01/26/2006
"October
Road"
-
Network
Draft
ACT
ONE
CLOSE
ON
-
A
BLACK
AND
WHITE
PHOTO
OF
KURT
COBAIN.
Hunkered
over
a
battered
acoustic
guitar.
Stringy,
blonde
hair
obscuring
his
face,
those
eyes.
We
are
in
--
INT.
GARRETT
HOUSE
-
NICK'S
BEDROOM
-
DAY
As
the
photo
is
removed
from
the
wall.
By
NICK
GARRETT,
18,
attractive
in
a
tortured-poet
sort
of
way.
Very
clearly
a
case
for
cornflakes
and
classics...
Nick
slides
the
photo
into
a
tatty
leatherbound
journal.
And
we
see
that
he
is
packing.
He
holds
up
a
stained
Boston
Red
Sox
baseball
jersey...
NICK
The
conundrum
remains:
to
take
or
not
to
take?
The
rumors
run
rampant,
you
know,
of
a
tremendous
(and
extremely
violent)
anti-Red
Sox
bias
throughout
much
of
Continental
Europe...
REVERSE
ANGLE
REVEALS:
sitting
on
Nick's
bed,
looking
somewhat
doleful,
is
his
girlfriend,
HANNAH
WILSON,
17.
Hannah
is
the
kind
of
girl
you
hoped
you'd
be
dating
by
the
time
you
got
to
high
school,
while
you
were
suffering
through
the
inequities
of
7th
grade.
Blonde,
open-faced,
willful...
HANNAH
I
think
you
gotta
let
your
freak
flag
fly.
Skinhead-Derek-Jeter-fans-in-Berlin
be
damned...
Nick
tosses
the
jersey
onto
an
overstuffed
BACKPACK.
As
they
look
at
each
other
over
the
vast
chasm
of
an
uncertain
future.
But
before
any
of
this
can
be
further
masticated:
EDDIE
There
he
is!
Woop!
Entering
is
EDDIE
LATEKKA,
18.
Eddie
is
that
rare
small-town
phenomena:
the
three-sport
captain
who
hangs
with
the
burn-
outs.
The
all-important
triple-G's
of
high
school
come
very
easy
to
Eddie:
grades,
ground-balls,
and
girls...
EDDIE
(CONT'D)
This
is
very
cool.
This
may
be
the
coolest
thing
ever.
Nicky
Garrett.
Heading
out
to
the
territories.
To
garner
experience.
Which
he
will
put
to
good
use
upon
his
return...
HANNAH
God
knows
every
doors,
floors,
and
windows
shop
needs
an
owner/operator
with
impeccable
knowledge
of
The
Parthenon...
(CONTINUED)
1
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
EDDIE
Ours
won't
be
just
a
doors,
floors
and
windows
shop.
Right,
Nicky?
NICK
Right.
It'll
be
a
doors,
floors
and
windows
shop
with
a
historical
perspective.
For,
those
who
ignore
the
past
are
doomed
to
install
incorrect
linoleum...
He
tries
a
smile.
But
Hannah
continues
her
mournful
mien...
EDDIE
Don't
look
so
moony,
girl.
He'll
be
back
in
a
few
months...
HANNAH
That's
what
my
Uncle
Nate
said.
My
Aunt
Minerva
is
still
sitting
by
the
window
in
her
shawl...
Nick
and
Eddie
exchange
a
look...
And
Nick
takes
a
FRAMED
PHOTO
from
a
shelf:
of
11-YEAR-OLD
NICK,
with
a
WOMAN,
early
30s,
with
a
pale,
limpid
beauty.
His
MOTHER.
Nick
surreptitiously
slips
the
framed
photo
into
his
backpack.
Eddie
glances
out
one
of
the
bedroom
windows...
EDDIE
I
never
knew
you
could
see
The
Doof
from
up
here.
Woulda
come
in
handy
the
summer
we
had
that
sniper
rifle...
(to
Hannah)
Still
can't
believe
you're
actually
gonna
go
there...
HANNAH
I
know.
Higher
education.
It'll
never
catch-on...
Eddie
shakes
his
head.
But
Nick
is
looking
at
Hannah...
NICK
Where
did
he
go?
Uncle
Nate.
And,
as
if
it
were
the
most
ghastly
thing
imaginable:
HANNAH
He
went:
to
find
himself.
EXT.
GARRETT
HOME
-
DAY
A
small,
single
family
ranch
in
a
lower
middle-class
section
of
Knight's
Ridge,
Massachusetts,
a
college
town
some
40
miles
west
of
Boston...
A
pair
of
PICK-UP
TRUCKS
are
parked
out
front...
(CONTINUED)
2
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
Nick,
Hannah
and
Eddie
emerge
from
the
house,
Eddie
carrying
the
backpack...
Waiting
for
them
are
THREE
MORE
FRIENDS,
18:
-
IKEY
is
short
and
obnoxious
and
decidedly
dim.
He
wears
greasy
coveralls,
with
Eichorn
And
Sons
Service
Station,
stitched
on
the
back...
-
PHYSICAL
PHIL
is
pale
and
asthenic,
and
he
crackles
with
a
nervous
intensity
that
belies
an
incredible
stillness,
a
true
economy
of
movement...
-
OWEN
ROWAN
is
a
big,
guileless,
gourd-shaped
boy
with
a
heart
full
of
jelly
beans...
OWEN
ROWAN
All
hail
the
conquering
hero...
!
Eddie
brings
the
backpack
over
to
an
old
Chevy
Caprice
Classic,
depositing
it
into
the
car's
open
trunk...
PHYSICAL
PHIL
Nicky.
I’'m
sure
you
know
the
thing.
About
the
search
for
The
Grail
being
The
Grail
itself...
IKEY
Why
you
poppin'
daffy,
freakshow
--
?
PHYSICAL
PHIL
The
journey
is
the
destination.
Never
forget
your
Grateful
Dead...
Nick
glances
over
at
Hannah...
PHYSICAL
PHIL
(CONT'D)
“There
is
a
road
/
No
simple
highway
/
Between
the
dawn
and
the
dark
of
night
/
And
if
you
go
/
No
one
may
follow
/
That
path
is
for
/
Your
steps
alone...”
NICK
Thanks,
Physical
Phil...
When
something
occurs
to
Nick:
NICK
(CONT'D)
I
almost
forgot...
He
darts
into
the
garage.
Reappearing,
he
holds
an
old-
school
wooden
TENNIS
RACKET.
He
gives
it
to
Physical
Phil...
NICK
(CONT'D)
Take
care
of
her
for
me?
IKEY
You're
only
gonna
be
gone
for,
like,
six
weeks,
bro
--
!
(CONTINUED)
3
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
(2)
Another
glance
to
Hannah.
As
Nick's
father,
48,
whom
everyone
calls
THE
COMMANDER,
due
to
his
gruff,
stoic
demeanor
-
earnest
Hemingway
that
he
is
-
comes
out
of
the
house,
followed
by
RONNY,
Nick's
brother,
who
possesses
the
jittery
energy
of
a
demented
lap
dog...
THE
COMMANDER
Let's
go
then.
Traffic
to
Logan's
bound
to
be
grim...
The
Commander
and
Ronny
get
into
the
car...
Nick
bangs
fists
with
Owen
and
Ikey
and
Physical
Phil...
Eddie
gets
a
hug...
EDDIE
Hurry
home,
chief.
And
we'll
make
doors,
floors
and
windows
history.
Nick
goes
to
Hannah.
Gathers
her
in
a
tight
embrace...
NICK
I'l]l
see
you
at
the
end
of
the
summer...
HANNAH
Whatever
you
say.
Uncle
Nate.
But
before
he
can
react,
the
OPENING
CHORDS
OF
Boston's
“DON"T
LOOK
BACK”
CA-RANK...
From
Eddie’s
truck...
The
stereo
turned
all
the
way
up...
And
here
come
Owen
and
Physical
Phil...
Owen
air-guitars
on
a
shovel...
Physical
Phil
uses
the
tennis
racket
Nick
gave
him
to
safe-guard...
Ikey
uses
two
screwdrivers
as
drum
sticks...
Wailing
to
the
song...
("I
don't
mind/Where
I
get
takin'/The
road
1s
callin'/Today's
the
day...
"
etc.)
Eddie
shakes
his
head.
He
don't
play
at
this.
Nick
laughs.
Kisses
Hannah
one
last
goodbye...
And
climbs
into
the
car...
THE
COMMANDER
What's
the
matter
with
those
boys?
But
Ronny
is
rocking,
too.
And
Nick
looks
back
at
his
friends.
At
Hannah.
As
The
Commander
puts
the
car
in
gear.
Nick
presses
the
horn.
The
boys
are
still
jamming
("I
see
beyond
the
road
I'm
drivin'/Far
away
and
left
behind")...
Eddie
and
Hannah
wave
goodbye...
As
the
car
drives
off...
Missing
him
already...
As
Boston
WAILS
we
--
DISSOLVE
TO:
BURN
IN:
TEN
YEARS
LATER
(CONTINUED)
4
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
(3)
A
CD
PLAYER.
One
of
those
space-aged
Bang
&
Olufsen
types.
Playing
the
very
same
Boston
song.
Only
we
are
in
--
INT.
NICK'S
LOFT
-
MANHATTAN
-
TEN
YEARS
LATER
-
NIGHT
Where
the
PHOTO
OF
KURT
COBAIN
hangs
above
the
desk.
A
PILE
OF
BOOKS
is
stacked
nearby.
All
with
the
same
title:
"TURTLE
ON
A
SNARE
DRUM"
by
Nicholson
Garrett...
WIDER
STILL
-
crowded
bookshelves.
An
iMac.
A
FRAMED
MOVIE
POSTER
on
the
wall:
“TURTLE
ON
A
SNARE
DRUM"
starring
Richie
Peddler
and
Gwyneth
Paltrow...
"“From
The
Best-Selling
Novel".
And
we
are
reunited
with
Nick
Garrett.
Ten
years
older.
He
appears
a
bit
haggard.
Exhausted.
But
still
with
the
whimsical
twinkle
of
a
shimmer
that
refuses
to
fade...
He
leans
back
from
his
computer.
Cursor
blinking
against
a
black
screen
of
nothing...
His
PHONE
RINGS.
He
answers.
It
is
BERT
GOLDMAN,
mid-60s,
his
avuncular
editor...
He’s
in
his
Park
Avenue
study.
CROSS-
CUT
AS
NECESSARY...
BERT
GOLDMAN
How
you
doing,
kiddo
--
?
NICK
Ever
hear
the
one
about
blood
and
a
stone?
And
the
difficulty
in
extracting
the
former
from
the
latter?
And
now
we
take
a
WIDER
LOOK.
And
we
see
that
Nick
is
in
the
back
of
an
enormous
LOFT-STYLE
APARTMENT.
It
must
be
4000
square
feet.
But
there
is
very
little
furniture
here.
Very
little
to
make
this
place
a
home.
Aside
from
the
cluttered
office
in
which
he
is
now
perched...
BERT
GOLDMAN
Dufresne
College
called.
They
want
to
know
if
you'd
be
interested
in
teaching
a
one-day
intensive
on
The
Art
Of
The
Novel...
?
NICK
Not
so
much.
BERT
GOLDMAN
Why
not?
Might
be
good
for
you.
Get
you
off
the
schneid...
NICK
I've
been
on
the
schneid
so
long,
I'm
thinking
about
building
a
summer
house
there...
(CONTINUED)
5
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
BERT
GOLDMAN
What
do
you
think?
NICK
Dufresne
College
is
in
my
hometown.
I
haven't
been
back
in
10
years.
And
there
are
some
people
there
that
may
not
be
happy
to
see
me...
BERT
GOLDMAN
You've
got
to
get
past
your
fears.
G.
Gordon
Liddy
was
afraid
of
rats.
So
he
cooked
one
up
and
ate
it.
Fear
gone...
Nick
picks
up
a
copy
of
his
novel...
NICK
If
you're
suggesting
I
cook
and
eat
my
old
friends,
I
can
assure
you:
in
their
opinion
-
I
already
have.
BERT
GOLDMAN
Think
about
it.
It's
this
weekend.
Short
notice,
I
know.
But
John
Irving
dropped
out.
NICK
Just
as
well.
My
friends
wouldn't
have
been
nice
to
him
either...
Nick
hangs
up
the
phone.
And
leans
back
in
his
chair.
He
sees
his
ANSWERING
MACHINE
light
blinking.
He
presses
play.
STRATTON
LORB
(0.S.)
Doctor.
It's
me.
It's
10:30.
I'm
downstairs.
I'm
posting-up
until
you
come
out...
Because
we're
having
a
big
old
party.
And
we're
calling
it
"Life"!
Nick
looks
at
the
clock
on
the
wall.
1It's
12:30.
He
smiles.
And
we
PRE-LAP
The
Libertines'
"UP
THE
BRACKET"
and
CUT
TO:
EXT.
NICK'S
LOFT
-
NIGHT
Where
a
man,
32,
panthers
the
sidewalk.
Take
two
scoops
of
The
Mad
Hatter,
six
ounces
of
Keith
Moon,
crumble-in
four
Dexedrine
and
play
at
fast-forward.
This
is
STRATTON
LORB,
Nick's
lit
agent.
A
peripatetic
blur
in
black-label
Italian.
Nick
comes
out
of
his
building...
STRATTON
LORB
Nicholson.
Doctor.
I'm
standing
out
here.
For
two
hours.
Like
the
family
schnauzer.
You
could
have
at
least
cracked
a
window.
Allowed
me
to
loll
my
tongue...
(CONTINUED)
6
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
He
puts
his
arm
around
Nick's
shoulder,
leading
him
over
to
a
waiting
TOWN
CAR...
As
they
go,
Stratton
dials-it-down,
for:
STRATTON
LORB
(CONT'D)
Anything
come
out
tonight?
NICK
Not
even
a
predicate.
INT.
BUNGALOW
8
-
LATER
-
NIGHT
Hipster
watering-hole
nonpareil.
Beneath
the
towering
potted
plants,
a
scrum
of
INTERNATIONAL
BRIGHT
YOUNG
THINGS
mingle
with
Midtown
HEDGE
FUND
DUDES,
on
the
hunt
for
Kate
Moss;
and
the
bedraggled
SCENE-DEMONS
who
never
venture
north
of
34th.
Nick
trails
Stratton
into
the
crazed
celerity,
thick
with
music
and
cigarette
smoke.
Stratton
keeps
up
a
machine-gun
patter.
He
knows
all.
Mayor
McCheese
to
the
downtown
set.
We
HEAR
him
more
than
we
SEE
him.
Remaining
CLOSE
ON
NICK:
STRATTON
LORB
Hey,
there!
You
remember
my
guy,
Nicholson
Garrett?
Of
course,
you
loved
it.
Everyone
loved
it.
It's
called
mainlining
the
zeitgeist.
Philip
Roth,
in
his
review
for
THE
NEW
YORK
TIMES,
called
it
"'CATCHER
IN
THE
RYE'
for
the
post-911
generation...
!"
So
what
if
it
was
two
years
ago!
Who
died
and
made
you
the
doyenne
of
pub
dates...
?
And
Stratton
actually
goes
after
the
guy.
Again,
we
don't
see
this.
Just
HEAR
SIGNS
OF
A
SCUFFLE.
Stratton
re-appears
back
in
frame.
A
little
tousled.
He
fixes
his
tie...
STRATTON
LORB
(CONT'D)
What
a
toolio.
Now
I'm
stoked
I
banged
his
sister
and
never
called
her...
A
table
is
cleared.
Bottle
service
is
brought
over.
A
steady
stream
of
PEOPLE
offer-up
obeisances...
What
follows
is
dizzying.
A
swirl.
Of
talk.
Laugh.
Smoke.
Drink.
The
entire
sequence
should
feel
exaggerated.
Unhinged.
Elliptical.
Nick
drinks.
FACES
appear
and
disappear.
A
YOUNG
GIRL
is
in
his
grille:
YOUNG
GIRL
Will
you
sign
my
book?
I
ran
home
and
got
it
when
I
saw
you
were
here.
It
really
changed
my
life.
Kind
of
like
"FLASHDANCE"
did...
-
she
hands
him
the
book.
But
then
she
is
grabbed
from
behind,
by
a
skinny
GUY
in
a
porkpie
hat...
They
start
kissing...
(CONTINUED)
7
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
Other
FACES
appear.
Wittering
on.
A
choric
cacophony...
Nick
sees
a
GIRL
across
the
room.
She's
impossibly
tall.
Thin.
Built
to
prowl
a
catwalk.
Early
20s,
with
long,
profuse
hair
and
the
vague
melancholy
of
the
born
beautiful.
This
is
TAYLOR.
And
she
sees
him...
He
struggles
to
his
feet...
Walks
over...
She
kisses
him...
TAYLOR
I
thought
you
were
working
--
?
NICK
I
was.
Until
Frenzy
Boy
came
by.
TAYLOR
I
should
be
done
by
5
tomorrow...
NICK
Tomorrow?
TAYLOR
We're
going
to
Rhinebeck?
But
then
Taylor
is
goosed
from
behind.
By
another
filigree-
thin
MODEL.
She
turns
and
erupts
into
a
gale
of
giggles...
Nick
slips
away,
sitting
back
down.
It
seems
to
be
getting
louder
in
here.
More
discordant.
The
lights
are
hot.
The
voices
maundering
incoherently...
Stratton
leans
into
him:
STRATTON
LORB
I
was
thinking:
since
you're
having
so
much
trouble
with
the
follow-up.
Maybe
you
just
make
it
a
sequel...
NICK
Stratton,
Sebastian
Grace,
the
hero
of
the
book,
dies
at
the
end.
Remember?
The
peanut
allergy?
STRATTON
LORB
oh.
Right.
He
shrugs.
But,
ever
the
quick-thinker:
STRATTON
LORB
(CONT'D)
It
can
still
be
done.
Two
words:
ghost
story.
Stratton
turns
back
to
the
GIRLS
he
was
dialoguing.
And,
as
Collective
Soul's
"THE
WORLD
I
KNOW"
starts
up
on
track,
Nick
gets
unsteadily
to
his
feet...
A
look
over
to
Taylor,
still
yukking
it
up
with
Filigree
Girl...
(CONTINUED)
8
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
(2)
STRATTON
LORB
(CONT'D)
Where
you
going,
Doctor?
This
night
is
in
diapers
--
!
But
Nick
fights
his
way
through
the
tangled
ravelment
of
the
after-2:00
crowd...
Bumped
and
jostled
and
spilled-on...
EXT.
MANHATTAN
STREETS
-
NIGHT
CONTINUE
MUSIC.
As
Nick
walks
through
the
streets
of
the
city.
A
light
rain
falls.
He
passes
by
a
wall,
posted
with
massive
BILLS
for
the
DVD-release
of
the
filmed
version
of
"TURTLE
ON
A
SNARE
DRUM".
Nick
walks
on...
Collective
Soul
warbles.
("I
drink
myself
of
newfound
pity/Sitting
alone
in
New
York
City/And
I
don't
know
why...")
At
last,
he's
arrived.
Just
past
Tompkins
Square
Park.
ALPHABET
CITY.
Grungy
tenement
houses
shroud
the
moon.
Nick
goes
to
ONE
BUILDING.
The
front
entrance
is
unlocked...
As
the
music
FADES
OFF
("So
I
walk
up
on
high/And
I
step
to
the
edge/To
see
my
world
below...
"),
Nick
climbs
the
stairs.
INT.
TENEMENT
HOUSE
-
ALPHABET
CITY
-
SIXTH
FLOOR
-
NIGHT
Nick,
breathless,
arrives
at
the
sixth
floor
landing.
He
goes
to
apartment
617.
And
knocks
on
the
door...
He
waits.
Knocks
again.
Looks
at
his
watch.
very
late.
Or
very
early,
as
the
case
may
be...
NICK
Hello?
Anyone
home?
After
a
bit,
the
door
opens
a
sliver.
And,
over
the
thin
security
chain,
a
frightened
PUERTO
RICAN
MAN,
early
30s,
looks
out
at
Nick...
NICK
(CONT'D)
I'm
so
sorry.
I...
Used
to
live
here.
In
this
very
apartment.
And
I
was
wondering
if...
And
the
man
hurls
a
gout
of
imprecatory
Spanish
at
Nick
and
SLAMS
the
door.
Nick
knocks
again...
NICK
(CONT'D)
I
know.
It's
late.
This
is
awful.
But
I...
Would
love
to
just...
He
shakes
his
head.
Not
sure
what
he
would
love
to
do...
After
a
beat,
the
door
opens
again.
This
time
to
a
pretty
PUERTO
RICAN
WOMAN,
late
20s...
WOMAN
Are
you
a
crazy?
(CONTINUED)
9
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
NICK
No.
I
just...
I
had
great
success
in
this
apartment...
And
he
has
found
the
PAPERBACK
COPY
OF
HIS
BOOK.
That
the
girl
at
Bungalow
8
asked
him
to
sign...
He
holds
it
up...
NICK
(CONT'D)
This
is
my
book.
Here...
And
it
is
the
movie
printing
of
the
novel.
The
one
with
the
one-sheet
art
on
its
cover.
And
the
Woman
recognizes
it...
WOMAN
I
see
this
film.
You
write
book?
Nick
nods.
She
looks
dubious.
He
takes
out
his
wallet.
Shows
her
his
LICENSE.
She
compares
it
to
the
author's
name.
NICK
I
know
it
says
"Nicholas"
on
my
license.
But
the
publishers
had
me
change
it
to
"Nicholson".
They
felt
it
was
more...
Uh...
WOMAN
Importante.
NICK
Exactly.
The
Woman
closes
the
door
again.
Nick
looks
bereft.
Until
he
hears
the
chain
slide.
And
the
Woman
opens
the
door
wide.
INT.
APARTMENT
-
NIGHT
The
Man
stands
there,
baseball
bat
in
hand.
It
is
a
small-
studio.
Exposed
pipes.
Water-stained
walls.
But
the
couple
have
managed
to
make
it
homey...
NICK
I
wrote
the
book
here.
Three
years
ago.
Over
one
long
winter.
Does
the
radiator
still
make
that
noise?
Like
four
dogs
eating
a
cat?
WOMAN
We
thought
it
like
four
cats
eating
a
dog...
Nick
nods.
Smiles...
WOMAN
(CONT'D)
You
write
another
book?
NICK
Not
so
much.
(CONTINUED)
10
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
WOMAN
Writer
block
--
?
NICK
Something
like
that.
WOMAN
You
should
write
it
here
--
NICK
Why?
WOMAN
This
is
where
you
did
good.
This
is
where
you
do
good
again.
We
make
a
space
for
you...
Nick
looks
at
her...
The
Man
is
still
holding
the
baseball
bat,
still
unsure
as
to
this
strange
fellow's
designs...
WOMAN
(CONT'D)
My
grandmother
had
an
expression:
"Es
el
tonto
gque
no
puede
volver
al
lugar
de
su
felicidad
pasada...
"
Nick
has
wandered
over,
to
a
spot
on
one
wall.
Just
above
where
his
desk
had
been.
There
is
a
HOLE.
The
former
resting
place
of
the
Kurt
Cobain
photo,
no
doubt...
WOMAN
(CONT'D)
"It
is
the
fool
who
fails
to
return
to
the
place
of
his
last
happiness”...
Nick
touches
the
hole.
He
looks
up
at
the
Woman...
EXT.
TENEMENT
APARTMENT
-
ALPHABET
CITY
-
NIGHT
Where
Nick
paces,
cell-phone
ringing
in
his
ear.
The
sun
is
just
starting
to
come
up.
The
phone
is
answered.
By
Bert
Goldman.
Asleep
in
his
bed,
his
WIFE
grumbling
beside
him...
NICK
Bert,
it's
me...
!
BERT
GOLDMAN
Of
course
it
is.
Only
you
and
Jerzy
Kosinski
ever
call
me
at
this
hour.
And
Jerzy's
dead.
Ergo...
NICK
I'll
do
it.
The
one-day
intensive.
At
Dufresne
College...
BERT
GOLDMAN
Okay.
And
this
couldn't
wait
until
the
morning
on
account
of
how
come?
(CONTINUED)
11
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
NICK
I
should
leave
now.
I
have
to
rent
a
car.
I
suddenly
feel
imbued
with...
Possibility...
BERT
GOLDMAN
I
was
thinking
it
was
either
that
or
gin...
INT.
RENTAL
CAR
PLACE
-
SOHO
-
DAWN
Nick
finishes
signing
the
paper
work.
He
appears
to
have
a
true
spring
to
his
step.
The
RENTAL
AGENT,
round
and
ebullient,
digs
his
groove...
RENTAL
AGENT
You
sure
got
your
rockets
on,
sweetie-
pie.
Where
you
off
to...
?
And
Nick
looks
at
her...
NICK
I'm
going...
And,
as
it
hits
him,
he
smiles,
buoyant...
NICK
(CONT'D)
Home.
As
we
PRE-LAP
Three
Dog
Night's
"SHAMBALA"
and
CUT
TO:
EXT.
NICK'S
RENTAL
CAR
-
MOVING
-
DAY
Nick
driving.
He
sings
along
with
the
music.
Bellowing:
NICK
/
THREE
DOG
NIGHT
(singing)
"Howwww
does
your
light
shine?/In
the
halls
of
Shambala"
--
Caught-up
in
the
sheer
bravura
of
this
enterprise...
When,
at
once,
it
occurs
to
him.
Just
what
it
is,
exactly,
that's
waiting
for
him
at
the
end
of
this
line...
And
he
stops
singing.
Actually
frowns.
As
a
twinge
of
tension
tweaks
the
tickle.
But
he
steers
the
rental
car
north,
anyhow.
Away
from
the
island
of
Manhattan...
And
on
to
the
small
town
of
Knight's
Ridge,
Massachusetts.
A
place
he
left
oh,
so
long
ago...
END
OF
ACT
ONE
12
01/26/2006
"October
Road"
-
Network
Draft
ACT
TWO
EXT.
KNIGHT'S
RIDGE,
MASSACHUSETTS
-
ESTABLISHING
-
DAY
Nick
arrives
back
in
town.
And,
to
the
Gin
Blossom's
"LOST
HORIZONS",
we
get
the
quickie
tour:
This
is
a
place
where
the
Ice
Age
left
traces
of
its
passage;
sharply
rolling
with
a
series
of
wooded
hills
and
drumlins.
The
center
of
town
is
five
square
blocks
of
storefront
businesses,
a
fire
station,
a
town
hall,
a
church...
But
this
is
very
much
a
college
town.
Bisected
by
OCTOBER
ROAD,
the
two-lane,
judiciously-stop-lighted
blacktop,
separating
the
college
from
the
town...
As
Nick
drives
through,
we
take
in
the
modest
working-class
tableau
of
faded
clapboard
houses;
sagging
two-families;
more
pick-up
trucks
than
cars...
We
should
also
note
several
CONSTRUCTION
SITES:
with
“CATALDO
BUILDERS”
signs
on
their
chain-link
fences...
The
place
looks
slightly
bizarre
to
Nick.
Slightly
surreal.
As
if
he
cannot
believe
he's
back.
And,
as
he
drives
past
PINELLA'S
PACKAGE
STORE,
we'll
REMAIN
HERE...
EXT.
PINELLA'S
PACKAGE
STORE
-
DAY
Where
we
are
reunited
with
Nick's
old
friends,
Eddie
Latekka
and
Ikey.
As
Eddie
pulls
his
GMC
3/4
ton
pick-up
into
the
lot.
"LATEKKA
LANDSCAPE
AND
DESIGN"
stencilled
on
the
doors.
Eddie
slots
the
truck
beside
a
late-model
BMW.
He
has
managed
to
retain
his
rangy
good
looks,
although
there
is
something
obdurate
about
him
now.
Hardened.
Time
and
disappointment
have
conspired
to
form
a
crust...
Ikey
remains
unchanged.
Half-hyena,
half-knucklehead.
Although
not
without
a
certain
doltish
charm...
Eddie
eyeballs
the
BMW,
as
they
enter
Pinella's.
INT.
PINELLA'S
PACKAGE
STORE
-
DAY
The
local
liquor
emporium.
It
does
a
brisk
business.
Especially
on
Fridays
after
5:00.
Which
it
is
right
now.
MR.
PINELLA,
60,
balding
and
beetle-browed,
runs
the
joint.
MR.
PINELLA
Fellas...
They
grunt
hellos
and
head
for
the
walk-in
fridge.
Passing
a
pair
of
STUDENTS
from
the
COLLEGE,
filling
up
a
cart
with
premium
vodka
and
tequila.
Eddie
glowers
at
them...
Eddie
and
Ikey
each
grab
three
cold
cases
of
beer...
(CONTINUED)
13
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
A
PRETTY
GIRL
has
entered,
early
20s,
wearing
a
"Harvey's
Hardware
Store"
apron.
She
buys
two
packs
of
Marlboro
Lights
from
Mr.
Pinella.
Let's
call
her
DARCY.
Eddie
and
Ikey
lug
their
cases
to
the
register.
When
Darcy
sees
Eddie,
she
blinks.
Looks
stung...
EDDIE
Hey...
She
glances
at
the
six
cases...
EDDIE
(CONT'D)
We're
stockpiling.
TIkey
heard
there
might
be
a
nuclear
war
this
weekend...
And
Ikey
goes
into
full-mack
mode.
It's
clear
he
digs
her...
IKEY
True
dat.
Darcy.
What
goes
on?
But
Darcy's
chilly
blue
eyes
are
fixed
on
Eddie...
DARCY
You
weren't
gonna
ever
call,
were
you?
And
Ikey's
face
falls...
IKEY
Aw,
no...
Not
Darcy
--
?
EDDIE
What?
IKEY
Dude...
I
liked
Darcy
--
!
Darcy
looks
at
Ikey.
Mr.
Pinella
shakes
his
head...
IKEY
(CONT'D)
Man,
do
you
get
around.
You're
like
the
flu.
Only
with
a
zipper.
The
college
students
are
cackling
about
something,
down
one
aisle.
Eddie
glances
at
them.
Ikey
turns
to
Darcy:
IKEY
(CONT'D)
He
don't
call.
What
are
you,
new?
This
is
Eddie
Latekka.
Repeat
business
makes
him
nervous.
No
offense.
His
bad,
not
yours...
But
Darcy
just
shakes
her
head.
And
storms
on
out.
Ikey
stares
at
Eddie,
who
pays
the
smirking
Mr.
Pinella...
EDDIE
What's
funny
to
you?
(CONTINUED)
14
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
(2)
MR.
PINELLA
You're
pushing
30.
Are
you
ever
going
to
get
married...
EDDIE
When
did
that
clearly-defined
line
between
selling
booze
and
being
pals
become
blurred...
?
MR.
PINELLA
I'm
just
saying,
is
all...
IKEY
Eddie's
got
a
philosophy,
yo.
As
it
relates
to
the
girlies.
If
you
remain
in
your
hometown,
after
high
school,
you
spend
18-22
chasing
the
ones
from
your
class
that
also
remained.
Then
you
spend
23-26
chasing
the
ones
from
the
college.
Then
you
spend
27-29
chasing
the
ones
that
are
now
divorced
and
have
returned
to
The
Ridge
to
lick
their
wounds.
a
simple
system
and
it
has
served
him
well...
(frowns
at
Eddie)
Although,
where
Darcy,
from
the
hardware
store,
fits
into
this
system,
I,
for
one,
do
not
know...
MR.
PINELLA
And
what
about
now?
What's
next?
Eddie
sees
the
college
students
heading
their
way,
pushing
a
cart
laden
with
liquor
for
a
party
in
the
offing...
EDDIE
No
idea.
And
he
carries
his
cases
out
of
the
place...
EXT.
NICK'S
RENTAL
CAR
-
MOVING
-
OCTOBER
ROAD
-
DAY
Nick
drives
across
October
Road,
and
into
the
friendly
confines
of
DUFRESNE
COLLEGE,
a
small,
private
liberal
arts
school,
established
in
the
early
part
of
the
20th
Century...
Brick
and
bramble.
Ivy
and
a
great
lawn.
STUDENTS
walk
to
and
from
class.
It's
downright
bucolic...
INT.
DUFRESNE
COLLEGE
-
ENGLISH
DEPARTMENT
-
DAY
Where
Nick
walks
with
LESLIE
ETWOOD,
a
black
man,
in
his
mid-
60s,
who
runs
the
English
Department...
LESLIE
ETWOOD
All
we'll
require
of
you
is
a
five-hour
session.
Tomorrow
afternoon.
(MORE)
(CONTINUED)
15
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
LESLIE
ETWOOD
(CONT'D)
Beginning
at
noon.
Who
knows?
Maybe
you'll
like
it.
Want
to
come
on
permanent...
?
NICK
I
never
taught
anything
before...
LESLIE
ETWOOD
Keep
it
loose
and
informal
and
you'll
be
fine.
The
wattage
of
your
celebrity
will
carry
you
swiftly
through
any
thicket
you
may
encounter.
Speaking
of
thickets...
For
a
MAN,
approaches
them.
He's
38,
tall
and
puffy,
with
the
smug,
officious
air
of
a
maitre
'd
at
Le
Cirgue.
This
is
GEOFFREY
TREADWILL,
creative
writing
teacher...
LESLIE
ETWOOD
(CONT'D)
Geoffrey,
this
is
Nick
Garrett.
Nick,
Geoffrey
Treadwill,
one
of
our
esteemed
writing
teachers...
GEOFFREY
TREADWILL
Haven't
managed
to
read
your
book.
Hoping
to
this
summer...
NICK
No
need.
See
the
movie.
Takes
less
time.
And
has
nudity...
LESLIE
ETWOOD
Geoffrey
is
writing
a
novel
himself.
I
read
his
last
one.
Quite
good.
Shows
promise.
He
nearly
got
it
published...
Geoffrey's
chubby
cheeks
go
a
high,
rosy
red
with
ire...
LESLIE
ETWOOD
(CONT'D)
We've
arranged
housing
for
you,
Nick.
At
Manning's.
It's
a
B
&
B
down
the
hill...
GEOFFREY
TREADWILL
It's
a
boarding
house,
actually.
LESLIE
ETWOOD
Well,
yes.
But
Dot
Manning
keeps
it
nice...
NICK
I
know
Manning's.
And
she
does
keep
it
nice.
But
it
won't
be
necessary.
I'm
going
to
stay
with
my
father...
LESLIE
ETWOOD
Oh,
I
keep
forgetting.
You're
from
Knight's
Ridge.
Wonderful.
I'm
sure
they'll
be
happy
to
have
you!
(CONTINUED)
16
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
(2)
NICK
Not
so
much.
Leslie
laughs
at
what
he
thinks
is
a
joke.
As
the
three
men
walk
off,
two
STUDENTS
watch
them
go,
both
early
20s:
The
girl's
name
is
AUBREY.
She's
very
pretty,
despite
having
chopped-off
most
of
her
hair.
Hers
is
a
Bohemian
downtown
swerve:
funky
hat,
nose
ring,
thrift
shop
spoils.
The
boy's
name
is
IAN,
and
he
is
thin
and
diminutive,
with
the
furtive
movements
of
a
field
mouse...
IAN
That's
him.
Nicholson
Garrett.
How
cool
is
that?
And
check-out
Treadwill:
he
so
fully
has
his
Salieri
on...
AUBREY
I
couldn't
get
past
the
second
chapter.
Pretentious
hipster
goo.
IAN
But
you
did
sign-up
for
the
course?
AUBREY
What
else
is
there
to
do
around
here
on
a
Saturday
afternoon?
Go
down
to
fraternity
row
and
watch
the
hung-over
pledges
puke...
?
EXT.
THE
COMMANDER'S
HOUSE
-
DAY
The
house
Nick
grew-up
in.
We
remember
it
from
our
opening.
Nick
parks
across
the
street.
He
gets
out.
He
leans
against
the
car.
Staring
at
the
house
for
a
bit.
Reluctant
to
enter.
When
A
KID,
9-years-old,
rides
up
on
a
BMX
BIKE.
He's
small
for
his
age.
And
skinny.
But
there's
something
almost
preternaturally
world-weary
about
him...
This
is
SAM.
SAM
That
house
is
haunted.
You
ever
see
"TO
KILL
A
MOCKINGBIRD"?
You
know
the
Boo
Radley
guy?
In
that
house,
lives
Boo
Radley,
Senior.
And
Boo
Radley,
Junior.
NICK
I
know.
I
grew-up
there.
SAM
What
do
you
mean
--
?
NICK
I
mean:
Boo
Radley,
Senior
is
my
father.
Boo
Radley,
Junior
is
my
brother.
SAM
Oh.
Uh.
Sorry...
(CONTINUED)
17
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
NICK
Are
you
apologizing
for
insulting
my
family?
Or
for
my
being
to
their
weird
manor
borne...
?
SAM
Bit
of
both.
NICK
You
live
on
this
street?
SAM
My
friend,
Doodie,
does.
He
moved
here
not
long
ago.
It
was
hard
for
him
to
make
friends.
On
account
of
it’d
be
easier
to
count
the
bricks
left
than
the
bricks
missing.
If
you
get
my
drift...
And
he
points
to
his
head,
as
if
indicating
Doodie's
limited
intelligence...
Nick
smiles...
Just
then
DOODIE,
also
10,
comes
out
of
his
house.
He's
a
thick
boy,
with
the
slate-
dull
eyes
of
a
clod...
SAM
(CONT'D)
Doodie,
this
guy
grew-up
there.
With
Freddy
K
and
Leatherface...
DOODIE
You're
the
writer
dude?
NICK
That's
right.
And
this
comes
as
news
to
Sam...
Doodie
shrugs...
DOODIE
My
mother
read
your
book.
Said
it
was
mostly
crap...
Sam
shakes
his
head...
To
Nick:
SAM
Told
you:
he's
Lenny
to
my
George.
DOODIE
It
wasn't
"George",
you
dope.
It
was
sSquiggy.
Nick
and
Sam
share
a
smile...
NICK
See
you
guys
later...
.
As
Nick
crosses
the
street,
we
CUT
TO:
18
01/26/2006
"October
Road"
-
Network
Draft
INT.
THE
COMMANDER'S
HOUSE
-
DAY
The
Commander
opens
the
front
door.
To
Nick.
His
face
says
it
all.
Nick
gets
it
at
once:
NICK
Ronny
didn't
tell
you
I
was
coming
home...
THE
COMMANDER
Nope.
The
long
term
effects
of
video
games
and
marijuana
have
affected
him
in
the
short
term...
And
his
father
embraces
him.
It's
stiff,
but
it's
an
embrace...
And
one
The
Commander
seems
to
instantly
regret...
THE
COMMANDER
(CONT'D)
What
are
you
doing
here?
NICK
Teaching
a
thing.
Tomorrow.
At
The
Doof...
Beat...
The
Commander
eyeballs
Nick's
suitcase,
as
if
it
were
a
dog
that
may
or
may
not
be
rabid...
NICK
(CONT'D)
I
was
thinking
I
could
crash
here
for
the
weekend
--
?
The
Commander
frowns.
At
once,
uncomfortable...
NICK
(CONT'D)
What
is
it
--
?
THE
COMMANDER
Your
room.
It's
not
the
same.
It
changed...
He
says
it
like
the
room
did
this
of
its
own
accord...
INT.
THE
COMMANDER'S
HOUSE
-
NICK'S
OLD
ROOM
-
DAY
The
Commander
leads
him
in.
It
has
been
turned
into
the
TV
room.
Two
La-Z-Boys
and
a
wide-screen...
THE
COMMANDER
We
got
a
routine
here,
your
brother
and
me.
A
pattern.
We
get
up.
He
makes
the
coffee.
I
fry
the
eggs.
We
go
to
work.
We
come
home.
He
makes
the
coffee.
I
fry
the
pork
chops.
We
sit
in
here.
few
beers.
Watch
a
game.
Maybe
a
picture.
I
go
to
bed.
He
smokes
the
dope
and
fights
a
fake
war
on
his
player.
We
get
up.
Do
it
again.
It
ain't
much.
(MORE
)
(CONTINUED)
19
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
THE
COMMANDER
(CONT'D)
But
it
works.
It's
an
apple-cart.
And
the
one
thing
you
don't
want
to
go
doing,
after
10
years,
is...
NICK
Upset
the
apple-cart.
I
know.
No
worries.
I
can
stay
at
Manning's.
The
Doof
got
me
a
room...
THE
COMMANDER
Nice
lady,
Dot
Manning.
Always
very
clean
up
there...
Beat...
The
Commander
stares
at
Nick...
It’s
been
a
long
time
since
he’s
seen
his
boy...
Who
was
a
child
when
he
left...
NICK
What
is
it?
THE
COMMANDER
You
look
tired...
NICK
I
drove
in
from
the
city.
The
Commander
nods.
But
before
this
can
go
further,
the
front
door
opens,
and
RONNY
GARRETT,
now
20,
enters,
in
greasy
coveralls,
swinging
his
lunch
cooler...
When
he
sees
his
brother,
he
howls...
RONNY
NICKY
--
!
...
and
goes
running
in
for
the
hug...
THE
COMMANDER
Pretty
happy
to
see
him
for
a
guy
who
forgot
he
was
coming
home!
EXT.
THE
COMMANDER'S
HOUSE
-
LATER
-
DAY
Nick
and
Ronny
share
a
beer
on
the
dilapidated
swing-set
in
the
backyard...
Ronny
is
shaggy-haired
and
smiles
a
lot...
RONNY
Hannah's
still
here,
you
know...
NICK
I
figured.
RONNY
Works
over
at
the
veterinarian's.
And
she
probably
won't
be
too
happy
to
see
you.
So
you
should
just
avoid
it
altogether.
If
your
cat
gets
sick,
let
it
die...
Nick
smiles...
(CONTINUED)
20
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
RONNY
(CONT'D)
And
if
Latekka
sees
you?
He's
sure
to
beat
you
soft...
He
lives
with
Physical
Phil
now.
In
the
old
Serendello
house...
Nick
nods...
Ronny
drains
his
beer...
RONNY
(CONT'D)
A
lot
of
people
are
pissed
at
you.
I
never
got
why.
I
mean,
you'd
think
they'd
be
flattered
to
be
in
literature,
you
know?
In
a
book.
That's
the
way
I
felt.
I
mean,
the
brother
character?
Johnny?
You
describe
him
as
"dizzier
than
a
mongoloid
on
a
merry-go-round".
NICK
(wincing)
It
was
fiction,
Ronny...
RONNY
Hey,
it
didn't
bother
me.
told
you
this
before.
I
thought
it
was
funny.
I'm
a
character
in
a
book!
Tom
Sawyer.
Oliver
Twist.
And
Johnny
The
Moronic
Kid
Brother.
What's
there
to
get
creased
about?
EXT.
MIGHTY
SUB
-
DOWNTOWN,
KNIGHT'S
RIDGE
-
LATER
-
DAY
The
local
submarine
shop.
Nick
waits.
When
Owen
Rowan,
whom
we
remember
from
our
opening,
walks
up,
with
his
wife,
LIZ,
26,
and
their
two
kids,
CONNOR,
6,
and
ALLY,
3...
NICK
Owen
Rowan
--
!
OWEN
ROWAN
Hey,
there!
I
know
we're
a
little
late.
But
it
takes
a
village
to
get
this
group
to
the
village.
Nicky,
this
is
my
wife,
Liz.
Liz,
the
great
Nicky
Garrett...
!
Liz
offers
her
hand.
She
is
small,
fit,
pretty,
although
there
is
something
slightly
weary
about
her...
NICK
Good
to
meet
you.
Sorry
I
couldn't
make
it
to
the
wedding...
OWEN
ROWAN
We
know
how
busy
you
are...
Hey,
kids!
Say
hello
to
your
Uncle
Nicky!
This
is
Connor.
And
this
one
is
Ally...
NICK
Hi,
kids...
(CONTINUED)
21
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
But
the
kids
run
off,
into
the
parking
lot...
LIZ
I'll
get
'em.
You
guys
grab
a
coffee.
I'll
see
you
at
home,
Owen...
(to
Nick)
Nice
to
meet
you...
And
she
walks
off
after
the
kids...
NICK
Wow.
Owen
Rowan.
She's
hot...
OWEN
ROWAN
Crazy,
right?
But
it’s
been
an
adjustment.
She
was
working
at
my
company
and
living
in
Boston
when
we
met.
Now
she’s
a
stay-at-home-mom
in
The
Ridge.
So
it’s
not
easy.
The
Ridge,
doesn’t
welcome
outsiders
gladly,
you
know
—-
NICK
So
they
tell
me.
INT.
MIGHTY
SUB
-
DAY
As
they
enter:
OWEN
ROWAN
Hey,
I
just
wanted
to
say:
thanks
for
leaving
me
out
of
it.
At
first,
I
was
insulted.
But
then
I
read
how
you
made
Eddie
and
Hannah
look.
And
I
was,
like,
"phew".
Phew
point-five,
right?
NICK
They
were
fictionalized
renditions,
Owen.
OWEN
ROWAN
Sure,
buddy.
Whatever
you
say.
They
pass
a
man,
mid-30s.
Tall
and
strong
and
tan.
This
is
RAY
"BIG
CAT"
CATALDO.
Back
in
the
day,
Ray
Cataldo
made
Nick
and
his
friends'
lives
miserable.
Cataldo
is
with
his
two
SONS,
7
and
9...
NICK
Ray
Cataldo.
How
you
doing?
RAY
CATALDO
Well,
I
ain't
famous
like
you.
But
I
am
rich...
OWEN
ROWAN
Big
Cat's
the
man.
Owns
a
huge
construction
company
now,
Nicky.
(MORE)
(CONTINUED)
22
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
OWEN
ROWAN
(CONT'D)
The
concrete
castle
king...
Putting
up
coffee
shops
and
juice
bars
and
pizza
barns
all
over
The
Ridge...
Cataldo’s
grin
is
smug...
Nick's
eyes
tick
to
the
two
boys...
NICK
These
your
kids?
RAY
CATALDO
Yep.
Two
sons.
No
daughters.
Which
means
I
only
gotta
worry
about
two
penises,
rather
than
a
thousand...
Owen
frowns.
Cataldo
smirks.
Winks
at
Nick...
RAY
CATALDO
(CONT'D)
Have
fun,
Garrett.
C'mon,
kids...
And
he
ushers
the
kids
out.
Nick
and
Owen
share
a
look...
OWEN
ROWAN
10
years
after
high
school,
he
still
makes
me
nervous...
Nick
nods.
They
go
to
the
counter.
Where
MURPH,
52,
the
pudgy
proprietor
of
Mighty
Subs,
makes
the
sandwiches...
NICK
Hey,
Murph...
MURPH
Nick.
I
ain’t
gonna
ask
why
you
felt
the
need
to
drop
turds
all
over
your
hometown.
That’s
your
business.
But
I
would
like
to
know:
what’s
with
the
“Nicholson”
of
it
all?
NICK
Some
people
thought
it
sounded...
Importante.
Murph
frowns.
He’s
not
too
happy
with
Nick.
But:
MURPH
You
want
the
usual?
NICK
You
remember
the
usual?
MURPH
Egg
and
salad.
Not
egg
salad.
Sliced
egg,
lettuce,
tomato,
swiss.
On
a
pretzel
roll.
NICK
That's
amazing...
(CONTINUED)
23
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
(2)
MURPH
I
ain't
isolating
the
human
genome
back
here.
If
I
can't
remember
a
sandwich
order...
NICK
But
it's
been
10
years...
MURPH
You're
my
only
famous
customer.
You
and
Frankie
Lemlin,
who
shot
a
cop
in
Cambridge...
NICK
What
was
his
usual?
MURPH
Cream
cheese
and
pimento.
Shoulda
known
then
he
was
a
cop-killer...
The
front
door
jangles
open.
And
Sam,
the
little
kid
from
in
front
of
The
Commander's
house,
enters...
SAM
Hey
--
NICK
Hey...
Owen
looks
uneasy...
OWEN
ROWAN
You
two
know
each
other?
NICK
We
just
met.
What
are
you
doing?
SAM
I'm
here
with
my
Moms...
OWEN
ROWAN
Oh,
boy.
NICK
What's
wrong
--
?
OWEN
ROWAN
Stay
tuned.
Nick
frowns,
puzzled.
Until
the
front
door
opens.
And
she
enters.
And
she
sees
Nick.
And
he
sees
her...
NICK
Hello,
Hannah.
END
OF
ACT
TWO
24
01/26/2006
"October
Road"
-
Network
Draft
ACT
THREE
INT.
MIGHTY
SUB
-
DAY
We
resume
Nick
and
Hannah.
Eyes
locked.
Sam
surveying
from
below.
And
darn
it
if
the
years
have
only
served
to
make
her
even
more
lovely...
HANNAH
I
didn’t
know
you
were
back.
NICK
It
was
kind
of
last
minute...
She
nods,
staring
at
Nick
for
a
moment.
She’s
the
gal
who
was
left
behind.
And
he’s
the
jim
that
did
the
leaving...
Sam
senses
the
tension
and
suggests:
SAM
Whatever
you
two
have
going
on,
why
don’t
I
delicately
extract
myself
and
order
us
some
Dagwoods?
OWEN
ROWAN
I'll
go
with
you
--
!
And
they
are
off,
leaving
Nick
and
Hannah
alone.
NICK
He's
pretty
amazing,
your
son
--
HANNAH
At
first,
they
said
he
might
be
autistic.
Then
there
was
some
discussion
of
a
bipolar
disorder.
Eventually,
the
doctors
diagnosed
his
condition
as
clinically
wise-assed.
Said
they'd
never
seen
a
case
so
advanced...
NICK
You're
a
mom.
I
didn’t
know...
HANNAH
There’s
a
lot
of
things
you
miss
when
you
vanish
into
the
ether.
You've
been
gone
how
long
now?
NICK
Ten
years...
HANNAH
Right.
I
think
it
was
two
weeks
before
my
18th
birthday
you
left.
Yes,
I'm
quite
sure
of
it.
Cos
I
remember
getting
those
roses
and
thinking
they
were
for
my
birthday.
But
they
weren’t.
(MORE)
(CONTINUED)
25
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
HANNAH
(CONT'D)
They
were
a
goodbye
present.
As
in:
goodbye,
I
am
no
longer
in
your
present.
NICK
I
can
explain...
HANNAH
Not
necessary...
NICK
Hannah...
HANNAH
Nick.
Truly.
Don’t
sweat
it.
not
necessary...
Sam
calls
from
the
counter:
SAM
Mom!
I
can’t
drag
this
out
any
longer.
The
Murph
must
be
paid...
Hannah
turns
to
Nick...
HANNAH
I
should
go.
Are
you
staying
long?
-
NICK
I
leave
Sunday...
They
look
at
each
other...
Meaningful
and
strained...
The
road
from
lover
to
stranger
is
shorter
than
a
sigh...
NICK
(CONT'D)
How
old
is
Sam?
HANNAH
He
turns
ten
in
two
months.
NICK
Ten.
HANNAH
Ten.
Goodbye,
Nick.
And
good
luck.
Hannah
heads
off,
but
Nick
is
still
focused
on
Sam.
And
then,
as
if
answering
the
question
rattling
in
his
mind:
HANNAH
(CONT'D)
And
don’t
worry:
he'’s
not
yours.
And
she's
gone.
And
Nick
frowns.
Because
there's
something
about
the
math
that
doesn’t
add-up...
26
01/26/2006
"October
Road"
-
Network
Draft
INT.
MANNING'S
BOARDING
HOUSE
-
DUSK
Nick,
carrying
his
suitcase,
is
led
down
a
hallway
by
MRS.
MANNING,
58,
the
rotund
proprietor
of
this
seven
bedroom
home
turned
lodging
facility.
MRS.
MANNING
Quiet
hours
begin
at
ten
PM.
And
there'’s
a
seven
AM
breakfast
seating
downstairs.
NICK
Thank-you...
They
arrive
at
ROOM
FOUR.
As
Mrs.
Manning
finds
the
key
and
unlocks
the
door.
She
hands
him
the
key.
Stands
there,
for:
MRS.
MANNING
I
play
gin-rummy
with
Beatrice
Latekka,
Eddie’s
mother.
And
it
would
suit
you
well
not
to
run
into
any
of
the
Latekkas
during
your
time
here.
You
know
what
I'm
saying?
Also
keep
away
from
Grizzly
Felps
at
the
dump.
And
Jerry
Conway
at
the
garden
store.
Heck,
avoid
nearly
everyone,
I
were
you,
Nicky...
NICK
Yeah...
I...
MRS.
MANNING
Have
a
good
stay.
And
she
waddles
off...
Nick
looks
after
her...
Enters...
INT.
MANNING'S
BOARDING
HOUSE
-
NICK’'S
ROOM
-
DUSK
Nick
takes
a
look
around
the
small,
quaint
room...
He
sits
on
the
bed
and
pulls
out
the
SANDWICH
Murph
made
for
him.
When
his
cell-phone
RINGS.
He
checks
the
CALLER
I.D.
It
reads:
TAYLOR.
Nick
cringes
as
it
occurs
to
him:
NICK
Rhinebeck.
He
forgot
about
his
plans
with
Taylor.
He
braces
himself
and
picks
up
the
phone...
NICK
(CONT'D)
Hey,
baby...
EXT.
NEW
YORK
CITY
-
STREET
-
DUSK
CROSS-CUT.
With
the
CREW
from
a
PHOTO
SHOOT
behind
her,
and
~
the
bustling
sounds
of
the
city,
Taylor
says:
TAYLOR
We
just
wrapped.
(CONTINUED)
27
01/26/2006
CONTINUED:
"October
Road"
-
Network
Draft
NICK
gonna
kill
me,
Taylor...
TAYLOR
Stratton’s
taking
you
to
a
cocktail
party...
?
NICK
No,
it’s...
I
had
to
go
back
home.
TAYLOR
That’s
fine.
swing
by
your
place
and
we’ll--
NICK
I
mean
home
home.
Massachusetts...
But
an
ASSISTANT
approaches
Taylor...
ASSISTANT
He’'s
ready
for
you...
TAYLOR
I
gotta
run,
Nick...
Is
everything
okay?
NICK
Yeah.
It’s
just...
TAYLOR
I
thought
you
couldn’t
go
back
there...
NICK
I
know.
I’ll
be
in
the
city
on
Sunday
and
I'll
explain
the
whole
thing.
And
I
promise-promise-promise
we’ll
do
Rhinebeck
before
the
holidays...
TAYLOR
Where
are
you
staying?
It’s
so
quiet...
Nick
takes
a
beat,
perhaps
embarrassed
by
the
truth...
And
she’s
lies.
He
NICK
At
my
Dad's,
of
course.
ASSISTANT
Taylor
--—
TAYLOR
Coming!
call
later.
Miss
you...
gone.
And
Nick
hangs
up
the
phone,
bothered
by
the
looks
down
at
Murph’s
sandwich
and
asks:
NICK
You
still
like
me,
right?
(CONTINUED)
28
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
(2)
Wary
of
the
answer,
he
takes
a
BITE
of
his
sandwich
and
the
flavors
wash
over
him.
Murph’s
egg
and
salad
sandwich
is
just
as
he
remembered...
NICK
(CONT’D)
Thank
God.
Love
you,
too.
A
much-needed
reminder
that
some
things
never
change...
EXT.
BUICK
CITY
BAR
-
NIGHT
A
former
car
dealership
turned
watering
hole.
It’s
one
of
the
only
decent
bars
in
town,
thus
forcing
a
tentative
nightly
detente
between
the
locals
and
the
college
kids...
INT.
BUICK
CITY
BAR
-
NIGHT
Last
Call.
The
place
is
emptying
out,
as
we
find
JANET
DOYLE,
the
34-year-old
bartender/manager.
Janet
is
a
heavy-
set
woman
-
her
big
frame
and
chubby
cheeks
have
earned
her
the
nickname
“JANET
THE
PLANET”.
But
her
eyes
are
luminous.
And
she’s
got
a
smile
pure
sweetness
and
light...
Eddie
sits
at
the
bar
with
a
Jack
and
Coke.
Ikey
approaches
him.
He
gestures
over
to
a
table,
where
two
GIRLS
in
their
early
20s,
are
putting
on
their
coats...
IKEY
What
do
you
think?
They're
from
Longwell.
Came
all
the
way
here
to
meet
college
boys...
EDDIE
So
how
do
we
fit
in?
IKEY
From
the
looks
of
them,
and
the
amount
of
vodka-grapefruits
I
been
pouring
down
their
gullets,
I'd
say
we'll
fit
in
verrry
easily...
Eddie
regards
them.
The
girls
wave...
IKEY
(CONT'D)
I
mad
hyped
you
up.
EDDIE
Why
are
you
always
doing
that?
IKEY
Not
all
of
us
can
represent
greatness,
Edward.
But
at
least
we
can
be
associated
with
it.
What
do
you
say?
Back
to
your
nest
with
them?
For
grilled
o
cheese
sandwiches
and
fellatio?
(CONTINUED)
29
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
EDDIE
I'll
pass.
You
go
ahead.
Ikey
looks
suddenly
panicked...
IKEY
I
don’t
think
I
have
enough
conversation
in
me
for
both
of
them...
EDDIE
Tell
‘em
about
the
time
you
broke
your
collarbone
trying
to
roof-ski...
IKEY
Yeah.
That
iIs
a
gem.
Sometimes,
I
can
make
it
funny,
too.
Hasta
la
Pasta...
As
Ikey
heads
off
with
the
girls,
Janet
The
Planet
approaches
Eddie,
pouring
him
another
Jack
and
Coke...
JANET
THE
PLANET
You
okay,
Eddie?
Never
seen
you
pass
up
an
opportunity...
Hope
not
getting
old
on
us.
EDDIE
It’s
not
that.
I’'m
not
too
tired
to
do
the,
well,
you
know.
But
the
legwork
necessary
to
get
to
that
place?
The
endless
chit-chat
about
meaningless
bock?
You
really
got
to
be
in
the
right
frame
of
mind
for
that...
JANET
THE
PLANET
Maybe
you
should
try
out
a
different
type
of
girl.
Maybe
somebody
from
The
Doof...
EDDIE
Been
there,
done
that.
Presents
its
own
brand
of
problems...
JANET
THE
PLANET
I'm
just
saying:
maybe
you
should
try
something
more
nutritious...
EDDIE
“Nutritious”?
©Like
full
of
vitamins?
JANET
THE
PLANET
No.
“Nutritious”,
like,
good
for
your
health.
Helping
you
to
feel
the
best
you
can,
and
live
a
long,
happy
life...
.
Janet
The
Planet
shrugs...
They
are
now
the
only
two
people
%
in
the
bar...
(CONTINUED)
30
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
(2)
JANET
THE
PLANET
(CONT'D)
Wish
I
could
offer
you
better
advice,
Eddie.
But
what
I
can
offer
you...
She
comes
around
the
bar
and
heads
towards
the
JUKEBOX...
We
HOLD
ON
Eddie...
As
he
considers
her
words...
JANET
THE
PLANET
(CONT'D)
Is
a
little
Glen
Campbell!
She
plugs
a
quarter
into
the
jukebox.
And
"RHINESTONE
COWBOY"
starts
up.
Janet
The
Planet
begins
to
sing
along:
JANET
THE
PLANET
(CONT'D)
"I've
been
walking
these
streets
so
long
/
Singin'
the
same
old
song
/
I
know
every
crack
in
these
dirty
sidewalks
of
Broadway...
"
And
she
really
gets
into
it.
Dancing
and
singing.
Eddie
laughs,
as
Janet
The
Planet
climbs
onto
the
bar,
using
a
Bud
long-neck
as
a
microphone...
Eddie
claps.
JANET
THE
PLANET
(CONT'D)
We
call
this
“COYOTE
VERY
UGLY"!
EXT.
KNIGHT'S
RIDGE
-
ESTABLISHING
-
DAWN
The
sun
rises
over
the
treeline,
as
the
town
slowly
starts
to
come
awake.
At
this
hour,
there’s
only
one
place
to
get
a
good
cup
of
coffee
to
start
your
day...
Indeed,
the
parking
lot
is
crowded
with
trucks...
This
is
--
INT.
BESS
EATON
DONUT
SHOP
-
DAWN
The
Commander
sips
quietly
on
his
coffee,
the
BOSTON
HERALD
sports
page
in
front
of
him.
At
the
counter,
Eddie
and
Ikey
try
to
burn
off
their
hangovers...
Ray
Cataldo
is
at
another
table.
He
looks
to
The
Commander:
RAY
CATALDO
Nick’s
back
in
town,
huh?
THE
COMMANDER
That’s
right...
IKEY
He
is?
RAY
CATALDO
Oh,
I
forgot:
you
guys
were
close.
I
never
read
the
book,
Latekka.
What
with
me
hating
books
and
all.
But
Joey
Guarino
read
me
the
parts
about
you.
Damn,
son,
Nicky
Garrett
didn't
much
like
you
so
much,
did
he
--
?
(turning
to
Ikey)
(MORE)
(CONTINUED)
31
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
RAY
CATALDO
(CONT'D)
And
he
didn’t
mention
you
once.
243
pages
of
book
and
he
couldn’t
give
you
a
sentence?
That's
gotta
leave
a
mark...
Ray
Cataldo
smirks.
The
Commander
shakes
his
head.
Eddie
and
Ikey
just
eat
their
crullers
in
silence...
INT.
DUFRESNE
UNIVERSITY
-
HALLWAY
-
DAY
Nick
is
being
led
down
the
empty
hallway
by
Leslie
Etwood...
LESLIE
We
are
at
capacity.
And
they
are
looking
forward
to
whatever
you
have
prepared.
And,
as
mentioned,
if
you
find
the
interest,
there’s
always
a
spot
for
you
here.
Good
luck...
Leslie
heads
off...
Nick
frowns...
Suddenly
nervous...
But
then
his
cell-phone
RINGS.
He
picks
up...
It
is
Stratton.
In
Bubbie's
Diner,
in
Tribeca.
CROSS-CUT
AS
NECESSARY...
STRATTON
LORB
Doctor.
Taylor
told
me
where
you
are.
What'’'s
wrong
with
you?
You
can’t
go
home
again.
Everyone
knows
that.
Norman
Rockwell
is
dead.
Spread
the
word...
NICK
I
gotta
run,
Stratt...
STRATTON
LORB
What
for?
This
conversation
is
in
diapers...
But
Nick
hangs
up.
He
steels
himself
and
enters...
INT.
DUFRESNE
UNIVERSITY
-
CLASSROOM
-
DAY
Twenty
or
so
STUDENTS
are
seated
in
a
semi-circle.
Amongst
them
1s
Aubrey
and
Ian,
whom
we
met
earlier.
Nick
stands
at
the
front
of
the
class.
He
smiles.
Looks
at
a
sheaf
of
pages
he’s
prepared.
Coughs.
Looks
at
the
pages
again...
NICK
Well...
These
aren’'t
really...
Coughs
again.
All
those
faces,
shining
like
mackerels.
Looking
up
at
him.
Eagerly
waiting
for
him
to
indoctrinate
them
into
the
secret
tribal
rites
of
the
successful
novelist.
The
room
becomes
blurry.
As
a
HAND
IS
RAISED.
By
Ian.
Nick
blinks.
His
eyes
tick
to
Aubrey.
To
the
others...
~.
And
Nick
bolts
for
the
door,
racing
from
the
classroom.
-
Leaving
them
to
look
after
him
in
wonder...
END
OF
ACT
THREE
32
01/26/2006
"October
Road"
-
Network
Draft
ACT
FOUR
EXT.
DUFRESNE
UNIVERSITY
-
DAY
Nick,
hands
on
bent
knees,
hyperventilates
behind
the
BUSHES.
His
chest
heaves
as
he
desperately
fights
for
a
good
breath.
When
--
AN
ENORMOUS
SHADOW
looms
over
him.
And
he
hears
A
VOICE:
VOICE
(0.S.)
You
all
right?
Nick
turns,
to
find
the
most
gentle
and
giant
of
all
Gentle
Giants
-
MUNCH
KEEGAN,
early
30s,
the
college’s
grounds-
keeper
and
all
around
handyman...
NICK
I'm
just...
Having
a
moment...
Munch
leans
around
to
get
a
good
look
at
Nick...
MUNCH
You'’'re
Nicholson
Garrett!
NICK
Not
so
much.
MUNCH
Sure
you
are!
The
big-timer
from
the
other
side
of
October
Road
everyone'’s
been
buzzing
about.
Aren’t
they
holding
a
special
class
for
you
today?
NICK
If
by
"special",
you
mean
ill-conceived,
then
yes...
MUNCH
Let
me
guess:
despite
your
success,
always
got
one
eye
on
the
door,
waiting
for
the
Fraud
Police
to
bust-in.
And,
by
no
means,
just
cos
you
wrote
a
book,
are
you
in
any
way
qualified
to
tell
someone
else
how
to
do
it...
Nick
blinks.
This
guy
is
eerily
accurate...
NICK
Are
you...
God
--
?
MUNCH
No.
I
just
understand...
I
once
ate
30
hot
dogs
in
11
minutes,
at
a
4th
of
July
fair.
Doesn’t
mean
I
can
teach
someone
else
how
to
eat
30
hotdogs
in
11
minutes...
(CONTINUED)
33
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
NICK
As
analogies
go,
it’s
clunky.
But
helpful.
Thanks.
MUNCH
My
pleasure,
Nicholson.
NICK
Make
it
Nick.
MUNCH
Munch
Keegan.
Now,
vamoosh.
And
Nick
heads
back
inside.
Munch
grins,
and
goes
back
to
raking
the
leaves...
INT.
DUFRESNE
UNIVERSITY
-
CLASSROOM
-
DAY
Nick
enters,
prepared
to
redeem
himself.
But
his
return
is
too
late.
All
of
the
students
have
left,
save
for
Aubrey,
who
is
writing
on
a
legal
pad.
She
looks
up
at
Nick.
AUBREY
The
others
left.
NICK
How
come?
AUBREY
I
dunno.
I
guess
they
still
cling
to
the
antiquated
notion
that
it's
difficult
to
learn
from
a
teacher
who
has
fled
the
room
in
panic...
NICK
Why
are
you
still
here?
AUBREY
This
is
a
good,
quiet
place
to
write.
My
roommate.
She's
pretending
she’s
a
lesbian
this
term.
Constantly
on
the
phone,
weaving
unlikely
tales
of
Sapphos
to
her
friends
back
home.
But
it
beats
the
Jehovah's
Witness
thing
from
last
semester,
though.
Every
time
I
opened
my
dorm
room
door,
she
was
just
standing
there.
Holding
pamphlets...
Nick
smiles...
AUBREY
(CONT'D)
I
never
read
your
book.
NICK
Okay
.
(CONTINUED)
34
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
AUBREY
I
don't
really
go
for
that
"encapsulation
of
a
generation"
muckety-muck.
It
bores
me...
NICK
Fair
enough.
What's
your
name?
AUBREY
Aubrey.
NICK
I'm
Nick.
AUBREY
I
know.
NICK
I
would
have
written
it
on
the
blackboard,
at
the
start
of
the
class,
but
my
throat
tightened-up
to
the
size
of
a
pinhole
and
I
was
covered
in
flop-
sweat.
I
thought,
maybe,
someone
had
slipped
me
a
peanut...
Off
her
quizzical
look:
NICK
All
of
the
Garrett
men
suffer
from
nut
allergies.
Dating
back
to
my
great,
great,
great
grandfather,
James
Joseph
Garrett,
who
was
tragically
felled
in
the
Civil
wWar
by
a
cashew...
He
smiles...
AUBREY
Ah-ha.
So
the
peanut-allergy-related
death
of
Sebastian
Grace
was
more
than
just
a
convenient
plot
contrivance...
?
Nick
grins...
NICK
Thought
you
didn't
read
it?
And
Aubrey
looks
oh-so-busted...
AUBREY
Uh.
I
didn't.
The
guy
who
lives
above
me
had
the
audio-book.
As
read
by
Johnny
Depp.
Played
it
all
night
long...
Crazy-
annoying...
NICK
Nice
try.
That's
what
we
call
a
“swing
and
a
miss"...
(CONTINUED)
35
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
(2)
AUBREY
Putting
it
in
line
with
the
theme
of
the
morning.
Which
begs
the
question:
if
the
idea
of
talking
about
your
work
is
so
unbearable,
why
did
you
come
here?
NICK
I
can
talk
about
it.
But
I
can't
impart
any
wisdom.
I
can’t
iInspire...
AUBREY
Then
what
are
you
doing
here?
Excellent
question.
And,
for
the
first
time,
Nick
may
have
the
answer...
INT.
CAR
-
MOVING
-
DAY
Nick
drives
along.
When
his
cell
phone
RINGS.
It
is
his
brother,
Ronny.
CROSS-CUT...
RONNY
If
you
don’t
have
plans
for
dinner,
you
should
come
over
at
six...
NICK
Is
this
Commander-endorsed?
RONNY
Better
than
that:
it
was
his
idea.
He
watched
"CAT
BALLOU"
last
night.
And
you
know
how
Lee
Marvin
softens
him
up
and
makes
him
get
all
oogly.
NICK
Whatever
it
takes.
1I’ll
see
you
at
six.
Nick
hangs
up
the
phone,
suddenly
buoyed
by
this
unexpected
invitation.
He
pulls
his
car
into
the
driveway
of...
EXT.
EDDIE
AND
PHYSICAL
PHIL'S
HOUSE
-
DAY
A
modest
side-by-side
two-family.
Nick
goes
to
the
front
door
on
the
right
and
starts
banging.
He
calls
inside:
NICK
Eddie?
Hey,
Eddie...?
INT.
EDDIE
AND
PHYSICAL
PHIL'’S
HOUSE
-
DAY
And
here's
Physical
Phil,
whom
we
also
met
in
the
opening.
But
he
certainly
has
changed.
He
is
alone,
watching
TV
and
fused
to
the
couch,
pale
and
unshaven,
dressed
in
pajama
-,
bottoms
and
a
ratty
t-shirt
and
robe...
Physical
Phil
hops
off
the
couch
and
heads
towards
Nick...
(CONTINUED)
36
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
PHYSICAL
PHIL
It’s
good
to
see
you,
man...
Nick
smiles,
relieved
at
the
warm
reception...
NICK
You
too,
Physical
Phil.
Eddie
around?
PHYSICAL
PHIL
Not
home.
And
I
gotta
warn:
he’s
not
overflowing
with
the
fond,
as
things
relate
to
you...
NICK
So
I
hear...
But
isn’t
there
a
statute
of
limitations
on
this
kind
of
thing?
PHYSICAL
PHIL
Not
after
you
betrayed
him
three
times.
NICK
Three
times
--
?
PHYSICAL
PHIL
Yep.
Once
when
you
left,
and
took
his
dream
of
doors,
floors,
and
windows
with
you.
Twice,
when
you
crapped-on
him
in
your
book.
And
three
times,
by
crossing
over
to
The
Dark
Side
and
teaching
at
The
Doof.
You
know
how
he
feels
about
The
Doof.
Ever
since
The
Incident...
NICK
I
know
how
he
feels
about
The
Doof.
But
where
in
the
rules
does
it
state
that
you
can’t
leave
home
and
see
the
world...
?
PHYSICAL
PHIL
I
don’t
have
your
back
on
that
one.
Cos
in
my
book,
such
a
rule
does
exist.
Not
only
have
I
stayed
within
the
confines
of
Knight's
Ridge
my
entire...
I
haven’t
left
this
house
in
five
years...
Nick
looks
around.
The
evidence
does
suggest
dormancy.
NICK
Five
years?
What
for?
PHYSICAL
PHIL
Remember
how
after
the
Twin
Towers
were
hit,
everyone
went
into
lock-down
and
glued
themselves
to
the
TV?
Just
us
and
Peter
Jennings,
taking
the
nation
through
it
all,
rock
steady
like
he
was...
By
September
15th,
most
everyone
got
up
and
went
back
to
their
normal
routines.
(MORE)
(CONTINUED)
37
01/26/2006
CONTINUED:
"October
Road"
-
Network
Draft
(2)
PHYSICAL
PHIL
(CONT'D)
But
not
me.
Homeboy
stayed
on
the
couch...
Just
me
and
P-Jennings.
And
then
they
went
and
took
him,
too.
Now
it's
only
me...
NICK
But...
Why?
PHYSICAL
PHIL
Way
I
see
it,
everything
I
need
is
right
here.
I
order-out
for
food;
got
the
phone
for
chit-chat;
entertainment
and
info
from
the
tube.
And
then
came
the
iPod!
And
TiVo!
As
if
to
further
assure
I
maintain
my
position
on
the
couch...
NICK
But
what
do
you
do
for
money?
PHYSICAL
PHIL
The
workman’'s
comp
from
my
“accident”
when
I
was
with
Jimmy
Centola’s
masonry
outfit?
The
patio
brick
falling
on
my
foot?
It
was
after
you
left,
I
think.
But
it’s
roughly
412
dollars
a
month
forever...
NICK
Forever?
PHYSICAL
PHIL
Or
until
I
grow
a
new
left
big
toe.
Which
doesn’t
seem
all
that
likely...
He
offers
up
his
left,
slippered
foot...
PHYSICAL
PHIL
(CONT'D)
Best
part:
it’s
guaranteed
reliability
for
all
my
friends
and
loved
ones.
And
there’s
honor
in
that.
Honor
in
locking
yourself
at
home
base.
Honor
in
staying
put...
NICK
But...
Physical
Phil
looks
at
him.
Face
grave:
PHYSICAL
PHIL
It's
dangerous
out
there,
man...
Before
Nick
can
react,
the
FRONT
DOOR
OPENS.
To
Owen
and
Ikey...
IKEY
Nicky!
(CONTINUED)
38
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
(3)
NICK
There
he
is
--
!
IKEY
Wait.
I
got
a
bone
to
pick.
I
read
the
book
three
times.
I
still
can’t
figure
out
which
character
is
supposed
to
be
me.
NICK
It
is
now
official.
If
I
had
a
time
machine,
I
wouldn’t
use
it
to
go
back
and
kill
Hitler;
I
wouldn't
stop
Lee
Harvey
Oswald
from
climbing
up
the
Texas
School
Book
Depository.
I
would
go
back
just
3
years.
To
the
exact
moment
I
started
writing
the
book.
And
I
would
stop
myself...
IKEY
I'd
go
back
to
the
day
little
Halle
Berry
learned
that
boys
didn't
really
have
cooties...
But
the
attention
is
elsewhere,
as
Owen
slides
a
CD
into
the
STEREO.
Physical
Phil
begins
rifling
through
the
closet...
NICK
What
are
you
doing?
OWEN
It’s
three-0-clock
on
Saturday.
What
do
you
think
we’re
doing?
As
Tkey
pulls
a
pair
of
DRUMSTICKS
from
his
back
pocket.
IKEY
Jammin’,
soldier!
Nick
cannot
believe
this...
NICK
You
guys
still
do
it
--
?
Physical
Phil
emerges
from
the
closet
with
a
TENNIS
RACKET.
PHYSICAL
PHIL
This
is
yours.
It’s
the
one
Nick
handed
over
the
day
he
left
town.
NICK
You
held
onto
this...
?
PHYSICAL
PHIL
I
knew
you
couldn’t
stay
away
forever...
(CONTINUED)
39
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
(4)
Nick
regards
the
scratched
handle
and
warped
strings
with
something
akin
to
reverence...
OWEN
Looks
like
we
finally
got
the
band
back
together...
EXT.
EDDIE'S
TRUCK
-
MOVING
-
DAY
Eddie
drives...
He
fiddles
with
the
radio...
When
"RHINESTONE
COWBOY"
comes
on...
Eddie
smiles...
Drives
on...
INT.
EDDIE
AND
PHYSICAL
PHIL'S
HOUSE
-
DAY
A
HAND
THRUSTS
DOWN,
past
the
strings
of
a
tennis
racket.
And,
oddly,
we
hear
a
GUITAR
CHORD
ring
through
the
air.
PULL
BACK
TO
FIND...
Nick,
in
a
full
state
of
blissful
regression,
playing
his
tennis
racket.
Owen
plays
bass
on
another
racket.
While
Physical
Phil
lip-syncs
the
lead
vocals
on
a
hairbrush.
Ikey
is
perched
on
a
chair,
drumsticks
in
hand,
offering
a
backbeat,
as
the
guys
rock
along
to
“CORDUROY"”
by
Pearl
Jam.
Blasting
from
the
stereo.
(”The
waiting
drove
me
mad!
/
You're
finally
here
and
I'm
a
mess!)
EXT.
EDDIE
AND
PHYSICAL
PHIL'S
HOUSE
-
DAY
Eddie
pulls
up
in
his
pick-up.
He
gets
out.
Hears
the
music
cranking
from
inside.
He
smiles
to
himself,
shakes
his
head.
EDDIE
Dorks.
As
he
heads
toward
the
house,
he
passes
Nick's
rental
car.
Clocks
the
New
York
plates.
His
smile
fades...
And
then,
peering
through
the
window,
he
sees
them.
Sees
Nick.
Eddie's
face
darkens...
And
he
simply
heads
back
into
his
truck.
And
tears
away...
INT.
EDDIE
AND
PHYSICAL
PHIL'S
HOUSE
-
DAY
As
the
Pearl
Jam
wails,
Nick,
Owen,
Ikey
and
Physical
Phil
play
their
hearts
out...
We
STAY
WITH
NICK,
unaware
how
close
he
just
came
to
reuniting
with
Eddie.
And,
for
the
moment,
as
the
MUSIC
CRESCENDOS,
there’'s
no
other
place
rather
be...
THE
GUYS
/
PEARL
JAM
"Everything
has
changed/Absolutely
-
oA
nothing's
changed...
!"
END
OF
ACT
FOUR
40
01/26/2006
"October
Road"
-
Network
Draft
ACT
FIVE
OVER
BLACK
-
we
HEAR
the
VOICE
of
MIKE
GORMAN,
as
he
calls
a
Celtics/Knicks
game:
“Pierce
drives
the
bucket...
Bounces
it
out
to
Davis
who
drains
the
three...
"
And
as
the
SOUND
of
CHEERING
FANS
rumbles,
we
FADE
IN
on
the
BIG
SCREEN
TV.
INT.
GARRETT
HOUSE
-
NICK'S
OLD
ROOM/DEN
-
DAY
The
Garrett
family
dinner
is
underway,
but
definitely
not
the
reunion
Nick
had
in
mind,
after
ten
years
of
absence.
Silence
looms.
Nestled
in
their
side-by-side
La-Z-Boys,
TV
TRAYS
before
them,
The
Commander
and
Ronny
chomp
away
at
steak
dinners,
eyes
glued
to
the
game...
Seated
off
to
the
side,
in
a
considerably
less
comfortable
chair,
Nick
picks
at
his
meal,
as
he
attempts
to
engage
them:
NICK
Seems
like
Ray
Cataldo’s
taking
over
The
Ridge.
I
must
have
passed
five
construction
sites
with
his
name
plastered
all
over
them...
RONNY
He’s
got,
like,
a
master
plan.
To
make
the
kids
from
The
Doof
fall
in
love
with
The
Ridge,
while
they’re
here.
So
after
they
graduate,
and
start
making
coin,
they’ll
come
back
here
to
live.
And
buy
the
huge
houses
Big
Cat
is
building.
And
force
the
rest
of
us
out.
On
the
Evil
Land
Baron
tip.
It’s
kind
of
genius...
Ronny
shrugs.
And
his
eyes
go
back
to
the
TV.
Beat...
Nick
turns
to
his
father...
NICK
How's
work
—--
?
The
Commander
responds,
eyes
never
leaving
the
TV
screen:
THE
COMMANDER
Same.
It's
a
delivery
truck.
Again,
more
silence.
And
though
it
may
feel
like
The
Commander
is
giving
Nick
the
cold
shoulder,
he’s
not.
1It’s
just
the
way
he
has
led
this
family.
Unmolested
by
the
clutter
of
conversation...
Nick’s
eyes
drift
back
to
the
TV.
NICK
What
is
a
Knickerbocker,
anyway?
I
never
knew.
..
No
answer.
As
they
continue
to
watch
the
game...
Then:
(CONTINUED)
41
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
NICK
(CONT'D)
Ronny,
do
you
know
Hannah’s
son?
RONNY
Sure.
He's
buds
with
that
moon-calf
moved
into
the
Farina
house...
NICK
I
met
him
yesterday.
And
I
can’t
help
but
do
the
math:
the
kid’s
ten.
I
left
ten
years
ago.
The
way
it
adds
up...
RONNY
No
sale.
Some
guy
from
Boston
is
the
dad.
Older
guy.
Grad
student
from
B.C.,
I
think.
She
hooked
up
with
him
a
couple
of
weeks
after
you
left
for
Europe...
Nick
is
simultaneously
relieved
that
he’s
not
a
father
and
a
bit
hurt
by
Hannah’s
infidelity.
It
may
be
an
old
indiscretion,
but
it’s
a
new
wound...
NICK
Why
didn’t
anyone
ever
tell
me?
RONNY
I
dunno.
Didn't
want
to
hurt
your
feelings,
I
guess.
I
mean,
you
bailed
on
her.
But
she...
Kinda
cheated
on
you
before
she
knew
you
were
gonna
bail.
It’s
not
the
kind
of
news
you
drop
over
the
phone...
But
Ronny’s
voice
is
drowned-out.
By
the
increased
volume
of
the
TV.
Nick
and
Ronny
turn
to
The
Commander,
who
has
the
remote
in
hand,
CRANKING
UP
THE
SOUND.
The
game
is
on.
And
so
is
the
talk-free
dinner....
EXT.
RESIDENTIAL
STREET
-
DUSK
Nick
walks
down
the
dimly-lit
road.
He
comes
to
a
single-
family
HOUSE,
a
BMX
bike
parked
outside.
The
door
to
the
MINI-VAN
in
the
driveway
is
open.
A
bag
of
groceries
inside.
Nick
stands
there.
Unsure.
And
then
the
front
door
opens.
And
Hannah
comes
out.
She
looks
startled
to
see
him...
HANNAH
Dude!
You
scared
me
--
!
NICK
Sorry.
I
was
in
the
neighborhood.
Your
parents
still
live
here...
?
HANNAH
They
moved
to
the
Cape
five
years
ago.
It’s
just
me
and
Sam
now...
(CONTINUED)
42
01/26/2006
CONTINUED:
"October
Road"
-
Network
Draft
NICK
Do
you
know
it's
still
547
steps
from
my
house
to
your
house?
HANNAH
You
thought
maybe
it
would
be
different?
NICK
I
was
trying
to
take
into
account
an
increase
in
stride-length.
But
my
stride,
like
everything
else
in
my
life,
appears
to
have
stagnated.
HANNAH
Poor
little
super-successful
writer
boy.
NICK
I
just
mean...
This
place...
HANNAH
You
had
it
in
your
head,
I'm
sure,
that
it
remained.
Frozen
in
amber.
Just
the
way
you
left
it.
And
that
was
probably
wicked
reassuring.
That
you
could
go
and
do
and
see...
And
things
would
stay
the
same
here.
But
now...
(beat)
Things
change,
Nick.
Even
in
The
Ridge.
Why,
we
had
a
big
rally
the
other
night.
Where
we
burned
all
of
our
REO
Speedwagon
records...
Nick
smiles...
HANNAH
(CONT'D)
Would
have
made
a
good
scene
for
your
book.
..
NICK
About
that...
HANNAH
No.
I
loved
it.
Truly.
But
tell
me:
when
you
came
up
with
the
character
of
the
pathetic
hometown
girl
left
behind,
did
you
have
to
name
her
“Anna”?
Wouldn’'t
Lily
or
Allison
have
done
the
trick?
At
least
a
feeble
attempt
at
camouflage?
I
mean,
you
didn't
even
try.
NICK
Anna’s
not
you.
I
promise.
HANNAH
Page
44...
Third
paragraph...
I
committed
it
to
memory:
“Anna
possessed
the
faded
blue
sadness
of
a
Roy
Orbison
song.
(MORE
)
(CONTINUED)
43
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
(2)
HANNAH
(CONT'D)
The
kind
of
gal
who
was
quite
sure,
someday,
Richard
Gere
would
come
on
by,
in
his
dress-whites,
pick
her
up
and
carry
her
out
of
this
factory
girl
existence,
as
the
dulcet
strains
of
Joe
Cocker
-
'LOVE
LIFTS
US
UP
WHERE
WE
BELONG'
-
warbled
dissonantly
within
the
soundtrack
of
her
mind...
(beat)
Sounds
like
you
nailed
me
to
a
click...
NICK
It’s
a
book.
When
I
wrote
it,
I
never
thought
anyone
would
actually
publish
it.
When
they
did,
I
tried
to
change
the
names.
But
they
wouldn’t
have
it.
And
for
that,
I'm
truly
sorry.
But,
by
the
way:
who
doesn’t
love
"AN
OFFICER
AND
A
GENTLEMAN"?
He
offers
her
as
smile...
But
she’s
having
none
of
it...
So:
NICK
(CONT’'D)
Where's
Sam?
HANNAH
Doing
his
homework.
Which
takes
him
all
of
11
minutes.
After
seeing
you
at
the
sub
shop,
Sam's
new
fascination
is
“my
past”.
I
don't
think
it
ever
occurred
to
him,
until
that
very
moment,
that
I
actually
had
one...
NICK
Yeah,
I
wanted
to
talk
to
you
about
that...
About...
But
A
TRUCK
pulls
into
the
driveway.
And
Ray
Cataldo
emerges
from
it...
He
saunters
up
the
walk...
And,
to
Nick’s
surprise,
Ray
slips
an
arm
around
Hannah
and
plants
a
kiss
on
her
lips.
He
looks
at
Nick,
big
face
dripping
with
gloat...
RAY
CATALDO
Surprised,
Garrett?
NICK
"Shocked
into
a
stupefying
silence
I
may
never
recover
from”
is
a
better
way
to
describe
it...
He
looks
at
Hannah...
She
shrugs...
HANNAH
It’s
kind
of
a
limited
menu
here
in
The
Ridge...
(CONTINUED)
44
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
(3)
RAY
CATALDO
That’s
right,
baby.
And
the
Pizza
Supreme
--
!
NICK
See,
now
anyone
else,
in
your
shoes,
Ray,
would
say:
I'm
the
filet
mignon”;
or
"I'm
the
Chateaubriand
for
two”;
or
"I'm
the
Lobster
Thermidor
gratineed
in
its
shell.”
not
you...
To
you,
the
culinary
zenith,
is
Pizza
Supreme...
RAY
CATALDO
Shut
up!
Jeez,
you
talk
too
much!
HANNAH
I
gotta
go
with
Big
Cat
on
that
one.
RAY
CATALDO
I'm
gonna
wash-up
for
supper.
Later,
Garrett...
And
Ray
kisses
her
head.
And
goes
into
the
house...
HANNAH
"Lobster
Thermidor
gratineed
in
its
shell...
"
?
NICK
Hey,
I'm
not
apologizing.
You're
the
one
kissing
Big
Cat
Cataldo...
HANNAH
Like
I
said:
things
change...
(Nick
nods)
I'll
see
you,
Nick.
Take
care.
And
she
goes
into
the
house.
Leaving
him
alone.
As
we
play
a
little
"TAKE
IT
ON
THE
RUN"
by
REO
Speedwagon...
INT.
OWEN
ROWAN'S
HOUSE
-
FOYER
-
NIGHT
The
front
door
opens.
Liz
lets
Nick
in
the
house...
LIZ
He's
upstairs.
Follow
the
splashing...
And
Liz
disappears
into
the
kitchen.
Nick
frowns.
A
bit
stung
by
Liz's
frost.
He
walks
up
the
stairs...
INT.
OWEN
ROWAN’S
HOUSE
-
BATHROOM
-
NIGHT
Connor
is
in
the
bath.
Owen
sits
on
the
floor,
beside
the
o~
tub.
They
are
playing
with
TOY
BATTLESHIPS...
NICK
happening,
fellas?
(CONTINUED)
45
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
OWEN
ROWAN
Connor
just
sank
my
last
destroyer.
Owen
rises
and
holds
his
arm
straight
out
over
Connor'’s
head.
Connor
grips
it
like
an
orangutan
on
a
tree
branch...
OWEN
ROWAN
Ready
and
steady,
Monkey-Man?
Owen
hoists
the
giggling
Connor,
up
and
out
of
the
tub,
depositing
him
gently
on
the
bath
mat.
Owen
looks
at
Nick...
OWEN
ROWAN
(CONT'D)
This
is
why
you
do
it...
Nick
nods.
Owen
shrugs,
embarrassed
by
his
own
honesty.
OWEN
ROWAN
(CONT'D)
You
want
kids,
Nicky
--
?
NICK
Sure.
But
I
think
I
have
to
stop
dating
kids
to
be
able
to
have
them...
OWEN
ROWAN
Yeah,
we
saw
a
picture
of
that
model
in
The
Herald.
Smoking
hot.
NICK
Taylor.
Maybe
we
could
set-up
a
play-
date
for
her
and
Ally...
?
Owen
laughs.
Towels
off
his
son...
NICK
(CONT’'D)
Did
you
know
about
Hannah
and
Big
Cat?
OWEN
ROWAN
I
did.
It’s
disturbing.
Let’s
go
get
some
PJs
on,
Con...
!
And
the
little
boy
goes
racing
out
of
the
bathroom...
OWEN
ROWAN
(CONT'D)
How
was
steak
and
potatoes
with
The
Commander?
NICK
Same
as
I
remember.
The
meat
had
more
to
say
than
my
father.
Is
everything
all
right
with
Liz?
OWEN
ROWAN
Sure.
She
gets
a
bit
uptight
when
I
go
out
with
the
guys.
Thinks
I
drink
too
much.
And
she
hasn’t
made
a
lot
of
friends.
(MORE)
(CONTINUED)
46
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
(2)
OWEN
ROWAN
(CONT'D)
Six
years
in
The
Ridge
and
she
hasn’t
made
a
friend.
She
just
gets
lonely...
NICK
I
don't
think
she
likes
me...
OWEN
ROWAN
She
likes
you
fine.
She
just
don’t
want
to
end
up
a
character
in
a
book...
INT.
BUICK
CITY
BAR
-
NIGHT
Nick
and
Owen
enter.
Waiting
at
a
table,
with
two
pitchers
of
beer,
Ikey
nibbles
at
a
bowl
of
nuts...
NICK
I'1l
be
there
in
a
second..
For
he
sees
Aubrey
and
Ian,
from
the
seminar,
at
the
bar.
AUBREY
Hey.
I
don’t
think
you
and
Ian
have
been
formally
introduced.
as
close
to
the
next-big-thing
at
D.C.
as
there
is.
His
stuff
is
straight
stoops...
Ian
blushes.
He’'s
a
bit
star-struck...
IAN
Not
really.
But
"TURTLE"
really
made
me
see...
What
could
be
done.
NICK
Cool.
AUBREY
(to
Ian)
Do
you
want
me
to
leave
your
lips
and
Mr.
Garrett's
sphincter
some
alone
time?
Ian
frowns.
But
then
Leslie
Etwood
and
Geoffrey
Treadwill,
from
Dufresne,
pass
by,
on
their
way
out...
LESLIE
ETWOOD
Nicholson.
May
I
have
a
word...
?
And
Nick
follows
them
over
to
one
side
of
the
bar...
LESLIE
ETWOOD
I
just
wanted
to
reiterate
how
greatly
honored
we
would
if
you
would
even
consider
coming
on
in
a
more
permanent
position...
?
NICK
Perhaps
you
weren’t
apprised,
sir,
of
my
performance
this
afternoon...
?
(CONTINUED)
47
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
GEOFFREY
TREADWILL
Yes,
we
heard.
And
I
asked
Leslie
how
he
thinks
one
can
effectively
inculcate
young
minds
when
gripped
with
the
dry-
heaves...
A
smug
smirk
in
Nick’s
direction...
But:
LESLIE
ETWOOD
A
momentary
lapse.
Why,
the
first
time
I
was
in
front
of
a
classroom?
The
nastiest
rash
you
ever
did
see.
Hives.
Big
ones.
But,
soon
after
that,
the
concept
of
not
standing
in
front
of
a
classroom
would
cause
me
to
break-out...
He
smiles.
Nick
looks
at
Treadwill,
who
is
shaking
his
head,
doughy
features
cleaved
with
threat.
To
Etwood:
NICK
Well,
it’s
very
flattering,
sir...
LESLIE
ETWOOD
Just
something
to
noodle
on.
So
long
now..
.
Etwood
shakes
Nick’s
hand.
And
they
are
gone,
Treadwill
glaring
ominously
at
Nick
as
they
leave...
Nick
returns
to
where
Aubrey
and
Ian
stand
at
the
bar...
AUBREY
What
was
that
about?
Professor
Treadwill
looked
like
he
wanted
to
tear
out
your
throat
with
his
teeth...
NICK
I
think
the
implication:
"this
town
ain't
big
enough
for
the
both
us"...
And
then,
as
if
on
cue,
Eddie
enters
the
bar.
And
Nick
sees
him.
And
Eddie
sees
Nick.
And
they
LOCK
EYES.
Eddie
doesn't
look
happy.
Not
at
all...
END
OF
ACT
FIVE
48
01/26/2006
"October
Road"
-
Network
Draft
ACT
SIX
INT.
BUICK
CITY
BAR
-
NIGHT
Eddie
and
Nick.
Still
looking
at
each
other
across
the
bar.
Nick
nods,
tries
a
smile...
Ian
is
still
at
Nick’s
side:
IAN
Can
I
ask
you
-
did
you
intend
a
deeper
allegorical
nihilism
when
you
set
the
last
chapter
at
the
Empire
State
Building?
Cos
I
saw
it
as:
The
Towers
have
crumbled,
sure,
but
there
is
still
a
higher
ground
that
can
be
ascended
to?
Eddie's
eyes
tick
to
Ian,
making
him
for
a
college
kid...
And
Eddie
goes
to
Ikey'’s
table.
Nick,
turns
back
to
Ian...
NICK
A
lot
of
people
read
it
that
way.
I
just
thought
it
was
a
manifestation
of
his
larger
issue.
Which
was:
how
do
you
reconcile
the
past
with
the
present,
when
you
don’t
feel
comfortable
in
either?
I
don’t
normally
go
for
big
fancy
themes.
But
it’s
important
to
have
just
enough
of
one,
to
sink
your
teeth
into,
you
know?
Ian
nods,
as
if
this
never
occurred
to
him.
Aubrey
grins:
AUBREY
See
now,
that
look
on
his
face?
1I'd
say
you’d
call
that:
inspired.
Maybe
you
do
have
a
knack
for
this
thing,
Mr.
Garrett?
Nick
nods...
Smiles...
Then:
NICK
Excuse
me,
guys...
Nick
heads
towards
his
friends,
taking
a
chair
at
the
table.
NICK
Long
time,
Eddie...
It’s
an
awkward
moment...
Nobody'’s
sure
how
Eddie’s
going
to
respond.
But
Eddie
merely
ignores
Nick
entirely...
Beat...
Ikey
tries
to
break
the
tension
with:
IKEY
Check
it:
Janet
The
Planet.
I
mean,
at
what
point
does
she
just
give
up
the
fight?
And
go,
like,
bacon-burger
1,
Janet
The
Planet,
0...
?
A
round
of
laughs
from
everyone,
save
for
Eddie...
(CONTINUED)
49
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
EDDIE
You
shouldn’t
go
and
disparage
the
people
of
The
Ridge
like
that.
It's
not
good...
And
he
says
this,
eye-fucking
Nick
like
you
read
about...
IKEY
And
you
shouldn't
go
using
words
like
"disparage",
Edward.
Makes
us
think
maybe
super-smart
aliens
swapped
bodies
with
you...
EDDIE
What
do
you
even
know
about
Janet?
She
may
be
the
coolest
person
in
here.
But
you'’ll
never
find
out.
Cos
you’re
too
busy
judging
from
the
outside.
Instead
of
finding
out
what’s
on
the
inside...
A
quiet,
sobering
beat
as
they
all
process
this
wisdom...
IKEY
Maybe
you’re
right.
Maybe
we
should
find
out
what’s
on
the
inside...
(beat)
My
guess
1s
cake.
Lots
of
cake.
And
everybody
laughs
-
including
Eddie,
though
it’s
clear
he’s
covering.
He
rises
from
the
table...
EDDIE
I'm
gonna
grab
some
shots.
OWEN
I
gotta
hang
a
rodent...
After
they're
gone,
Ikey
turns
to
Nick...
IKEY
That's
wasn't
too
bad.
Maybe
he
ain't
still
so
creased...
Nick
shrugs...
Beat...
Then,
Ikey
looks
at
him,
his
mood
suddenly
grave...
IKEY
(CONT'D)
There’s
something
I
gotta
drop
on
you,
Nicky.
I
hate
doing
this,
but...
I
gotta
tell
someone.
I'm
busting
out...
NICK
What
is
it...
?
IKEY
You
meet
Liz
yet...
?
(CONTINUED)
50
01/26/2006
CONTINUED:
Ikey
nods.
"October
Road"
(2)
NICK
Owen's
wife?
..
Long
beat...
NICK
(CONT'D)
What
about
her...
?
IKEY
I
had
sex
with
her.
NICK
What
--
?
IKEY
Ducky
Lowe
had
a
thing.
got
boomered
and
passed-out.
mad.
I
gave
her
a
ride.
NICK
Ikey...
IKEY
It
was
a
one-shot
thing.
But..
happen
again.
NICK
But
what...
?
IKEY
A
party.
Owen
She
got
And
it
just...
It’ll
never
It
was
the
most
intense
experience
I've
ever
had.
I
know
I
can’t
go
back.
And
that’s
the
gong.
I
might’ve
shared
the
most
intense
moment
of
my
life.
With
someone
I
can
never
be
with
again.
I
don’t
know
where
to
go
from
here.
My
head's
just
full
of
her...
NICK
Why
am
I
hearing
this
--
?
IKEY
I
dunno.
Cos
you're
leaving
town
tomorrow?
And
we
probably
won’t
see
you
again
for
another
ten
years?
And
I
had
to
tell
someone.
guts.
NICK
Well,
let
it
go,
Ikey.
They
got
a
family.
IKEY
And
what
do
I
got?
NICK
Cos
it's
gnawing
at
my
And
won't
let
go...
Let
it
A
life...
go
now.
He's
your
best
friend,
man...
-
Network
Draft
(CONTINUED)
51
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
(3)
They
see
Owen
heading
back.
On
his
way,
Owen
scoops
up
a
BOWL
OF
NUTS
from
an
empty
table,
presenting
them
to
Ikey...
OWEN
Score
for
you,
buddy.
(to
Nick)
Eichorn
likes
nuts
more
than
most
squirrels
do,
Nicky...
Nick
and
Ikey
exchange
a
look.
Ikey
offers
Nick
the
bowl:
IKEY
Want
some
--
?
Nick
shakes
his
head...
OWEN
ROWAN
Don’t
you
remember,
Ikey?
(in
self-important
voice)
“All
of
the
Garrett
men
suffer
from
nut
allergies...
“
IKEY
Oh,
yeah...
How
could
I
forget...
?
But
the
moment
is
interrupted.
By
the
loud
CRASH
of
a
bar
stool
knocked
to
the
floor...
At
the
bar,
Eddie
slams
down
a
double
shot.
He
plunks
down
the
glass
next
to
three
others.
And
gets
right
up
in
Ian’s
face.
1Ian,
petrified,
takes
two
steps
backwards...
IAN
I'm
sorry...
What
did
I
do
--
?
And
Nick
steps
between
Eddie
and
Ian...
NICK
Eddie,
come
on.
Forget
it.
Let’s
go
back
to
the
table...
But
this
only
seems
to
fuel
Eddie’s
ire...
EDDIE
Is
that
right?
Is
this
who
you
are
now?
Defender
Of
The
Doofs?
Eddie’s
outburst
has
captured
the
attention
of
everyone
in
the
place,
including
Aubrey
and
Janet
the
Planet...
NICK
I
know
I
got
a
lot
to
set
right
with
you,
Eddie...
EDDIE
Don't
know
what
you're
talking
about...
(CONTINUED)
52
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
(4)
Eddie
downs
the
last
shot
off
the
bar.
The
booze
clearly
pushing
him
into
a
full-fledged
frenzy...
EDDIE
(CONT'D)
...
Nicholson.
But
what
I
do
know
is:
in
your
big
triumphant
return,
you
seem
to
have
forgotten
which
side
of
The
Road
you
belong
on.
Well,
I'm
gonna
remind
you
how
we
roll
here
in
The
Ridge...
It
ain't
much.
But
it's
tight...
He
grabs
a
fistful
of
Ian's
collar
and
SLAMS
him
against
the
bar.
Nick
tries
to
intervene,
but
Eddie
shoves
him
away.
He
won’t
be
stopped.
He
tosses
Ian
back
and
forth...
Aubrey
gets
in
between
them.
And
Eddie
pushes
her
aside.
NICK
Eddie!
Stop!
Eddie
looks
at
him,
blood
in
his
eyes.
EDDIE
No.
No,
Nicky.
I
won't.
And
Eddie
cocks
his
arm
back.
Ready
to
pulverize.
cherubic
face
in
the
cross-hairs
of
that
big,
gnarled
fist.
And
then,
improbably,
Ian
winds
up.
And
swings
a
wild
right
hook
into
Eddie
nose...
And,
before
any
of
them/us
can
process
how
unlikely
this
is:
Eddie
goes
down
hard.
And
we
HIT
THE
BLACK...
EXT.
BUICK
CITY
BAR
-
NIGHT
Two
SQUAD
CARS
bounce
BLUE
and
RED
lights
over
the
scene.
Seated
on
the
curb,
Eddie,
fully
tanked,
holds
an
ice
pack
to
his
chin...
Janet
The
Planet
brings
him
out
a
fresh
one...
Nearby,
Nick
talks
with
a
YOUNG
COP,
26...
NICK
It
was
a
friendly
misunderstanding
that
got
out
of
hand...
YOUNG
COP
Just
get
him
home,
okay?
I
don't
have
any
need
to
take
Eddie
Latekka
in.
He
was
real
cool
when
I
made
varsity.
He
was
QB
my
sophomore
year.
Threw
me
the
ball
a
lot...
Nick
sees
Aubrey
and
Ian.
She
waves.
He
waves
back...
INT.
EDDIE'S
TRUCK
-
MOVING
-
NIGHT
Nick
is
behind
the
wheel.
Eddie
is
close
to
passed-out
in
the
passenger
seat.
Nick
looks
at
him,
considering...
Then:
(CONTINUED)
53
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
NICK
I
really
am
sorry,
Eddie.
I
never
thought
anybody
would
get
torn
up
in
the
process,
especially
you.
But
I
made
a
promise.
A
promise
I
never
told
you
-
or
anyone
else
-
about.
And,
as
the
remnants
of
this
promise
flood
through
Nick,
he
tries
to
put
it
into
words...
NICK
(CONT'D)
Right
before
Ma
died.
She
called
me
into
her
room...
And
I
remember
walking
in.
She
looked
so
helpless.
And
she
was
not
a
helpless
lady.
She
was
tough.
Remember
that
time
she
beat
your
ass
for
selling
Ronny
those
firecrackers?
Nothing
from
Eddie...
NICK
(CONT'D)
But
now
she
was
scared.
As
if
she
could
see
The
Reaper,
scythe
in
hand,
slowly
backing
her
into
a
corner.
She
actually
told
me
she
could
see
him.
And
that
he
looked
like
Wilford
Brimley...
Which
is
both
creepy
and
reassuring
at
the
same
time,
you
know
--
?
Nick
smiles
at
the
memory...
NICK
(CONT'D)
That’s
when
she
made
me
promise.
That
I
wouldn’t
spend
the
rest
of
my
life
in
The
Ridge.
I
wouldn’t
give
up
on
dreams
of
becoming
more.
She
did.
She
sacrificed.
For
me
and
Ronny.
And
The
Commander.
She
wanted
to
be
a
sculptor.
She
wasn't
very
good.
She
knew
that.
But
still...
(beat)
So
I
went.
From
city
to
city.
Bumming
around
Europe
for
years.
Working
every
crap
job
I
could
find.
And
then
one
day,
I
woke-up
in
New
York
City.
And
six
years
have
passed.
And
I
didn’t
have
a
nickel.
So
I
just
started
writing.
Cos
I
didn’t
have
anything
else
to
do.
Or
anyplace
else
to
go...
Not
sure
why
I
never
told
you
about
it
-
the
promise
I
made.
But
I
guess,
at
the
time,
we
were
just
too...
Young.
He
shakes
his
head...
(CONTINUED)
54
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
(2)
NICK
(CONT'D)
You
got
every
right
to
stay
creased.
Doors,
floors
and
windows
would
have
been
something.
But
I
couldn’t
break
the
promise,
Eddie.
I
just
couldn't.
And
once
I
started
running,
it
was
easier
to
just
keep
going...
Easier
to
just
not
deal
with
what
was
left
behind:
this
place.
My
father
and
Ronny.
Even
you
guys
and
Hannah.
None
of
it
seemed
real
anymore.
With
Ma
gone...
What
was
left
behind
was
just
a
grim
reminder...
Of
all
that
was
lost...
(beat)
Any
of
this
make
sense?
Nick
looks
over
to
Eddie.
But
Eddie’s
been
out
cold
for
most
of
this.
But
in
his
own
weird
way,
okay
with
that.
And
then
Eddie
comes
to...
For:
EDDIE
Did
that
midget
lay
me
out?
NICK
Sure
did.
Eddie
just
shakes
his
head...
And,
as
quickly
as
he
came
to,
he’s
back
out.
Nick
continues
the
drive
in
silence...
INT.
EDDIE
AND
PHYSICAL
PHIL’S
HOUSE
-
EDDIE’'S
ROOM
-
NIGHT
Nick
hauls
the
semi-conscious
Eddie
to
his
bed
and
plops
him
down.
Eddie
looks
up
at
Nick...
Then:
EDDIE
I
really
missed
you,
man...
Nick
nods,
touched.
Eddie
falls
back
into
his
slumber,
as
Nick
lets
those
words
wash
over
him,
penetrating
him
deeply.
Sensing
something,
Nick
turns
to
find
Physical
Phil,
leaning
in
the
doorway,
like
a
wraith,
in
the
dim
light.
Physical
Phil
grins.
He
heard
Eddie.
He
winks.
And
then,
he
is
gone,
as
quickly
as
he
appeared...
Nick
smiles.
Nods.
And
throws
a
comforter
over
Eddie.
NICK
G'night,
buddy...
Nick
throws
the
comforter
over
Eddie
and
starts
out.
But
he
stops,
as
Eddie
stirs
to
finish
his
thought:
EDDIE
...
But
I
can
never,
never-ever,
be
your
friend
again...
(CONTINUED)
55
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
Nick
stares
at
him.
But
Eddie
is
back
asleep.
Off
the
deeper
implications,
we
PRE-LAP
The
Vines's
"HOMESICK"...
EXT.
EDDIE
AND
PHYSICAL
PHIL'S
HOUSE
-
DAWN
Nick
makes
his
way
toward
the
rental
car
he
left
parked
here.
INT.
NICK’'S
RENTAL
CAR
-
MOVING
-
DAWN
The
Vines
play
through.
As
Nick
drives
around
Knight's
Ridge,
taking
in
the
sights.
The
birth
of
a
new
day:
-
The
Donut
Shop.
Where
The
Commander
and
Ikey
are
starting
their
day,
seated
at
separate
tables
with
their
newspapers...
-
Hannah's
house.
Where
Ray
Cataldo
comes
out,
mossy
with
sleep,
heading
for
his
truck...
He
glares
at
Nick,
as
he
drives
on
by...
-
Buick
City
Bar.
Closed-up
tight...
-
CONSTRUCTION
SITES.
And
their
“CATALDO
BUILDERS”
signs...
-
Owen's
house.
The
lawn
littered
with
the
kids'
toys...
-
The
HIGH
SCHOOL,
where
the
VARSITY
FOOTBALL
SQUAD
is
taking
the
field
for
morning
practice...
And
then
he
sees
Sam,
pedaling
his
BMX,
tossing
PAPERS
from
house
to
house...
Nick
toots
his
horn...
Sam
rides
up
to
him...
MUSIC
DOWN
FOR:
NICK
A
paper
route?
SAM
Ma
feels
it’s
good
for
me.
Crack
of
dawn,
fresh
air,
current
events.
Character-building
stuff.
What
are
you
doing
up
this
early?
NICK
Same
thing.
Trying
to
build
some
character.
What
do
you
think
of
your
Mom'’s
boyfriend...
?
SAM
Big
Cat?
He's
okay,
I
guess.
Although
sometimes
I
think
he’s
trying
to
murder
me...
Nick’s
look
--
SAM
(CONT’D)
He
makes
my
lunches.
Which
is
nice,
I
suppose.
But
he
forgets...
(CONTINUED)
56
01/26/2006
"October
Road"
-
Network
Draft
CONTINUED:
And
Sam
takes
a
brown
paper
bag
from
his
newsboy
satchel.
He
removes
a
small
foil-wrapped
sandwich...
SAM
(CONT'D)
Yep.
He
did
it
again...
NICK
Did
what?
SAM
Made
me
a
peanut
butter
and
jelly
sandwich.
Only...
I've
got
a
peanut
allergy.
One
bite
of
this
puppy...
And
I'm
toast...
And
the
color
drains
from
Nick’s
face...
He
looks
visibly
shaken...
Sam
clocks
it:
SAM
(CONT'D)
You
okay
--
?
NICK
Yeah.
Sure.
Fine.
Sam
offers
him
the
sandwich...
SAM
You
want
this?
NICK
No...
I...
Uh....
Don’t
like
jelly...
Sam
frowns
at
Nick’s
obvious
discomfit...
SAM
Okay.
Well.
See
ya
around
--
And
he
pedals
off...
Leaving
Nick,
completely
freaked...
NICK
Yeah.
See
ya
around...
As
The
Vines
FADE
BACK
UP...
Nick
puts
the
car
in
gear...
He
turns
onto
October
Road...
There,
facing
Dufresne
College,
he
pulls
to
the
shoulder
and
climbs
out
of
the
car.
EXT.
OCTOBER
ROAD
-
DAWN
Nick
flips
open
his
cell
phone
and
dials...
INT.
BUNGALOW
8
-
MANHATTAN
-
DAWN
The
Vampire
Shift.
Stratton
chats-up
TWO
ENTHUSIASTIC
PARTY-
GIRLS.
Next
to
him,
on
the
plush
booth
bench,
his
cell
phone
VIBRATES...
But
Stratton
doesn’t
take
notice...
57
01/26/2006
"October
Road"
-
Network
Draft
EXT.
OCTOBER
ROAD
-
DAWN
We
hear
Stratton’s
voice
mail
message
pick
up:
“You
got
Stratton.
Leave
your
peep
at
the
beep.”
NICK
Frenzy
Boy,
it's
me.
I,
uh...
I
think
I'm
gonna
hang
in
The
Ridge
for
a
while...
They
offered
me
a
permanent
position
to
teach
out
the
rest
of
the
semester...
I
think
I'm
gonna
take
it.
Please
don’t
say
anything
to
Taylor.
like
to
tell
her
myself...
(beat)
It’s
just
that
there’s
a
lot
here
I'm
not
ready
to
walk
away
from
a
second
time...
And,
from
up
here,
he
can
make
out
the
vague
figure
of
Sam,
down
below,
on
his
bike,
tossing
papers...
Nick
smiles...
NICK
(CONT'D)
Way
I
see
it:
this
thing
is
in
diapers...
Nick
snaps
the
phone
shut.
As
Crowded
House's
"WEATHER
WITH
YOU"
starts
up
on
track.
And
Nick
considers
his
choice.
But
then
Munch
Keegan,
the
enormous
handyman,
comes
walking
down
the
road,
swinging
his
lunch
cooler,
on
his
way
to
work.
As
he
approaches,
MUSIC
DOWN
FOR:
MUNCH
Morning,
Nick...
EDDIE
Morning,
Munch.
MUNCH
I
guess
this
is
goodbye...
?
Nick
just
looks
at
him.
NICK
Not
so
much.
The
MUSIC
SWELLS
(
"Everywhere
you
go
/
Always
take
the
weather...
").
And,
as
we
CRANE
UP,
soaring
high
above
October
Road
-
Dufresne
College
and
Knight’s
Ridge
facing-off
on
either
side
of
it,
like
punch-drunk
pugilists
determined
to
go
down
swinging
-
we
know
we
are
at...
THE
END
Or
rather...
THE
BEGINNING.
58
Script
↓ Download PDF
Sign in to save passages and join discussions.
No saved passages yet.
Highlight text in the script to save a passage.
Highlight text in the script then click ✎ Discuss to start a discussion anchored to that passage.
How to use the Script Reader
▌
Select any text
Highlight a line or passage — a gold bar appears with options to save or discuss it.
✦
My Passages
Your saved lines live in the panel. Click ↗ Page to jump straight back to where it appears in the script.
✎
Discussions
Select text then hit Discuss to post a quote-anchored thread visible to the Episode One community.
↓
Download
Grab the full PDF anytime from the top right.