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Tiny Pretty Yhings Episode 101 "Corps" by Michael MacLennan SECOND DRAFT January 7, 2019 FIRST DRAFT November 28, 2018 TNSURRECTION MEDIA, INC. 9696 Wilshire Boulevard, 2nd Floor Beverly Hills CA 90212 MOJO FILMS 2874 Colorado Avenue Santa Monica CA 90404
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Yiny Pretty Yhings 101 second Draft pg. L. EXT. CHICAGO BALLET ACADEMY ROOFTOP - NIGHT Under a full moon, a young Dancer scratches out pirouettes and grand jetés, the city’s sultry wind rippling her short frock as PULSING MUSIC drifts across the rooftop. One great leap reveals CASSIE SHORE (17), a lithe and stunning dancer taking crazy risks as she carves out jumps four stories above the city’s gritty Lower West Side —- atop the brick parapet crowning the Chicago Ballet Academy. In the distance, a cluster of other Dancers drink and party around a tin fire-pit -- glimpses of them laughing, stretching, massaging each other by the fire's tawny glow. Dancing on that edge, Cassie starts a fouetté, sneakers scratching on the ledge as she turns on a dime... Another pirouette, then another, whipping her head around to spot the same corner of the roof shack, her turns reaching a dizzying speed on the narrow capstone. On one pirouette, in the split-second when she turns her head... BOOM, someone has appeared in the shadows: a HOODED FRIEND leaning against that penthouse wall. Startled, Cassie nearly stumbles over the edge. Holy shit. But she steps from the brink, mustering an unsettled smile. CASSIE Hey, Stranger. The Hooded Friend's only answer is to offer a bottle of something strong. Cassie hesitates -- she really shouldn‘t. Elsewhere, the party gets wilder, the music louder, unidentifiable teens up dancing while others make out. Cassie hesitates, then braves an approach... CASSIE (CONT'D) I guess if everyone else is... ... And takes a swig. Then WHOOMPH -- the Hooded Friend grabs her. Cassie panics, scrambling to wrest herself free. CASSIE (CONT'D) Ow -- don't. Hey! But instead she gets pulled in close ~- a stiff grip on her neck has her trapped for what: A kiss? A secret? A threat?
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Yiny Pretty Things 101 Second Draft pg. 2. While the distant party rages on, Cassie pushes away to stumble backward, desperate for distance. CASSIE (CONT'D) No. No. No... Then bam: a heel hits that damned ledge. It’s unclear: did she trip or was she pushed? Either way, her arms grapple for something to hang onto but she only keels backward... EXT. NIGHT SKY - NIGHT As Cassie falls through the night, we hear her speak with a calm entirely at odds with her terrifying fall. CASSIE (V.O.) The power to fly. It’s what most of us dream of. Just knowing it’s in you, that dazzling ability. Sure, it costs you everything to find enough strength and skill to launch yourself through space. But there’s nothing finer. Cassie continues to fall, eyes wide in terror. EXT. CHICAGO BALLET ACADEMY - NIGHT BAM! Cassie hits the asphalt, her glassy eyes fixed on the view high above... that roof’s deadly edge. CASSIE (V.0.) Though you only fly for a second or two, above a stage or studio floor... before gravity takes back what you tried to steal. From above, The Hooded Friend peers down, drops a white rose. CASSIE (V.0.) Because no matter how hard you work, how strong you are or how thin you get? Petals scatter in the breeze, onto Cassie’s unmoving body. CASSIE (V.0.) Gravity always, always wins. As we PULL UP from the carnage past the building’s sign Chicago Ballet Academy (she landed smack in front of the place) sharp searing CLACKS sound like fucking gunfire... EXT. SOUTH-CENTRAL 1.OS ANGELES, DANCE ARTS STUDIO - DAY The HAMMERING POPS continue over the view of a gritty urban block, its sun-blistered sign: “Los Angeles Dance Arts.”
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Tiny Pretty Things 101 Second Draft 3. INT. DANCE ARTS STUDIO, CORRIDOR -~ DAY In these well-worn corridors, the GUNFIRE-LIKE SOUNDS grow stronger. Various diverse Teenage Dancers canter past. One warm-faced Teacher MS BANKS (55, African-American, with a dancer’s undeniable poise) strides upstream into... INT. DANCE ARTS STUDIO, DANCE STUDIO - DAY Ms Banks walks past Students of all races. busy with pre-rehearsal stretches, rolling arches, taping toes, tying pointe shoes, rosining up. She crosses to the far corner -- and the source of this damned gunshot-like BANGING now echoing off the mirrors: NEVEAH STROYER (16, African-American) kneels, wearing a busted-up tutu, threadbare tights and sweater, face etched with fierce determination. In her hand is the one pristine thing in the whole place: a pale pink satin pointe shoe. Which Neveah proceeds to SMASH into the old wooden floor. NEVEAH I gotta quiet the box. You’'re always telling me not to clomp around here like some cowgirl at a hoedown. Gonna hear a pin drop when I land my jetés. MS BANKS Well speaking of noise, I just heard -- NEVEAH I bought these babies working the birthday circuit. This whole dancing princess thing? You make good bank. MS BANKS Yes. Neveah, thing is, Chicago called. This silences Neveah -- and the whole room. Her shoe drops. NEVEAH They said they didn‘t want me. MS BANKS Well something changed their mind. There sits Neveah. Her life just changed forever. CREDITS: TINY PRETTY THINGS
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Tiuy Pretty Things 101 Second Draft Pg. 4. EXT. ACADEMY ROOFTOP AND CHICAGO BALLET ACADEMY - DAY Days later, the long-doused fire-pit blows black ash over the roof’s fateful ledge, down to the street below... .. Where Officer ISABEL DIAZ (27) reels in tattered caution tape, training a skeptical eye on a stain still tinting the asphalt. Isabel has a dancer’s ram-rod discipline, but in her case it’s from two tours of duty before she traded in one uniform for another. FLASHES of memory invade her view: The fateful night, Bystanders watching as Isabel kneels, desperately performing CPR on Cassie’s motionless body. Isabel’s police cruiser illuminating the awful scene, the girl’s glassy eyes fixed on Isabel as she pumps, pumps... Arriving Paramedics wrestle Isabel off, expertly taking over as they cart the girl into a wailing ambulance. Isabel watches on, helpless and surprisingly emotional. Then: NEVEAH (0.S.) What happened? Pulled from her reverie, Isabel turns to see Neveah on the street, scuffed luggage and wary eyes on the crime scene. TISABEL I wish I knew. Good luck in there. As Isabel finishes furling the tape, Neveah takes in the edifice: a handsome old building now brilliantly renovated with glass walls and cantilevered floors -- yet still a haunted vibe. Isabel watches kindly as Neveah enters. INT. ACADEMY HALLWAY - DAY In heels and a pencil skirt, MONIQUE DUBOIS (50s) marches along, trailed by Chicago Tribune reporter ZANDARA SEGAL (40s) and her photographer VERNON (20s). MONIQUE I’'m telling you, there’s no story. ZANDARA Oour readers beg to differ. MONIQUE The Chicago Ballet Academy has bolstered its security protocols, offered counseling to all students, and put the focus squarely back where it should be ~- training the next generation of world-class dancers.
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Tiny Pretly Things 101 Second Draft pg. 5. ZANDARA There are reports of angry parents, donors pulling out -- Clinging to her composure, Monique stops, turning. MONIQUE One star student defied our rules and sadly suffered a fateful misstep -- ZANDARA “Misstep”? She fell three stories! As Monique continues pedaling fake news, Cassie chimes in: CASSIE (V.O0.) course, the higher you fly, the more bone-shattering the landing. So you learn two tricks for when there’s trouble in the spotlight: never let them see you sweat... and give them something else to look at. Arriving is Monique’s lumpen, loyal assistant SELENA (60). SELENA She’s here. Monique nods -- excellent -- and continues her march. MONIQUE You want a story? Here’s your story. INT. ACADEMY LOBBY - DAY Luggage in hand, Neveah takes in the CBA’s breathtaking atrium. Then she sees them —- the backlit quartet bearing down on her. NEVEAH Monique DuBois. Oh my gosh... Monique wafts over with a warm smile and firm handshake. MONIQUE Neveah Stroyer, welcome to The Chicago Ballet Academy. (a calculated glance to Zandara) Our newest arrival, here on a full- ride scholarship thanks to an anonymous patron. We’ve helped a girl escape her dead-end life in Compton. NEVEAH Inglewood, actually, but --
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Tiny Pretty Things 101 Second Draft Pg. 6. MONTQUE When we see talent, we don’t ask where it comes from. You had a good flight? NEVEAH Nothing to compare it with. MONIQUE New horizons on all fronts. And your parents? Zandara, you’ll want to hear how admission to the Harvard of ballet schools can lift up whole families. NEVEAH My folks? They’re not here. As fumes at Selena for her scant briefing, Vernon snaps pics of a confounded Neveah, and Zandara steps in: ZANDARA It’s a late age to be entering such an elite academy. Dancers here have trained since they could walk. NEVEAH Well I had years of gymnastics, then ballet three years now. I like to think I‘m catching up. MONTQUE With a girl of Neveah’s talent, two years here will prime her for success. ZANDARA Dancing in Cassie Shore’s footsteps. NEVEAH Who's Cassie Shore? As Zandara takes notes, Monique shifts to damage control. MONIQUE We’ve a tired young lady here. VERNON Be in touch for a photo release. Monique snatches up his card. As Zandara and Vernon exit, Monique’s demeanor shifts, all warmth evaporating. SELENA That went over like a lead balloon. NEVEAH Was there something I was supposed to --
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Tiny Pretty Yhings 101 Second Draft pg. 7. MONIQUE Yes. And you will. But for now, get her to Adam. As Monique walks away, Neveah looks to Selena: who’'s Adam? INT. ACADEMY INFIRMARY - DAY In her underwear, Neveah lies on a padded table while kindly physiotherapist ADAM RENFREW (30) manipulates her limbs like she’s a slab of meat. She struggles with the clinical vibe. CASSIE (V.0.) They start with your bones. Then your feet, frame and flexibility. Your musicality, charisma and deference. Then after they’ve taken you apart? Eyes blazing, Neveah grabs Adam’s hand, which in moving a leg, ventured a little too close for comfort. CASSIE (V.0.) They want to see a spark. Off her fiery response, Selena looks up from her clipboard. ADAM It’'s so we can check your alignment, see how your turnout is progressing. NEVEAH They did this back at my LA audition. SELENA Records were lost. We didn’t think we'd need them. As Adam shifts to testing her feet’s structure and arch, Monique slips in to observe. Selena leans over, quietly: SELENA (CONT'D) You sure she’ll do the trick? MONIQUE It’s a start. I'm also announcing the premiere of a new ballet, in Cassie’s honor. By Ramon Costa. SELENA Ramon Costa? At this, even Adam looks up, intrigued. Selena ventures: SELENA (CONT'D) We don’t have him.
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Yiny Pretty Things 101 Second Draft pg. 8. MONIQUE Yet. Neveah, we’ve a photo of your dad here on file. What about your mother? NEVEAH What about her. ADAM We predict how you’ll develop from ~- NEVEAH Wait. Unless I'm missing something? You already accepted me. Adam shares a look with Monique, who just sighs and exits. Unease rising, Neveah takes back her clothes from Adam. NEVEAH (CONT’D) This Cassie Shore. What went down? ADAM There was an accident. NEVEAH So is that why I'm here? ADAM You're here, Neveah, because you have something special. Now go out there and make sure they see it. Neveah takes in the encouragement, and a fortifying breath. INT. ACADEMY DORMITORY, WOMEN’S HALLWAY - DAY Dragging luggage, Neveah trails House Parent TORRI STERNE (30s). Part headmaster, part ersatz mother, she’s a former musical-theater hoofer who never made it to triple-threat. TORRI You're Tier Three, ages sixteen and seventeen, doors lock at curfew, all guests sign in. Eleventh Grade academics are eight to noon which you missed today but I got your homework. Then Dance from one to six-thirty, lights out at ten. Here’s home. INT. ACADEMY DORMITORY, NEVEAH AND ROOM - DAY Neveah stands on the threshold: On her roommate’s side is an explosion of All Things Ballet: books, posters, signed pointe shoes. Her side? A plain bed, desk and wardrobe.
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Tiny Pretly Thiags 101 Second Draft pg. 9. TORRI You drink or smoke, you're out. Fail your academics? Gone. Get too skinny? Sent home. Get caught screwing a boy, or girl for that matter? Buh-bye. Basically just act like I‘'m watching everything. ‘Cause I am. Toodles. Torri leaves Neveah to unpack, liberating an array of simple dance-related garb. She marvels at her roomie’s dance-themed clock -- then notices the time: 12:55. NEVEAH Wait, did she say class is at one? INT. ACADEMY HALLWAY - DAY Neveah bolts down empty, polished halls, racing to dress herself as she runs. Then finds what she’s looking for -- INT. ACADEMY DANCE STUDIO - DAY ... Just as ballet master TOPHER BROOKS (30s, severe and feared) assembles Students for dance class. BROOKS All right everyone, let's get started. As Brooks sets the class, Neveah takes a spot at the barre running down the room’s center, ready to rock. BROOKS (CONT D) Facing the barre in sixth. Rolling through the feet four counts, repeat. But not so fast. As Dancers check out the new arrival, BETTE WINSLOW (16, blonde and ruthlessly perfect) steps in. BETTE BROOKS (CONT'D) You’re in my spot. Open to first... NEVEAH BROOKS (CONT'D) Didn’t see your name on it. ... Rolling through again... Neveah moves to claim another vacancy, now face-to-face with JUNE PARK (16, half-Korean, sweet and petite). JUNE BROOKS (CONT'D) Sorry, but that’s mine. Rise, test your balance. Neveah moves to an empty area but June stops her. JUNE BROOKS (CONT'D) And anywhere but there. Repeat in second.
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Tiny Pretty Things 101 Second Draft pg. 10. BROOKS (CONT'D) Finish with side bend right, left... Nerves cresting, Neveah turns, bumping into the chest of OREN LENNOX (17), a strapping prince of a man. OREN BROOKS (CONT'D) Everyone’s got their place. Then full rond de corps... NEVEAH BROOKS (CONT'D) Yeah? Then where’s mine? ... In each direction. BROOKS (CONT'D) Thank you, Amy, let's have a waltz please. AND! The PIANIST begins, everyone starts the exercise. Neveah’s flustered -~ where to go? From a far corner, SHANE MCRAE (16, a stacked and fiery Southern redhead) waves her over. SHANE BROOKS (CONT'D) You're in the sticks Darlin. And demi-plié... Neveah had been too distracted to learn the exercise, so is following other dancers. Brooks notices: not a good start. Working through the warm-up, the other Dancers also cast sidelong glances at her. This new arrival must be good. JUMP CUTS as Brooks leads them through plié, tendu, dégagé, rond de jambe, etc. He commands the room: “Present the heel in your tendu!l... You're tucking under, we spoke about this before... That’s not an arabesque, get it behind you!... Close your ribs... Drop your hip!” Neveah works to keep up, eyeing the barre’s one empty spot that June had stopped her from taking. Then a stern tap from Brooks breaks her focus. BROOKS (CONT'D) We don’t wear junk here. NEVEAH Junk? BROOKS You’ve covered what I need to see. Embarrassed, she strips off baggy sweats, down to leggings. BROOKS (CONT'D) And grand battements en avant... Eyes now on her, Brooks repeatedly corrects her. * %
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Tiny Pretty Things 101 Second Draft pg. 11. BROOKS (CONT'D) You're sinking into your port de bras. Sternum up. Drop your hip in second. Now lift to attitude derriére. They move on to the next step, Neveah doing her best. BROOKS No no no -- your weight's still in your heels. You need to be over your supporting leg. Who can show her? Bette doesn’t hesitate, doing the exercise beautifully. BROOKS (CONT'D) Yes. You see? Neveah tries again -- but Brooks sighs, stopping her. BROOKS (CONT'D) spare you. NEVEAH Look, I can -- BROOKS You can’t, it seems. Visiting? NEVEAH New admission. There was a last-minute vacancy. Sir. As the room falls silent, Brooks shifts gears: BROOKS I saw your shoes. They're a fiasco. NEVEAH What, I just got ‘em a week ago. As Bette leads the laughter, Neveah shifts, uneasy. BROOKS Visit the shoe room after class. Neveah darts a glance to Shane -- he talking about? LATER: On pirouettes, all dancers turning. Bette eyes the newbie instead of focussing on herself. Brooks sees all. BROOKS (CONT’D) Bette. Your weight is back and your second arm is too late. Again. They all pirouette again -~ but he’s all eyes on Bette.
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Tiny Pretly Things 101 Second Draft pg. 12. BROOKS (CONT'D) No. Try a higher passé. Bette dutifully tries, but Brooks clearly happy. BROOKS (CONT’'D) Another year, and still not a turner. LATER: it's center work, dancers crossing one by one. Then comes an astonishing jump: NABIL ZIDANE (17, French- Algerian, with the swagger of Baryshnikov and the cold eyes of a serial killer). Brooks offers his first compliment: BROOKS (CONT'D) Very good. From him, that’s a standing ovation. But Nabil shrugs it off, unmoved. In the corner, Neveah and Shane size him up. NEVEAH Wow. He’s amazing. SHANE Yeah, if you’re hot for psychos. You ask me? He pushed her. NEVEAH Pushed who? SHANE His girlfriend. Cassie. As Neveah puts things together, Shane takes his turn, launching a series of grand jetés across the room... INT. ACADEMY DANCE STUDIO -~ DAY (LATER) Brooks walks the room, piercing eyes on exhausted Dancers. BROOKS Your summer break did you no favors. Tomorrow after class, ladies go into pointe with Ms Somova while I take the lads for allegro. I want to see solid double tours this year, gentlemen. Then it’s straight into partnering. This term we do something different. Each of you will be assigned just one partner, and one partner only. As Students react to this unusual change, he presses on. BROOKS (CONT'D) It’s a way to build trust, a seamless onstage relationship. Dismissed.
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Tiny Pretty Yhings 101 Second Draft pg. 13. As Students file out, Neveah approaches June. NEVEAH This shoe-room, can you take me -- But June just scurries out after Bette, leaving Neveah to watch Shane gather his things. SHANE Don‘t look at me. NEVEAH Too late. INT. ACADEMY, SHOE ROOM - DAY Awestruck, Neveah takes in walls of shelves full of pointe shoes in their little bags, all organized by size. NEVEAH This cannot be real. Neveah and Shane start rifling through the shelves. SHANE Pinch whatever you need to, and get busy. You're looking at every shoe The Griffin ballerinas decided they don't want, yours for a few bucks. You did pretty good today. NEVEAH You kidding me? I couldn’t get on my leg. SHANE We’ve all been there. NEVEAH At least you've “been there” a lot longer. You think they can make me company-ready in two years? Bette enters with June, to find shoes and scope the newbie. SHANE I've seen ‘em do more with less. BETTE But if they're wrong? You're gone. Undaunted, Neveah strides over from the shelves, hand out. NEVEAH We didn’t meet. I'm Neveah Stroyer.
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Yiny Pretty Things 101 Second Draft pg. 14. BETTE Bette. She’s June. Show me your arches. NEVEAH What, like... my feet? BETTE what make a dancer. Neveah reluctantly offers herself up for inspection. SHANE Bette’s just scoping the competish, scared that if they decided to let you in at your age, you must be fierce Prima material. Testing Neveah’s flexibility and arc, Bette gives a nod. BETTE All right. Friends. Where’d you train? SHANE Neveah, these look perfect for you. Double X, high vamp... Shane approaches, pointe shoes in hand. Taking them, Neveah sees a stamp on the bottom: Delia Winslow. NEVEAH These were Delia Winslow’s shoes? BETTE Well, her rejects. SHANE I can show you where to get the right pancake, marry the satin to the skin. As Neveah tries them on (bending the shank, checking them on her feet) Bette stares Shane down, dripping contempt. SHANE (CONT'D) They fit. Isn’t that interesting, Bette? BETTE You're trash, Shane. Have fun scavenging with your new petit rat. Bette exits, June in tow. Neveah looks to Shane: WTF? NEVEAH Did she just call me...
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Tiny Pretly Yhings 101 Second Draft pg. 15. SHANE A rat, yup. But like everything in ballet, it sounds better in French. A “little rat” is a dancer who's young, pretty, poor... and hella strong. And starting today, this one wears the shoes of Delia fricking Winslow. NEVEAH Truth is, I only applied here ‘cause my teacher told me it's where she went. SHANE Yeah? Then time for a front-row seat. Intrigued, she watches him toss her dead shoes into the bin. INT. ACADEMY, GYM -~ DAY Gleaming cutting~edge machines, reformers, wild devices. Oren works out hard, spotted by his friend CALEB (16, African-American, a lean and handsome dancer from class). CALEB Easy, man. But Oren pushes himself -- until Caleb grabs up the weight. OREN The fuck? CALEB You’'re good. OREN I'm not good. Had another one in me. CALEB Blowing a pec won't help your dancing. Gasping for air, Oren glowers through the window at his prime motivator -- Nabil, talking to Officer Isabel Diaz. OREN You heard Brooks -- out of shape. CALEB Guaranteed he wasn’t talking about you. OREN Second time that cop’s talked to him. CALEB She must smell blood.
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Tiny Pretty Yhings 101 Second Draft pg. 16. OREN You tell her anything? CALEB Renny, we all stuck to the same story. Cassie was alone and we there. His chat wrapped, Nabil enters, crossing to a wobble board to commence graceful adage movements with breathtaking control. Oren and Caleb marvel at his insanely good balance. OREN You sure impressed Brooks today. NABIL (a French accent) Not really. A little rusty. OREN Yeah, must’ve been a long plane-ride. CALEB Where was it from -~ Algeria? Despite his vulnerable balance, Nabil still dominates. NABIL Paris. Heard of it? OREN Must suck, coming all this way to be with your girlfriend, and she goes and falls off the fucking building. NABIL I came here to study dance. OREN What, didn‘t want you? NABIL Chicago make an offer I cannot refuse. OREN Too bad. I was watching you —- NABIL I know. OREN You don’t have the American style. NABIL True, I'm more than tits and teeth. I watch you too. You're bland. Safe.
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Tiny Pretty Things 101 Second Draft pg. 17. OREN Yeah, safe till you showed up, then beeeuuwww splat. And now the cops? NABIL I tell them how Cassie tell me how you always drop her. Perhaps sabotage? Biting the hook, Oren give Nabil a shove off the ball. OREN I was the best partner she ever had. NABIL Yes? Then show her some respect. As their scuffle intensifies, Caleb races to step in. CALEB Guys. Hey. Break it up. MUSIC UP as Oren storms out. Grateful, Nabil glances over to Caleb... who just glowers, pumping iron. INT. GRIFFIN BALLET STAGE - DAY MUSIC CONTINUES as alone on a starkly-lit stage, the great DELIA WINSLOW (26) rehearses, dancing a breathtaking solo. Neveah and Shane hide in a theatre box, watching. For Neveah, seeing dance of this caliber is a revelation -- a glimpse of the beauty she aspires to one day achieve. NEVEAH Delia Winslow and me. Breathing the same air. RAMON COSTA‘s baritone can be heard in the dark auditorium. SHANE, RAMON (0.S.) Griffin’s lucky to get her Delia, you’re behind the back. After rocking it in phrase. Don’t be dragged by Europe last year, she could the tempi. Anticipate. write her own ticket. NEVEAH RAMON (0.S.) (CONT'D) I'd be happy dancing for The All right, let this section Griffin in two years. travel more. SHANE You and me both. Solo over, Delia stands catching her breath. Ramon (45) emerges from the shadows, a lean Cuban god in a black tee. * X ¥ % * %
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Tiny Yhings 101 Second Draft pg. 18. RAMON Footwork needs refining. DELIA I'm giving all I’'ve got, Ramon. There’s no room for me in the choreography. From her secret perch, Neveah watches Ramon approach her alone on stage, a soothing touch to her head... RAMON You're dancing from here. ... Then lowering his hand to her breast... RAMON (CONT'D) But I need to see it here. ... Then even lower, to her crotch. RAMON (CONT'D) And when the night comes? Here. Delia welcomes his touch... and offers her own in return. RAMON (CONT'D) This piece is in you, Delia. I‘m only drawing it out. Come on. Touch an audience the way you touch me. Shane and Neveah watch amazed as she reaches for a kiss. DELIA Like that? RAMON Yes. Now use it. Shane’s leaning in... SHANE Come on, girl -- tear off his shirt. ... But Neveah shifts, uncomfortable to be watching this. NEVEAH Let’s go. Now. Shane sighs, disappointed, but lets Neveah pull him out. INT. ACADEMY DORMITORY, NEVEAH AND JUNE'S ROOM - DUSK Back from watching Delia, Neveah takes in her gear-strewn jumble, and finally starts to properly unpack.
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Tiny Pretty Yhings 101 Second Draft pg. 19. In the wardrobe she finds a photo slipped behind a shelf, peels it free: Cassie in a bikini on a boat, arm draped around... but half the photo’s torn off. Strange. Then she hears a ripple of LAUGHTER from down the hall. Stashing the pic, she goes in search of its source. CASSIE (V.0.) Always something hurts. Somewhere on your body there’s pain. INT. ACADEMY DORMITORY, WOMAN'S COMMON ROOM - DUSK Bette, June, ESME (another music-box ballerina from class) and other young women lounge, recovering from the day. They massage each other, roll out muscles, plunge feet into ice buckets and salt baths, pour shellack into pointe shoes. CASSIE (V.0.) An ache that comes from pushing beyond what any person was ever meant to do. But there’s strength in being part of a larger body -~ the corps de ballet. Neveah finds some scoffing and laughing around a cellphone. it, a YouTube video, hip-hop R&B music. JUNE Well she’s definitely got style. BETTE For a backup dancer in a Drake video. ESME This isn’t even ballet. Dread rising, Neveah steps in to find the video is of her in front of an LA underpass mural, dancing her heart out. NEVEAH At least I love dancing. I mean, do any of you? June pounces to stop the video as Bette stares Neveah down. ESME Is this seriously what you did before you got here? BETTE Good to have something to fall back on. NEVEAH You just told me in the shoe~room I was good enough to be your friend.
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Tiny Pretly Yhings 101 Second Draft pg. 20. BETTE Not because I thought you were good. Because I knew I was better. Refusing to be cowed, Neveah stands up to her, eye to eye. NEVEAH I get that I'm late to the party. I get you‘re scared I might also wreck your little plans for world domination. But that doesn’t make me your enemy. Others turn, surprised to see Selena in the doorway. SELENA Miss Stroyer. Madame DuBois wants to see you. Now. Oh shit. Amid a ripple of reaction, Neveah strides out. INT. ACADEMY, OFFICE -~ SUNSET A capacious room lined with art and city views. Hair and make-up done, Monique wears a stunning dress -~ laying a syringe and vial on her desk. Officer Diaz watches on. MONIQUE Relax, Officer, it’s cortisone. ISABEL If T could just speak to a few more students MONIQUE I spoke to your sergeant -— the case is closed. Yet here you are, exploiting a tragic accident, traumatizing my students, and for what -- a promotion? ISABEL You can’t tell me you're satisfied. MONIQUE And you can’'t tell me getting anywhere. You had a week to find one iota of foul play, but all got is a silly girl and an awful accident. ISABEL Piercing this takes time. Every institution has its secrets. MONIQUE To a woman working in a man’'s world, yes. Before the police it was army?
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Tiny Pretty Things 101 Second Draft pg. 21. ISABEL Two tours in Afghanistan. MONIQUE Did you leave or were you kicked out? Now there’s a mystery. ISABEL It was time to finally do some good. MONIQUE Well you won’t find redemption in ballet. Entrez. just wrapping up. There’s Neveah and Selena on the threshold. Monique waves them in. Isabel eyes Neveah, taking in what she can. ISABEL Settling in, I hope. Neveah balks at the sight of a cop: she done wrong? As Isabel MONIQUE Detective. ISABEL Some other time. exits, Selena crosses to ready the needle. NEVEAH Ma’am, I don’t know what I did wrong, but I just want to say -- MONIQUE And I don’t need to hear it. You're to attend tonight’s donor reception. A driver will fetch you with the others. As Monique hands Neveah a few pages of talking points, Selena injects her boss’'s feet: bunions, scars and mangled toes from years spent on a few inches of contorted flesh. MONIQUE (CONT'D) Selena can help you find something presentable in the costume department -- NEVEAH Miss DuBois, I have my own clothes. MONIQUE 0f course. No doubt you’re a unique personality, but ballet asks us to bend to a greater -- (MORE)
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Tiny Pretly Yhings 101 Second Draft pg. 22. MONIQUE (CONT'D) (reacting in pain) Merde! That was bone you hit! Grabbing the needle, Monique soldiers through the pain. MONIQUE (CONT'D) We're about to invest thousands of dollars in you, and need to know that in two years you’ll be a product -- NEVEAH “Product”? MONIQUE -- We can make use of. You're either the CBA’'s future or a bad gamble. Our key donors tonight will be asking themselves that very question. On that paper is the story you’ll want to tell. NEVEAH Madame DuBois, I'm just here to dance. MONIQUE Wrong. Tonight decides your future as much as anything you do in class. On that chilling note, Monique tosses down the needle, slips on her glossy Louboutin heels, and gracefully exits. INT. ACADEMY DORMITORY, MEN’'S HALLWAY - NIGHT Torri strides through her domain, looking in on each room. CASSIE (V.0.) There’s a price you pay, learning to fly. They take your childhood, your family, any friend who doesn’t hope every day your Achilles will snap. But even then, they don‘t let you grow up. INT. ACADEMY DORMITORY, MEN’S HALLWAY -~ NIGHT (ELSEWHERE) Shane arrives to find a dance-belt hooked on his doorknob. CASSIE (V.O.) So if you want to live a little? You gotta get creative. With a sigh, he leans against the jamb... and stands guard. INT. ACADEMY DORMITORY, OREN AND SHANE'S ROOM - NIGHT Oren and Bette lock lips, tearing off clothes as they drag each other to bed. He slips down between her legs...
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Tiny Pretty Yhings 101 second Draft pg. 23. BETTE God I needed this. OREN I was thinking we should get ourselves cast as partners. We'd dominate. They keep going at it, Bette directing Oren’s head. BETTE Word is I'm getting paired with Nabil. OREN So we fight it. BETTE I don‘t want to rock the boat. OREN You think Frenchie’s better than me. BETTE And you don’t wanna be stuck tossing around the new girl. OREN We can all fake a lot of things on stage... but we fake love. BETTE I can. Bette pulls close, working her magic. He's loving it. They kiss deep, she’s arcing closer, pulling him in... OREN Whoah. Easy. No condoms. BETTE (continuing, driving him wild) Orrie. You got me going here. OREN Maybe Shane’s got some. He moves to check -- but Bette pulls him back to her. OREN (CONT'D) Bette, you get pregnant? It’'s over. BETTE Won’t happen. Haven’t had my period in months. There she is, so close, so damn beautiful...
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Tiny Pretty Things 101 Second Draft pg. 24. INT. ACADEMY DORMITORY, MEN'S HALLWAY - NIGHT Standing guard, Shane sees Torri round the corner, dipping into various dorm rooms as she makes her way toward him. SHANE Aww jeeze... INT. ACADEMY DORMITORY, OREN AND SHANE'S ROOM - NIGHT Ramping up to climax, Oren and Bette hear the CODE-KNOCK. OREN Hang on a sec, almost there... BETTE Someone’s coming! Bette pushes him away, scrambling for her clothes. OREN Well I guess it’s not gonna be me. INT. ACADEMY DORMITORY, HALLWAY - NIGHT Buttressed against the door, Shane smiles at Torri as he cranks a hard tennis~like ball into a shoulder blade. SHANE Just gotta work out this cramp. Brooks had us do a million pushups after barre. TORRI I don’t care if you broke a bone -- if Bette’s in there, door’s open. SHANE Except busy. Fighting. TORRI I don’t hear it. SHANE The silent-treatment phase. Brutal. TORRI You wanna see “brutal”? No he does not. As he steps aside, Torri yanks the door... INT. ACADEMY DORMITORY, OREN AND SHANE'S ROOM - NIGHT ... To reveal Bette and Oren dressed, studying. Bed made, curtains flutter, not a whiff of suspicion. Oren looks up:
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Tiny Things 101 Second Draft pg- 25. OREN Oh. Hi, Torri. TORRI You know the rules. BETTE Did the door blow shut? I hadn‘t noticed. Oren, did you notice? OREN Was deep into causes of the Cold War. Bette nods, getting up and deftly leading Torri out. BETTE Actually, Torri, I'm glad you came by. need the iron tonight... The two roommates alone, a relieved Oren flops onto his bed. SHANE Oren. I'm done playing this game. OREN You and me both. Hey. I owe you one. Oren manages a chummy smile as Shane looks off. INT. ACADEMY DORMITORY, NEVEAH AND JUNE'S ROOM - NIGHT Neveah pulls various outfits, struggling to assemble a look. NEVEAH Why didn’t I just borrow one of theirs? June watches on, feet jammed into the radiator slots, torqued hard in the hopes of an ever-improved arch. JUNE That’s nice. Shows the goods. I mean, your anonymous patron will probably be there, not that I’d know since you think I ever get invited to these things? NEVEAH Oh man. I am so not ready for this. Confidence waning, Neveah has a mini-meltdown at the mirror. Sympathizing, June extricates herself and approaches. JUNE If you tug up the side here, extend the drape, gives more drama.
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Tiny Pretty Yhings 101 second Draft pg. 26. June expertly assembles her new roomie’'s look, getting a shawl from her own things. Draping it, she ventures: JUNE (CONT'D) The other girls. They’re just jealous. NEVEAH what? You saw the Ballet Master go at me “wrong this, wrong, that.” JUNE At least he was paying attention. Me, I never get a single correction. NEVEAH Maybe you’re already good enough. JUNE It’'s ballet -- nobody’s good enough. If Topher Brocks doesn’t see me? Then nobody else does. NEVEAH Okay? So how do we fix that? Sadly chuckling, June backs off to admire her handiwork. JUNE It’s s0 cute how you think we actually have power around here. MUSIC UP as Neveah studies herself in the mirror, girding herself for the evening ahead. INT. WINSLOW MANSE - NIGHT MUSIC CONTINUES: Welcome to Kenilworth, enclave to retired senators, investment bankers and old money. Enter the Chosen Four: Neveah, Oren and Nabil trail Bette through a stunning home impeccably furnished in modern decor. They turn heads of various Board Members and wealthy Donors who watch these young marvels with reverence. CASSIE (V.0.) There’s a twisted bargain to ballet. After all your hard work, your pain and sacrifice... when you walk among mortals, you become a god... Bette’s on a charm offensive, shaking hands with various guests. She pulls over stone-cold Nabil, introducing her new dance partner to the powers that be.
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Tiny Prefty Yhings 101 Second Draft pg. 27. CASSIE (V.0.) ... A perfect, worshiped celebration of what the body is capable of. On the gidelines, Neveah spots Oren watching Bette. Neveah and he share a look... before he turns to greet a donor. Elsewhere, Ramon squires Delia around, stopping to pull out his phone. A text had just plinged: Ignore me all U like, the world will still know what U did. He reads it, shaken. LATER, Monique wraps up a speech before the crowd. There's Ramon with Delia, newspaper photographer Vernon snapping society pics, Zandara taking in the spin. MONIQUE ... And I admit after this past week, I no longer believe that all press is good press. But thanks to you all, the Academy has never been stronger. Taking in the room, Monique can see they’re not convinced by her platitudes. She takes a breath, shifting gears. MONIQUE (CONT'D) And perhaps our best indicator is a new ballet the school will be creating, in Cassie’s honor, by renowned choreographer Ramon Costa. This does the trick. The ripple of excitement is enough to pull Ramon from his phone, muttering to himself RAMON You gotta be kidding... MONIQUE The world will once again watch the school and its dazzling dancers, for all the right reasons. And tonight? A chance to meet those thoroughbreds. To a bright future! Stepping in to re-joining the fray, Monique is stopped by KATRINA WINSLOW (40s, rail-thin and ruthless). KATRINA This had better work. MONIQUE I know. Now if you'll excuse me, Katrina, I‘'m not quite done yet. LATER: Taking in the room, Neveah is approached by Adam.
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Tiny Pretly Things 101 Second Draft 28. ADAM So you made the cut. Adam Renfrew, CBA physiotherapist. We met earlier. NEVEAH Yeah, quite the inspection you gave me. ADAM And I'm happy to report, you’ve natural facility and enviably open hips. NEVEAH Tell it to that sadistic asscrack. She indicates Brooks, off chatting up a Wealthy Enthusiast. ADAM Topher Brooks does have a reputation. NEVEAH He should. If folks knew how he rolls? ADAM I do know. He’s my husband. Neveah chokes down her water. Yikes. NEVEAH Right. Well I better mingle. ELSEWHERE: Delia nearby, Ramon has Monique against a wall. MONIQUE You saw their response? Ils sont en extase. RAMON Except I'm not doing it, Monigque. Once I‘ve set this new piece at The Griffin, it’s back to New York. MONIQUE To choreograph more obscure art-wanks. DELIA His new work I’'m dancing will be a hit. MONIQUE It’s also ten minutes long. Ramon, I'm offering you a safe place to work out big ideas, get a jump on talent. DELIA He’s got all the talent he needs.
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Tiny Pretty Yhings 101 Second Draft pg. 29. MONIQUE It would show loyalty to the school, which means loyalty to the Griffin. They commission a full-length work next year. I can make sure it’s yours. RAMON I can see you're desperate for a new story to tell, Monique, but long past being your boy-toy. Monique takes in this defeat, bowed but not broken. ELSEWHERE: Schmoozing with Oren, Bette nabs passing canapés. KATRINA Darling, there’s cheese on that. Bette turns to see Katrina Winslow smiling kindly. BETTE Trust me, Mother, I earned it today. KATRINA Glad to hear. Oren, what a delight. OREN Mrs Winslow. Thanks for having us. KATRINA I swear we host these jamborees just to clap eyes on our girls. I hope we’ll all be seeing lots of you two this year, onstage and off. OREN (with a look to Bette) I hope so too. Katrina pulls in Brooks, passing with Adam. KATRINA Tell us, Topher -- do we have a star pairing here or what? BROOKS Partners have already been finalized. ADAM Though I do encourage an open mind. KATRINA Well I‘m sure you’ll do the right thing. As the men nod and pass by, Bette turns to Katrina:
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Tiny Pretty Things 101 Second Draft pg. 30. BETTE You can’t boss around my ballet master! KATRINA I wouldn’t dream of it. Now let’s get you in front of Ramon Costa. ELSEWHERE: Monique approaches Neveah. MONIQUE Miss Stroyer, you look as anxious as the ugly duckling at a party of swans. NEVEAH Ma’am. The ugly duckling was a swan. Monique pivots for a few “candid” shots of them talking. Camera in hand, Vernon snaps them for the society pages. MONIQUE Yes of course. Now we’'re set up for you to speak with that reporter. As Vernon wraps up (”That’s excellent, thank you”) Monique leans in, tapping sheet of talking points. MONIQUE (CONT’'D) Anything you’d like to review? NEVEAH It’s pretty clear. The school’s wonderful and you'‘re saving my life. Monique smiles -~ atta girl -- and leads her into the library where Zandara awaits, closing the door behind them. INT. GIBSONS STEAKHOUSE - NIGHT June sits with sharp-eyed businesswoman SOO-YUN (45), who digs into the bone marrow atop her 320z tomahawk chop. June picks at her wedge salad, micro~dosing blue cheese dressing. S00~-YUN the shawl that goes with that dress? JUNE Didn’t need it tonight. SO0-YUN Well those bony shoulders are turning heads. You're not eating enough. JUNE I‘m fine, Mom. And glad to see you.
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Tiny Pretty Things 101 Second Draft pg. 31. S00-YUN I'd a flight back to New York tonight, but some things are more important. JUNE Exactly. What happened to Cassie reminds us all ~- life’s short. June’s reaching for connection... but Soo-Yun pulls away. S00-YUN So why waste time. What'’'s your role? JUNE My... role? S00-YUN In your ballet showcase. JUNE Oh. With the accident, they delayed any casting announcements. SO0-YUN Damn artists can’t stick to a schedule. JUNE Mom, it’s The Sleeping Beauty this year, which is perfect for me. Everyone says I'm a shoo-in to dance Aurora. Why can’t you believe in me? S00-YUN I do! That’s why I didn't raise my only daughter to prop up the scenery. JUNE I get it. You want a doctor, lawyer, senator. But I just want to dance. S00-YUN That’s 1t? JUNE everything! SO0-YUN So dance in your bedroom, the shower -- go tear up the floor at your school prom like every other teenage girl. But I‘m not paying through the teeth so you can get a crap education and no future. You’re either on track to make prima ballerina, or you’'re out.
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Tiny Pretly Things 101 Second Draft pg. 32. As others Mom! JUNE I am on track!!! Diners look askance, June tamps down her emotions. JUNE I'll get a big part, and every artistic director will want me. Because Cassie’s not here stealing my spotlight. SO0-YUN She didn’t *steal” it, June. She was better than you. JUNE Well she's not better than me now. Soo-Yun stares down her daughter’s cold, fervent glower... then gives a hearty laugh, drinking deep from her wine. S00-YUN Now that’s my girl. INT. WINSLOW MANSE - NIGHT Neveah exits the library with Zandara, Monique and Vernon. NEVEAH I think it was the gymnastics, helped me advance so quick. The street dancing was just, I dunno... a way to make sense of what’s in me. ZANDARA And you say it’'s a kind of... fusion? NEVEAH I put up some videos if you want a look. They’re pretty rough -- already got a harsh crit from my girls here. I tell you, I've seen some rough stuff on the streets back home, but nothing compared to what goes down here. Yes, MONIQUE though I think what Neveah wants to emphasize is how the CBA is about -~ NEVEAH (shifting, speaking by rote) The fundamentals, yes. Which I am in great need of. I have raw talent, but it needs shaping if I want a career in ballet. And for that, there’s no better place than the CBA.
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Tiny Pretly Yhings 101 Second Draft pg. 33. MONIQUE Couldn’t have said it better myself. ZANDARA Thank you, Neveah. And good luck. Quietly proud, Neveah smiles as Zandara and Vernon exit. MONIQUE You had a script. NEVEAH Sorry. It’s just... I had a life too. Watching the reporter exit, Neveah’s confidence wavers under Monique’s harsh glare. ELSEWHERE: The party loosens up. Bette stands with Delia. BETTE Why're you here slumming with students? DELIA I figured if Ramon was coming... BETTE Yeah. Smart. Keep an eye on him. Bette drinks deep, all smiles as Katrina leads Ramon over. KATRINA Ramon Costa, may I present my daughter Bette, the CBA’'s next star graduate. DELIA He's already working with a graduate. BETTE not potato chips, Delia. You can have more than one. RAMON (smoothing waters) Bette. What makes you stand out? BETTE My passion, musicality... and a wicked ballon. But don’t take my word for it. Watch me in class tomorrow. RAMON Not in the habit of viewing students. DELIA Or setting ballets on them.
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Tiny Pretly Things 101 Second Draft pg. 34. BETTE Too bad. You might be surprised. interrupted by Ramon’s phone BUZZING, a new text: U R finished. Ramon steps away to type back: What do U want? ELSEWHERE: Neveah works the room with Oren and Nabil. They’re glad-handing various Donors and retired Dancers. Then Neveah sees her: Delia Winslow. She braves an approach. NEVEAH Just gotta say it: huge fan., I'm sure you’re sick of hearing it, but your Giselle? They streamed it at this big theater in LA and I begged my dad to take me. When I saw how much feeling you could pack into those old steps... it showed me what ballet could be. DELIA You’'re very kind. NEVEAH Neveah Stroyer. Just got into town. DELIA I saw Monique parading you around. NEVEAH Yeah, except I'm not sure I landed my jumps, you know what I mean? DELIA Don’'t worry, Monique wants her ballerinas to kick high and keep quiet. Neveah takes in her encouragement as Bette weaves over. BETTE This one wears your shoes. DELIA My what? BETTE Your pointe shoes, crams her bunions into them like she’s Cinderella. NEVEAH Actually, Cinderella's feet did fit. DELIA Bette, have you been drinking?
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Pretty Things 101 Second Draft pg. 35. NEVEAH Did nobody here get told fairy tales? BETTE We were too busy living them! This isn’t your world, Neveah. You’'re no ballerina. NEVEAH Well someone here must think I am. BETTE You get it, do you? DELIA Bette, quit it. BETTE The only reason Monique let you in here was to fix her image, give the Academy a shiny new distraction to talk about instead of that stupid girl bleeding out on the street. But you’re even stupider, can’t see they’‘re using you. No, you’d rather stand here star- fucking my sister. Sister? Reeling from the connection, the insults, awful logic... Neveah moves to leave, passing others in her search of an exit. DELIA Hey., If you’re here? You’'re good. But Neveah just pushes past, accidentally toppling a CBA display. Others watch as she rushes out. Baffled, Oren locks to Bette, who only shrugs. BETTE The Stroyer. Living up to her name. Elsewhere, Monique sighs. Katrina passes her: KATRINA You don’t fix this? You're out. Monique swallows hard: her job is far from done. EXT. WINSLOW MANSE - NIGHT A shattered Neveah paces, grappling with fury and regret. Something pulls her focus: a glint of metal in the garden. Picking it up, she pulls a drawstring, unearthing a half- charred hoodie like the rooftop Hooded Friend's (though Neveah doesn’t yet know it). She studies it, puzzled --
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Tiny Pretty Things 101 Second Draft pg. 36. Her RINGING phone fractures the moment. Stashing the hoodie, she takes a FaceTime call from her brother TYLER (19). NEVEAH Hey Ty. TYLER (ON FACETIME) Nugget. Got your text. What’s wrong. NEVEAH Nothing. Tyler adjusts his phone, revealing he’s in a wheelchair. TYLER (ON FACETIME) You‘re doing that thing you do when trying not to cry. NEVEAH I don’t have a thing I do. TYLER {ON FACETIME) Hell yeah you do. You know, for a star dancer, your muscle control sucks. NEVEAH S0 does my sitch here. I need money. I'11l pay you back when I get home. I'11l do those princess birthday things... TYLER (ON FACETIME) You’re not coming home. NEVEAH It’s not working. They got me playing some crazy script that isn’t even me. Nabil exits the house. In the darkness, he listen on. TYLER (ON FACETIME) Neevie, you did it -- you got out. NEVEAH What for? I came here to dance, to get better at the one thing in my stupid crazy life I can hold onto -~ the only thing I ever loved. Only they care about that. TYLER (ON FACETIME) So what? NEVEAH I don’t fit in!
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Tiny Pretty Yhings 101 Second Draft pg. 37. TYLER Well halle-fucking~lujah! What dancer wants to? You ain’t ever getting this chance again, Nugget. So you take everything you can from those fuckers and when you’re done? Stratosphere. Neveah has to laugh, basking in her dear brother’s tough love. Turning, she’s startled to see Nabil in the shadows. NEVEAH TYLER (ON FACETIME) (CONT'D) Nabil. Hey. Stratosphere! Stratos -- She ends the call, mustering a smile. NABIL If you need someone else to tell you you are a good dancer? You already have your answer: you aren’t. NEVEAH I know, and it‘s great they got people like us in school, who don’t look like we jumped out of a music box. But how many of us ever make it? CUSSING can be heard behind the garden’s back fence. NABIL If we are good, we succeed. NEVEAH I see who ballet companies hire. And most of the time, I don’'t see me. Behind her, Nabil coolly eyes Shane scaling the ramparts. NABIL Shane. Party is over. SHANE “Party” is definitely not over, Nabil. And trust me, Little Rat, girls like you have been dancing a long time. Say the word if you ever want proof. Neveah scoffs as his words (and Shane himself) land. EXT. ACADEMY ROOFTOP - NIGHT Emotions churning, June contemplates the city view. But sounds distract her from her reverie -- SLOW STEPS ON THE GRAVEL. Someone elge is up there. June searches the darkness, knows she’s cornered by this deadly ledge. * %
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Tiny Pretty Things 101 Second Draft pg. 38. Panic rising, June scurries through shadows to the rooftop stairwell door’s sliver of light. She hears SCUFFLING around the corner. Holding her breath, she makes a dash ~- Straight into the shadowy figqure. June SCREAMS IN TERROR. Puffing with fear, June is stunned to see that it’'s... JUNE Officer Diaz. Oh my God... ISABEL Didn’t think anyone else’d be up here. JUNE Hidden key. Everyone knows it. ISABEL I see. It’s June Park, yes? JUNE Isn’t your investigation over? It‘s open-and-shut, the girl jumped. ISABEL Then how’d she land on her back? JUNE Maybe she wasn’t interested in admiring the view on her way down. ISABEL No history of depression, no note -- JUNE Who’d read it? We all admired Cassie, but we didn’t much like her. ISABEL Yes. A raft of rivals. And this. She shows scuff marks in the gravel, leading to the ledge. ISABEL Someone backed away, tried to get free. June sizes up the scuffs, unable to deny their eloquence. JUNE ... You saying she was pushed? Isabel watches June take it in, shaken. She reaches out: ISABEL Hey. I'm not saying anything yvet.
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Yiny Pretty Things 101 Second Draft pg. 39. JUNE You know she’d never shut up. It’'d be lights out and Cassie’s in her bed, blathering on about the best way to tie a bun or rock a triple pirouette. I'd be begging her to clam it so I could get some shut-eye. And now she’s gone, it’s so quiet. And guess what. ISABEL Now you can’t sleep. MUSIC UP as Isabel offers her business card. ISABEL (CONT'D) Look, I may not know Swan Lake from a Nutcracker, but I know danger when I see it. And something about this place is wrong. Folks’ll get hurt if we don‘t shine a light. Will you help me? Sizing up the card, June pulls herself together. JUNE There’s rules, Officer. And not the one around here to break them. June goes inside, leaving Isabel with her thoughts. EXT. WINSLOW MANSE - NIGHT MUSIC CONTINUES as our young dancers cut loose in the pool, now joined by Shane, Caleb, Esmé and other CBA escapees. In underwear, some topless, Shane of course buck-naked. CASSIE (V.O.) All day someone else controls what you eat, what you wear, how you move and who you touch. Oren and Shane wrestle, chummy pals. Others goof off, basking in this rare chance to goof off, connect and play. CASSIE (V.0.) You're strapped into the roller coaster with your worst competitors. Holding back at the pool’s edge, Neveah meets eyes with Bette across the steaming pool working through a vodka. CASSIE (V.0.) But what nobody else gets is, those rivals are also the only people who get you, who celebrate you for who you are and challenge you to do better. (MORE )
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Yiny Pretty Things 101 Second Draft pg. 40. CASSIE (V.0O.) (CONT'D) There’s no better way to say it: they’re your tribe. Neveah steps out of her dress... and jumps in. She joins the others, knowing all the while Bette’s staring daggers. EXT. PILSON STREET AND CHICAGO BALLET ACADEMY - NIGHT Whispering and giddy, the wet-haired dancers walk the deserted street. Neveah sees Delia Winslow over and over... her photo on lamppost banners for Griffin season. NEVEAH I can’t believe you trucked all the way out there just for a swim. SHANE Hell, I was just warming up. Would you believe I'm getting lucky tonight? She chuckles as he races off to join others at the Academy side door. She takes a last breath before bed. Oren’s nearby: OREN It’s strange at first, sleeping with bars on your window. NEVEAH Actually, they’1ll feel just like home. OREN Right. Glad you jumped in with everyone. NEVEAH Well, not everyone. OREN She’s on her guard. Give her time. He looks to Bette at the side door, trying to pull it open. BETTE Treena was supposed to prop this open! ESME They catch us out here? We’re dead. Neveah considers the elevation, then OOMPH, she jumps up to the first-story grilles, beginning to scale the building. SHANE Girl, what are you doing? NEVEAH Getting you guys in. Hang tight.
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Tiny Pretty Yhings 101 Second Draft pg. 41. The Dancers watch Neveah use her flexibility, strength, balance and courage to pull herself from bar to pipe to window ledge. It’s like Cassie’s fall in reverse, as she makes her way up a thrilling route to an open window above. INT. ACADEMY DORMITORY, WOMAN'S COMMON ROOM ~ NIGHT The room now in darkness, Neveah pulls herself through the window, permitting a satisfied smile. She did it. She’s crossing to the door when FICK -- a spotlight hits her: Monique’s flashlight and voice piercing the darkness. MONIQUE You know the first rule of the Chicago Ballet Academy? Startled, Neveah sees Monique in a chair. Waiting. NEVEAH Don’t get messy with a Winslow? MONIQUE Honor the sanctity of the art-form. NEVEAH It’s my fault, Ma’am. Should’‘ve known better. Monique sighs, moving to exit -- but Neveah stops her. NEVEAH (CONT'D) But I also did what you wanted, stood in your spotlight as best I could. That’s gotta be worth something. MONIQUE Yes. But how much, and for how long? INT. ACADEMY DORMITORY, OREN AND SHANE'S ROOM ~ NIGHT Shane is naked, his lithe, beautiful body put to good use. (He got lucky after all.) Then reveal... ... He's with Oren, having hot and heavy sex. Shane goes in for a kiss, but Oren flinches. OREN Hey. You know I don’t go there. SHANE It's just... I kinda do. OREN Shane, we're just helping a guy out here.
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Tiny Prefly Things 101 Second Draft pg. 42, SHANE Right. Not like this means anything. But beneath Shane’s bravado, it clearly means a lot. He hovers over Oren, moving to suck him off... but Oren stops him, noting the musculature in his friend’s lower abs. OREN How get your V-cut like that? SHANE about we use our anatomy, not talk about it. But Oren’s up, enviously examining his roommate’s muscles. OREN Seriously though, what’s your secret? SHANE Dunnc. I just dance. OREN I worked all summer on my external obliques, trying to carve out a set. But I can’t get your results. Shane lies back as Oren examines him, sexy as a tick-check. SHANE Lucky me. INT. ACADEMY, SHOE ROOM - NIGHT Thin lights pilerce the shadows, giving the room an eerie vibe. Neveah enters barefoot, wearing that ratty old LA tutu. She inspects the shelves full of shoes. Neveah's startled to find June in the corner, feet in a medieval-looking stretching device. NEVEAH June. I didn’t see you. JUNE Nobody does. Unsettled, Neveah turns back to regard the seemingly endless shelves -- and sees Delia there, en pointe. NEVEAH ... Delia? DELIA Dropping off the trash, all for you.
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Tiny Prefty Things 101 Second Draft pg. 43. NEVEAH How do I know I‘m the right fit? June looks up from torquing her feet. DELIA Just keep your neck long, your hips small, and your arches high. JUNE And bone. They want to see bone. June keeps cranking until there’s an awful CRACKING. NEVEAH June, stop. You're going too far. June just gives a delighted laugh, even as blood seeps out. NEVEAH (CONT’D) You need help. Help! Neveah tries to escape but there’s no door only shelves. Between stunning jumps, Delia shouts encouragement: DELIA The only way out is up. Neveah clambers up shelves as pointe shoes rain down on her. NEVEAH Mom. Mom, help me. Shoes cascading, she sees a hand reaching out a high shelf. NEVEAH Mom! Climbing crazy-high, Neveah takes her hand. Then sees... It’s not her mother inside. Cassie, deathly pale. NEVEAH (CONT'D) Cassie...? CASSIE You should never have come. NEVEAH No. Cassie no. Please don’t! But Cassie’s now pouring shellack over Neveah's hands. Neveah tries to hold on, but her grip soon slips...
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Tiny Pretty Things 101 Second Draft pg. 44. NEVEAH (CONT’D) Noooo!!l!l ... And she’s falling, falling, falling... INT. ACADEMY DORMITORY, NEVEAH AND JUNE'S ROOM - NIGHT OOMPH! Neveah wakes. Shaken by her dream, she tries to calm herself. June snorfles in bed. The radiator pings. Neveah moves to shut off June'’'s bedside lamp, pulling up June’s covers then sees she’d fallen asleep, iPhone in hand. Gingerly removing it, she sees June’s last text: Love U Mom. Unanswered. Wistful, Neveah sets it down. Then pulls out Cassie’s half-photo on the boat: a pretty girl, life cut short. She turns to view the wakening city. INT. ACADEMY DORMITORY, WOMEN’S HALLWAY - DAWN Shellacked pointe shoes outside every closed door., Dressed to dance, Neveah walks along, headphones around her neck. INT. ACADEMY DANCE STUDIO - DAWN At the doorway, Neveah hesitates, surprised to find someone already in the studio. It’s Bette, sweating in the dawn light as she tries to perfect the pirouette that Brooks had corrected her on. Over and over she turns, turns, turns. Neveah watches, impressed. But not Bette, who curses herself harshly. BETTE Pathetic., You’'re shit. Catching Neveah in the mirror, she pulls herself up. BETTE (CONT'D) Here to steal my secrets? NEVEAH No thanks. Got my own. BETTE Thanks for taking the fall last night. As Bette continues her attempts at repeated pirouettes, Neveah ventures inside, starting her own warm-up. NEVEAH You're thinking about it too much. Trying to show how hard you’re working like it gets you points or something.
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Tiny Prety Things 101 Second Draft pg. 45. Bette fires a withering glare, but Neveah continues. NEVEAH (CONT'D) Except nobody wants to see us sweat. Die all you want on the inside, but ballet gives us the tools to hide pain so long... you forget it‘s in you. BETTE I've had the country’s top teachers -- NEVEAH and look where they got you. But hey, you keep taking off from that stodgy old Cecchetti fourth. Fuming, Bette goes back to her work. Neveah shrugs, does her own warm-ups. But in time, Bette can’t help herself: BETTE You know you want to say something, so just say it. NEVEAH Wouldn’t want to mess you up... BETTE Please. Bette meets her eyes, their first real bond. Neveah steps in: NEVEAH What I do is I think of my hips turning on an axis. Then when you start your turn? Stay in your plié longer before you relevé. That way you’re half-way into your turn before up. BETTE So it’s a cheat. NEVEAH Call it a dance-hack. Bette gives it a grudging try, to undeniably better results. NEVEAH Good. Now even later on the relevé. Bette tries again. An exhilarated laugh -- it works. NEVEAH (CONT'D) Now dancing like a Winslow. (off Bette’s cooling look) Supposed to be a compliment.
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Pretty Things 101 Second Draft Pg. 46. BETTE You know what it's like having a sister who just made youngest principal dancer in The Griffin’s history? People think Delia’s why I even got in their school. NEVEAH Well I BETTE Thank you. NEVEAH I think your parents‘ money got you in. Burn! The two stare each other down... then Bette grins. BETTE Which is why crack of dawn, I'm here. MUSIC STARTS as Neveah pops on her headphones, a killer track £illing her with life as she starts to warm up. INT. ACADEMY DORMITORY, NEVERH AND JUNE'S ROOM - DAWN MUSIC CONTINUES as June redoes her hair over and over, obsessively trying to get it into the perfect bun. INT. ACADEMY DORMITORY, OREN AND SHANE'S ROOM - DAWN MUSIC CONTINUES: Finishing push-ups, Shane stands puffing, assessing himself in the mirror. Spotting a condom wrapper, he tosses it in the trash... to join two others. EXT. ACADEMY ROOFTOP - SUNRISE MUSIC CONTINUES as Nabil finishes salah, the Muslim prayer. It’s a private, peaceful moment before the day ahead. Emerging from the staircase door behind him, Caleb is surprised to see Nabil rolling up his small rug, regarding the roof-edge with a cryptic expression. Unseen against the elevator penthouse, Caleb watches with contempt. INT. ACADEMY DORMITORY, BATHROOM -~ DAY MUSIC CONTINUES as Oren pukes in the toilet, then leans against a partition, pinching (nonexistent) belly fat. He takes a ledger from its hiding spot, logs the deed. In it, an obsessive recording of everything eaten, every purge. He gives a calming breath... then walks out the door.
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Tiny Pretly Things 101 Second Draft pg. 47. INT. ACADEMY INFIRMARY DAY MUSIC CONTINUES: Bette winces, taping her bruised foot for the day ahead. She examines it sadly, girding herself... then pulls off a bloody before sliding her foot into the plush and comforting veil of a silicone sleeve. INT. ACADEMY DANCE STUDIO - DAY MUSIC CONTINUES as Neveah strides through the room. Hours later, it’s now full of students warming up before class. This time she claims that empty spot. Cassie’s spot. Others look askance as she grips the barre and confidently launches her first demi-plié. Shane nods: you go, girl. INT. ACADEMY REHEARSAL STUDIO -~ DAY (LATER) Pacing through the class, Brooks addresses the Dancers. BROOKS Partnering. It’s about working together, yes, but also about opposition, finding a language of reach and response, archer meets arrow. Bette glances to Nabil. She knows her future and likes it. BROOKS (CONT'D) A partner need not be a friend. Nureyev was twenty years younger than Fonteyn. Hallberg and Osipova don’t even speak the same language. But through dance, you’ll find a bond or die trying. Bette and the others listen expectantly as Brooks continues. BROOKS (CONT'D) Ann, you’ll dance with Raul. Sarah, you're with Troy. Willa and Kyle. Lindy and Matthew. Esmé and Caleb. Neveah and Oren. June and Nabil... Bette and Shane. JUNE Wait. I'm with Nabil? As pairs assemble, Bette screws up the guts to approach Brooks and save herself. BETTE Mr Brooks, aren’t I paired with Nabil? BROOKS Ballet is ever-changing, Miss Winslow.
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Yiny Pretty Things 101 Second Draft pg. 48. BETTE I just think I'm better off with him. He’'s taller, je parle frangais, and he’s, you know... my level. BROOKS Shane’s a fine dancer quite capable of partnering you. Or do you question —-- BETTE course not. Thank you, Sir. Turning from his scathing look, Bette sees Shane waiting. SHANE Try to contain your enthusiasm. BETTE You'd better fucking dance. INT. ACADEMY REHEARSAL STUDIO - DAY (LATER) Brooks continues setting a duet on the various dancers. BROOKS This is Romeo and Juliet, people -- a brewing romantic relationship. Show us what draws the two of you together. As they work, Monique arrives, Ramon in tow. A ripple through the room as every dancer turns to look. BROOKS (CONT'D) All right, let’s focus. Now cambré. Ramon watches on as Brooks (himself rather unsettled by this unexpected audience) continues setting the piece. BROOKS ({CONT'D) And promenade... Ramon’s phone’s BUZZES. Below his earlier text (What do U want?) now sits an answer: Stay out of New York. Forever. Monique looks over, looking to draw back Ramon’s focus. MONIQUE BROOKS (CONT'D) Everything okay? Tombé croisée, ladies... RAMON BROOKS (CONT'D) Just a message from an old No one needs to see that friend. transition en face! Mustering a smile, Ramon pockets the phone, forcing himself to watch class. But it’s clear, he’s shaken to the core. * 3% * % %
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Tiny Pretly Things 101 second Draft pg. 49. BROOKS (CONT'D) Caleb, get Esmé& on her leg there. Further forward, that’s better. Nabil, nice elevation on that partner June keeps dancing, once again invisible. BROOKS (CONT'D) No, no. What is this. Bette, it’'s a soutenu straight into grand ronde, not from passé. You understand? Bette turns to her partner (Shane) and tries again. BROOKS (CONT'D) More abandon in that tombé. This is when they fall in love! From the top. Flustered, Bette hisses at her partner as they dance: BETTE Hold my hips, not my waist. Put me more over my supporting leg. Shane may loathe Bette outside the studio, but he’s truly trying his best. Besides, Ramon fucking Costa is watching. BROOKS Bette, the transition into the fouetté is late. Get into passé sooner. BETTE I if he won’t put me on my leg. BROOKS That's not the problem here. You need to anticipate the piqué and spot. BETTE But if Shane would -- BROOKS I didn’t correct Shane. I corrected you. Again. stung, Bette quietly panics, gets rigid, loses her flow. BROOKS (CONT’D) Wrong. Again. Just the two of you. While Bette struggles, Shane leans in, quietly bolstering. SHANE Come on, Girl. You got this.
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Tiny Pretty Things 101 Second Draft pg. 50. They launch into the dance. They’re trying, God knows. BROOKS Up, Goddamnit. Go up! And then it happens. Bette turns wrong in the air, slipping through Shane’s hands... ... And falls hard on the floor. SHANE Lordy fuck, you okay? BETTE I'm fine. As she’s swatting him off, Brooks comes in to check: BROOKS You sure? BETTE Yes. Let’s do it again. But Brooks can see furtively nursing a damaged ankle. It’s her turn to receive Brooks’ blistering words: BROOKS spare you. With a nervous glance to Monique (why oh why did she have to watch class today?) Brooks paces through his Dancers. BROOKS If a preparation ideal, you don’t change the steps -- you change yourself. You adapt to save it. Ashen and for once sincere, Shane sidles up besides Oren. SHANE Oren, I'm SO SOYry =—-— OREN Don‘t worry. She’s all right. Brooks continues, scanning the Dancers. BROOKS Anyone here paying attention? The room goes quiet, every couple afraid to brave it. Then? NEVEAH We are.
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Tiny Pretly Things 101 Second Draft pg. 51. Oren darts a look to Neveah: you crazy? Neveah nods. NEVEAH Let’s rock this. She takes his hand and leads him into the center, taking the initial position awaiting the Pianist’s cue. On the margins, Monique turns to Ramon: MONIQUE We can go now. The two are moving to exit when the MUSIC STARTS and the duet launches. BROOKS More extension out of that rond de jambe, travel more here, Glancing back, Ramon hesitates, not guite ready to leave. BROOKS (CONT'D) it, trust his timing on that lift. Yes. Brooks falls silent as the music seems to SWELL TO FULL ORCHESTRA, Students fading from view. A miraculous moment, two people who barely know each other... they just dance. Oren’s hands anticipate her every move, his lifts are strong, his leaps never higher. Neveah seems weightless, her extensions breathtaking. Their lines perfectly complementing each other, they dance their hearts out. As soon as it began, the duet ends. The room falls silent. Brooks just nods -- his version of a rapturous *“bravo.” Neveah and Oren share an elated hug. Over his shoulder, Neveah meets Ramon Costa’s eye. He’d come to watch Bette, but here he is, eye on the wrong girl. BROOKS (CONT’'D) All right then. We continue tomorrow. But Ramon (surprising even himself) steps into the room. RAMON Tomorrow is spoken for. Tomorrow we begin auditions. The rep for this term is no longer The Sleeping Beauty. Tomorrow I begin work on a new ballet. Hearing this, Monique smiles, Students marvel. June wilts:
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Yiay Pretly Things 101 Second Draft JUNE No Sleeping Beauty? ... And Bette seethes at Neveah... ... While While the BETTE That little bitch. Ramon continues, building a head of steam. RAMON Instead we create a ballet of passion and darkness on the edge of desire. We tell the story... of Jack the Ripper. SHANE The sex maniac who killed those women? MONIQUE We’ll find something more appropriate. RAMON What could be better? We live in a dark, twisted world full of loss, violence and shadowy truths, where brave women beat back the darkness. Monique DuBois? You have your ballet. MONIQUE Auditions tomorrow. Now rest up. Students chatter and pack up, Monique leans MONIQUE (CONT'D) Just know, Ramon, we already have our favorites. RAMON And so do I. An inspired glint in his eye, he watches Neveah exit. INT. ACADEMY DORMITORY, WOMEN’S HALLWAY - DAY pg. 52. ins Neveah passes admiring looks and congratulations. It’s a sweet moment of victory, unsettled by the burden of what comes next. As she continues... EXT. OAK WOODS CEMETERY - DAY Uniformed Officer Diaz strides along, on her cell phone. ISABEL I appreciate you calling, and can promise it’s entirely confidential -~
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Ty Pretly Things 101 Second Draft pg. 53. JUNE (V.0., ON PHONE) Cassie Shore wasn‘t alone on the roof and Madame DuBois knows it. Isabel hesitates, taking in this bombshell. ISABEL Who was up there with her? JUNE (V.O0., ON PHONE) Every Tier Three student. There was a secret party. ISABEL “Hidden keys.” Every student, you say? INT. ACADEMY DORMITORY, NEVEAH AND JUNE'S ROOM - DAY Rolling out her arches, June continues on the call. JUNE Well everyone but me. I was in my room, where I was supposed to be. ISABEL (V.0., ON PHONE) Thank you, June. Now if there’s anything you see or hear --— JUNE There won’t be. I‘m not going to be here much longer. EXT. OAK WOODS CEMETERY - DAY Surprised by June’'s sudden hang-up, Isabel pockets her phone. She takes a fortifying breath and turns to a well- tended gravesite: Zoe Estrella. Sister, daughter, hero. As Isabel pays her respects, there’s the WHINE OF A WEAPON arcing through the air... BOOM, a rocket-propelled grenade LANDS IN A DESERT COMPOUND kicking up clots of earth behind Isabel, as she sprints to a wounded soldier whose name Estrella is stitched on her uniform. The woman is dying, gasping her last breaths with urgent eyes. Isabel holds her, begging her to hang on... Batting back her grief, Isabel kneels once again... this time to tenderly prune the grave’s planted flowers. INT. ACADEMY DORMITORY, NEVEAH AND JUNE'S ROOM - DAY June musters a smile as Neveah enters. JUNE Once again I'm rooming with the star.
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Tiny Pretty Yhings 101 Second Draft NEVEAH It was just one good dance. JUNE Enough to keep you here, and send me home. I promised my mother I'd get a leading role in this year’s showcase, but guaranteed, Ramon Costa is not looking for innocent virgins. NEVEAH So we fix it. JUNE We do not fix it! You want creative expression? Go make another one of your videos. Here it’s all about fitting someone else’s mold. NEVEAH No. You want to bring it for Ramon Costa? I’ll help you fire it up. JUNE Except you and I, we’'re competing. NEVEAH So I’ll help you up if you show me how the hell to rock an audition for a role. ‘Cause I've got no clue. JUNE Neveah. not that kind of dancer. NEVEAH We’ll see about that. SHANE You wanted to see me? NEVEAH Yeah. I‘m saying the word. SHANE What word? NEVEAH Last night you said you'd seen girls like me dancing. I could do with seeing my sweet self outside of the mirror. pg. 54. At her wardrobe, Neveah’s shucking her dance clothes when Shane pops his head in. Shane grins, putting it together (even if we haven’t yet).
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Tiny Pretty Yhings 101 Second Draft pg. 55. EXT. PILSON, DVORAK PARK - DAY Perched on a bench near a child-riddled playground, Bette glowers at a photo she holds -~ which has the same jagged edge as Cassie’s. As she flips it, her thumb reveals that this half shows Ramon on that same boat, arm around... OREN (0.S.) Got you some ice. Bette looks up to see Oren carrying over two greasy food- truck lunches -- and a bag of ice. Stashing the photo: BETTE Don't need it. OREN Just chill. Literally. As Oren lovingly wraps her ankle, she snuggles in close. Wrestling BETTE You were right. OREN Good. Feels better? BETTE I mean us about dancing together this year. My parents are big donors, they can pull some strings... with his next move, Oren picks at his lunch. OREN No, you were right, it’s better we don’t mix dance and our relationship. BETTE Why, ‘cause you had one good pas de deux on some easy choreography? OREN Wasn’‘t easy for you. BETTE It would be if we were partners. She doesn’t have the stamina or technique. Plus who wants to lift that every day? OREN Bette...
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Tiny Pretty Yhings 101 Second Draft pg. 56. BETTE She’'s the reason I fell. She was at me this morning, pushing me to do more than I should. OREN Right. It’s her fault, or Shane’s fault, or Brooks’s. Except you're the one who fell, Bette. You. And with that, Oren walks off, leaving Bette to watch the Kids romp on the playground. She takes in their joy, the kind she never had, that’s too late now for her to find. INT. CHICAGO INSTITUTE OF ART - DAY Neveah walks through various galleries, past great paintings. She can’t fathom why she’'s here. But then she sees it: a bronze statue first viewed from behind. Approaching it she sees the tattered tutu (like her old one) the dark, lean body. Circling to view it from the front, she’s confronted with Degas’ masterpiece, Little Dancer of Fourteen Years. She stands strong, determined. Hungry. NEVEAH ... Petit rat. Neveah meets the bronze girl’'s defiant eyes, her brown body, her rebellious stance, the marriage of anger and fear... and recognizes herself. CASSIE (V.0.) When you make that leap, you fly alone, just you and the air you conguer. It can help if there are others around you, a corps de ballet, each dancer in her own private battle. INT. HOSPITAL ROOM - NIGHT Bougquet in hand, June sits bedside. CASSIE (V.O.) They'’re the company’s lowest, the corps. The hungriest, most vulnerable. June massages the patient’s leg. Tears fall as she sobs. JUNE I'm sorry, Cassie. So sorry... REVEAL Cagsie Shore in bed, on life-support. Comatose. This perfect body now can’t even breath on its own.
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Tiny Pretly Things 101 Second Draft pg.57. CASSIE (V.0.) But there’s power in that hunger. You’ll risk more to get what you want. June caresses her perfect leg, wracked with guilty sobs. She looks up to see someone in the doorway: Nabil here to visit his girlfriend. Holding a boudquet of white roses. INT. ACADEMY DORMITORY, NEVEAH AND JUNE'S ROOM - NIGHT Surveying her corner, Neveah takes a satisfied breath -- a sense of optimism and possibility. She tries her first decoration, pinning a postcard of the Little Dancer. Then a photo of her family -- father, grandmother, brother. She hesitates, tacks another pic¢, of Neveah's MOTHER in prison garb, beaming at the camera with young Neveah. Turns out there’s a photo of her mom after all. CASSIE (V.O.) In the corps, your job is to fit in, to be an invisible part of a larger body while others claim the spotlight. sitting on her bed to admire her handiwork, she flinches in pain. Finger to her lips, she sucks a drop of blood. CASSIE (V.0.) But who knows any of this shit, and who really cares? For most of the world, a corps is just French for corpse —- what you are when you’re dead. Or when enough people see you that way. Neveah draws back the blanket to reveal a white rose, like the one that fell on Cassie (though Neveah doesn’t yet know that). She unfolds a note: Your turm to fly. Neveah picks up the rose, mystified... and working to tease out its meaning. THE END
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