Tiny
Pretty
Yhings
Episode
101
"Corps"
by
Michael
MacLennan
SECOND
DRAFT
January
7,
2019
FIRST
DRAFT
November
28,
2018
TNSURRECTION
MEDIA,
INC.
9696
Wilshire
Boulevard,
2nd
Floor
Beverly
Hills
CA
90212
MOJO
FILMS
2874
Colorado
Avenue
Santa
Monica
CA
90404
1
Yiny
Pretty
Yhings
101
second
Draft
pg.
L.
EXT.
CHICAGO
BALLET
ACADEMY
ROOFTOP
-
NIGHT
Under
a
full
moon,
a
young
Dancer
scratches
out
pirouettes
and
grand
jetés,
the
city’s
sultry
wind
rippling
her
short
frock
as
PULSING
MUSIC
drifts
across
the
rooftop.
One
great
leap
reveals
CASSIE
SHORE
(17),
a
lithe
and
stunning
dancer
taking
crazy
risks
as
she
carves
out
jumps
four
stories
above
the
city’s
gritty
Lower
West
Side
—-
atop
the
brick
parapet
crowning
the
Chicago
Ballet
Academy.
In
the
distance,
a
cluster
of
other
Dancers
drink
and
party
around
a
tin
fire-pit
--
glimpses
of
them
laughing,
stretching,
massaging
each
other
by
the
fire's
tawny
glow.
Dancing
on
that
edge,
Cassie
starts
a
fouetté,
sneakers
scratching
on
the
ledge
as
she
turns
on
a
dime...
Another
pirouette,
then
another,
whipping
her
head
around
to
spot
the
same
corner
of
the
roof
shack,
her
turns
reaching
a
dizzying
speed
on
the
narrow
capstone.
On
one
pirouette,
in
the
split-second
when
she
turns
her
head...
BOOM,
someone
has
appeared
in
the
shadows:
a
HOODED
FRIEND
leaning
against
that
penthouse
wall.
Startled,
Cassie
nearly
stumbles
over
the
edge.
Holy
shit.
But
she
steps
from
the
brink,
mustering
an
unsettled
smile.
CASSIE
Hey,
Stranger.
The
Hooded
Friend's
only
answer
is
to
offer
a
bottle
of
something
strong.
Cassie
hesitates
--
she
really
shouldn‘t.
Elsewhere,
the
party
gets
wilder,
the
music
louder,
unidentifiable
teens
up
dancing
while
others
make
out.
Cassie
hesitates,
then
braves
an
approach...
CASSIE
(CONT'D)
I
guess
if
everyone
else
is...
...
And
takes
a
swig.
Then
WHOOMPH
--
the
Hooded
Friend
grabs
her.
Cassie
panics,
scrambling
to
wrest
herself
free.
CASSIE
(CONT'D)
Ow
--
don't.
Hey!
But
instead
she
gets
pulled
in
close
~-
a
stiff
grip
on
her
neck
has
her
trapped
for
what:
A
kiss?
A
secret?
A
threat?
2
Yiny
Pretty
Things
101
Second
Draft
pg.
2.
While
the
distant
party
rages
on,
Cassie
pushes
away
to
stumble
backward,
desperate
for
distance.
CASSIE
(CONT'D)
No.
No.
No...
Then
bam:
a
heel
hits
that
damned
ledge.
It’s
unclear:
did
she
trip
or
was
she
pushed?
Either
way,
her
arms
grapple
for
something
to
hang
onto
but
she
only
keels
backward...
EXT.
NIGHT
SKY
-
NIGHT
As
Cassie
falls
through
the
night,
we
hear
her
speak
with
a
calm
entirely
at
odds
with
her
terrifying
fall.
CASSIE
(V.O.)
The
power
to
fly.
It’s
what
most
of
us
dream
of.
Just
knowing
it’s
in
you,
that
dazzling
ability.
Sure,
it
costs
you
everything
to
find
enough
strength
and
skill
to
launch
yourself
through
space.
But
there’s
nothing
finer.
Cassie
continues
to
fall,
eyes
wide
in
terror.
EXT.
CHICAGO
BALLET
ACADEMY
-
NIGHT
BAM!
Cassie
hits
the
asphalt,
her
glassy
eyes
fixed
on
the
view
high
above...
that
roof’s
deadly
edge.
CASSIE
(V.0.)
Though
you
only
fly
for
a
second
or
two,
above
a
stage
or
studio
floor...
before
gravity
takes
back
what
you
tried
to
steal.
From
above,
The
Hooded
Friend
peers
down,
drops
a
white
rose.
CASSIE
(V.0.)
Because
no
matter
how
hard
you
work,
how
strong
you
are
or
how
thin
you
get?
Petals
scatter
in
the
breeze,
onto
Cassie’s
unmoving
body.
CASSIE
(V.0.)
Gravity
always,
always
wins.
As
we
PULL
UP
from
the
carnage
past
the
building’s
sign
Chicago
Ballet
Academy
(she
landed
smack
in
front
of
the
place)
sharp
searing
CLACKS
sound
like
fucking
gunfire...
EXT.
SOUTH-CENTRAL
1.OS
ANGELES,
DANCE
ARTS
STUDIO
-
DAY
The
HAMMERING
POPS
continue
over
the
view
of
a
gritty
urban
block,
its
sun-blistered
sign:
“Los
Angeles
Dance
Arts.”
3
Tiny
Pretty
Things
101
Second
Draft
3.
INT.
DANCE
ARTS
STUDIO,
CORRIDOR
-~
DAY
In
these
well-worn
corridors,
the
GUNFIRE-LIKE
SOUNDS
grow
stronger.
Various
diverse
Teenage
Dancers
canter
past.
One
warm-faced
Teacher
MS
BANKS
(55,
African-American,
with
a
dancer’s
undeniable
poise)
strides
upstream
into...
INT.
DANCE
ARTS
STUDIO,
DANCE
STUDIO
-
DAY
Ms
Banks
walks
past
Students
of
all
races.
busy
with
pre-rehearsal
stretches,
rolling
arches,
taping
toes,
tying
pointe
shoes,
rosining
up.
She
crosses
to
the
far
corner
--
and
the
source
of
this
damned
gunshot-like
BANGING
now
echoing
off
the
mirrors:
NEVEAH
STROYER
(16,
African-American)
kneels,
wearing
a
busted-up
tutu,
threadbare
tights
and
sweater,
face
etched
with
fierce
determination.
In
her
hand
is
the
one
pristine
thing
in
the
whole
place:
a
pale
pink
satin
pointe
shoe.
Which
Neveah
proceeds
to
SMASH
into
the
old
wooden
floor.
NEVEAH
I
gotta
quiet
the
box.
You’'re
always
telling
me
not
to
clomp
around
here
like
some
cowgirl
at
a
hoedown.
Gonna
hear
a
pin
drop
when
I
land
my
jetés.
MS
BANKS
Well
speaking
of
noise,
I
just
heard
--
NEVEAH
I
bought
these
babies
working
the
birthday
circuit.
This
whole
dancing
princess
thing?
You
make
good
bank.
MS
BANKS
Yes.
Neveah,
thing
is,
Chicago
called.
This
silences
Neveah
--
and
the
whole
room.
Her
shoe
drops.
NEVEAH
They
said
they
didn‘t
want
me.
MS
BANKS
Well
something
changed
their
mind.
There
sits
Neveah.
Her
life
just
changed
forever.
CREDITS:
TINY
PRETTY
THINGS
4
Tiuy
Pretty
Things
101
Second
Draft
Pg.
4.
EXT.
ACADEMY
ROOFTOP
AND
CHICAGO
BALLET
ACADEMY
-
DAY
Days
later,
the
long-doused
fire-pit
blows
black
ash
over
the
roof’s
fateful
ledge,
down
to
the
street
below...
..
Where
Officer
ISABEL
DIAZ
(27)
reels
in
tattered
caution
tape,
training
a
skeptical
eye
on
a
stain
still
tinting
the
asphalt.
Isabel
has
a
dancer’s
ram-rod
discipline,
but
in
her
case
it’s
from
two
tours
of
duty
before
she
traded
in
one
uniform
for
another.
FLASHES
of
memory
invade
her
view:
The
fateful
night,
Bystanders
watching
as
Isabel
kneels,
desperately
performing
CPR
on
Cassie’s
motionless
body.
Isabel’s
police
cruiser
illuminating
the
awful
scene,
the
girl’s
glassy
eyes
fixed
on
Isabel
as
she
pumps,
pumps...
Arriving
Paramedics
wrestle
Isabel
off,
expertly
taking
over
as
they
cart
the
girl
into
a
wailing
ambulance.
Isabel
watches
on,
helpless
and
surprisingly
emotional.
Then:
NEVEAH
(0.S.)
What
happened?
Pulled
from
her
reverie,
Isabel
turns
to
see
Neveah
on
the
street,
scuffed
luggage
and
wary
eyes
on
the
crime
scene.
TISABEL
I
wish
I
knew.
Good
luck
in
there.
As
Isabel
finishes
furling
the
tape,
Neveah
takes
in
the
edifice:
a
handsome
old
building
now
brilliantly
renovated
with
glass
walls
and
cantilevered
floors
--
yet
still
a
haunted
vibe.
Isabel
watches
kindly
as
Neveah
enters.
INT.
ACADEMY
HALLWAY
-
DAY
In
heels
and
a
pencil
skirt,
MONIQUE
DUBOIS
(50s)
marches
along,
trailed
by
Chicago
Tribune
reporter
ZANDARA
SEGAL
(40s)
and
her
photographer
VERNON
(20s).
MONIQUE
I’'m
telling
you,
there’s
no
story.
ZANDARA
Oour
readers
beg
to
differ.
MONIQUE
The
Chicago
Ballet
Academy
has
bolstered
its
security
protocols,
offered
counseling
to
all
students,
and
put
the
focus
squarely
back
where
it
should
be
~-
training
the
next
generation
of
world-class
dancers.
5
Tiny
Pretly
Things
101
Second
Draft
pg.
5.
ZANDARA
There
are
reports
of
angry
parents,
donors
pulling
out
--
Clinging
to
her
composure,
Monique
stops,
turning.
MONIQUE
One
star
student
defied
our
rules
and
sadly
suffered
a
fateful
misstep
--
ZANDARA
“Misstep”?
She
fell
three
stories!
As
Monique
continues
pedaling
fake
news,
Cassie
chimes
in:
CASSIE
(V.O0.)
course,
the
higher
you
fly,
the
more
bone-shattering
the
landing.
So
you
learn
two
tricks
for
when
there’s
trouble
in
the
spotlight:
never
let
them
see
you
sweat...
and
give
them
something
else
to
look
at.
Arriving
is
Monique’s
lumpen,
loyal
assistant
SELENA
(60).
SELENA
She’s
here.
Monique
nods
--
excellent
--
and
continues
her
march.
MONIQUE
You
want
a
story?
Here’s
your
story.
INT.
ACADEMY
LOBBY
-
DAY
Luggage
in
hand,
Neveah
takes
in
the
CBA’s
breathtaking
atrium.
Then
she
sees
them
—-
the
backlit
quartet
bearing
down
on
her.
NEVEAH
Monique
DuBois.
Oh
my
gosh...
Monique
wafts
over
with
a
warm
smile
and
firm
handshake.
MONIQUE
Neveah
Stroyer,
welcome
to
The
Chicago
Ballet
Academy.
(a
calculated
glance
to
Zandara)
Our
newest
arrival,
here
on
a
full-
ride
scholarship
thanks
to
an
anonymous
patron.
We’ve
helped
a
girl
escape
her
dead-end
life
in
Compton.
NEVEAH
Inglewood,
actually,
but
--
6
Tiny
Pretty
Things
101
Second
Draft
Pg.
6.
MONTQUE
When
we
see
talent,
we
don’t
ask
where
it
comes
from.
You
had
a
good
flight?
NEVEAH
Nothing
to
compare
it
with.
MONIQUE
New
horizons
on
all
fronts.
And
your
parents?
Zandara,
you’ll
want
to
hear
how
admission
to
the
Harvard
of
ballet
schools
can
lift
up
whole
families.
NEVEAH
My
folks?
They’re
not
here.
As
fumes
at
Selena
for
her
scant
briefing,
Vernon
snaps
pics
of
a
confounded
Neveah,
and
Zandara
steps
in:
ZANDARA
It’s
a
late
age
to
be
entering
such
an
elite
academy.
Dancers
here
have
trained
since
they
could
walk.
NEVEAH
Well
I
had
years
of
gymnastics,
then
ballet
three
years
now.
I
like
to
think
I‘m
catching
up.
MONTQUE
With
a
girl
of
Neveah’s
talent,
two
years
here
will
prime
her
for
success.
ZANDARA
Dancing
in
Cassie
Shore’s
footsteps.
NEVEAH
Who's
Cassie
Shore?
As
Zandara
takes
notes,
Monique
shifts
to
damage
control.
MONIQUE
We’ve
a
tired
young
lady
here.
VERNON
Be
in
touch
for
a
photo
release.
Monique
snatches
up
his
card.
As
Zandara
and
Vernon
exit,
Monique’s
demeanor
shifts,
all
warmth
evaporating.
SELENA
That
went
over
like
a
lead
balloon.
NEVEAH
Was
there
something
I
was
supposed
to
--
7
Tiny
Pretty
Yhings
101
Second
Draft
pg.
7.
MONIQUE
Yes.
And
you
will.
But
for
now,
get
her
to
Adam.
As
Monique
walks
away,
Neveah
looks
to
Selena:
who’'s
Adam?
INT.
ACADEMY
INFIRMARY
-
DAY
In
her
underwear,
Neveah
lies
on
a
padded
table
while
kindly
physiotherapist
ADAM
RENFREW
(30)
manipulates
her
limbs
like
she’s
a
slab
of
meat.
She
struggles
with
the
clinical
vibe.
CASSIE
(V.0.)
They
start
with
your
bones.
Then
your
feet,
frame
and
flexibility.
Your
musicality,
charisma
and
deference.
Then
after
they’ve
taken
you
apart?
Eyes
blazing,
Neveah
grabs
Adam’s
hand,
which
in
moving
a
leg,
ventured
a
little
too
close
for
comfort.
CASSIE
(V.0.)
They
want
to
see
a
spark.
Off
her
fiery
response,
Selena
looks
up
from
her
clipboard.
ADAM
It’'s
so
we
can
check
your
alignment,
see
how
your
turnout
is
progressing.
NEVEAH
They
did
this
back
at
my
LA
audition.
SELENA
Records
were
lost.
We
didn’t
think
we'd
need
them.
As
Adam
shifts
to
testing
her
feet’s
structure
and
arch,
Monique
slips
in
to
observe.
Selena
leans
over,
quietly:
SELENA
(CONT'D)
You
sure
she’ll
do
the
trick?
MONIQUE
It’s
a
start.
I'm
also
announcing
the
premiere
of
a
new
ballet,
in
Cassie’s
honor.
By
Ramon
Costa.
SELENA
Ramon
Costa?
At
this,
even
Adam
looks
up,
intrigued.
Selena
ventures:
SELENA
(CONT'D)
We
don’t
have
him.
8
Yiny
Pretty
Things
101
Second
Draft
pg.
8.
MONIQUE
Yet.
Neveah,
we’ve
a
photo
of
your
dad
here
on
file.
What
about
your
mother?
NEVEAH
What
about
her.
ADAM
We
predict
how
you’ll
develop
from
~-
NEVEAH
Wait.
Unless
I'm
missing
something?
You
already
accepted
me.
Adam
shares
a
look
with
Monique,
who
just
sighs
and
exits.
Unease
rising,
Neveah
takes
back
her
clothes
from
Adam.
NEVEAH
(CONT’D)
This
Cassie
Shore.
What
went
down?
ADAM
There
was
an
accident.
NEVEAH
So
is
that
why
I'm
here?
ADAM
You're
here,
Neveah,
because
you
have
something
special.
Now
go
out
there
and
make
sure
they
see
it.
Neveah
takes
in
the
encouragement,
and
a
fortifying
breath.
INT.
ACADEMY
DORMITORY,
WOMEN’S
HALLWAY
-
DAY
Dragging
luggage,
Neveah
trails
House
Parent
TORRI
STERNE
(30s).
Part
headmaster,
part
ersatz
mother,
she’s
a
former
musical-theater
hoofer
who
never
made
it
to
triple-threat.
TORRI
You're
Tier
Three,
ages
sixteen
and
seventeen,
doors
lock
at
curfew,
all
guests
sign
in.
Eleventh
Grade
academics
are
eight
to
noon
which
you
missed
today
but
I
got
your
homework.
Then
Dance
from
one
to
six-thirty,
lights
out
at
ten.
Here’s
home.
INT.
ACADEMY
DORMITORY,
NEVEAH
AND
ROOM
-
DAY
Neveah
stands
on
the
threshold:
On
her
roommate’s
side
is
an
explosion
of
All
Things
Ballet:
books,
posters,
signed
pointe
shoes.
Her
side?
A
plain
bed,
desk
and
wardrobe.
9
Tiny
Pretly
Thiags
101
Second
Draft
pg.
9.
TORRI
You
drink
or
smoke,
you're
out.
Fail
your
academics?
Gone.
Get
too
skinny?
Sent
home.
Get
caught
screwing
a
boy,
or
girl
for
that
matter?
Buh-bye.
Basically
just
act
like
I‘'m
watching
everything.
‘Cause
I
am.
Toodles.
Torri
leaves
Neveah
to
unpack,
liberating
an
array
of
simple
dance-related
garb.
She
marvels
at
her
roomie’s
dance-themed
clock
--
then
notices
the
time:
12:55.
NEVEAH
Wait,
did
she
say
class
is
at
one?
INT.
ACADEMY
HALLWAY
-
DAY
Neveah
bolts
down
empty,
polished
halls,
racing
to
dress
herself
as
she
runs.
Then
finds
what
she’s
looking
for
--
INT.
ACADEMY
DANCE
STUDIO
-
DAY
...
Just
as
ballet
master
TOPHER
BROOKS
(30s,
severe
and
feared)
assembles
Students
for
dance
class.
BROOKS
All
right
everyone,
let's
get
started.
As
Brooks
sets
the
class,
Neveah
takes
a
spot
at
the
barre
running
down
the
room’s
center,
ready
to
rock.
BROOKS
(CONT
D)
Facing
the
barre
in
sixth.
Rolling
through
the
feet
four
counts,
repeat.
But
not
so
fast.
As
Dancers
check
out
the
new
arrival,
BETTE
WINSLOW
(16,
blonde
and
ruthlessly
perfect)
steps
in.
BETTE
BROOKS
(CONT'D)
You’re
in
my
spot.
Open
to
first...
NEVEAH
BROOKS
(CONT'D)
Didn’t
see
your
name
on
it.
...
Rolling
through
again...
Neveah
moves
to
claim
another
vacancy,
now
face-to-face
with
JUNE
PARK
(16,
half-Korean,
sweet
and
petite).
JUNE
BROOKS
(CONT'D)
Sorry,
but
that’s
mine.
Rise,
test
your
balance.
Neveah
moves
to
an
empty
area
but
June
stops
her.
JUNE
BROOKS
(CONT'D)
And
anywhere
but
there.
Repeat
in
second.
10
Tiny
Pretty
Things
101
Second
Draft
pg.
10.
BROOKS
(CONT'D)
Finish
with
side
bend
right,
left...
Nerves
cresting,
Neveah
turns,
bumping
into
the
chest
of
OREN
LENNOX
(17),
a
strapping
prince
of
a
man.
OREN
BROOKS
(CONT'D)
Everyone’s
got
their
place.
Then
full
rond
de
corps...
NEVEAH
BROOKS
(CONT'D)
Yeah?
Then
where’s
mine?
...
In
each
direction.
BROOKS
(CONT'D)
Thank
you,
Amy,
let's
have
a
waltz
please.
AND!
The
PIANIST
begins,
everyone
starts
the
exercise.
Neveah’s
flustered
-~
where
to
go?
From
a
far
corner,
SHANE
MCRAE
(16,
a
stacked
and
fiery
Southern
redhead)
waves
her
over.
SHANE
BROOKS
(CONT'D)
You're
in
the
sticks
Darlin.
And
demi-plié...
Neveah
had
been
too
distracted
to
learn
the
exercise,
so
is
following
other
dancers.
Brooks
notices:
not
a
good
start.
Working
through
the
warm-up,
the
other
Dancers
also
cast
sidelong
glances
at
her.
This
new
arrival
must
be
good.
JUMP
CUTS
as
Brooks
leads
them
through
plié,
tendu,
dégagé,
rond
de
jambe,
etc.
He
commands
the
room:
“Present
the
heel
in
your
tendu!l...
You're
tucking
under,
we
spoke
about
this
before...
That’s
not
an
arabesque,
get
it
behind
you!...
Close
your
ribs...
Drop
your
hip!”
Neveah
works
to
keep
up,
eyeing
the
barre’s
one
empty
spot
that
June
had
stopped
her
from
taking.
Then
a
stern
tap
from
Brooks
breaks
her
focus.
BROOKS
(CONT'D)
We
don’t
wear
junk
here.
NEVEAH
Junk?
BROOKS
You’ve
covered
what
I
need
to
see.
Embarrassed,
she
strips
off
baggy
sweats,
down
to
leggings.
BROOKS
(CONT'D)
And
grand
battements
en
avant...
Eyes
now
on
her,
Brooks
repeatedly
corrects
her.
*
%
11
Tiny
Pretty
Things
101
Second
Draft
pg.
11.
BROOKS
(CONT'D)
You're
sinking
into
your
port
de
bras.
Sternum
up.
Drop
your
hip
in
second.
Now
lift
to
attitude
derriére.
They
move
on
to
the
next
step,
Neveah
doing
her
best.
BROOKS
No
no
no
--
your
weight's
still
in
your
heels.
You
need
to
be
over
your
supporting
leg.
Who
can
show
her?
Bette
doesn’t
hesitate,
doing
the
exercise
beautifully.
BROOKS
(CONT'D)
Yes.
You
see?
Neveah
tries
again
--
but
Brooks
sighs,
stopping
her.
BROOKS
(CONT'D)
spare
you.
NEVEAH
Look,
I
can
--
BROOKS
You
can’t,
it
seems.
Visiting?
NEVEAH
New
admission.
There
was
a
last-minute
vacancy.
Sir.
As
the
room
falls
silent,
Brooks
shifts
gears:
BROOKS
I
saw
your
shoes.
They're
a
fiasco.
NEVEAH
What,
I
just
got
‘em
a
week
ago.
As
Bette
leads
the
laughter,
Neveah
shifts,
uneasy.
BROOKS
Visit
the
shoe
room
after
class.
Neveah
darts
a
glance
to
Shane
--
he
talking
about?
LATER:
On
pirouettes,
all
dancers
turning.
Bette
eyes
the
newbie
instead
of
focussing
on
herself.
Brooks
sees
all.
BROOKS
(CONT’D)
Bette.
Your
weight
is
back
and
your
second
arm
is
too
late.
Again.
They
all
pirouette
again
-~
but
he’s
all
eyes
on
Bette.
12
Tiny
Pretly
Things
101
Second
Draft
pg.
12.
BROOKS
(CONT'D)
No.
Try
a
higher
passé.
Bette
dutifully
tries,
but
Brooks
clearly
happy.
BROOKS
(CONT’'D)
Another
year,
and
still
not
a
turner.
LATER:
it's
center
work,
dancers
crossing
one
by
one.
Then
comes
an
astonishing
jump:
NABIL
ZIDANE
(17,
French-
Algerian,
with
the
swagger
of
Baryshnikov
and
the
cold
eyes
of
a
serial
killer).
Brooks
offers
his
first
compliment:
BROOKS
(CONT'D)
Very
good.
From
him,
that’s
a
standing
ovation.
But
Nabil
shrugs
it
off,
unmoved.
In
the
corner,
Neveah
and
Shane
size
him
up.
NEVEAH
Wow.
He’s
amazing.
SHANE
Yeah,
if
you’re
hot
for
psychos.
You
ask
me?
He
pushed
her.
NEVEAH
Pushed
who?
SHANE
His
girlfriend.
Cassie.
As
Neveah
puts
things
together,
Shane
takes
his
turn,
launching
a
series
of
grand
jetés
across
the
room...
INT.
ACADEMY
DANCE
STUDIO
-~
DAY
(LATER)
Brooks
walks
the
room,
piercing
eyes
on
exhausted
Dancers.
BROOKS
Your
summer
break
did
you
no
favors.
Tomorrow
after
class,
ladies
go
into
pointe
with
Ms
Somova
while
I
take
the
lads
for
allegro.
I
want
to
see
solid
double
tours
this
year,
gentlemen.
Then
it’s
straight
into
partnering.
This
term
we
do
something
different.
Each
of
you
will
be
assigned
just
one
partner,
and
one
partner
only.
As
Students
react
to
this
unusual
change,
he
presses
on.
BROOKS
(CONT'D)
It’s
a
way
to
build
trust,
a
seamless
onstage
relationship.
Dismissed.
13
Tiny
Pretty
Yhings
101
Second
Draft
pg.
13.
As
Students
file
out,
Neveah
approaches
June.
NEVEAH
This
shoe-room,
can
you
take
me
--
But
June
just
scurries
out
after
Bette,
leaving
Neveah
to
watch
Shane
gather
his
things.
SHANE
Don‘t
look
at
me.
NEVEAH
Too
late.
INT.
ACADEMY,
SHOE
ROOM
-
DAY
Awestruck,
Neveah
takes
in
walls
of
shelves
full
of
pointe
shoes
in
their
little
bags,
all
organized
by
size.
NEVEAH
This
cannot
be
real.
Neveah
and
Shane
start
rifling
through
the
shelves.
SHANE
Pinch
whatever
you
need
to,
and
get
busy.
You're
looking
at
every
shoe
The
Griffin
ballerinas
decided
they
don't
want,
yours
for
a
few
bucks.
You
did
pretty
good
today.
NEVEAH
You
kidding
me?
I
couldn’t
get
on
my
leg.
SHANE
We’ve
all
been
there.
NEVEAH
At
least
you've
“been
there”
a
lot
longer.
You
think
they
can
make
me
company-ready
in
two
years?
Bette
enters
with
June,
to
find
shoes
and
scope
the
newbie.
SHANE
I've
seen
‘em
do
more
with
less.
BETTE
But
if
they're
wrong?
You're
gone.
Undaunted,
Neveah
strides
over
from
the
shelves,
hand
out.
NEVEAH
We
didn’t
meet.
I'm
Neveah
Stroyer.
14
Yiny
Pretty
Things
101
Second
Draft
pg.
14.
BETTE
Bette.
She’s
June.
Show
me
your
arches.
NEVEAH
What,
like...
my
feet?
BETTE
what
make
a
dancer.
Neveah
reluctantly
offers
herself
up
for
inspection.
SHANE
Bette’s
just
scoping
the
competish,
scared
that
if
they
decided
to
let
you
in
at
your
age,
you
must
be
fierce
Prima
material.
Testing
Neveah’s
flexibility
and
arc,
Bette
gives
a
nod.
BETTE
All
right.
Friends.
Where’d
you
train?
SHANE
Neveah,
these
look
perfect
for
you.
Double
X,
high
vamp...
Shane
approaches,
pointe
shoes
in
hand.
Taking
them,
Neveah
sees
a
stamp
on
the
bottom:
Delia
Winslow.
NEVEAH
These
were
Delia
Winslow’s
shoes?
BETTE
Well,
her
rejects.
SHANE
I
can
show
you
where
to
get
the
right
pancake,
marry
the
satin
to
the
skin.
As
Neveah
tries
them
on
(bending
the
shank,
checking
them
on
her
feet)
Bette
stares
Shane
down,
dripping
contempt.
SHANE
(CONT'D)
They
fit.
Isn’t
that
interesting,
Bette?
BETTE
You're
trash,
Shane.
Have
fun
scavenging
with
your
new
petit
rat.
Bette
exits,
June
in
tow.
Neveah
looks
to
Shane:
WTF?
NEVEAH
Did
she
just
call
me...
15
Tiny
Pretly
Yhings
101
Second
Draft
pg.
15.
SHANE
A
rat,
yup.
But
like
everything
in
ballet,
it
sounds
better
in
French.
A
“little
rat”
is
a
dancer
who's
young,
pretty,
poor...
and
hella
strong.
And
starting
today,
this
one
wears
the
shoes
of
Delia
fricking
Winslow.
NEVEAH
Truth
is,
I
only
applied
here
‘cause
my
teacher
told
me
it's
where
she
went.
SHANE
Yeah?
Then
time
for
a
front-row
seat.
Intrigued,
she
watches
him
toss
her
dead
shoes
into
the
bin.
INT.
ACADEMY,
GYM
-~
DAY
Gleaming
cutting~edge
machines,
reformers,
wild
devices.
Oren
works
out
hard,
spotted
by
his
friend
CALEB
(16,
African-American,
a
lean
and
handsome
dancer
from
class).
CALEB
Easy,
man.
But
Oren
pushes
himself
--
until
Caleb
grabs
up
the
weight.
OREN
The
fuck?
CALEB
You’'re
good.
OREN
I'm
not
good.
Had
another
one
in
me.
CALEB
Blowing
a
pec
won't
help
your
dancing.
Gasping
for
air,
Oren
glowers
through
the
window
at
his
prime
motivator
--
Nabil,
talking
to
Officer
Isabel
Diaz.
OREN
You
heard
Brooks
--
out
of
shape.
CALEB
Guaranteed
he
wasn’t
talking
about
you.
OREN
Second
time
that
cop’s
talked
to
him.
CALEB
She
must
smell
blood.
16
Tiny
Pretty
Yhings
101
Second
Draft
pg.
16.
OREN
You
tell
her
anything?
CALEB
Renny,
we
all
stuck
to
the
same
story.
Cassie
was
alone
and
we
there.
His
chat
wrapped,
Nabil
enters,
crossing
to
a
wobble
board
to
commence
graceful
adage
movements
with
breathtaking
control.
Oren
and
Caleb
marvel
at
his
insanely
good
balance.
OREN
You
sure
impressed
Brooks
today.
NABIL
(a
French
accent)
Not
really.
A
little
rusty.
OREN
Yeah,
must’ve
been
a
long
plane-ride.
CALEB
Where
was
it
from
-~
Algeria?
Despite
his
vulnerable
balance,
Nabil
still
dominates.
NABIL
Paris.
Heard
of
it?
OREN
Must
suck,
coming
all
this
way
to
be
with
your
girlfriend,
and
she
goes
and
falls
off
the
fucking
building.
NABIL
I
came
here
to
study
dance.
OREN
What,
didn‘t
want
you?
NABIL
Chicago
make
an
offer
I
cannot
refuse.
OREN
Too
bad.
I
was
watching
you
—-
NABIL
I
know.
OREN
You
don’t
have
the
American
style.
NABIL
True,
I'm
more
than
tits
and
teeth.
I
watch
you
too.
You're
bland.
Safe.
17
Tiny
Pretty
Things
101
Second
Draft
pg.
17.
OREN
Yeah,
safe
till
you
showed
up,
then
beeeuuwww
splat.
And
now
the
cops?
NABIL
I
tell
them
how
Cassie
tell
me
how
you
always
drop
her.
Perhaps
sabotage?
Biting
the
hook,
Oren
give
Nabil
a
shove
off
the
ball.
OREN
I
was
the
best
partner
she
ever
had.
NABIL
Yes?
Then
show
her
some
respect.
As
their
scuffle
intensifies,
Caleb
races
to
step
in.
CALEB
Guys.
Hey.
Break
it
up.
MUSIC
UP
as
Oren
storms
out.
Grateful,
Nabil
glances
over
to
Caleb...
who
just
glowers,
pumping
iron.
INT.
GRIFFIN
BALLET
STAGE
-
DAY
MUSIC
CONTINUES
as
alone
on
a
starkly-lit
stage,
the
great
DELIA
WINSLOW
(26)
rehearses,
dancing
a
breathtaking
solo.
Neveah
and
Shane
hide
in
a
theatre
box,
watching.
For
Neveah,
seeing
dance
of
this
caliber
is
a
revelation
--
a
glimpse
of
the
beauty
she
aspires
to
one
day
achieve.
NEVEAH
Delia
Winslow
and
me.
Breathing
the
same
air.
RAMON
COSTA‘s
baritone
can
be
heard
in
the
dark
auditorium.
SHANE,
RAMON
(0.S.)
Griffin’s
lucky
to
get
her
Delia,
you’re
behind
the
back.
After
rocking
it
in
phrase.
Don’t
be
dragged
by
Europe
last
year,
she
could
the
tempi.
Anticipate.
write
her
own
ticket.
NEVEAH
RAMON
(0.S.)
(CONT'D)
I'd
be
happy
dancing
for
The
All
right,
let
this
section
Griffin
in
two
years.
travel
more.
SHANE
You
and
me
both.
Solo
over,
Delia
stands
catching
her
breath.
Ramon
(45)
emerges
from
the
shadows,
a
lean
Cuban
god
in
a
black
tee.
*
X
¥
%
*
%
18
Tiny
Yhings
101
Second
Draft
pg.
18.
RAMON
Footwork
needs
refining.
DELIA
I'm
giving
all
I’'ve
got,
Ramon.
There’s
no
room
for
me
in
the
choreography.
From
her
secret
perch,
Neveah
watches
Ramon
approach
her
alone
on
stage,
a
soothing
touch
to
her
head...
RAMON
You're
dancing
from
here.
...
Then
lowering
his
hand
to
her
breast...
RAMON
(CONT'D)
But
I
need
to
see
it
here.
...
Then
even
lower,
to
her
crotch.
RAMON
(CONT'D)
And
when
the
night
comes?
Here.
Delia
welcomes
his
touch...
and
offers
her
own
in
return.
RAMON
(CONT'D)
This
piece
is
in
you,
Delia.
I‘m
only
drawing
it
out.
Come
on.
Touch
an
audience
the
way
you
touch
me.
Shane
and
Neveah
watch
amazed
as
she
reaches
for
a
kiss.
DELIA
Like
that?
RAMON
Yes.
Now
use
it.
Shane’s
leaning
in...
SHANE
Come
on,
girl
--
tear
off
his
shirt.
...
But
Neveah
shifts,
uncomfortable
to
be
watching
this.
NEVEAH
Let’s
go.
Now.
Shane
sighs,
disappointed,
but
lets
Neveah
pull
him
out.
INT.
ACADEMY
DORMITORY,
NEVEAH
AND
JUNE'S
ROOM
-
DUSK
Back
from
watching
Delia,
Neveah
takes
in
her
gear-strewn
jumble,
and
finally
starts
to
properly
unpack.
19
Tiny
Pretty
Yhings
101
Second
Draft
pg.
19.
In
the
wardrobe
she
finds
a
photo
slipped
behind
a
shelf,
peels
it
free:
Cassie
in
a
bikini
on
a
boat,
arm
draped
around...
but
half
the
photo’s
torn
off.
Strange.
Then
she
hears
a
ripple
of
LAUGHTER
from
down
the
hall.
Stashing
the
pic,
she
goes
in
search
of
its
source.
CASSIE
(V.0.)
Always
something
hurts.
Somewhere
on
your
body
there’s
pain.
INT.
ACADEMY
DORMITORY,
WOMAN'S
COMMON
ROOM
-
DUSK
Bette,
June,
ESME
(another
music-box
ballerina
from
class)
and
other
young
women
lounge,
recovering
from
the
day.
They
massage
each
other,
roll
out
muscles,
plunge
feet
into
ice
buckets
and
salt
baths,
pour
shellack
into
pointe
shoes.
CASSIE
(V.0.)
An
ache
that
comes
from
pushing
beyond
what
any
person
was
ever
meant
to
do.
But
there’s
strength
in
being
part
of
a
larger
body
-~
the
corps
de
ballet.
Neveah
finds
some
scoffing
and
laughing
around
a
cellphone.
it,
a
YouTube
video,
hip-hop
R&B
music.
JUNE
Well
she’s
definitely
got
style.
BETTE
For
a
backup
dancer
in
a
Drake
video.
ESME
This
isn’t
even
ballet.
Dread
rising,
Neveah
steps
in
to
find
the
video
is
of
her
in
front
of
an
LA
underpass
mural,
dancing
her
heart
out.
NEVEAH
At
least
I
love
dancing.
I
mean,
do
any
of
you?
June
pounces
to
stop
the
video
as
Bette
stares
Neveah
down.
ESME
Is
this
seriously
what
you
did
before
you
got
here?
BETTE
Good
to
have
something
to
fall
back
on.
NEVEAH
You
just
told
me
in
the
shoe~room
I
was
good
enough
to
be
your
friend.
20
Tiny
Pretly
Yhings
101
Second
Draft
pg.
20.
BETTE
Not
because
I
thought
you
were
good.
Because
I
knew
I
was
better.
Refusing
to
be
cowed,
Neveah
stands
up
to
her,
eye
to
eye.
NEVEAH
I
get
that
I'm
late
to
the
party.
I
get
you‘re
scared
I
might
also
wreck
your
little
plans
for
world
domination.
But
that
doesn’t
make
me
your
enemy.
Others
turn,
surprised
to
see
Selena
in
the
doorway.
SELENA
Miss
Stroyer.
Madame
DuBois
wants
to
see
you.
Now.
Oh
shit.
Amid
a
ripple
of
reaction,
Neveah
strides
out.
INT.
ACADEMY,
OFFICE
-~
SUNSET
A
capacious
room
lined
with
art
and
city
views.
Hair
and
make-up
done,
Monique
wears
a
stunning
dress
-~
laying
a
syringe
and
vial
on
her
desk.
Officer
Diaz
watches
on.
MONIQUE
Relax,
Officer,
it’s
cortisone.
ISABEL
If
T
could
just
speak
to
a
few
more
students
MONIQUE
I
spoke
to
your
sergeant
-—
the
case
is
closed.
Yet
here
you
are,
exploiting
a
tragic
accident,
traumatizing
my
students,
and
for
what
--
a
promotion?
ISABEL
You
can’t
tell
me
you're
satisfied.
MONIQUE
And
you
can’'t
tell
me
getting
anywhere.
You
had
a
week
to
find
one
iota
of
foul
play,
but
all
got
is
a
silly
girl
and
an
awful
accident.
ISABEL
Piercing
this
takes
time.
Every
institution
has
its
secrets.
MONIQUE
To
a
woman
working
in
a
man’'s
world,
yes.
Before
the
police
it
was
army?
21
Tiny
Pretty
Things
101
Second
Draft
pg.
21.
ISABEL
Two
tours
in
Afghanistan.
MONIQUE
Did
you
leave
or
were
you
kicked
out?
Now
there’s
a
mystery.
ISABEL
It
was
time
to
finally
do
some
good.
MONIQUE
Well
you
won’t
find
redemption
in
ballet.
Entrez.
just
wrapping
up.
There’s
Neveah
and
Selena
on
the
threshold.
Monique
waves
them
in.
Isabel
eyes
Neveah,
taking
in
what
she
can.
ISABEL
Settling
in,
I
hope.
Neveah
balks
at
the
sight
of
a
cop:
she
done
wrong?
As
Isabel
MONIQUE
Detective.
ISABEL
Some
other
time.
exits,
Selena
crosses
to
ready
the
needle.
NEVEAH
Ma’am,
I
don’t
know
what
I
did
wrong,
but
I
just
want
to
say
--
MONIQUE
And
I
don’t
need
to
hear
it.
You're
to
attend
tonight’s
donor
reception.
A
driver
will
fetch
you
with
the
others.
As
Monique
hands
Neveah
a
few
pages
of
talking
points,
Selena
injects
her
boss’'s
feet:
bunions,
scars
and
mangled
toes
from
years
spent
on
a
few
inches
of
contorted
flesh.
MONIQUE
(CONT'D)
Selena
can
help
you
find
something
presentable
in
the
costume
department
--
NEVEAH
Miss
DuBois,
I
have
my
own
clothes.
MONIQUE
0f
course.
No
doubt
you’re
a
unique
personality,
but
ballet
asks
us
to
bend
to
a
greater
--
(MORE)
22
Tiny
Pretly
Yhings
101
Second
Draft
pg.
22.
MONIQUE
(CONT'D)
(reacting
in
pain)
Merde!
That
was
bone
you
hit!
Grabbing
the
needle,
Monique
soldiers
through
the
pain.
MONIQUE
(CONT'D)
We're
about
to
invest
thousands
of
dollars
in
you,
and
need
to
know
that
in
two
years
you’ll
be
a
product
--
NEVEAH
“Product”?
MONIQUE
--
We
can
make
use
of.
You're
either
the
CBA’'s
future
or
a
bad
gamble.
Our
key
donors
tonight
will
be
asking
themselves
that
very
question.
On
that
paper
is
the
story
you’ll
want
to
tell.
NEVEAH
Madame
DuBois,
I'm
just
here
to
dance.
MONIQUE
Wrong.
Tonight
decides
your
future
as
much
as
anything
you
do
in
class.
On
that
chilling
note,
Monique
tosses
down
the
needle,
slips
on
her
glossy
Louboutin
heels,
and
gracefully
exits.
INT.
ACADEMY
DORMITORY,
MEN’'S
HALLWAY
-
NIGHT
Torri
strides
through
her
domain,
looking
in
on
each
room.
CASSIE
(V.0.)
There’s
a
price
you
pay,
learning
to
fly.
They
take
your
childhood,
your
family,
any
friend
who
doesn’t
hope
every
day
your
Achilles
will
snap.
But
even
then,
they
don‘t
let
you
grow
up.
INT.
ACADEMY
DORMITORY,
MEN’S
HALLWAY
-~
NIGHT
(ELSEWHERE)
Shane
arrives
to
find
a
dance-belt
hooked
on
his
doorknob.
CASSIE
(V.O.)
So
if
you
want
to
live
a
little?
You
gotta
get
creative.
With
a
sigh,
he
leans
against
the
jamb...
and
stands
guard.
INT.
ACADEMY
DORMITORY,
OREN
AND
SHANE'S
ROOM
-
NIGHT
Oren
and
Bette
lock
lips,
tearing
off
clothes
as
they
drag
each
other
to
bed.
He
slips
down
between
her
legs...
23
Tiny
Pretty
Yhings
101
second
Draft
pg.
23.
BETTE
God
I
needed
this.
OREN
I
was
thinking
we
should
get
ourselves
cast
as
partners.
We'd
dominate.
They
keep
going
at
it,
Bette
directing
Oren’s
head.
BETTE
Word
is
I'm
getting
paired
with
Nabil.
OREN
So
we
fight
it.
BETTE
I
don‘t
want
to
rock
the
boat.
OREN
You
think
Frenchie’s
better
than
me.
BETTE
And
you
don’t
wanna
be
stuck
tossing
around
the
new
girl.
OREN
We
can
all
fake
a
lot
of
things
on
stage...
but
we
fake
love.
BETTE
I
can.
Bette
pulls
close,
working
her
magic.
He's
loving
it.
They
kiss
deep,
she’s
arcing
closer,
pulling
him
in...
OREN
Whoah.
Easy.
No
condoms.
BETTE
(continuing,
driving
him
wild)
Orrie.
You
got
me
going
here.
OREN
Maybe
Shane’s
got
some.
He
moves
to
check
--
but
Bette
pulls
him
back
to
her.
OREN
(CONT'D)
Bette,
you
get
pregnant?
It’'s
over.
BETTE
Won’t
happen.
Haven’t
had
my
period
in
months.
There
she
is,
so
close,
so
damn
beautiful...
24
Tiny
Pretty
Things
101
Second
Draft
pg.
24.
INT.
ACADEMY
DORMITORY,
MEN'S
HALLWAY
-
NIGHT
Standing
guard,
Shane
sees
Torri
round
the
corner,
dipping
into
various
dorm
rooms
as
she
makes
her
way
toward
him.
SHANE
Aww
jeeze...
INT.
ACADEMY
DORMITORY,
OREN
AND
SHANE'S
ROOM
-
NIGHT
Ramping
up
to
climax,
Oren
and
Bette
hear
the
CODE-KNOCK.
OREN
Hang
on
a
sec,
almost
there...
BETTE
Someone’s
coming!
Bette
pushes
him
away,
scrambling
for
her
clothes.
OREN
Well
I
guess
it’s
not
gonna
be
me.
INT.
ACADEMY
DORMITORY,
HALLWAY
-
NIGHT
Buttressed
against
the
door,
Shane
smiles
at
Torri
as
he
cranks
a
hard
tennis~like
ball
into
a
shoulder
blade.
SHANE
Just
gotta
work
out
this
cramp.
Brooks
had
us
do
a
million
pushups
after
barre.
TORRI
I
don’t
care
if
you
broke
a
bone
--
if
Bette’s
in
there,
door’s
open.
SHANE
Except
busy.
Fighting.
TORRI
I
don’t
hear
it.
SHANE
The
silent-treatment
phase.
Brutal.
TORRI
You
wanna
see
“brutal”?
No
he
does
not.
As
he
steps
aside,
Torri
yanks
the
door...
INT.
ACADEMY
DORMITORY,
OREN
AND
SHANE'S
ROOM
-
NIGHT
...
To
reveal
Bette
and
Oren
dressed,
studying.
Bed
made,
curtains
flutter,
not
a
whiff
of
suspicion.
Oren
looks
up:
25
Tiny
Things
101
Second
Draft
pg-
25.
OREN
Oh.
Hi,
Torri.
TORRI
You
know
the
rules.
BETTE
Did
the
door
blow
shut?
I
hadn‘t
noticed.
Oren,
did
you
notice?
OREN
Was
deep
into
causes
of
the
Cold
War.
Bette
nods,
getting
up
and
deftly
leading
Torri
out.
BETTE
Actually,
Torri,
I'm
glad
you
came
by.
need
the
iron
tonight...
The
two
roommates
alone,
a
relieved
Oren
flops
onto
his
bed.
SHANE
Oren.
I'm
done
playing
this
game.
OREN
You
and
me
both.
Hey.
I
owe
you
one.
Oren
manages
a
chummy
smile
as
Shane
looks
off.
INT.
ACADEMY
DORMITORY,
NEVEAH
AND
JUNE'S
ROOM
-
NIGHT
Neveah
pulls
various
outfits,
struggling
to
assemble
a
look.
NEVEAH
Why
didn’t
I
just
borrow
one
of
theirs?
June
watches
on,
feet
jammed
into
the
radiator
slots,
torqued
hard
in
the
hopes
of
an
ever-improved
arch.
JUNE
That’s
nice.
Shows
the
goods.
I
mean,
your
anonymous
patron
will
probably
be
there,
not
that
I’d
know
since
you
think
I
ever
get
invited
to
these
things?
NEVEAH
Oh
man.
I
am
so
not
ready
for
this.
Confidence
waning,
Neveah
has
a
mini-meltdown
at
the
mirror.
Sympathizing,
June
extricates
herself
and
approaches.
JUNE
If
you
tug
up
the
side
here,
extend
the
drape,
gives
more
drama.
26
Tiny
Pretty
Yhings
101
second
Draft
pg.
26.
June
expertly
assembles
her
new
roomie’'s
look,
getting
a
shawl
from
her
own
things.
Draping
it,
she
ventures:
JUNE
(CONT'D)
The
other
girls.
They’re
just
jealous.
NEVEAH
what?
You
saw
the
Ballet
Master
go
at
me
“wrong
this,
wrong,
that.”
JUNE
At
least
he
was
paying
attention.
Me,
I
never
get
a
single
correction.
NEVEAH
Maybe
you’re
already
good
enough.
JUNE
It’'s
ballet
--
nobody’s
good
enough.
If
Topher
Brocks
doesn’t
see
me?
Then
nobody
else
does.
NEVEAH
Okay?
So
how
do
we
fix
that?
Sadly
chuckling,
June
backs
off
to
admire
her
handiwork.
JUNE
It’s
s0
cute
how
you
think
we
actually
have
power
around
here.
MUSIC
UP
as
Neveah
studies
herself
in
the
mirror,
girding
herself
for
the
evening
ahead.
INT.
WINSLOW
MANSE
-
NIGHT
MUSIC
CONTINUES:
Welcome
to
Kenilworth,
enclave
to
retired
senators,
investment
bankers
and
old
money.
Enter
the
Chosen
Four:
Neveah,
Oren
and
Nabil
trail
Bette
through
a
stunning
home
impeccably
furnished
in
modern
decor.
They
turn
heads
of
various
Board
Members
and
wealthy
Donors
who
watch
these
young
marvels
with
reverence.
CASSIE
(V.0.)
There’s
a
twisted
bargain
to
ballet.
After
all
your
hard
work,
your
pain
and
sacrifice...
when
you
walk
among
mortals,
you
become
a
god...
Bette’s
on
a
charm
offensive,
shaking
hands
with
various
guests.
She
pulls
over
stone-cold
Nabil,
introducing
her
new
dance
partner
to
the
powers
that
be.
27
Tiny
Prefty
Yhings
101
Second
Draft
pg.
27.
CASSIE
(V.0.)
...
A
perfect,
worshiped
celebration
of
what
the
body
is
capable
of.
On
the
gidelines,
Neveah
spots
Oren
watching
Bette.
Neveah
and
he
share
a
look...
before
he
turns
to
greet
a
donor.
Elsewhere,
Ramon
squires
Delia
around,
stopping
to
pull
out
his
phone.
A
text
had
just
plinged:
Ignore
me
all
U
like,
the
world
will
still
know
what
U
did.
He
reads
it,
shaken.
LATER,
Monique
wraps
up
a
speech
before
the
crowd.
There's
Ramon
with
Delia,
newspaper
photographer
Vernon
snapping
society
pics,
Zandara
taking
in
the
spin.
MONIQUE
...
And
I
admit
after
this
past
week,
I
no
longer
believe
that
all
press
is
good
press.
But
thanks
to
you
all,
the
Academy
has
never
been
stronger.
Taking
in
the
room,
Monique
can
see
they’re
not
convinced
by
her
platitudes.
She
takes
a
breath,
shifting
gears.
MONIQUE
(CONT'D)
And
perhaps
our
best
indicator
is
a
new
ballet
the
school
will
be
creating,
in
Cassie’s
honor,
by
renowned
choreographer
Ramon
Costa.
This
does
the
trick.
The
ripple
of
excitement
is
enough
to
pull
Ramon
from
his
phone,
muttering
to
himself
RAMON
You
gotta
be
kidding...
MONIQUE
The
world
will
once
again
watch
the
school
and
its
dazzling
dancers,
for
all
the
right
reasons.
And
tonight?
A
chance
to
meet
those
thoroughbreds.
To
a
bright
future!
Stepping
in
to
re-joining
the
fray,
Monique
is
stopped
by
KATRINA
WINSLOW
(40s,
rail-thin
and
ruthless).
KATRINA
This
had
better
work.
MONIQUE
I
know.
Now
if
you'll
excuse
me,
Katrina,
I‘'m
not
quite
done
yet.
LATER:
Taking
in
the
room,
Neveah
is
approached
by
Adam.
28
Tiny
Pretly
Things
101
Second
Draft
28.
ADAM
So
you
made
the
cut.
Adam
Renfrew,
CBA
physiotherapist.
We
met
earlier.
NEVEAH
Yeah,
quite
the
inspection
you
gave
me.
ADAM
And
I'm
happy
to
report,
you’ve
natural
facility
and
enviably
open
hips.
NEVEAH
Tell
it
to
that
sadistic
asscrack.
She
indicates
Brooks,
off
chatting
up
a
Wealthy
Enthusiast.
ADAM
Topher
Brooks
does
have
a
reputation.
NEVEAH
He
should.
If
folks
knew
how
he
rolls?
ADAM
I
do
know.
He’s
my
husband.
Neveah
chokes
down
her
water.
Yikes.
NEVEAH
Right.
Well
I
better
mingle.
ELSEWHERE:
Delia
nearby,
Ramon
has
Monique
against
a
wall.
MONIQUE
You
saw
their
response?
Ils
sont
en
extase.
RAMON
Except
I'm
not
doing
it,
Monigque.
Once
I‘ve
set
this
new
piece
at
The
Griffin,
it’s
back
to
New
York.
MONIQUE
To
choreograph
more
obscure
art-wanks.
DELIA
His
new
work
I’'m
dancing
will
be
a
hit.
MONIQUE
It’s
also
ten
minutes
long.
Ramon,
I'm
offering
you
a
safe
place
to
work
out
big
ideas,
get
a
jump
on
talent.
DELIA
He’s
got
all
the
talent
he
needs.
29
Tiny
Pretty
Yhings
101
Second
Draft
pg.
29.
MONIQUE
It
would
show
loyalty
to
the
school,
which
means
loyalty
to
the
Griffin.
They
commission
a
full-length
work
next
year.
I
can
make
sure
it’s
yours.
RAMON
I
can
see
you're
desperate
for
a
new
story
to
tell,
Monique,
but
long
past
being
your
boy-toy.
Monique
takes
in
this
defeat,
bowed
but
not
broken.
ELSEWHERE:
Schmoozing
with
Oren,
Bette
nabs
passing
canapés.
KATRINA
Darling,
there’s
cheese
on
that.
Bette
turns
to
see
Katrina
Winslow
smiling
kindly.
BETTE
Trust
me,
Mother,
I
earned
it
today.
KATRINA
Glad
to
hear.
Oren,
what
a
delight.
OREN
Mrs
Winslow.
Thanks
for
having
us.
KATRINA
I
swear
we
host
these
jamborees
just
to
clap
eyes
on
our
girls.
I
hope
we’ll
all
be
seeing
lots
of
you
two
this
year,
onstage
and
off.
OREN
(with
a
look
to
Bette)
I
hope
so
too.
Katrina
pulls
in
Brooks,
passing
with
Adam.
KATRINA
Tell
us,
Topher
--
do
we
have
a
star
pairing
here
or
what?
BROOKS
Partners
have
already
been
finalized.
ADAM
Though
I
do
encourage
an
open
mind.
KATRINA
Well
I‘m
sure
you’ll
do
the
right
thing.
As
the
men
nod
and
pass
by,
Bette
turns
to
Katrina:
30
Tiny
Pretty
Things
101
Second
Draft
pg.
30.
BETTE
You
can’t
boss
around
my
ballet
master!
KATRINA
I
wouldn’t
dream
of
it.
Now
let’s
get
you
in
front
of
Ramon
Costa.
ELSEWHERE:
Monique
approaches
Neveah.
MONIQUE
Miss
Stroyer,
you
look
as
anxious
as
the
ugly
duckling
at
a
party
of
swans.
NEVEAH
Ma’am.
The
ugly
duckling
was
a
swan.
Monique
pivots
for
a
few
“candid”
shots
of
them
talking.
Camera
in
hand,
Vernon
snaps
them
for
the
society
pages.
MONIQUE
Yes
of
course.
Now
we’'re
set
up
for
you
to
speak
with
that
reporter.
As
Vernon
wraps
up
(”That’s
excellent,
thank
you”)
Monique
leans
in,
tapping
sheet
of
talking
points.
MONIQUE
(CONT’'D)
Anything
you’d
like
to
review?
NEVEAH
It’s
pretty
clear.
The
school’s
wonderful
and
you'‘re
saving
my
life.
Monique
smiles
-~
atta
girl
--
and
leads
her
into
the
library
where
Zandara
awaits,
closing
the
door
behind
them.
INT.
GIBSONS
STEAKHOUSE
-
NIGHT
June
sits
with
sharp-eyed
businesswoman
SOO-YUN
(45),
who
digs
into
the
bone
marrow
atop
her
320z
tomahawk
chop.
June
picks
at
her
wedge
salad,
micro~dosing
blue
cheese
dressing.
S00~-YUN
the
shawl
that
goes
with
that
dress?
JUNE
Didn’t
need
it
tonight.
SO0-YUN
Well
those
bony
shoulders
are
turning
heads.
You're
not
eating
enough.
JUNE
I‘m
fine,
Mom.
And
glad
to
see
you.
31
Tiny
Pretty
Things
101
Second
Draft
pg.
31.
S00-YUN
I'd
a
flight
back
to
New
York
tonight,
but
some
things
are
more
important.
JUNE
Exactly.
What
happened
to
Cassie
reminds
us
all
~-
life’s
short.
June’s
reaching
for
connection...
but
Soo-Yun
pulls
away.
S00-YUN
So
why
waste
time.
What'’'s
your
role?
JUNE
My...
role?
S00-YUN
In
your
ballet
showcase.
JUNE
Oh.
With
the
accident,
they
delayed
any
casting
announcements.
SO0-YUN
Damn
artists
can’t
stick
to
a
schedule.
JUNE
Mom,
it’s
The
Sleeping
Beauty
this
year,
which
is
perfect
for
me.
Everyone
says
I'm
a
shoo-in
to
dance
Aurora.
Why
can’t
you
believe
in
me?
S00-YUN
I
do!
That’s
why
I
didn't
raise
my
only
daughter
to
prop
up
the
scenery.
JUNE
I
get
it.
You
want
a
doctor,
lawyer,
senator.
But
I
just
want
to
dance.
S00-YUN
That’s
1t?
JUNE
everything!
SO0-YUN
So
dance
in
your
bedroom,
the
shower
--
go
tear
up
the
floor
at
your
school
prom
like
every
other
teenage
girl.
But
I‘m
not
paying
through
the
teeth
so
you
can
get
a
crap
education
and
no
future.
You’re
either
on
track
to
make
prima
ballerina,
or
you’'re
out.
32
Tiny
Pretly
Things
101
Second
Draft
pg.
32.
As
others
Mom!
JUNE
I
am
on
track!!!
Diners
look
askance,
June
tamps
down
her
emotions.
JUNE
I'll
get
a
big
part,
and
every
artistic
director
will
want
me.
Because
Cassie’s
not
here
stealing
my
spotlight.
SO0-YUN
She
didn’t
*steal”
it,
June.
She
was
better
than
you.
JUNE
Well
she's
not
better
than
me
now.
Soo-Yun
stares
down
her
daughter’s
cold,
fervent
glower...
then
gives
a
hearty
laugh,
drinking
deep
from
her
wine.
S00-YUN
Now
that’s
my
girl.
INT.
WINSLOW
MANSE
-
NIGHT
Neveah
exits
the
library
with
Zandara,
Monique
and
Vernon.
NEVEAH
I
think
it
was
the
gymnastics,
helped
me
advance
so
quick.
The
street
dancing
was
just,
I
dunno...
a
way
to
make
sense
of
what’s
in
me.
ZANDARA
And
you
say
it’'s
a
kind
of...
fusion?
NEVEAH
I
put
up
some
videos
if
you
want
a
look.
They’re
pretty
rough
--
already
got
a
harsh
crit
from
my
girls
here.
I
tell
you,
I've
seen
some
rough
stuff
on
the
streets
back
home,
but
nothing
compared
to
what
goes
down
here.
Yes,
MONIQUE
though
I
think
what
Neveah
wants
to
emphasize
is
how
the
CBA
is
about
-~
NEVEAH
(shifting,
speaking
by
rote)
The
fundamentals,
yes.
Which
I
am
in
great
need
of.
I
have
raw
talent,
but
it
needs
shaping
if
I
want
a
career
in
ballet.
And
for
that,
there’s
no
better
place
than
the
CBA.
33
Tiny
Pretly
Yhings
101
Second
Draft
pg.
33.
MONIQUE
Couldn’t
have
said
it
better
myself.
ZANDARA
Thank
you,
Neveah.
And
good
luck.
Quietly
proud,
Neveah
smiles
as
Zandara
and
Vernon
exit.
MONIQUE
You
had
a
script.
NEVEAH
Sorry.
It’s
just...
I
had
a
life
too.
Watching
the
reporter
exit,
Neveah’s
confidence
wavers
under
Monique’s
harsh
glare.
ELSEWHERE:
The
party
loosens
up.
Bette
stands
with
Delia.
BETTE
Why're
you
here
slumming
with
students?
DELIA
I
figured
if
Ramon
was
coming...
BETTE
Yeah.
Smart.
Keep
an
eye
on
him.
Bette
drinks
deep,
all
smiles
as
Katrina
leads
Ramon
over.
KATRINA
Ramon
Costa,
may
I
present
my
daughter
Bette,
the
CBA’'s
next
star
graduate.
DELIA
He's
already
working
with
a
graduate.
BETTE
not
potato
chips,
Delia.
You
can
have
more
than
one.
RAMON
(smoothing
waters)
Bette.
What
makes
you
stand
out?
BETTE
My
passion,
musicality...
and
a
wicked
ballon.
But
don’t
take
my
word
for
it.
Watch
me
in
class
tomorrow.
RAMON
Not
in
the
habit
of
viewing
students.
DELIA
Or
setting
ballets
on
them.
34
Tiny
Pretly
Things
101
Second
Draft
pg.
34.
BETTE
Too
bad.
You
might
be
surprised.
interrupted
by
Ramon’s
phone
BUZZING,
a
new
text:
U
R
finished.
Ramon
steps
away
to
type
back:
What
do
U
want?
ELSEWHERE:
Neveah
works
the
room
with
Oren
and
Nabil.
They’re
glad-handing
various
Donors
and
retired
Dancers.
Then
Neveah
sees
her:
Delia
Winslow.
She
braves
an
approach.
NEVEAH
Just
gotta
say
it:
huge
fan.,
I'm
sure
you’re
sick
of
hearing
it,
but
your
Giselle?
They
streamed
it
at
this
big
theater
in
LA
and
I
begged
my
dad
to
take
me.
When
I
saw
how
much
feeling
you
could
pack
into
those
old
steps...
it
showed
me
what
ballet
could
be.
DELIA
You’'re
very
kind.
NEVEAH
Neveah
Stroyer.
Just
got
into
town.
DELIA
I
saw
Monique
parading
you
around.
NEVEAH
Yeah,
except
I'm
not
sure
I
landed
my
jumps,
you
know
what
I
mean?
DELIA
Don’'t
worry,
Monique
wants
her
ballerinas
to
kick
high
and
keep
quiet.
Neveah
takes
in
her
encouragement
as
Bette
weaves
over.
BETTE
This
one
wears
your
shoes.
DELIA
My
what?
BETTE
Your
pointe
shoes,
crams
her
bunions
into
them
like
she’s
Cinderella.
NEVEAH
Actually,
Cinderella's
feet
did
fit.
DELIA
Bette,
have
you
been
drinking?
35
Pretty
Things
101
Second
Draft
pg.
35.
NEVEAH
Did
nobody
here
get
told
fairy
tales?
BETTE
We
were
too
busy
living
them!
This
isn’t
your
world,
Neveah.
You’'re
no
ballerina.
NEVEAH
Well
someone
here
must
think
I
am.
BETTE
You
get
it,
do
you?
DELIA
Bette,
quit
it.
BETTE
The
only
reason
Monique
let
you
in
here
was
to
fix
her
image,
give
the
Academy
a
shiny
new
distraction
to
talk
about
instead
of
that
stupid
girl
bleeding
out
on
the
street.
But
you’re
even
stupider,
can’t
see
they’‘re
using
you.
No,
you’d
rather
stand
here
star-
fucking
my
sister.
Sister?
Reeling
from
the
connection,
the
insults,
awful
logic...
Neveah
moves
to
leave,
passing
others
in
her
search
of
an
exit.
DELIA
Hey.,
If
you’re
here?
You’'re
good.
But
Neveah
just
pushes
past,
accidentally
toppling
a
CBA
display.
Others
watch
as
she
rushes
out.
Baffled,
Oren
locks
to
Bette,
who
only
shrugs.
BETTE
The
Stroyer.
Living
up
to
her
name.
Elsewhere,
Monique
sighs.
Katrina
passes
her:
KATRINA
You
don’t
fix
this?
You're
out.
Monique
swallows
hard:
her
job
is
far
from
done.
EXT.
WINSLOW
MANSE
-
NIGHT
A
shattered
Neveah
paces,
grappling
with
fury
and
regret.
Something
pulls
her
focus:
a
glint
of
metal
in
the
garden.
Picking
it
up,
she
pulls
a
drawstring,
unearthing
a
half-
charred
hoodie
like
the
rooftop
Hooded
Friend's
(though
Neveah
doesn’t
yet
know
it).
She
studies
it,
puzzled
--
36
Tiny
Pretty
Things
101
Second
Draft
pg.
36.
Her
RINGING
phone
fractures
the
moment.
Stashing
the
hoodie,
she
takes
a
FaceTime
call
from
her
brother
TYLER
(19).
NEVEAH
Hey
Ty.
TYLER
(ON
FACETIME)
Nugget.
Got
your
text.
What’s
wrong.
NEVEAH
Nothing.
Tyler
adjusts
his
phone,
revealing
he’s
in
a
wheelchair.
TYLER
(ON
FACETIME)
You‘re
doing
that
thing
you
do
when
trying
not
to
cry.
NEVEAH
I
don’t
have
a
thing
I
do.
TYLER
{ON
FACETIME)
Hell
yeah
you
do.
You
know,
for
a
star
dancer,
your
muscle
control
sucks.
NEVEAH
S0
does
my
sitch
here.
I
need
money.
I'11l
pay
you
back
when
I
get
home.
I'11l
do
those
princess
birthday
things...
TYLER
(ON
FACETIME)
You’re
not
coming
home.
NEVEAH
It’s
not
working.
They
got
me
playing
some
crazy
script
that
isn’t
even
me.
Nabil
exits
the
house.
In
the
darkness,
he
listen
on.
TYLER
(ON
FACETIME)
Neevie,
you
did
it
--
you
got
out.
NEVEAH
What
for?
I
came
here
to
dance,
to
get
better
at
the
one
thing
in
my
stupid
crazy
life
I
can
hold
onto
-~
the
only
thing
I
ever
loved.
Only
they
care
about
that.
TYLER
(ON
FACETIME)
So
what?
NEVEAH
I
don’t
fit
in!
37
Tiny
Pretty
Yhings
101
Second
Draft
pg.
37.
TYLER
Well
halle-fucking~lujah!
What
dancer
wants
to?
You
ain’t
ever
getting
this
chance
again,
Nugget.
So
you
take
everything
you
can
from
those
fuckers
and
when
you’re
done?
Stratosphere.
Neveah
has
to
laugh,
basking
in
her
dear
brother’s
tough
love.
Turning,
she’s
startled
to
see
Nabil
in
the
shadows.
NEVEAH
TYLER
(ON
FACETIME)
(CONT'D)
Nabil.
Hey.
Stratosphere!
Stratos
--
She
ends
the
call,
mustering
a
smile.
NABIL
If
you
need
someone
else
to
tell
you
you
are
a
good
dancer?
You
already
have
your
answer:
you
aren’t.
NEVEAH
I
know,
and
it‘s
great
they
got
people
like
us
in
school,
who
don’t
look
like
we
jumped
out
of
a
music
box.
But
how
many
of
us
ever
make
it?
CUSSING
can
be
heard
behind
the
garden’s
back
fence.
NABIL
If
we
are
good,
we
succeed.
NEVEAH
I
see
who
ballet
companies
hire.
And
most
of
the
time,
I
don’'t
see
me.
Behind
her,
Nabil
coolly
eyes
Shane
scaling
the
ramparts.
NABIL
Shane.
Party
is
over.
SHANE
“Party”
is
definitely
not
over,
Nabil.
And
trust
me,
Little
Rat,
girls
like
you
have
been
dancing
a
long
time.
Say
the
word
if
you
ever
want
proof.
Neveah
scoffs
as
his
words
(and
Shane
himself)
land.
EXT.
ACADEMY
ROOFTOP
-
NIGHT
Emotions
churning,
June
contemplates
the
city
view.
But
sounds
distract
her
from
her
reverie
--
SLOW
STEPS
ON
THE
GRAVEL.
Someone
elge
is
up
there.
June
searches
the
darkness,
knows
she’s
cornered
by
this
deadly
ledge.
*
%
38
Tiny
Pretty
Things
101
Second
Draft
pg.
38.
Panic
rising,
June
scurries
through
shadows
to
the
rooftop
stairwell
door’s
sliver
of
light.
She
hears
SCUFFLING
around
the
corner.
Holding
her
breath,
she
makes
a
dash
~-
Straight
into
the
shadowy
figqure.
June
SCREAMS
IN
TERROR.
Puffing
with
fear,
June
is
stunned
to
see
that
it’'s...
JUNE
Officer
Diaz.
Oh
my
God...
ISABEL
Didn’t
think
anyone
else’d
be
up
here.
JUNE
Hidden
key.
Everyone
knows
it.
ISABEL
I
see.
It’s
June
Park,
yes?
JUNE
Isn’t
your
investigation
over?
It‘s
open-and-shut,
the
girl
jumped.
ISABEL
Then
how’d
she
land
on
her
back?
JUNE
Maybe
she
wasn’t
interested
in
admiring
the
view
on
her
way
down.
ISABEL
No
history
of
depression,
no
note
--
JUNE
Who’d
read
it?
We
all
admired
Cassie,
but
we
didn’t
much
like
her.
ISABEL
Yes.
A
raft
of
rivals.
And
this.
She
shows
scuff
marks
in
the
gravel,
leading
to
the
ledge.
ISABEL
Someone
backed
away,
tried
to
get
free.
June
sizes
up
the
scuffs,
unable
to
deny
their
eloquence.
JUNE
...
You
saying
she
was
pushed?
Isabel
watches
June
take
it
in,
shaken.
She
reaches
out:
ISABEL
Hey.
I'm
not
saying
anything
yvet.
39
Yiny
Pretty
Things
101
Second
Draft
pg.
39.
JUNE
You
know
she’d
never
shut
up.
It’'d
be
lights
out
and
Cassie’s
in
her
bed,
blathering
on
about
the
best
way
to
tie
a
bun
or
rock
a
triple
pirouette.
I'd
be
begging
her
to
clam
it
so
I
could
get
some
shut-eye.
And
now
she’s
gone,
it’s
so
quiet.
And
guess
what.
ISABEL
Now
you
can’t
sleep.
MUSIC
UP
as
Isabel
offers
her
business
card.
ISABEL
(CONT'D)
Look,
I
may
not
know
Swan
Lake
from
a
Nutcracker,
but
I
know
danger
when
I
see
it.
And
something
about
this
place
is
wrong.
Folks’ll
get
hurt
if
we
don‘t
shine
a
light.
Will
you
help
me?
Sizing
up
the
card,
June
pulls
herself
together.
JUNE
There’s
rules,
Officer.
And
not
the
one
around
here
to
break
them.
June
goes
inside,
leaving
Isabel
with
her
thoughts.
EXT.
WINSLOW
MANSE
-
NIGHT
MUSIC
CONTINUES
as
our
young
dancers
cut
loose
in
the
pool,
now
joined
by
Shane,
Caleb,
Esmé
and
other
CBA
escapees.
In
underwear,
some
topless,
Shane
of
course
buck-naked.
CASSIE
(V.O.)
All
day
someone
else
controls
what
you
eat,
what
you
wear,
how
you
move
and
who
you
touch.
Oren
and
Shane
wrestle,
chummy
pals.
Others
goof
off,
basking
in
this
rare
chance
to
goof
off,
connect
and
play.
CASSIE
(V.0.)
You're
strapped
into
the
roller
coaster
with
your
worst
competitors.
Holding
back
at
the
pool’s
edge,
Neveah
meets
eyes
with
Bette
across
the
steaming
pool
working
through
a
vodka.
CASSIE
(V.0.)
But
what
nobody
else
gets
is,
those
rivals
are
also
the
only
people
who
get
you,
who
celebrate
you
for
who
you
are
and
challenge
you
to
do
better.
(MORE
)
40
Yiny
Pretty
Things
101
Second
Draft
pg.
40.
CASSIE
(V.0O.)
(CONT'D)
There’s
no
better
way
to
say
it:
they’re
your
tribe.
Neveah
steps
out
of
her
dress...
and
jumps
in.
She
joins
the
others,
knowing
all
the
while
Bette’s
staring
daggers.
EXT.
PILSON
STREET
AND
CHICAGO
BALLET
ACADEMY
-
NIGHT
Whispering
and
giddy,
the
wet-haired
dancers
walk
the
deserted
street.
Neveah
sees
Delia
Winslow
over
and
over...
her
photo
on
lamppost
banners
for
Griffin
season.
NEVEAH
I
can’t
believe
you
trucked
all
the
way
out
there
just
for
a
swim.
SHANE
Hell,
I
was
just
warming
up.
Would
you
believe
I'm
getting
lucky
tonight?
She
chuckles
as
he
races
off
to
join
others
at
the
Academy
side
door.
She
takes
a
last
breath
before
bed.
Oren’s
nearby:
OREN
It’s
strange
at
first,
sleeping
with
bars
on
your
window.
NEVEAH
Actually,
they’1ll
feel
just
like
home.
OREN
Right.
Glad
you
jumped
in
with
everyone.
NEVEAH
Well,
not
everyone.
OREN
She’s
on
her
guard.
Give
her
time.
He
looks
to
Bette
at
the
side
door,
trying
to
pull
it
open.
BETTE
Treena
was
supposed
to
prop
this
open!
ESME
They
catch
us
out
here?
We’re
dead.
Neveah
considers
the
elevation,
then
OOMPH,
she
jumps
up
to
the
first-story
grilles,
beginning
to
scale
the
building.
SHANE
Girl,
what
are
you
doing?
NEVEAH
Getting
you
guys
in.
Hang
tight.
41
Tiny
Pretty
Yhings
101
Second
Draft
pg.
41.
The
Dancers
watch
Neveah
use
her
flexibility,
strength,
balance
and
courage
to
pull
herself
from
bar
to
pipe
to
window
ledge.
It’s
like
Cassie’s
fall
in
reverse,
as
she
makes
her
way
up
a
thrilling
route
to
an
open
window
above.
INT.
ACADEMY
DORMITORY,
WOMAN'S
COMMON
ROOM
~
NIGHT
The
room
now
in
darkness,
Neveah
pulls
herself
through
the
window,
permitting
a
satisfied
smile.
She
did
it.
She’s
crossing
to
the
door
when
FICK
--
a
spotlight
hits
her:
Monique’s
flashlight
and
voice
piercing
the
darkness.
MONIQUE
You
know
the
first
rule
of
the
Chicago
Ballet
Academy?
Startled,
Neveah
sees
Monique
in
a
chair.
Waiting.
NEVEAH
Don’t
get
messy
with
a
Winslow?
MONIQUE
Honor
the
sanctity
of
the
art-form.
NEVEAH
It’s
my
fault,
Ma’am.
Should’‘ve
known
better.
Monique
sighs,
moving
to
exit
--
but
Neveah
stops
her.
NEVEAH
(CONT'D)
But
I
also
did
what
you
wanted,
stood
in
your
spotlight
as
best
I
could.
That’s
gotta
be
worth
something.
MONIQUE
Yes.
But
how
much,
and
for
how
long?
INT.
ACADEMY
DORMITORY,
OREN
AND
SHANE'S
ROOM
~
NIGHT
Shane
is
naked,
his
lithe,
beautiful
body
put
to
good
use.
(He
got
lucky
after
all.)
Then
reveal...
...
He's
with
Oren,
having
hot
and
heavy
sex.
Shane
goes
in
for
a
kiss,
but
Oren
flinches.
OREN
Hey.
You
know
I
don’t
go
there.
SHANE
It's
just...
I
kinda
do.
OREN
Shane,
we're
just
helping
a
guy
out
here.
42
Tiny
Prefly
Things
101
Second
Draft
pg.
42,
SHANE
Right.
Not
like
this
means
anything.
But
beneath
Shane’s
bravado,
it
clearly
means
a
lot.
He
hovers
over
Oren,
moving
to
suck
him
off...
but
Oren
stops
him,
noting
the
musculature
in
his
friend’s
lower
abs.
OREN
How
get
your
V-cut
like
that?
SHANE
about
we
use
our
anatomy,
not
talk
about
it.
But
Oren’s
up,
enviously
examining
his
roommate’s
muscles.
OREN
Seriously
though,
what’s
your
secret?
SHANE
Dunnc.
I
just
dance.
OREN
I
worked
all
summer
on
my
external
obliques,
trying
to
carve
out
a
set.
But
I
can’t
get
your
results.
Shane
lies
back
as
Oren
examines
him,
sexy
as
a
tick-check.
SHANE
Lucky
me.
INT.
ACADEMY,
SHOE
ROOM
-
NIGHT
Thin
lights
pilerce
the
shadows,
giving
the
room
an
eerie
vibe.
Neveah
enters
barefoot,
wearing
that
ratty
old
LA
tutu.
She
inspects
the
shelves
full
of
shoes.
Neveah's
startled
to
find
June
in
the
corner,
feet
in
a
medieval-looking
stretching
device.
NEVEAH
June.
I
didn’t
see
you.
JUNE
Nobody
does.
Unsettled,
Neveah
turns
back
to
regard
the
seemingly
endless
shelves
--
and
sees
Delia
there,
en
pointe.
NEVEAH
...
Delia?
DELIA
Dropping
off
the
trash,
all
for
you.
43
Tiny
Prefty
Things
101
Second
Draft
pg.
43.
NEVEAH
How
do
I
know
I‘m
the
right
fit?
June
looks
up
from
torquing
her
feet.
DELIA
Just
keep
your
neck
long,
your
hips
small,
and
your
arches
high.
JUNE
And
bone.
They
want
to
see
bone.
June
keeps
cranking
until
there’s
an
awful
CRACKING.
NEVEAH
June,
stop.
You're
going
too
far.
June
just
gives
a
delighted
laugh,
even
as
blood
seeps
out.
NEVEAH
(CONT’D)
You
need
help.
Help!
Neveah
tries
to
escape
but
there’s
no
door
only
shelves.
Between
stunning
jumps,
Delia
shouts
encouragement:
DELIA
The
only
way
out
is
up.
Neveah
clambers
up
shelves
as
pointe
shoes
rain
down
on
her.
NEVEAH
Mom.
Mom,
help
me.
Shoes
cascading,
she
sees
a
hand
reaching
out
a
high
shelf.
NEVEAH
Mom!
Climbing
crazy-high,
Neveah
takes
her
hand.
Then
sees...
It’s
not
her
mother
inside.
Cassie,
deathly
pale.
NEVEAH
(CONT'D)
Cassie...?
CASSIE
You
should
never
have
come.
NEVEAH
No.
Cassie
no.
Please
don’t!
But
Cassie’s
now
pouring
shellack
over
Neveah's
hands.
Neveah
tries
to
hold
on,
but
her
grip
soon
slips...
44
Tiny
Pretty
Things
101
Second
Draft
pg.
44.
NEVEAH
(CONT’D)
Noooo!!l!l
...
And
she’s
falling,
falling,
falling...
INT.
ACADEMY
DORMITORY,
NEVEAH
AND
JUNE'S
ROOM
-
NIGHT
OOMPH!
Neveah
wakes.
Shaken
by
her
dream,
she
tries
to
calm
herself.
June
snorfles
in
bed.
The
radiator
pings.
Neveah
moves
to
shut
off
June'’'s
bedside
lamp,
pulling
up
June’s
covers
then
sees
she’d
fallen
asleep,
iPhone
in
hand.
Gingerly
removing
it,
she
sees
June’s
last
text:
Love
U
Mom.
Unanswered.
Wistful,
Neveah
sets
it
down.
Then
pulls
out
Cassie’s
half-photo
on
the
boat:
a
pretty
girl,
life
cut
short.
She
turns
to
view
the
wakening
city.
INT.
ACADEMY
DORMITORY,
WOMEN’S
HALLWAY
-
DAWN
Shellacked
pointe
shoes
outside
every
closed
door.,
Dressed
to
dance,
Neveah
walks
along,
headphones
around
her
neck.
INT.
ACADEMY
DANCE
STUDIO
-
DAWN
At
the
doorway,
Neveah
hesitates,
surprised
to
find
someone
already
in
the
studio.
It’s
Bette,
sweating
in
the
dawn
light
as
she
tries
to
perfect
the
pirouette
that
Brooks
had
corrected
her
on.
Over
and
over
she
turns,
turns,
turns.
Neveah
watches,
impressed.
But
not
Bette,
who
curses
herself
harshly.
BETTE
Pathetic.,
You’'re
shit.
Catching
Neveah
in
the
mirror,
she
pulls
herself
up.
BETTE
(CONT'D)
Here
to
steal
my
secrets?
NEVEAH
No
thanks.
Got
my
own.
BETTE
Thanks
for
taking
the
fall
last
night.
As
Bette
continues
her
attempts
at
repeated
pirouettes,
Neveah
ventures
inside,
starting
her
own
warm-up.
NEVEAH
You're
thinking
about
it
too
much.
Trying
to
show
how
hard
you’re
working
like
it
gets
you
points
or
something.
45
Tiny
Prety
Things
101
Second
Draft
pg.
45.
Bette
fires
a
withering
glare,
but
Neveah
continues.
NEVEAH
(CONT'D)
Except
nobody
wants
to
see
us
sweat.
Die
all
you
want
on
the
inside,
but
ballet
gives
us
the
tools
to
hide
pain
so
long...
you
forget
it‘s
in
you.
BETTE
I've
had
the
country’s
top
teachers
--
NEVEAH
and
look
where
they
got
you.
But
hey,
you
keep
taking
off
from
that
stodgy
old
Cecchetti
fourth.
Fuming,
Bette
goes
back
to
her
work.
Neveah
shrugs,
does
her
own
warm-ups.
But
in
time,
Bette
can’t
help
herself:
BETTE
You
know
you
want
to
say
something,
so
just
say
it.
NEVEAH
Wouldn’t
want
to
mess
you
up...
BETTE
Please.
Bette
meets
her
eyes,
their
first
real
bond.
Neveah
steps
in:
NEVEAH
What
I
do
is
I
think
of
my
hips
turning
on
an
axis.
Then
when
you
start
your
turn?
Stay
in
your
plié
longer
before
you
relevé.
That
way
you’re
half-way
into
your
turn
before
up.
BETTE
So
it’s
a
cheat.
NEVEAH
Call
it
a
dance-hack.
Bette
gives
it
a
grudging
try,
to
undeniably
better
results.
NEVEAH
Good.
Now
even
later
on
the
relevé.
Bette
tries
again.
An
exhilarated
laugh
--
it
works.
NEVEAH
(CONT'D)
Now
dancing
like
a
Winslow.
(off
Bette’s
cooling
look)
Supposed
to
be
a
compliment.
46
Pretty
Things
101
Second
Draft
Pg.
46.
BETTE
You
know
what
it's
like
having
a
sister
who
just
made
youngest
principal
dancer
in
The
Griffin’s
history?
People
think
Delia’s
why
I
even
got
in
their
school.
NEVEAH
Well
I
BETTE
Thank
you.
NEVEAH
I
think
your
parents‘
money
got
you
in.
Burn!
The
two
stare
each
other
down...
then
Bette
grins.
BETTE
Which
is
why
crack
of
dawn,
I'm
here.
MUSIC
STARTS
as
Neveah
pops
on
her
headphones,
a
killer
track
£illing
her
with
life
as
she
starts
to
warm
up.
INT.
ACADEMY
DORMITORY,
NEVERH
AND
JUNE'S
ROOM
-
DAWN
MUSIC
CONTINUES
as
June
redoes
her
hair
over
and
over,
obsessively
trying
to
get
it
into
the
perfect
bun.
INT.
ACADEMY
DORMITORY,
OREN
AND
SHANE'S
ROOM
-
DAWN
MUSIC
CONTINUES:
Finishing
push-ups,
Shane
stands
puffing,
assessing
himself
in
the
mirror.
Spotting
a
condom
wrapper,
he
tosses
it
in
the
trash...
to
join
two
others.
EXT.
ACADEMY
ROOFTOP
-
SUNRISE
MUSIC
CONTINUES
as
Nabil
finishes
salah,
the
Muslim
prayer.
It’s
a
private,
peaceful
moment
before
the
day
ahead.
Emerging
from
the
staircase
door
behind
him,
Caleb
is
surprised
to
see
Nabil
rolling
up
his
small
rug,
regarding
the
roof-edge
with
a
cryptic
expression.
Unseen
against
the
elevator
penthouse,
Caleb
watches
with
contempt.
INT.
ACADEMY
DORMITORY,
BATHROOM
-~
DAY
MUSIC
CONTINUES
as
Oren
pukes
in
the
toilet,
then
leans
against
a
partition,
pinching
(nonexistent)
belly
fat.
He
takes
a
ledger
from
its
hiding
spot,
logs
the
deed.
In
it,
an
obsessive
recording
of
everything
eaten,
every
purge.
He
gives
a
calming
breath...
then
walks
out
the
door.
47
Tiny
Pretly
Things
101
Second
Draft
pg.
47.
INT.
ACADEMY
INFIRMARY
DAY
MUSIC
CONTINUES:
Bette
winces,
taping
her
bruised
foot
for
the
day
ahead.
She
examines
it
sadly,
girding
herself...
then
pulls
off
a
bloody
before
sliding
her
foot
into
the
plush
and
comforting
veil
of
a
silicone
sleeve.
INT.
ACADEMY
DANCE
STUDIO
-
DAY
MUSIC
CONTINUES
as
Neveah
strides
through
the
room.
Hours
later,
it’s
now
full
of
students
warming
up
before
class.
This
time
she
claims
that
empty
spot.
Cassie’s
spot.
Others
look
askance
as
she
grips
the
barre
and
confidently
launches
her
first
demi-plié.
Shane
nods:
you
go,
girl.
INT.
ACADEMY
REHEARSAL
STUDIO
-~
DAY
(LATER)
Pacing
through
the
class,
Brooks
addresses
the
Dancers.
BROOKS
Partnering.
It’s
about
working
together,
yes,
but
also
about
opposition,
finding
a
language
of
reach
and
response,
archer
meets
arrow.
Bette
glances
to
Nabil.
She
knows
her
future
and
likes
it.
BROOKS
(CONT'D)
A
partner
need
not
be
a
friend.
Nureyev
was
twenty
years
younger
than
Fonteyn.
Hallberg
and
Osipova
don’t
even
speak
the
same
language.
But
through
dance,
you’ll
find
a
bond
or
die
trying.
Bette
and
the
others
listen
expectantly
as
Brooks
continues.
BROOKS
(CONT'D)
Ann,
you’ll
dance
with
Raul.
Sarah,
you're
with
Troy.
Willa
and
Kyle.
Lindy
and
Matthew.
Esmé
and
Caleb.
Neveah
and
Oren.
June
and
Nabil...
Bette
and
Shane.
JUNE
Wait.
I'm
with
Nabil?
As
pairs
assemble,
Bette
screws
up
the
guts
to
approach
Brooks
and
save
herself.
BETTE
Mr
Brooks,
aren’t
I
paired
with
Nabil?
BROOKS
Ballet
is
ever-changing,
Miss
Winslow.
48
Yiny
Pretty
Things
101
Second
Draft
pg.
48.
BETTE
I
just
think
I'm
better
off
with
him.
He’'s
taller,
je
parle
frangais,
and
he’s,
you
know...
my
level.
BROOKS
Shane’s
a
fine
dancer
quite
capable
of
partnering
you.
Or
do
you
question
—--
BETTE
course
not.
Thank
you,
Sir.
Turning
from
his
scathing
look,
Bette
sees
Shane
waiting.
SHANE
Try
to
contain
your
enthusiasm.
BETTE
You'd
better
fucking
dance.
INT.
ACADEMY
REHEARSAL
STUDIO
-
DAY
(LATER)
Brooks
continues
setting
a
duet
on
the
various
dancers.
BROOKS
This
is
Romeo
and
Juliet,
people
--
a
brewing
romantic
relationship.
Show
us
what
draws
the
two
of
you
together.
As
they
work,
Monique
arrives,
Ramon
in
tow.
A
ripple
through
the
room
as
every
dancer
turns
to
look.
BROOKS
(CONT'D)
All
right,
let’s
focus.
Now
cambré.
Ramon
watches
on
as
Brooks
(himself
rather
unsettled
by
this
unexpected
audience)
continues
setting
the
piece.
BROOKS
({CONT'D)
And
promenade...
Ramon’s
phone’s
BUZZES.
Below
his
earlier
text
(What
do
U
want?)
now
sits
an
answer:
Stay
out
of
New
York.
Forever.
Monique
looks
over,
looking
to
draw
back
Ramon’s
focus.
MONIQUE
BROOKS
(CONT'D)
Everything
okay?
Tombé
croisée,
ladies...
RAMON
BROOKS
(CONT'D)
Just
a
message
from
an
old
No
one
needs
to
see
that
friend.
transition
en
face!
Mustering
a
smile,
Ramon
pockets
the
phone,
forcing
himself
to
watch
class.
But
it’s
clear,
he’s
shaken
to
the
core.
*
3%
*
%
%
49
Tiny
Pretly
Things
101
second
Draft
pg.
49.
BROOKS
(CONT'D)
Caleb,
get
Esmé&
on
her
leg
there.
Further
forward,
that’s
better.
Nabil,
nice
elevation
on
that
partner
June
keeps
dancing,
once
again
invisible.
BROOKS
(CONT'D)
No,
no.
What
is
this.
Bette,
it’'s
a
soutenu
straight
into
grand
ronde,
not
from
passé.
You
understand?
Bette
turns
to
her
partner
(Shane)
and
tries
again.
BROOKS
(CONT'D)
More
abandon
in
that
tombé.
This
is
when
they
fall
in
love!
From
the
top.
Flustered,
Bette
hisses
at
her
partner
as
they
dance:
BETTE
Hold
my
hips,
not
my
waist.
Put
me
more
over
my
supporting
leg.
Shane
may
loathe
Bette
outside
the
studio,
but
he’s
truly
trying
his
best.
Besides,
Ramon
fucking
Costa
is
watching.
BROOKS
Bette,
the
transition
into
the
fouetté
is
late.
Get
into
passé
sooner.
BETTE
I
if
he
won’t
put
me
on
my
leg.
BROOKS
That's
not
the
problem
here.
You
need
to
anticipate
the
piqué
and
spot.
BETTE
But
if
Shane
would
--
BROOKS
I
didn’t
correct
Shane.
I
corrected
you.
Again.
stung,
Bette
quietly
panics,
gets
rigid,
loses
her
flow.
BROOKS
(CONT’D)
Wrong.
Again.
Just
the
two
of
you.
While
Bette
struggles,
Shane
leans
in,
quietly
bolstering.
SHANE
Come
on,
Girl.
You
got
this.
50
Tiny
Pretty
Things
101
Second
Draft
pg.
50.
They
launch
into
the
dance.
They’re
trying,
God
knows.
BROOKS
Up,
Goddamnit.
Go
up!
And
then
it
happens.
Bette
turns
wrong
in
the
air,
slipping
through
Shane’s
hands...
...
And
falls
hard
on
the
floor.
SHANE
Lordy
fuck,
you
okay?
BETTE
I'm
fine.
As
she’s
swatting
him
off,
Brooks
comes
in
to
check:
BROOKS
You
sure?
BETTE
Yes.
Let’s
do
it
again.
But
Brooks
can
see
furtively
nursing
a
damaged
ankle.
It’s
her
turn
to
receive
Brooks’
blistering
words:
BROOKS
spare
you.
With
a
nervous
glance
to
Monique
(why
oh
why
did
she
have
to
watch
class
today?)
Brooks
paces
through
his
Dancers.
BROOKS
If
a
preparation
ideal,
you
don’t
change
the
steps
--
you
change
yourself.
You
adapt
to
save
it.
Ashen
and
for
once
sincere,
Shane
sidles
up
besides
Oren.
SHANE
Oren,
I'm
SO
SOYry
=—-—
OREN
Don‘t
worry.
She’s
all
right.
Brooks
continues,
scanning
the
Dancers.
BROOKS
Anyone
here
paying
attention?
The
room
goes
quiet,
every
couple
afraid
to
brave
it.
Then?
NEVEAH
We
are.
51
Tiny
Pretly
Things
101
Second
Draft
pg.
51.
Oren
darts
a
look
to
Neveah:
you
crazy?
Neveah
nods.
NEVEAH
Let’s
rock
this.
She
takes
his
hand
and
leads
him
into
the
center,
taking
the
initial
position
awaiting
the
Pianist’s
cue.
On
the
margins,
Monique
turns
to
Ramon:
MONIQUE
We
can
go
now.
The
two
are
moving
to
exit
when
the
MUSIC
STARTS
and
the
duet
launches.
BROOKS
More
extension
out
of
that
rond
de
jambe,
travel
more
here,
Glancing
back,
Ramon
hesitates,
not
guite
ready
to
leave.
BROOKS
(CONT'D)
it,
trust
his
timing
on
that
lift.
Yes.
Brooks
falls
silent
as
the
music
seems
to
SWELL
TO
FULL
ORCHESTRA,
Students
fading
from
view.
A
miraculous
moment,
two
people
who
barely
know
each
other...
they
just
dance.
Oren’s
hands
anticipate
her
every
move,
his
lifts
are
strong,
his
leaps
never
higher.
Neveah
seems
weightless,
her
extensions
breathtaking.
Their
lines
perfectly
complementing
each
other,
they
dance
their
hearts
out.
As
soon
as
it
began,
the
duet
ends.
The
room
falls
silent.
Brooks
just
nods
--
his
version
of
a
rapturous
*“bravo.”
Neveah
and
Oren
share
an
elated
hug.
Over
his
shoulder,
Neveah
meets
Ramon
Costa’s
eye.
He’d
come
to
watch
Bette,
but
here
he
is,
eye
on
the
wrong
girl.
BROOKS
(CONT’'D)
All
right
then.
We
continue
tomorrow.
But
Ramon
(surprising
even
himself)
steps
into
the
room.
RAMON
Tomorrow
is
spoken
for.
Tomorrow
we
begin
auditions.
The
rep
for
this
term
is
no
longer
The
Sleeping
Beauty.
Tomorrow
I
begin
work
on
a
new
ballet.
Hearing
this,
Monique
smiles,
Students
marvel.
June
wilts:
52
Yiay
Pretly
Things
101
Second
Draft
JUNE
No
Sleeping
Beauty?
...
And
Bette
seethes
at
Neveah...
...
While
While
the
BETTE
That
little
bitch.
Ramon
continues,
building
a
head
of
steam.
RAMON
Instead
we
create
a
ballet
of
passion
and
darkness
on
the
edge
of
desire.
We
tell
the
story...
of
Jack
the
Ripper.
SHANE
The
sex
maniac
who
killed
those
women?
MONIQUE
We’ll
find
something
more
appropriate.
RAMON
What
could
be
better?
We
live
in
a
dark,
twisted
world
full
of
loss,
violence
and
shadowy
truths,
where
brave
women
beat
back
the
darkness.
Monique
DuBois?
You
have
your
ballet.
MONIQUE
Auditions
tomorrow.
Now
rest
up.
Students
chatter
and
pack
up,
Monique
leans
MONIQUE
(CONT'D)
Just
know,
Ramon,
we
already
have
our
favorites.
RAMON
And
so
do
I.
An
inspired
glint
in
his
eye,
he
watches
Neveah
exit.
INT.
ACADEMY
DORMITORY,
WOMEN’S
HALLWAY
-
DAY
pg.
52.
ins
Neveah
passes
admiring
looks
and
congratulations.
It’s
a
sweet
moment
of
victory,
unsettled
by
the
burden
of
what
comes
next.
As
she
continues...
EXT.
OAK
WOODS
CEMETERY
-
DAY
Uniformed
Officer
Diaz
strides
along,
on
her
cell
phone.
ISABEL
I
appreciate
you
calling,
and
can
promise
it’s
entirely
confidential
-~
53
Ty
Pretly
Things
101
Second
Draft
pg.
53.
JUNE
(V.0.,
ON
PHONE)
Cassie
Shore
wasn‘t
alone
on
the
roof
and
Madame
DuBois
knows
it.
Isabel
hesitates,
taking
in
this
bombshell.
ISABEL
Who
was
up
there
with
her?
JUNE
(V.O0.,
ON
PHONE)
Every
Tier
Three
student.
There
was
a
secret
party.
ISABEL
“Hidden
keys.”
Every
student,
you
say?
INT.
ACADEMY
DORMITORY,
NEVEAH
AND
JUNE'S
ROOM
-
DAY
Rolling
out
her
arches,
June
continues
on
the
call.
JUNE
Well
everyone
but
me.
I
was
in
my
room,
where
I
was
supposed
to
be.
ISABEL
(V.0.,
ON
PHONE)
Thank
you,
June.
Now
if
there’s
anything
you
see
or
hear
--—
JUNE
There
won’t
be.
I‘m
not
going
to
be
here
much
longer.
EXT.
OAK
WOODS
CEMETERY
-
DAY
Surprised
by
June’'s
sudden
hang-up,
Isabel
pockets
her
phone.
She
takes
a
fortifying
breath
and
turns
to
a
well-
tended
gravesite:
Zoe
Estrella.
Sister,
daughter,
hero.
As
Isabel
pays
her
respects,
there’s
the
WHINE
OF
A
WEAPON
arcing
through
the
air...
BOOM,
a
rocket-propelled
grenade
LANDS
IN
A
DESERT
COMPOUND
kicking
up
clots
of
earth
behind
Isabel,
as
she
sprints
to
a
wounded
soldier
whose
name
Estrella
is
stitched
on
her
uniform.
The
woman
is
dying,
gasping
her
last
breaths
with
urgent
eyes.
Isabel
holds
her,
begging
her
to
hang
on...
Batting
back
her
grief,
Isabel
kneels
once
again...
this
time
to
tenderly
prune
the
grave’s
planted
flowers.
INT.
ACADEMY
DORMITORY,
NEVEAH
AND
JUNE'S
ROOM
-
DAY
June
musters
a
smile
as
Neveah
enters.
JUNE
Once
again
I'm
rooming
with
the
star.
54
Tiny
Pretty
Yhings
101
Second
Draft
NEVEAH
It
was
just
one
good
dance.
JUNE
Enough
to
keep
you
here,
and
send
me
home.
I
promised
my
mother
I'd
get
a
leading
role
in
this
year’s
showcase,
but
guaranteed,
Ramon
Costa
is
not
looking
for
innocent
virgins.
NEVEAH
So
we
fix
it.
JUNE
We
do
not
fix
it!
You
want
creative
expression?
Go
make
another
one
of
your
videos.
Here
it’s
all
about
fitting
someone
else’s
mold.
NEVEAH
No.
You
want
to
bring
it
for
Ramon
Costa?
I’ll
help
you
fire
it
up.
JUNE
Except
you
and
I,
we’'re
competing.
NEVEAH
So
I’ll
help
you
up
if
you
show
me
how
the
hell
to
rock
an
audition
for
a
role.
‘Cause
I've
got
no
clue.
JUNE
Neveah.
not
that
kind
of
dancer.
NEVEAH
We’ll
see
about
that.
SHANE
You
wanted
to
see
me?
NEVEAH
Yeah.
I‘m
saying
the
word.
SHANE
What
word?
NEVEAH
Last
night
you
said
you'd
seen
girls
like
me
dancing.
I
could
do
with
seeing
my
sweet
self
outside
of
the
mirror.
pg.
54.
At
her
wardrobe,
Neveah’s
shucking
her
dance
clothes
when
Shane
pops
his
head
in.
Shane
grins,
putting
it
together
(even
if
we
haven’t
yet).
55
Tiny
Pretty
Yhings
101
Second
Draft
pg.
55.
EXT.
PILSON,
DVORAK
PARK
-
DAY
Perched
on
a
bench
near
a
child-riddled
playground,
Bette
glowers
at
a
photo
she
holds
-~
which
has
the
same
jagged
edge
as
Cassie’s.
As
she
flips
it,
her
thumb
reveals
that
this
half
shows
Ramon
on
that
same
boat,
arm
around...
OREN
(0.S.)
Got
you
some
ice.
Bette
looks
up
to
see
Oren
carrying
over
two
greasy
food-
truck
lunches
--
and
a
bag
of
ice.
Stashing
the
photo:
BETTE
Don't
need
it.
OREN
Just
chill.
Literally.
As
Oren
lovingly
wraps
her
ankle,
she
snuggles
in
close.
Wrestling
BETTE
You
were
right.
OREN
Good.
Feels
better?
BETTE
I
mean
us
about
dancing
together
this
year.
My
parents
are
big
donors,
they
can
pull
some
strings...
with
his
next
move,
Oren
picks
at
his
lunch.
OREN
No,
you
were
right,
it’s
better
we
don’t
mix
dance
and
our
relationship.
BETTE
Why,
‘cause
you
had
one
good
pas
de
deux
on
some
easy
choreography?
OREN
Wasn’‘t
easy
for
you.
BETTE
It
would
be
if
we
were
partners.
She
doesn’t
have
the
stamina
or
technique.
Plus
who
wants
to
lift
that
every
day?
OREN
Bette...
56
Tiny
Pretty
Yhings
101
Second
Draft
pg.
56.
BETTE
She’'s
the
reason
I
fell.
She
was
at
me
this
morning,
pushing
me
to
do
more
than
I
should.
OREN
Right.
It’s
her
fault,
or
Shane’s
fault,
or
Brooks’s.
Except
you're
the
one
who
fell,
Bette.
You.
And
with
that,
Oren
walks
off,
leaving
Bette
to
watch
the
Kids
romp
on
the
playground.
She
takes
in
their
joy,
the
kind
she
never
had,
that’s
too
late
now
for
her
to
find.
INT.
CHICAGO
INSTITUTE
OF
ART
-
DAY
Neveah
walks
through
various
galleries,
past
great
paintings.
She
can’t
fathom
why
she’'s
here.
But
then
she
sees
it:
a
bronze
statue
first
viewed
from
behind.
Approaching
it
she
sees
the
tattered
tutu
(like
her
old
one)
the
dark,
lean
body.
Circling
to
view
it
from
the
front,
she’s
confronted
with
Degas’
masterpiece,
Little
Dancer
of
Fourteen
Years.
She
stands
strong,
determined.
Hungry.
NEVEAH
...
Petit
rat.
Neveah
meets
the
bronze
girl’'s
defiant
eyes,
her
brown
body,
her
rebellious
stance,
the
marriage
of
anger
and
fear...
and
recognizes
herself.
CASSIE
(V.0.)
When
you
make
that
leap,
you
fly
alone,
just
you
and
the
air
you
conguer.
It
can
help
if
there
are
others
around
you,
a
corps
de
ballet,
each
dancer
in
her
own
private
battle.
INT.
HOSPITAL
ROOM
-
NIGHT
Bougquet
in
hand,
June
sits
bedside.
CASSIE
(V.O.)
They'’re
the
company’s
lowest,
the
corps.
The
hungriest,
most
vulnerable.
June
massages
the
patient’s
leg.
Tears
fall
as
she
sobs.
JUNE
I'm
sorry,
Cassie.
So
sorry...
REVEAL
Cagsie
Shore
in
bed,
on
life-support.
Comatose.
This
perfect
body
now
can’t
even
breath
on
its
own.
57
Tiny
Pretly
Things
101
Second
Draft
pg.57.
CASSIE
(V.0.)
But
there’s
power
in
that
hunger.
You’ll
risk
more
to
get
what
you
want.
June
caresses
her
perfect
leg,
wracked
with
guilty
sobs.
She
looks
up
to
see
someone
in
the
doorway:
Nabil
here
to
visit
his
girlfriend.
Holding
a
boudquet
of
white
roses.
INT.
ACADEMY
DORMITORY,
NEVEAH
AND
JUNE'S
ROOM
-
NIGHT
Surveying
her
corner,
Neveah
takes
a
satisfied
breath
--
a
sense
of
optimism
and
possibility.
She
tries
her
first
decoration,
pinning
a
postcard
of
the
Little
Dancer.
Then
a
photo
of
her
family
--
father,
grandmother,
brother.
She
hesitates,
tacks
another
pic¢,
of
Neveah's
MOTHER
in
prison
garb,
beaming
at
the
camera
with
young
Neveah.
Turns
out
there’s
a
photo
of
her
mom
after
all.
CASSIE
(V.O.)
In
the
corps,
your
job
is
to
fit
in,
to
be
an
invisible
part
of
a
larger
body
while
others
claim
the
spotlight.
sitting
on
her
bed
to
admire
her
handiwork,
she
flinches
in
pain.
Finger
to
her
lips,
she
sucks
a
drop
of
blood.
CASSIE
(V.0.)
But
who
knows
any
of
this
shit,
and
who
really
cares?
For
most
of
the
world,
a
corps
is
just
French
for
corpse
—-
what
you
are
when
you’re
dead.
Or
when
enough
people
see
you
that
way.
Neveah
draws
back
the
blanket
to
reveal
a
white
rose,
like
the
one
that
fell
on
Cassie
(though
Neveah
doesn’t
yet
know
that).
She
unfolds
a
note:
Your
turm
to
fly.
Neveah
picks
up
the
rose,
mystified...
and
working
to
tease
out
its
meaning.
THE
END
58
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