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UNTITLED TINA FEY PROJECT Pilot by Tina Fey Broadway Video Television Januaxry 24, 2005
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COLD OPEN EXT. H& H BAGELS, BROADWAY -LATE MORNING LISA LEMON, 34, walks up to the bagel store, reading the paper, wearing her ipod. Two Upper West Side moms chat, blocking the entrance with their enormous double strollers. MOM 1 I nursed Zach til he was 22 months... LISA Excuse me... MOM 2 Weren’t you worried about nipple confusion? LISA Excuse me... MOM 1 No. He went right from my breast to a sippy cup. LISA That happened to me once. Can I get by? They still don’t hear her. MOM 2 What about silicone nipple shields? ‘Lisa has no choice but to back up a few steps and take a running jump over the children and into the bagel place. The moms are appalled. MOM 1 If you had kids, you would not be laughing! INT. H&H BAGELS, NEW YORK - MOMENTS LATER Lisa waits in a long line leading to two registers. A GUY on a cell phone enters. He ignores the line and goes up to the other register. LISA Whoa, whoa. Excuse me. There’s a line, buddy.
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The guy points to where he’s standing. GUY There’s two lines. LISA No, what? No. There’s one line, we’re in it. GUY I don’t think so. The guy goes back to talking on his cell phone. He holds his fingexr up to the counter girl to wait. LISA You don’t think so? You think there’s two lines and we all chose to be in this one and you’re the only genius who got in the other line? (looks to others) Do you believe this guy? The other people just shrug and avert their eyes. The back half of the line goes and lines up behind the guy. LISA (CONT‘D) What are you doing?! He screws you over and now you’‘re lining up behind him? The strollexr moms join the back of his line. They stare Lisa down. LISA (CONT'D) Will not one of you stand with me?! GUY Hey, shut up-- (into his phone) What kind do you want? Shut up?!! Lisa is now at the front of her line, boiling mad. COUNTER GIRL Can I help you? LISA Yeah, I‘11l take everything. I want every bagel in this place. (to everyone) I'm buying all the bagels.
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Lisa hands her a credit card. The cell phone guy rolls his eyes. ALL What?! Come on, lady. Boo! Etc... LISA It’s for the good of EXT. BROADWAY. - MOMENTS LATER Skool” opening credit sequence to music in the style of “My Red Letter Day” from The Ziegfeld Follies. A beaming Lisa passes out bagels to everyone she sees. Some people are grateful. Most are mistrustful and throw them away as soon as she passes. She heads through town and ends up at 30 ROCKEFELLER PLAZA! ACT ONE INT. NBC STUDIOS, NEW YORK - DAY The studio's homebase set. Workmen are polishing a big sign that reads, "Friday Night Bits with Jenna DeCarlo." Pull back through the picture window to where KENNETH a bright and chirpy (Clay Aiken type) NBC page is giving a tour. He stands next to a life-size standee of impish comedian Jenna DeCarlo. ' KENNETH And this is the set of the "Friday Night Bits with Jenna DeCarlo." {(points to standee) It's a real funny ladies’ comedy show for ladies. TQURIST What time is it on? KENNETH Fridays at 10. But, seriously, sir, it's just for ladies. Candy quiz! Can anybody name other shows that only ladies like? TOURIST Desperate Housewives?
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KENNETH Yes. Kenneth throws the guy a piece of candy. TOURIST 2 "Sex in The City?" KENNETH No. {throws candy) I'm sorry, it’s Sex and the City. I cannot accept that. Kenneth does not throw the guy candy. The elevator doors open and Lisa comes out, carrying one small bag of bagels. KENNETH (CONT'D) Hey, everybody, here's someone you'd never get to meet. This is the head- writer of Friday Night Bits, Lisa Lemon. Kenneth claps. The tour group stares Lisa smiles embarrassedly and waves. LISA Hi. Beat. A fat kid in the front burps. INT. STUDIO Lisa runs into PETE HORNBERGER, 43, her friend and longtime producer. PETE What's up? Have you looked at that “Judgemental Baby” sketch? Cause it’s still seven minutes long. LISA Yikes, okay. Hey, you gotta tell that NBC page to take it down a notch. PETE Who Kenneth? LISA He just embarrassed me in front of a whole tour group.
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PETE I'11 talk to him. (notices bagels) What’s this? LISA (smiles) I was in the bagel store and this guy comes in-- INT. WRITERS' ROOM - A FEW MINUTES LATER At a large conference table, TOOFER, 25, an African- American Harvard guy writer and FRANK, 27, a heavyset writer with long Top hair and glasses, read the papers. In the corner, SARIE, a gorgeous 22 year old assistant (of the spray-tanned platinum-haired Hilton variety) answers the phone. SARIE Friday Night Bits. Okay, hold on, I'll connect you. She somehow looks sexy transferring calls. Toofer and Frank stare at her. call. SARIE (CONT'D) Friday Night Bits. Our fax numbex? Sarie kneels backwards on her chair to look at the fax machine, a lower back tattoo is revealed. - Toofer gives Frank $5 (clearly, they had a bet.) Lisa enters, finishing her story to Pete. LISA And I was like, “Give me all the bagels, dammit!” PETE (takes bagel) Wow. That is the longest stroy I‘ve ever had to listen to to get a free bagel. Pete continues down the hall. Toofer complains to Lisa immediately.
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TOOFER Chumley, you have got to talk to someone upstairs about getting us a stock of beverages. LISA Good morning. TOOFER I mean, surely our massive conglomerate parent company could spring for a samovar of coffee. FRANK Or, like, a big coffee dispenser. TOOFER That's what a samovar is. FRANK Sorry, I wasn’t raised gay. JOSH, 23, enters. He is an adorable young comedian/cast member on “The Jenna DeCarlo Show.” JOSH Hey, who does this sound like? Josh does a flawless imitation of President Bush. JOSH (CONT’D) "My fellow Americans, the situation in Irag grows more tense each day. The insurgeons and evil-spreaders has left me no choice but to ask for a do-over.” TOOFER Martin Van Buren? FRANK Ron Jeremy? Josh is playful, unfazed by their meanness. JOSH No, it was supposed to be your mom. FRANK No. My mom’s voice is way lower.
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TOOFER (to Lisa) Dude, can we at least send out coffee? LISA Yeah, but I’'m not treating. I just spent $600 on bagels. Wanna know why? NO ONE BITES. ALL Nah... no thanks... etc. LISA Sarie, can we order some coffeeg? SARIE (laying on the couch) Yeah. I'll have a soy latte. Sarie goes back to her magazine. Lisa looks at her for a beat, then writes down the coffee order herself. LISA Sarie, soy latte. Josh? JOSH Large oreo brownie mochaccino, please. With whipped cream. LISA 23. Must be nice. Toofer? TOOFER Short non-fat Ethiopian Yergacheffe. FRANK That’s what you are, isn’t it? TOOFER {ignores him) And if they don't have that blend then, please, just a steamed milk with a skoche of Amarretto syrup. LISA You really are gross. Toofer smiles and tips an imaginary hat. Frank? LISA (CONT'D)
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FRANK A hamburger. LISA That's not... FRANK What? 1It's the same price. LISA Fine. INT. HALLWAY - LATER Pete gently reprimanding Kenneth the page. PETE --and you probably don't need to introduce the writers to the tour group. KENNETH I agree. I thought they would find it interesting, but they really did not. I took them downstairs and showed them Debra Norville's private toilet-- INT. OUTSIDE THE DOOR OF DEBRA NORVILLE'S PRIVATE TOILET. Kenneth addresses a large tour group outside her bathroom. KENNETH ...to be used by no one but her. Loud embarrassing toilet sounds emanate from within. KENNETH (CONT'D) Oops! CUT BACK TO: INT. HALLWAY PETE Yeah, it's been my experience, Kenneth, that people do best with as little information as possible. (MORE) CUT TO:
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(CONT' D) If you pass a celebrity with the tour group, just respect their privacy. KENNETH I don't know. Conan O'Brien gets real mad if T don't make a big fuss over him. PETE Okay, well, feel it out. Make eye contact with the person. Try to read their facial expression. Do they want the attention? KENNETH I promise I'll get it right, Mr. Hornberger. PETE I'm sure you will. KENNETH (tearing up) I just love television so much. PETE We all do. INT. WRITER'S ROOM. - A LITTLE LATER Lisa and the writers are sitting around the table rewriting a sketch. But Lisa has stopped to tell them her bagel story. LISA And I was, like, “Screw you! I’'m buying all the bagels!” The boys are not impressed or interested. FRANK That's great. You should make that into a movie for the Lifetime Network. TOOFER the Bagels: The Lisa Lemon Story.” LISA Starring Linda Hunt. Okay, where were we? Frank reads a part aloud.
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. FRANK Bottom of 4. “Hey, kids, who wants a big bowl of LISA I don't like "Flakey-o's." What's a better fake cereal name? FRANK Oat Bung? TOOFER Chocolate Log Jam. LISA Cornholes? FRANK Sugar Cornholes. TOOFER Frosted mini-guns. LISA. Meat Puffs? TOOFER Kashi Go Poo. Pete enters. Phone rings. Sarie answers it. LISA Pete. Fake cereal name. PETE Branfuckers. [bleeped] LISA We have a winner. SARIE Pete, they want you and Lisa on the 50th floor. PETE Who, Gary? TOOFER Get him to pay for my Samovar. LISA I'11l get it. 1I'll get it xight now. I'm still fired up from my bagel incident. 10.
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Josh is passing through. JOSH (to Frank) What bagel incident? FRANK If you ask her, I will stab you. LISA What do we want? TOOFER A coffee maker, coffee, and an array of milks. FRANK Three cases of name-brand soda a day. SARIE Cable tv. TOOFER A snack basket. JOSH Custom made Nikes with the name of the show on the tongue and our initials on the heel. LISA Josh, bend it, don‘t break it. INT. ELEVATOR BANK - CONTINUOUS Pete and Lisa wait for the elevator. LISA Gary will give us all this, right? PETE Of course he will. He’s the nicest man in the world. Remember when he found that baby bird in the park? CUT TO:
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12. INT. GARY'S OFFICE - THE PAST C.U. of Gary Luderman, 50, a square-looking corporate guy in a suit. He is intently feeding a baby bird with an eye dropper. GARY LUDERMAN Hey, fella. Hey, fella. (smiles up to the camera) I'm gonna name him Fella. CUT BACK TO: INT. HALLWAY OUTSIDE GARY'S OFFICE. LISA (sings) Gary Luderman is the nicest man in the wooorld! They turn the corner into... INT. EXECUTIVE OFFICE - DAY The whole place is under noisy renovation. Workmen everywhere. Pete and Lisa step in to see JACK DONAGHY, 45, handsome and impeccably dressed, kicks his way into the room through a partially ripped out wall. LISA Where's Gary? JACK Gary's dead. I'm Jack Donaghy. New VP of development for NBC/GE/Universal/Vivendi/Kmart. PETE We own Kmart now? JACK No, we don't. So why are you dressed like we do? Pete and Lisa lock at their overly casual work clothes.
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INT. WRITER'S ROOM. - SAME TIME Josh, Toofer and Frank are working. Sarie answers the phone. SARIE Friday Night Bits. (beat) This is Sarie. {(exasperated) Mommy, why are you calling me? JOSH (to Toofer) Are you guys just staring at the new receptionist or are you actually trying to levitate her with your minds? TOOFER Shhh, I have to hear this. They eavesdrop on Sarie. SARIE Of course I showed up for work. You don't have to, like, check on me all the time. (quietly) I took the helicopter. FRANK (to Josh) Her parents are some rich famous big shots and they got her this job because they want her to learn the value of work. Sarie takes out her gum, folds it in a dollar bill and throws it out. JOSH Who are her parents? FRANK She won't say. TOOFER She says it would affect the way we treat her. JOSH No, I would still txry to make out with her. 13.
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14. FRANK She doesn’t do it for me. My perfect woman is a standard size 12, still in her waitress uniform, with her kid asleep in the next room. The other two nod in reluctant agreement. That is kind of hot. INT. HALLWAY - SAME TIME Kenneth is giving another tour. KENNETH Rockefeller Center was built in the 1930’s by--anyone? TOURIST The Rockefellers? Kenneth throws the guy a piece of candy. KENNETH Correct. Studio 8E was constructed in 1951 for a show called “The Vicks Vap-o- Rub Fun Hour.” In the 1970’'s it was used for a talk show by a gentleman named Phil Donahoo. And now it’s home to the Jenna DeCarlo-- Kenneth sees JENNA DECARLO come off the elevator. He tries to assess her mood. She takes off her sunglasses and looks at Kenneth. She has a crazy wide-eyed expression that means, "Don't bother me." But her face is so animated and friendly that Kenneth can't "read" it. Kenneth smiles at Jenna. Jenna smiles/grimaces back. There is a back and forth moment of panic between Kenneth and Jenna as they try to interpret each others' expressions. Then, one of the tour group recognizes her-- TOURIST 6 Hey, that's Jenna DeCarlo! OTHERS Ooh, Jenna DeCarlo! Jenna! Etc.
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15. Flashbulbs. looks hung-over and disheveled. The exact opposite of her picture on the standee behind her. She can't help but blurt out her thoughts to the crowd. JENNA Hi, let me explain that I'm really hung over right now and that's why I loock like this. But I'm not normally hung over on a Wednesday. I tried a new tapas restaurant in my neighborhood last night and the waiter recognized me so he kept giving me free mojitos-- which doesn't happen all the time, I'm not like, some gross famous person-- but he kept bringing them and I don't usually drink hard liquor cause I'm really small and I can get drunk so easily-- (she starts to giggle with embarrassment) I mean, I don't get drunk frequently. She grabs the arm of a tourist for emphasis. JENNA (CONT'D) I'm just saying that if I look a little green there are extemuating circumstances. Jenna exits around a corner. Beat. KENNETH How about that? Jenna DeCarlo, every-- Jenna comes back around. JENNA But I don't want people to think I'm not friendly. I'm just nauseous and I have stomach issues-- The group nods politely. JENNA (CONT'D) Okay. She starts to exit. JENNA (CONT'D) Forget I said "stomach issues." Okay. Bye.
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16. INT. JACK'S OFFICE - A FEW MINUTES LATER Pete and Lisa sit gingerly on the edge of the couch. Workmen work behind them. Jack sits at his desk which has a lot of exposed wires hanging over it. Nearby we see the legs of a workman on a ladder. PETE I'm surprigsed you're renovating. This is such a nice office. JACK It’s a great office. But sometimes you have to change things that are perfectly good just to make them your own. Pete and Lisa lock a little worried. Jack's nerdy MALE ASSISTANT appears and hands Jack a note written on a post-it. JACK (CONT'D) I'1ll call her back. Is she at the White House number? Assistant nods. He hands him another post-it. JACK (CONT'D) Tell them I need a 4 a.m. tee time. He hands him another post-it. JACK (CONT'D) About five inches, but it's thick. Pete and Lisa look at each other. As he exits, the assistant gets a little shock to the head from a dangling wire and flinches slightly. Jack turns his attention to Pete and Lisa. JACK (CONT'D) Are you familiar with the award-winning GE Tri-vection oven? LISA I don't cook very much.
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17. JACK Sure. I got you. New York third wave feminist. College-educated. Single and pretending to be happy about it. Over- scheduled, under-sexed. You buy any magazine that says "healthy body image" on the cover, but your kitchen's got nothing but Snackwells and expired yogurts. You reject traditional female roles, but every two years you take up knitting for a week. PETE (impressed) That's dead on. LISA Are you gonna guess my weight now? JACK You don‘t want me to do that. PETE That knitting thing is just uncanny. How do you do that? JACK Market research, my friend. Years and years of market research... that lead to my greatest triumph, the Tri-vection oven. PETE My wife wants one of those. The assistant reappears. Another post-it to read. JACK (to the assistant) Yes, but I'll need my kevlar vest. (back to Pete and Lisa with a smile) The Trivection oven cooks perfect food five times faster than a conventional oven, because it uses three kinds of heat: thermal technology, for consistent temperature; GE Precise Air™ convection technology, for optimal air circulation; and microwave technology, for unbelievable speed. With three kinds of heat, you can cook a turkey in 22 minutes.
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18. PETE Wow. That’s impressive. JACK The people upstairs agree. That's why they promoted me. That’s why I'm here to re-tool your show. LISA Re-tool what now? JACK I'm the new Vice President of East Coast Television and Microwave Oven Programming. LISA That sounds like you program microwave ovens. JACK (to his asst.) See, I told you that was imprecise. Make it "Vice President of East Coast Television Programming and Microwave Oven- LISA Czar? JACK I like you. You have the boldness of a much younger woman. Lisa is offended. Some sparks literally fly, from the construction behind her. PETE You know, Jack, Lisa and I have worked together on a bunch of shows over the last ten years, and I know Gary was very pleased-- JACK Pete, T've seen the show. The little gal’s good. LISA Jenna. JACK And the skits are decent, but you're missing that third kind of heat.
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19. LISA There's the kind of heat that rises from dog poop. Maybe we could use that. JACK Think about Lawrence Jordan. PETE The black guy? JACK The black movie star. I flew with him recently on a private jet to the Super - Bowl, and he was very entertaining. LISA Isn't he, um... crazy? JACK Lawrence has had his problems in the last few years. CUT TO: EXT. CALIFORNIA FREEWAY - DAY African-American comedy star LAWRENCE JORDAN, 35, runs down through traffic in nothing but tighty whities. LAWRENCE I am a jedi! I am a jedi! CUT BACK TO: INT. JACK'S OFFICE. JACK But it's important to remember that he wag never charged with any crime. not illegal to fall asleep on your neighbor's roof. PETE Nor should it be. JACK Lawrence Jordan is the "third heat." PETE 8o would he join the cast...?
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¢ N 1 X M JACK Join the cast, permanent guest host-- I'm going to meet with him this afternoon and see what he thinks-- Lisa clears a place to lay down on the coffee table. JACK (CONT'D) What are you doing? LISA Sometimes when I have these stress dreams, if I go to sleep in the dream, I come out of it. The Assistant scribbles then hands her a post-it. LISA (CONT'D) (reads) "This is not a dream." JACK Jonathan, take Pete and help him pick out a Trivection oven for his wife. PETE (pleased) Hey. LISA Wait. Lisa takes out her list. LISA (CONT’D) We also want a coffee machine, a snack basket JACK Done. Jonathan? The assistant takes her list of demands. After he and Pete exit... JACK (CONT’D} Lisa, I‘ve heard a lot of good things about you. LISA Well, a lot of that stuff I don’t do anymore. 20.
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21. JACK I just want you to know that your job is secure. You’'re gonna be essential to transforming the show. LISA No, no, no, Jack. is my friend and we like our show the way it is. It may not get the highest ratings, but we have our own little following, and I'm not going to let you come in here and turn it into some kind of-- JACK Hit? LISA Just let me talk to her before you make any concrete-- The wall behind her comes tumbling down. A chunk of drywall hits her on the head. LISA (CONT'D) Mother-effer-! She falls down. ACT TWO INT. A HAIR SALON SET A sketch from the show. Josh wears a fake moustache. Jenna is performing a crazy character with a goofy voice. JOSH Yes, I have an appointment with Louise. JENNA Glouise isn’‘t here. I‘m Bevexrgly. Recognition applause. This is a recurring character. JENNA (CONT’D) And I'1ll be your substitute hair styglist! Laughter. PULL BACK TO REVEAL:
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22. INT. WRITER’S ROOM - AFTERNOON Toofer and Frank are watching a tape of this sketch. TOOFER We should do one where “Bevergly” is a “grape” counselor. Toofer hands him a frothy cappuccino in a glass mug. Across the room, Josh is going through a large snack basket. JOSH Just tell me who your parents are. SARIE No. You couldn't handle it. JOSH Okay, I'm gonna try to guess who they are from locking at your face. He studies her. JOSH (CONT'D)} Blond hair, little nose, kind of Swedish... Your mom is... Cheryl Tiegs and your dad is... {checks out her body) Stephen Hawking. Sarie punches him in the arm. JOSH (CONT'D) What? Cause you're smart! INT. HALLWAY - A LITTLE LATER Pete is talking to Kenneth again. PETE ..and Jenna DeCarlo was very upset. KENNETH I tried to read her face, but it’s so rubbery!
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INT. HALL. 23. PETE How bout this? As a rule, if you see a celebrity when you’re with the tour group, do not bother them. KENNETH Is that a guideline, or a rule? Cause I respond well to structure. PETE Let’s say it’s a rule. - SAME TIME Lisa gets off the elevator holding an ice pack to her head. She runs smack into Jemna. Lisa acts weird and awkward. LISA Hey. JENNA Hey. What happened to your head? LISA The sky is falling. Do you have a minute? JENNA No. I have a costume fitting for the “Judgemental sketch. LISA Abhh. 1I‘ll find you after. JENNA You seem upset. You seem upset. JENNA I‘m hung over. LISA (seemingly reminiscing) Remember, like, five years ago when you were still waitressing and I was temping at that law firm and we used to do improv shows for free at night?
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24. JENNA Yeah. LISA Did we hate it? JENNA Yeah. We hated it a lot. That’s what I thought. INT. WRITER’S ROOM - CONTINUOUS Lisa enters to find everyone excitedly enjoying the new high-end coffee machine, snack basket, cable tv, etc. Toofer hands her a cappuccino. TOOFER Well done, w’lady! FRANK How’d you get everything so fast? LISA What can I say? I‘m a hardass. She ducks into Pete’s office. INT. PETE'S OFFICE - CONTINUOUS He is finishing up a phone call. PETE Well, my condolences. Please let me know where we can send flowers. Okay. He hangs up. PETE (CONT‘D) Ugh, poor Gary. LISA How did he die? PETE Killed by a deer. LISA What?
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25. PETE He used to feed the deer every morning at his house upstate. And then he got an injunction from the township saying he had to stop. So he did. Two days later, he goes out to get his paper, and the deer go mad. Pete makes an accompanying hand gesture like deexr paws clawing at someone. LISA They just went mad? she mimics the same gesture. Pete nods and does it again. PETE . He stopped feeding them and they turned on him. LISA What are we gonna do? We quit, right? Do we quit? PETE Not me. My twins need braces. LISsA The older twins or the identicals? PETE All four. They've got mouths like piranhas. He'hands her a picture from his desk. LISA Ew. They do. PETE But sometimes with a thing like this, if you wait it out, it goes away on its own. LISA (still looking at the picture) No, you gotta get the braces. PETE Jack Donaghy, I'm talking about. So he meets with crazy Lawrence Jordan today. (MORE)
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26. PETE (CONT'D) Jordan'll ask for too much money or he'll show up wearing a child's swimsuit and a shower cap and Donaghy will change his mind. Nobody needs to know this ever came up. Josh enters. JOSH Oh, hey, awesome. Just the people I was looking for. I'm working on this bit about celebrities doing commercials, like- (imitates Christopher Walken perfectly) "This is Christopher Walken for Tropicana orange juice. Try the juice. 1It's very... tangy" Or, um-- (imitates Lawrence Jordan perfectly) "Yo, this is Lawrence Jordan, star of 'Black Cop/White. Cop! and when I want a good night's sleep, I sleep on my neighbor's roof. But now that I'm making a comeback, I sleep at the Best Western. Best Western. It's like sleeping on Ted Danson's roof. LISA Okay, I don't know what you've heard, but Lawrence Jordan is not joining the cast. He is not taking over for Jenna. We are not turning into The Lawrence Jordan Show. JOSH What? She realizes he didn't know any of this. LISA Nothing. PETE Nicely handled. INT. STUDIO HALLWAY - SAME TIME Kenneth is answering questions from another tour group. KENNETH Yes, Katie Couric is real tiny in person. (stage whisper) (MORE)
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27. KENNETH (CONT 'D} But her boobs are a lot bigger than you would think. The elevator doors open and LAWRENCE JORDAN, 30, enters with a small entourage, looking totally kickass. Cool music under. As they get close to the tour group, Kenneth sees Lawrence [a big movie star!] and, panicking, diverts the group's attention. KENNETH Now, if y'all look over here, you'll see a water fountaini Lawrence stops behind the group and waits for Kenneth to acknowledge him. Kenneth starts to sweat. KENNETH (CONT'D} Does anyone have any questions about it? Lawrence gives his posse a look like, "What the hell? Why isn't this guy acknowledging me?" LAWRENCE Yes, I have a question. (big smile) How do you feel, NBC Tour? Cause you like a portay! KENNETH (timidly) Lawrence Jordan, everybody. The group applauds excitedly to see Lawrence. Lawrence goes over and works the crowd. LAWRENCE (To a pregnant lady) You're beautiful, little Mama. You're doing God's work. (Talks in a "honky" voice to a middle aged white guy) Don't I know you from the insurance wmeeting? We've got to sign those papers, Reginald. The guy laughs. Lawrence goes to a skinny, sullen, white teen. Lawrence puts his arm around the kid very sincerely.
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28. LAWRENCE (CONT'D) Listen. I know being your age is hard. But don't you "put on the trench coat." You hear me? You have a problem, you call me. Don't put on that trench coat. The kid nods. LAWRENCE (CONT'D) (to everyone) Live. Life. Laugh! The group applauds. There is such a thing as "star quality.” INT. PETE'S OFFICE - SAME TIME JOSH Does Jenna know? LISA I gotta tell her before she hears it somewhere else. JOSH She's been around the block. She can handle bad news. LISA Off Lisa's look... CUT TO: INT. A DINER - THE PAST The waitress serves Jenna her breakfast. JENNA (dejected) I said wheat toast. She bursts into tears. CUT BACK TO:
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INT. PETE'S OFFICE. LIsSA gonna freak out. Toofer enters, indignant. TOOFER I will not work with Lawrence Jordan. PETE It's just a rumor. TOOFER I worked with him at the MTV awards two years ago, where he found it endlessly amusing to show me his johnson. PETE How was it? TOOFER Considerable. On one occasion, he had placed it in a foot-long hot dog bun and put mustard on it. I loathe him. Sarie stands in the doorway. SARIE He's not that bad. He rents near us in East Hampton. I saw him once at a charity polo match. PETE Did he seem crazy? SARIE No. Well... he was making out with Martha Stewart...but we‘ve all done that. They all stare at her for a beat. Y i SARIE (CONT'D} Joking. TOOFER Have you seen any of his movies? The guy's sensibility is just cretinous. LISA I saw the one where he plays, like, five different characters.
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30. TOOFER "Black Cop/White Cop" LISA No. JOSH "Who Dat Ninja?" LISA No, he was... god, they all blend together, don't they? He had to pretend to be an old lady-- TOOFER Yes, yes. He actually says the title at one point... Off their thinking... CUT TO: EXT. DOORWAY A HOUSE. - DAY A clip from one of Lawrence Jordan's movies. He is dressed as a big fat white grandma a la Mrs. Doubtfire. Unseen parties are throwing pies at him. LAWRENCE Oh, gracious goodness! You hooligans better watch out! A pie hits him. He suddenly sounds wmasculine and black. LAWRENCE (CONT'D} Cause this honky grandma be trippin! CUT BACK TO: INT. PETE'S OFFICE LISA/TOOFER (relieved to remember) *Honky Grandma Be Trippin’." JOSH Oh, yeah. That movie was hilarious. Lisa glares at him. Frank bursts in, incredulous.
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31. FRANK Is what I heard true?! PETE Noli FRANK Gary Luderman got killed by a deer?! PETE Oh yeah, by the way, everybody. Gary Luderman got killed by a deer. Before anyone can react, Jenna enters. She is in a ridiculous baby costume [over-sized diaper, pinafore, bonnet] . JENNA You guys, you have to come see this! You know that crazy actor guy from "Who Dat Ninja?" He's in our studio! hilarious! You have to see it. Jenna runs out. They all run out after her. INT. HALLWAY - DAY Every face is pressed up against the picture window of the studio. They look shocked. INT. STUDIO - SAME TIME Lawrence Jordan paces around the homebase set, preaching to the empty seats. LAWRENCE I'm back, America! I'm coming into your house. Lawrence grabs the camera and talks into the lens like Bono. LAWRENCE (CONT'D) I'm coming into your house, Americal Jack encourages him proudly from the empty seats. JACK We love you, Lawrence! Come into our homes !
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) 32. Lawrence removes his shirt. LAWRENCE I'm the third heat! I'm the third heat! JACK You're the third heat, baby! Out by the picture window, Jemma turns to Lisa, chuckling. JENNA This guy's full-tilt nuts. Am I right? Kenneth arrives with a tour group. KENNETH Here we see the set for “Friday Night (stage whisper) the industry buzz is it's being re-tooled into The Lawrence Jordan Sh-- Pete leaps over and chokes Kenneth to shut him up. The tour group gasps. Jenna turns to Lisa. JENNA What did he say? LISA Jenna, I have some news. Don't freak out. Jenna stares at her wide-eyed for a beat, then... CUT TO: EXT. 6TH AVE - A FEW MINUTES LATER Jenna, in the baby costume, running through traffic [much like Lawrence Jordan], out of her mind. JENNA I am a jedi! I am a jedi! INT. STUDIO FLOOR - A FEW MINUTES LATER Everyone’s gathered around Lawrence Jordan, he’s holding court. Lisa watches from the balcony above.
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LAWRENCE JORDAN Now at the time, me and Eddie were both talking to the same girl, ‘cept I didn’'t know she was a transexual... Everyone laughs. LISA (to herself) Will not one of you stand with me? Jack Donaghy walks over to her. LISA (CONT'D) Would you like me to review for you everything you’ve done wrong so far? You’ve hired a guy so crazy that nobody else in the world will work with him right now. You brought him in here without even talking to Jenna first, which will send her into a two-year spiral. You’re putting him in my hands, knowing I don’t want him here. You gave my greedy, insatiable writing staff every toy they asked for, which only means they will have a longer list of things they want tomorrow. Don’'t stop feeding those deer, Mr. Donaghy, or they will turn on you. JACK You’ll make it work. LISA What makes you think that? JACK Cause your friend Jemna’s got nowhere else to go. You’ll be nice to Lawrence, cause it’s not his fault. BAnd you’ll focus all your rage and hatred on me. LISA Ugh, you know what? You don’t know everything about me. She storms out of frame. Jack watches her walk away. JACK About 127 pounds. From off camera, she whips a water bottle at him. 33.
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34. She climbg down into the studio to introduce herself to Lawrence Jordan. . LISA Hi, I'm Lisa. I'm-- LAWRENCE Yes, yes. Lisa Lemon! I know who you are. He kisses her hands, dramatically. LAWRENCE (CONT’D) The very talented. Very talented. LISA Oh, well. Let’s not. LAWRENCE You’'re gonna be my Phil Spector, right? LISA How’s that? LAWRENCE You're gonna take my raw black sound and make it nice for white people’s ears. LISA Yes. And then I’m gonna kill somebody. Lawrence thinks this is hilarious. TAG INT. TAPAS RESTAURANT - EVENING Lisa, enters and approaches the maitre’d. LISA I‘'m here to pick up baby. He points to Jenna, still in the baby outfit, in a back booth, wasted. Hi, JENNA Tadeo, another mojito! LISA No, no. Come on, friend.
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J 35. Lisa struggles to help Jenna out. She stops by a couple with a baby near the door. LISA {CONT’D) Can I borrow this for five minutes? EXT. NYC STREET - EVENING Lisa pushes Jenna down the street in a stroller. JENNA I have so much rage. LISA It could be worse. You could have nipple confusion. (ouT)
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