox
shit?
CHRISTIAN
(weak)
No.
Botox
is
a
purified
serum
of
the
botulism
toxin,
it’'s
FDA
approved.
It’s
completely
safe,
ESCORBAR
Then
why
after
you
gave
my
girlfrieng
Botox,
did
you
tell
her
not
to
lie
down
for
four
hours?
CHRISTIAN
'
wWe
tell
all
patients
that.
Why?
(CONTINUED)
56
56.
63
CONTINUED:
€3
CHRISTIAN
Botox
works
by
paralyzing
muscles
such
as
the
forehead
that
comtrol
wrinkles,
frown
lines.
If
you
lay
flat,
there
the
possibility
it
could
drift
into
muscles
you
don’‘t
want
paralyzed...like
eyelids.
ESCOBAR
Why
would
that
be
a
problem?
CHRISTIAN
Those
muscles
monitor
control,
speech
motor
patterns.
If
the
Botox
drifts
there,
you’d
loock
like
a
stroke
viectim
until
the
drug
wore
off.
ESCOBAR
How
long
does
that
take?
CHRISTIAN
Up
to
two
months
in
some
cases,
That's
why
I
told
your
girlfriend
not
to
lie
down.
I
was
looking
out
for
her.
_
ESCOBAR
{
-:
.
Interesting.
Then
without
warning
Escobar
CHRISTIAN’S
CHAIR
BACKWARD.
Christian
falls,
head
hitting
the
marble
floor.
Groggily,
he
sees
Bscobar
open
his
medical
bag
and
pull
out
TEN
REMAINING
BOTOX
SHOTS.
He
puts
three
back,
approaches
with
As
Christian
watches,
eyes
wide
with
horror,
Escobar
holds
the
seven
Botox
injections
over
his
left
cheek.
ESCOBAR
(cont’d)
Why
are
you
protecting
a
child
molester?!
Your
partner
isn’t
in
San
Francisce,
he
checked
Silvic
Perez
out
of
the
hospital
four
hours
They
left
together.
Where
were
they
going?
CHRISTIAN
I
don't
know!
Escobar
viciously
stabs
the
injections
into
Christian’s
cheeks.
He
screams
in
agony.
64
INT.
OPERATING
ROCM
--
DAY
64
silvio's
stomach
lipo
approaches
its
conclusion.
Suddenly,
Alejandro
stands
and
begins
to
crazily
pace.
(CONTINUED)
57
57.
SEAN
Alejandro,
sit
down.
ALEJANDRO
R
Our
father
had
a
stroke
during
his
.
bypass.
He
died
on
the
table!
Liz
and
Sean
connect...what
the
hell
is
going
on?
Alejandro
paces
more,
like
a
caged
animal.
SEAN
Alejandro,
sit
~-
Alejandro
PULLS
OUT
KIS
GUN.,
He
ghakily
aims
it
at
Liz.
ALEJANDRO
Wake
him
up.
SEAN
(trying
to
remain
calm)
Alejandro,
your
brother
is
going
to
be
-
fine.
Just
because
your
father
died
during
surgery,
doesn’'t
mean
--
ALEJANDRO
Wake
him
up
or
I‘ll
kill
both
of
you!
LIZ
If
I
bring
ham
out
toc
soon
he
could
die!
ALEJANDRO
Do
it!
Liz
looks
at
Sean,
who
is
likewise
freaked.
He
nods,
not
knowing
what
to
do.
ANGLE:
Liz’s
hand
adjusting
the
anesthesia,
The
TWILIGHT
number
is
15.
It
begins
to
lower.
LIZ
At
eight
he’'s
conscious.
Nine.
Eight.
Seven...
ALEJANDRO
Stop!
=
POV
now.
Blackness
gives
way
to
a
foggy
visual
of
Alejandreo,
leaning
over
him.
ALEJANDRO
Silvio...can
you
hear
me?
Silvio,
stop
.
struggling
and
Get
away
from
that
(CONTINUED)
58
b
64
65
CONTINUED:
(2)
8.,
Liz
is
stopped
mid-escape.
Alejandre
turns
to
Silvio.
He‘s
gentle
with
him,
very
patient
and
slow.
ALEJANDRO
(cont’d)
I
have
good
news,
I
found
out
two
days
ago.
My
girlfriend
is
pregnant.
Four
months,
I‘m
going
to
have
a
daughter,
isn't
that
wonderful?
(begins
to
cry)
But
Silvio,
you
will
never
see
my
daughter.
I
cannot
risk
it.
You’re
sick,
you
have
shamed
our
family
for
the
last
time,
I
wanted
you
to
know
all
this,..
maybe
then
you‘ll
understand
and
forgive
me.
Suddenly,
Silvio
begins
to
struggle.
He
begins
to
flail,
hicting
the
jut
which
is
DISLODGED.
Blood
mixed
with
fat
sprays
everywhere,
all
over
Sean
and
Liz
and
Alejandro.
Liz
screams
as
Sean
tries
to
grab
the
hose,
which
is
writhing
like
a
snake.
He
finally
turns
it
off
as
Alejandro
subdues
his
brother
by
putting
his
hand
around
his
neck.
ALEJANDRO
(cont‘d)
Goodbye,
my
brother.
Alejandro
twists
the
Twilight
nod
to
HIGH,
Silvao
copvulses.
SEAN
Stop
it,
you'll
kill
him!
ALEJANDRO
He
dies
this
way
or
with
a
bullet
to
the
brain!
Your
cheice!
INT.
PENTHOUSE
~-
DAY
65
Christian
screams
as
Bscobar
injects
a
Botox
shot
directly
+
into
has
upper
left
lip.
The
Botox
torture
has
left
his
face
a
riot
of
track
marks.
Blood
streams
from
every
injection.
ESCOBAR
One
more
Botox
shot,
Dr.
Troy...what
should
we
paralyze
next?
Escobar
begins
to
move
the
needle
lightly,
teasingly,
down
Christian’'s
body.
It
trails
down
his
chest,
his
his
underwear...and
stops
at
his
penis,
ESCOBRAR
(cont’d)
One
last
chance.
Your
partner
didn’t
go
back
te
your
office.
Where
did
he
go?
{CONTINUED)
59
59.
65
CONTINUED:
€5
N
PUSE
IN
on
Christian.
In
this
moment
finding
his
ealvation
loyalty.
He
looks
at
Escobar,
his
eyes
defiant,
Esco)
--
:
.
~-
injects
the
Botox
into
Christian’s
penis.
A
cell
phone
rings.
We
200¥
to
a
sidetable,
where
phone
'
rings.
In
the
CALLER
ID
nameplate,
we
see
Christian
has
programmed
in
the
words:
SEAN'S
CELL.
ESCOBAR
I
think
we'll
take
this
call.
(flips
cpen
phone)
Hello?
sorry
Dr.
McNamara,
Dr.
Troy
is
not
available
right
new.
up.
You
really
need
to
speak
with
him?
CHRISTIAN
(screaming)
Sean,
hang
up!
ESCOBAR
Dr.
McNamara,
tell
you
what.
let
you
-
speak
to
your
partner,
if
you
tell
me
where
Silvio
Martel
is.
Off
Christian’s
look
of
fear
and
concern,
we...
SMASE
CUT
T0:
66
INT.
SEAN‘'S
OFFICE
--
DAY
(LATER)
66
Christian,
Escobar
and
Jose
enter.
It‘s
eerily
quiet,
€7
INT.
OPERATING
ROOM
~-
DAY
67
From
Christian’s
POV,
the
door
slowly
cpems.
Christian
stops,
horrified,
as
he
sees
a
traumatized
and
blood
covered
Sean
and
Liz,
silently
standing
behind
the
body
of
Silvio.
Alejandro
is
He
guietly
holds
the
hand
of
his
dead
brother.
CHRISTIAN
Jesus
Christ...
Escobar
and
Jose
take
in
the
disturbing
scene.
CHRISTIAN
(cont’'d)
Sean,
what
happened?
ALEJANDRO
.
I
killed
my
brother.
(to
Escobar)
I
have
&
daughter
too.
(CONTINUED}
60
67
68
&3
CONTINUED-
67
ESCOBAR
You
chose
the
right
family,
Alejandro.
Come
on.
Alejandro
riges
and
starts
to
leave
with
them.
SEAN
Walt!
what
are
we
supposed
to
do
with
this
body?
ESCOBAR
That's
your
problem.
They
exit.
Chrisgtian
begins
toc
pace.
CHRISTIAN
We
have
to
go
to
the
police!
.
SEAN
right,
and
they’ll
believe
us,
right
Christian®
Please!
This
guy
died
from
an
anesthesia
overdose,
it‘s
shoddy
medical
practice
any
way
you
cut
it.
I‘ll
lose
my
medical
licemse.
So
will
Liz!
LIZ
Liz?!
Oh
no,
I
am
not
geing
down
for
this!
I‘m
not
going
to
have
my
entire
1life
destroyed
because
you
two
screwed
up!
Fix
this!
And
with
that,
she
exits.
Christian
and
Sean
are
suddenly
right
back
where
they
started
years
ago...in
it
alone,
CHRISTIAN
What
are
we
going
to
do,
Sean?
PUSH
IN
on
Sean...at
a
crossrcads
yet
again.
"INT.,
SEAN‘S
CAR
~-
NIGHT
(LATER)
68
OMIT
PIGGLY
WIGGLY
~-
NIGHT
6%
A
florescent
Muzak
nightmare.
ANGLE,
the
express
check-out:
Sean
and
Christian
buy
12
HAMS.
The
CHECKOUT
GIRL
eyes
them,
thinking
thie
is
slightly
weird.
They
smile,
tightly.
As
they
pay,
then
exit
--
CHRISTIAN
Okay,
would
you
please
tell
me
why
we
just
bought
twelve
goddanm
hams?!
(CONTINUED)
61
61,
69
CONTINUED:
69
SEAN
Because
alligators
are
finicky
eaters.
Christian
just
stares
at
him.
INT.
CAR
--
NIGHT
|[LATER)
70
TIGHT
ON
Sean,
numb,
driving.
He
hears
a
strange
slurping
sound.
Once,
twice.
He
slowly
looks
over
at
Christian.
The
lefr
of
Christian‘s
face
is
now
visibly
drawn
and
paralyzed.
Drool
is
running
out
of
his
left
mouth
corner,
SEAN
Are
you
having
a
stroke?
CHRISTIAN
The
Botox
is
kicking
in.
Ten
shots,
all
in
muscles
on
motor
control
sights,
I'm
look
like
Kirk
Douglas!
SEAN
why
did
they
give
you
the
shots?
CHRISTIAN
i)
Because
I
couldn’t
tell
them
where
Silvic
.
was.
{pauses!
.
Because
I
wouldn’t
tell
them
where
ycu
were.,
Thas
really
registers
for
Sean.
He
nods,
says
nothing.
Silence
as
they
drive
through
the
black
naght,
1
EXT.
THE
EVERGLADES
~--
NIGHT
7
Slow
movang
HEADLIGHTS
illuminate
an
overgrown
marsh.
Sean
parks
the
car
around
200
feet
Irom
the
water’s
edge.
QUICK
CUTS:
Silvio’s
body
being
lifted
out
of
the
trunk...
HAMS
tied
around
Silvic’s
hands,
feet,
neck
and
waist...
Silvie’s
ham-loaded
BODY
dragged
to
the
water’s
edge.
.
.ALLIGATORS
rising
in
the
water,
curiosity
piqued.
SEAN
Hopefully,
they're
gonna
get
confused
and
eat
everything.
Then
there
won’t
be
a
trace
left.
He
smiles,
softly.
CHRISTIAN
)
{CONTINUED)
62
71
72
62.
CONTINUED:
2}
SEAN
I
was
just
thinking
how
I
used
to
do
the
same
thing
with
Matt
when
he
was
little.
Hide
the
peas
in
his
mashed
potatoes.
The
alligators
slither
omto
land.
Genuinely
emotional
--
CHRISTIAN
I
&idn't
know,
Sean.
When
I
booked
the
job,
I
didn‘t
know.
I
would
never
work
on
somecne
who
could
hurt
our
Annie.
Never.
SEAN
!
I
need
to
believe
that.
The
allipators
move
in
for
the
kill,
CHRISTIAN
1
think
we
need
to
hire
a
full-time
psychologist.
To
screen
better.
The
two
are
silent
as
Silvio’s
body
is
pulled
into
the
water.
There
18
a
great
heaving
thrashing,
the
water
runs
red...
And
then
nothing.
A
beat.
SEAN
And
I
want
twenty
percent
of
our
client
bage
to
be
pro
beno
from
now
on.
(a
beat)
Let’'s
clean
out
the
trunk.
INT.
TRUNK
--
NIGET
72
POV
of
Sean
and
Christian
above,
wiping
down
the
gides
with
bleach.
Sean
is,
as
always,
focused
and
efficient,
CHRISTIAN
a
little
too
good
at
this.
{laughs
nervously)
.
You're
scaring
me,
SEAN
Good.
good
you’'re
scared
of
me.
And
ag
Christian
looks
at
him
with
an
equal
measure
of
shock
and
newfound
respect,
Sean
shuts
the
trunk
and
sends
us
to
BLACKNESS.
:
63
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