CHAPTER
ONE:
“WEDNESDAY’S
CHILD
Is
FuLL
OF
WOE”
WRITTEN
BY
ALFRED
GOUGH
&
MILES
MILLAR
\
DIRECTED
BY
TiM
BURTON
\
)
BASED
ON
THE
CHARACTERS
CREATED
\
BY
CHARLES
ADDAMS
TELEVISION
>
1
2A
FADE
IN:
EXT.
NANCY
REAGAN
HIGH
SCHOOL
-
DAY
-
TO
ESTABLISH
As
all
American
as
Hostess
Cupcakes
and
the
NRA.
The
sign
out
front
proudly
declares,
“NANCY
REAGAN
HIGH
SCHOOL.
HOME
OF
THE
GOPHERS!”
INT.
HALLWAY
-
NANCY
REAGAN
HIGH
SCHOOL
-
DAY
Pre-class
insanity
reigns.
STUDENTS
frantically
crisscross
THE
FRAME.
Through
the
Technicolor
THRONG
of
Jansport
backpacks
and
Brandy
Melville
ensembles,
one
face
stands
out.
Wearing
a
signature
black
dress
and
two
perfect
braids,
meet
WEDNESDAY
ADDAMS
(15)
Her
legendary
wit
is
still
sharper
than
razor
wire
and
puberty
has
amplified
her
uniquely
warped
worldview.
She
cuts
a
line
through
her
fellow
students
like
a
Great
White
through
a
school
of
tuna.
As
she
walks,
she
is
met
with
looks
of
fear
or
derision,
both
of
which
secretly
please
her.
WEDNESDAY
(V.O.)
I'm
not
sure
whose
twisted
idea
it
was
to
put
hundreds
of
adolescents
in
underfunded
schools
run
by
people
whose
dreams
were
crushed
years
ago,
but
I
admire
the
sadism.
Up
ahead,
she
sees
a
GROUP
OF
STUDENTS
gathered
around
a
locker.
MUFFLED
SCREAMS
ECHO
FROM
INSIDE.
As
Wednesday
approaches,
the
teens
guiltily
scatter.
Suspicious,
she
wrenches
open
the
locker
door
and
out
tumbles
her
brother
PUGSLEY
ADDAMS
(13)
He’s
been
hog-tied
and
wrapped
in
bacon.
The
word
“Pigsley”
is
scrawled
across
his
plump
chest
in
red
Sharpie.
She
unsympathetically
rips
off
his
duct-tape
gag.
WEDNESDAY
I
want
names.
PUGSLEY
I
don’t
know
who
they
were.
Honest.
It
happened
so
fast...
He
begins
to
blubber.
Wednesday'’s
cool
demeanor
cracks.
WEDNESDAY
Pugsley,
emotion
equals
weakness.
Pull
it
together
now.
2A
*
*
*
2
2B
2.
But
when
she
grips
his
shoulders,
her
head
whips
back
and
she
experiences
a
PSYCHIC
VISION
It’s
LIQUID
AND
BLURRED
AT
THE
EDGES.
1IN
A
SERIES
OF
VISCERAL
FLASHES,
she
SEES
THREE
TEEN
BOYS
grab
Pugsley,
tie
him
up,
and
stuff
him
in
the
locker.
All
wear
red
and
white
varsity
hoodies
emblazoned
with
the
school’s
gopher
mascot
and
“Water
Polo
Gods”
printed
on
the
back.
The
VISION
ENDS.
BACK
TO
SCENE
INT.
HALLWAY
-
NANCY
REAGAN
HIGH
SCHOOL
-
DAY
Shaken,
Wednesday
releases
Pugsley
and
staggers
back.
WEDNESDAY
(V.O.)
No,
your
eyes
aren’t
playing
tricks,
unless
you
received
them
in
an
illegal
organ
transplant.
Lately,
I’‘ve
been
seeing
things,
extremely
bad
things.
PUGSLEY
(concerned)
You
okay?
WEDNESDAY
(nods,
collects
herself)
Leave
this
to
me.
PUGSLEY
(even
more
concerned)
Wednesday...
what
are
you
going
to
do?
WEDNESDAY
(smirks
knowingly)
What
I
do
best.
OFF
Wednesday,
a
plan
formulating...
CUT
TO:
UNDERWATER
LOOKING
UP
AT
a
collection
of
muscular
LEGS
kicking
furiously.
CAMERA
RISES,
REVEALING
we
are:
INT.
SWIMMING
POOL
-
NANCY
REAGAN
HIGH
SCHOOL
-
DAY
The
NRHS
WATER
POLO
TEAM
is
midpractice.
Even
in
red
Speedos,
these
dudes
exude
smarmy
jock
entitlement.
2B
*
3
WEDNESDAY
emerges
from
the
tunnel
under
the
bleachers
and
approaches
the
pool.
She
scans
the
players
until
her
eyes
lock
on
the
team
captain,
DALTON.
We
RECOGNIZE
him
as
one
of
Pugsley’s
tormentors
from
her
VISION.
Dalton
regards
her
mockingly...
DALTON
Hey,
freak,
this
is
a
closed
practice!
The
others
laugh
and
jeer,
but
Wednesday
remains
icily
impervious
to
their
taunts.
WEDNESDAY
The
only
person
who
gets
to
torture
my
brother
is
me.
Wednesday
pulls
her
hands
from
behind
her
back,
holds
up
two
large
clear
plastic
bags,
each
filled
with
water
and
A
DOZEN
PIRANHA!
With
a
casual
flick
of
her
wrists,
she
tosses
the
bags
into
the
water.
Dalton’s
eyes
go
wide.
Flailing
chaos
erupts
as
the
players
frantically
swim
for
the
sides.
DALTON
--
desperately
swims
for
a
ladder.
UNDERWATER
PIRANHA
POV
--
SPEEDING
towards
him,
lured
by
the
white
number
23
on
his
Speedos.
WEDNESDAY
--
observing
the
mayhem
unfold
with
the
cool
detachment
of
a
scientist
watching
the
Bikini
Reef
blasts.
DALTON
--
reaches
the
ladder,
is
about
to
haul
himself
up,
UNDERWATER
PIRANHA
POV
--
as
the
leader
of
the
pack
zeros
in
on
the
white
“23”
on
Dalton’s
Speedo.
OFF
DALTON’S
unholy,
high-pitched
SCREAM...
SMASH
CUT
TO:
MAIN
TITLES
CUT
TO:
EXT.
COUNTRY
ROAD
-
NEW
ENGLAND
-
DAY
Crimson
LEAVES
TORNADO
as
a
VINTAGE
STRETCH
LIMO
ROARS
DOWN
a
road
that
winds
through
an
epic
tree
scape.
Fall
is
in
full
splendor.
4
The
limo
is
Batmobile-black
and
a
silver
vulture
hood
ornament
scowls
on
the
front,
wings
outstretched.
A
cello
case
and
steamer
trunk
are
strapped
to
the
roof.
CAMERA
FINDS
Wednesday
staring
out
the
passenger
window.
CAMERA
PUSHES
THROUGH
the
glass...
INT.
LIMO
-
MOVING
-
DAY
...
and
OVER
her
shoulder,
REVEALING
THE
ADDAMS
FAMILY
LURCH
(40s)
is
driving.
Wednesday’s
parents,
GOMEZ
(40s)
and
MORTICIA
(40s),
are
in
the
back
facing
her
and
Pugsley.
Gomez
and
Pugsley
play
“Hangman,”
passing
a
paper
back
and
forth,
while
Morticia
reads
a
copy
of
Seance
magazine.
PUGSLEY
Hangman!
You
lose!
GOMEZ
Very
good,
my
boy!
just
too
clever
for
me.
Wednesday
glances
at
the
paper,
unimpressed.
WEDNESDAY
There’s
no
‘F’
in
‘Asphyxiation.’
Father
is
letting
you
cheat.
PUGSLEY
Why
would
he
do
that?
WEDNESDAY
First,
tell
me
how
many
‘K’s’
are
in
‘cretin’?
PUGSLEY
Duh...
one.
WEDNESDAY
I
rest
my
case.
Morticia
looks
up
from
her
magazine.
Wednesday
turns
away.
MORTICIA
Darling,
how
long
do
you
intend
on
giving
us
the
cold
shoulder?
5
Lurch
grunts.
The
couple
gets
lost
in
the
moment.
WEDNESDAY
Lurch,
please
remind
my
parents
that
I’'m
currently
not
speaking
to
them.
GOMEZ
I
promise,
my
little
viper,
you
are
going
to
love
Nevermore.
Won’'t
she,
Tish?
MORTICIA
course
she
will.
the
perfect
school
for
her.
WEDNESDAY
Why?
Because
it
was
the
perfect
school
for
you?
I
have
no
intention
of
following
in
your
footsteps
and
being
captain
of
the
fencing
team,
or
queen
of
the
dark
prom,
or
President
of
the
Seance
Society.
MORTICIA
I
merely
meant
you’ll
finally
be
among
peers
who
understand
you.
Maybe
you’ll
even
make
some
friends.
WEDNESDAY
Sarcasm
is
the
only
friend
I
need.
GOMEZ
Nevermore
is
no
ordinary
boarding
school.
1It’'s
a
magical
place.
It’s
where
your
mother
and
I
met
and
fell
in
love.
WEDNESDAY
I
suddenly
feel
nauseous.
And
not
in
a
good
way.
MORTICIA
Darling,
we
aren’t
the
ones
who
got
you
expelled.
That
boy’s
family
was
going
to
file
attempted
murder
charges.
How
would
that
have
looked
on
your
record?
Gomez
leans
in,
trying
to
assuage
Wednesday.
Gomez
takes
Morticia’s
hand
and
looks
lovingly
into
her
eyes.
Wednesday
is
disgusted.
*
*
*
%
Ok
%
*
Ok
%
6
WEDNESDAY
Terrible.
Everyone
would
know
that
I
failed
to
get
the
job
done.
CUT
TO:
EXT.
NEVERMORE
ACADEMY
-
DAY
The
limo
sweeps
through
a
pair
of
enormous
wrought-iron
gates.
Crowned
in
Gothic
black
letters
are
the
words:
NEVERMORE
ACADEMY.
Suddenly,
the
skies
open
and
it
POURS.
INT.
LIMO
-
MOVING
-
DAY
Morticia
smiles
as
the
raindrops
hit
the
window.
MORTICIA
At
least
it’s
turning
into
a
beautiful
day.
OFF
Wednesday
eye-rolling,
not
a
happy
bunny.
CUT
TO:
A
HUMAN
FACE
FROZEN
IN
A
PERPETUAL
SCREAM...
EXT.
CLEARING
-
LAKE
JERICHO
-
DAY
...
which
is
staring
up
from
the
mud
at
SHERIFF
DONOVAN
GALPIN
(40s)
the
local
police
chief.
He'’s
with
his
Deputy
RITCHIE
SANTIAGO
(20s).
They’re
standing
in
a
clearing
next
to
an
idyllic
New
England
lake.
RAINDROPS
smack
the
bloodied
face,
giving
the
impression
that
it’s
weeping
red
tears.
SHERIFF
GALPIN
Where’s
the
rest
of
him?
Santiago
points
to
the
yellow
police
tape
ringing
a
clutch
of
silver
birch
about
a
hundred
feet
away.
SANTIAGO
Well,
the
torso
and
arm
are
over
there...
(pointing)
We
found
a
leg
by
the
lake.
And
the
rest
of
the
parts
are...
so
far
unaccounted
for.
It
matches
the
profile
of
the
other
two
attacks
last
week.
7
10
11
7.
Galpin
shakes
his
head,
stares
across
the
lake.
Its
black
surface
is
pocked
by
a
trillion
raindrops.
SHERIFF
GALPIN
Issue
a
warning.
Keep
hikers
out
of
the
woods.
Don’t
approve
any
more
campfire
permits
for
the
foreseeable
future.
SANTIAGO
What
do
you
want
me
to
tell
the
press?
You
know
they’re
gonna
be
swarming
like
mosquitos
in
July.
SHERIFF
GALPIN
Tell
‘em
the
bear
is
back.
SANTIAGO
(skeptical)
You
don’t
really
believe
that,
Sheriff?
SHERIFF
GALPIN
‘Course
not.
(re:
head)
But
whatever
did
this
wasn’t
human.
He
indicates
the
three
Gothic
clock
towers
that
rise
above
the
mist-shrouded
trees
in
the
distance:
the
back
side
of
Nevermore
Academy.
SHERIFF
GALPIN
I
know
these
murders
are
connected
to
that
school.
I
just
prove
it
yet.
Until
I
can,
it’s
a
goddamn
bear.
EXT.
NEVERMORE
ACADEMY
-
DAY
CAMERA
FLIES
ACROSS
THE
ROOFTOPS,
SLALOMS
BETWEEN
THE
CLOCK
TOWERS
and
ZEROES
IN
ON
A
PAIR
OF
GOTHIC
WINDOWS.
RAIN
SLUICES
DOWN
THE
LEADED
PANES.
CAMERA
MELTS
RIGHT
THROUGH
THE
GLASS
and
into...
INT.
OFFICE
-
NEVERMORE
ACADEMY
-
DAY
...
Wednesday
stares
out
defiantly,
her
back
to
the
FIRE
CRACKLING
IN
THE
MONUMENTAL
HEARTH
which
is
fashioned
after
a
Gorgon.
Gomez
and
Morticia
sit
across
from
PRINCIPAL
LARISSA
WEEMS
(40s).
Although
her
demeanor
is
warm,
she
masks
her
true
feelings
with
the
skill
of
a
seasoned
diplomat.
She
studies
Wednesday'’s
transcripts,
finally
closes
the
file.
10
11
*
*
*
8
Morticia
lets
the
barb
slide.
Morticia
gives
Wednesday
a
death
stare.
PRINCIPAL
WEEMS
Wednesday
is
certainly
a
unique
name.
I’'m
guessing
it’s
the
day
of
the
week
you
were
born?
WEDNESDAY
I
was
born
on
Friday
the
13th.
MORTICIA
Her
name
comes
from
a
line
in
my
favorite
nursery
rhyme.
‘Wednesday’s
child
is
full
of
woe.’
Weems
smiles
tightly,
not
sure
how
to
react.
PRINCIPAL
WEEMS
You
always
had
a
unique
perspective
on
the
world,
Morticia.
(to
Wednesday)
Did
your
mother
tell
you
that
we
were
roommates
back
in
the
day?
WEDNESDAY
(that’s
news
to
her)
And
you
graduated
with
your
sanity
intact
--
impressive.
PRINCIPAL
WEEMS
You’ve
certainly
had
a
very
interesting
educational
journey.
Eight
schools
in
five
years.
WEDNESDAY
They
still
haven’t
built
one
that
can
hold
me.
I
doubt
this
place
will
be
any
different.
GOMEZ
I
believe
what
our
daughter
is
trying
to
say
is
that
she
greatly
appreciates
this
opportunity.
Weems
crosses
from
behind
her
desk.
PRINCIPAL
WEEMS
Nevermore
doesn’t
usually
accept
students
midterm.
(MORE)
Weems
gets
down
to
business.
Gomez
intervenes.
*
¥
%
*
%
%
*
*
*
%
*
*
*
*
ok
*
9
12
PRINCIPAL
WEEMS
(CONT'D)
But
given
Wednesday'’'s
perfect
grades,
and
your
family’s
long
history
with
the
school,
I've
spoken
with
the
Board
and
we've
made
an
exception.
Gomez
smiles,
takes
hand.
MORTICIA
(uncomfortable
topic)
What
about
Wednesday’s...
therapy
sessions?
PRINCIPAL
WEEMS
The
school
has
a
relationship
with
a
therapist
in
Jericho.
She
can
meet
twice
a
week.
GOMEZ
Did
you
hear
that,
my
little
storm
cloud?
Sounds
like
you’re
in
excellent
hands.
WEDNESDAY
I
doubt
she’ll
survive
our
first
session.
Morticia
and
Gomez
don’t
take
the
bait.
Weems
checks
her
watch,
turns
her
attention
to
Wednesday.
PRINCIPAL
WEEMS
assigned
you
to
your
mother’s
old
dorm
--
Ophelia
Hall.
Wednesday
levels
her
gaze
at
her
parents.
WEDNESDAY
Refresh
my
memory,
Ophelia
is
the
one
who
kills
herself
after
she
was
driven
mad
by
her
family,
correct?
The
question
hangs
in
the
air.
Weems
musters
a
forced
smile.
PRINCIPAL
WEEMS
Shall
we
go
meet
your
new
roommate?
INT.
WEDNESDAY'S
ROOM
-
OPHELIA
HALL
-
DAY
CLOSE
ON
A
DOOR
as
it
opens
and
Weems
leads
Wednesday,
Morticia
and
Gomez
inside.
WE
STAY
ON
Wednesday
as
she
regards
the
room,
mortified.
WHAT
SHE
SEES:
The
attic
space
is
dominated
by
a
floor
to
ceiling
circular
window.
12
%*
*
10
10.
Its
spiderweb-design
has
been
accented
by
multicolored
gels
causing
the
entire
space
to
be
washed
in
shafts
of
rainbow
colored
light!
Stacks
of
old
furniture
and
dusty
chandeliers
gather
dust
in
a
corner.
GOMEZ
(mustering
enthusiasm)
It’'s
so...
vivid!
ENID
SINCLAIR
(16)
grins,
as
she
excitedly
climbs
off
her
bed
to
greet
them.
Enid
is
a
werewolf,
although
you’d
never
know
it
from
her
sunny
disposition.
She’s
wearing
the
school’s
purple
uniform
which
she’s
accessorized
with
velvet
scrunchies
and
rainbow-colored
nails.
ENID
Howdy,
roomie!
PRINCIPAL
WEEMS
Wednesday,
this
is
Enid
Sinclair.
Wednesday
is
literally
at
a
loss
for
words,
trying
to
keep
her
body
out
of
the
light.
Enid
looks
at
her
concerned.
ENID
You
feeling
okay?
You
look
a
little...
pale.
GOMEZ
Wednesday
always
looks
half
dead.
Seems
weird,
but
Enid
just
goes
with
it.
ENID
Welcome
to
Ophelia
Hall!
She
goes
in
for
a
hug,
but
Wednesday
steps
back
defensively.
ENID
Okay...
not
a
hugger,
got
it.
MORTICIA
Please
excuse
Wednesday,
she’s
allergic
to
color.
ENID
Wow.
Never
heard
that
one
before.
What
happens
to
you?
WEDNESDAY
I
break
out
into
hives
and
then
my
flesh
peels
off
my
bones.
Enid
looks
at
her
in
shock,
not
sure
how
to
answer.
*
Ok
%
%
*
*
*
*
¥
*
11
13
11.
PRINCIPAL
WEEMS
Luckily,
we'’ve
special
ordered
you
a
uniform.
Enid,
please
take
Wednesday
to
the
registrar’s
office
to
pick
it
up
along
with
her
schedule.
And
give
her
a
tour
on
the
way.
As
the
girls
exit,
Wednesday
shoots
her
parents
a
final
heart-
chilling
glare.
INT.
HALL
-
NEVERMORE
ACADEMY
-
DAY
Enid
talks
as
she
escorts
Wednesday
past
the
impressive
trophy
case.
Wednesday
stops
to
view
a
b&w
photo
featuring
Nevermore’s
triumphant
1998
National
Fencing
Champs.
YOUNG
MORTICIA
ADDAMS
(17)
is
the
Captain.
(NOTE:
We
also
see
their
coach
FRANCOIS
GALPIN
(25)
in
the
picture.)
ENID
Nevermore
was
founded
in
1825
to
educate
people
like
us
--
Outcasts,
freaks,
monsters...
fill
in
your
favorite
marginalized
group
here.
Wednesday
isn’t
paying
attention
and
scans
the
space
like
she’s
casing
a
bank.
WEDNESDAY
You
can
save
the
sanitized
sales
pitch.
Unless
you
have
detailed
information
about
weaknesses
in
the
school’s
security
system.
(off
Enid’s
confusion)
I
don’t
plan
on
staying
here
long.
ENID
Why
not?
WEDNESDAY
Because
this
was
my
parents’
idea.
been
looking
for
any
excuse
to
send
me
here.
It’s
part
of
their
nefarious
yet
completely
obvious
plan.
ENID
Okay,
I’ll
bite.
What
plan?
WEDNESDAY
To
turn
me
into
a
version
of
themselves.
13
*
*
12
14
12.
ENID
In
that
case,
maybe
you
can
clear
something
up.
Rumor’s
been
swirling
you
killed
a
kid
at
your
old
school
and
your
parents
pulled
strings
to
get
you
off.
WEDNESDAY
(deadpan)
Actually,
it
was
two
kids,
but
who’s
counting.
Wednesday
heads
through
the
doors.
Enid
can’t
tell
if
she’s
joking
or
not,
follows
after
her.
EXT.
QUAD
-
NEVERMORE
ACADEMY
-
DAY
The
octagonal
space
features
a
large
courtyard
encircled
by
arched
cloisters.
An
ancient
gnarled
tree
sprouts
from
the
reflecting
pool
in
the
middle
of
the
space.
It’s
lunchtime
and
STUDENTS
and
FACULTY
relax.
They
are
a
unique
bunch.
ENID
Welcome
to
the
Quad.
WEDNESDAY
(studies
the
space)
It’s
a
pentagon.
ENID
Whatever...
it’s
where
the
popular
and
the
thirsty
intersect.
You
crush
it
here,
you
get
invited
to
all
the
best
secret
parties.
Wednesday
looks
around,
unimpressed
by
the
packs
of
kids
huddled
in
different
sections
of
the
courtyard.
WEDNESDAY
I'1ll
be
sure
to
RSVP
never.
Enid
stops,
turns
to
Wednesday.
ENID
The
whole
bored
goth
girl
thing
may
have
worked
in
Normie
school,
but
here
you
need
to
up
your
game.
Let
me
give
you
the
quick
Wiki
on
Nevermore’s
social
scene.
WEDNESDAY
I'm
not
interested
in
joining
some
adolescent
tribal
cliche.
14
*
*
%
*
*
%
*
*
*
*
ok
%
%
*
*
13
13.
ENID
Then
use
it
to
fuel
your
obviously
bottomless
pit
of
disdain.
(off
Wednesday,
touché)
There
are
four
main
cliques:
Fangs,
Furs,
Stoners,
and
Scales.
She
points
to
a
SHADED
ALCOVE
where
a
group
of
tall,
pale,
angular
TEENS,
all
wearing
Ray-Bans,
sip
blood
from
eco-
friendly,
matte-black
Hydro
Flasks.
YOKO
TANAKA
(16)
adds
her
own
Harajuku-inspired
Goth
flair
to
the
gathering.
ENID
Those
are
the
Fangs,
aka
vampires.
They
like
to
liquid-lunch
together
and
silently
judge
the
rest
of
us.
A
group
of
rowdy
BOYS
howls
at
Enid.
Their
baying
is
deep,
animalistic.
Wednesday
is
surprised
when
Enid
howls
back.
ENID
That
bunch
of
knuckleheads
are
Furs,
aka
werewolves.
I'm
related
to
half
of
them.
My
pack’s
from
San
Francisco.
Full
moons
are
high
decibel
around
here.
That’s
when
furs
‘wolf
out’.
I
suggest
you
pick
up
some
noise-cancelling
headphones.
As
Wednesday
follows
Enid
past
the
reflecting
pool,
she
notices
a
striking
teen
girl,
BIANCA
BARCLAY
(16).
Bianca
is
sitting
on
the
stone
bench
that
rings
the
pool,
talking
to
her
friend
KENT
(16).
Wednesday
watches
the
skin
on
Bianca’s
arm
MORPH
FROM
SCALES
TO
FLESH
as
she
absentmindedly
swishes
her
hand
in
the
water.
Bianca
silently
clocks
Wednesday
but
doesn’t
acknowledge
her.
WEDNESDAY
I'm
guessing
Scales
are
sirens.
ENID
You
catch
on
quick.
(re:
Bianca)
And
that
girl,
Bianca
Barclay,
is
the
closest
thing
Nevermore
has
to
royalty.
Although
her
crown’s
been
slipping
lately.
She
subtly
points
to
a
teen
boy
sitting
in
a
corner
alcove
alone,
drawing
on
a
sketch
pad.
This
is
XAVIER
THORPE
(16).
Enid
whispers
conspiratorially.
*
¥
*
*
*
X
*
*
14
14.
ENID
She
used
to
date
Xavier
Thorpe.
But
they
broke
up
at
the
beginning
of
the
semester.
Reason:
unknown.
WEDNESDAY
(could
care
less)
Fascinating.
ENID
I
know,
right?
My
vlog
is
the
number-one
source
for
Nevermore
gossip.
AJAX
(0.S.)
Yo,
Enid!
You’re
not
gonna
believe
the
dirt
I
heard
about
your
new
roommate.
AJAX
PETROPOLUS
(16)
approaches,
wearing
a
purple
Supreme
beanie
covering
his
head
of
limp
snakes.
He's
Enid’s
secret
crush
and
her
cheeks
immediately
flush.
AJAX
She
eats
human
flesh!
Totally
chowed
down
on
that
kid
she
murdered!
Better
watch
your
back!
He
stops
when
he
sees
Enid’s
mortified
face
pointing
behind
him.
He
turns
and
finds
Wednesday.
WEDNESDAY
Actually,
I
filet
the
bodies
of
my
victims
and
feed
them
to
my
menagerie
of
pets.
Ajax
stares
at
her.
Enid
interjects,
embarrassed:
ENID
(through
gritted
teeth)
Ajax,
this
is
my
new
roommate,
Wednesday
.
AJAX
(to
Wednesday)
Whoa...
you’re
in
black
and
white.
Like
a
living
Instagram
filter.
ENID
You’ll
have
to
excuse
Ajax.
Gorgons
spend
way
too
much
time
getting
stoned.
15
15.
Annoyed,
she
smacks
him
on
the
side
of
the
head.
As
he
walks
away,
she
looks
at
Wednesday,
trying
to
explain.
ENID
Don’t
worry
about
Ajax,
he’s
cute
but
clueless.
It’s
a
small
school
and
there
wasn’t
much
online
about
you.
You
really
need
to
get
on
Insta
and
Snapchat.
WEDNESDAY
I
don’t
do
social
media.
I
find
it
to
be
a
soul-sucking
void
of
meaningless
affirmation.
As
Wednesday
heads
into
the
Registrar’s
Office,
STAY
ON
Enid,
not
sure
how
she
feels
about
her
new
roommate.
TIME
CUT
TO:
A
PAIR
OF
POLISHED
BLACK
SHOES
striding
across
the
gravel.
PAN
TO
REVEAL
WEDNESDAY
.
Now
wearing
a
b&w
version
of
the
school
uniform:
black
blazer,
b&w
checkered
skirt,
black
knee-high
socks,
and
black
tie
against
a
white
shirt.
She’s
walking
towards...
EXT.
FRONT
GATE
-
NEVERMORE
ACADEMY
-
DAY
Morticia,
Gomez,
and
Pugsley
wait
by
the
limo
as
she
approaches.
Gomez
gives
her
a
wide,
paternal
smile.
GOMEZ
Look
at
you,
my
little
death
trap!
Seeing
that
uniform
brings
back
so
many
terrible
memories,
doesn’t
it,
Tish?
Morticia
looks
at
Wednesday,
suddenly
overcome.
MORTICIA
Why
don’t
you
boys
wait
in
the
car?
Wednesday
and
I
need
a
moment.
Pugsley
throws
his
arms
around
Wednesday
in
a
hug.
She
doesn’t
return
the
gesture.
WEDNESDAY
Pugsley,
you’re
soft
and
weak.
You’ll
never
survive
without
me.
I
give
you
two
months
tops.
15
*
16
16.
PUGSLEY
I'm
gonna
miss
you
too,
sis.
Gomez
and
Pugsley
climb
in.
Morticia
focuses
her
gaze
on
her
daughter.
MORTICIA
Any
plans
you
have
of
running
away
end
right
now.
I’'ve
alerted
all
family
members
to
contact
me
the
minute
you
darken
their
doorstep.
You
have
nowhere
to
go.
Wednesday
doesn’t
break
eye
contact.
WEDNESDAY
As
usual,
you
underestimate
me,
Mother.
I
will
escape
this
educational
penitentiary
and
then
you
will
never
hear
from
me
again.
MORTICIA
You
are
a
brilliant
girl,
Wednesday,
but
sometimes
you
get
in
your
own
way.
I’m
sure
you’ll
grow
to
love
Nevermore
and
find
it
as
life-changing
as
I
did.
(then)
I
got
you
a
little
something.
She
presents
Wednesday
with
a
pendant.
It
features
a
small
onyx
“W”
which
can
be
spun
to
form
an
“M”
too.
MORTICIA
“W”
and
“M”.
Our
initials.
(putting
it
around
Wednesday’s
neck)
It’s
a
symbol
of
our
connection.
Wednesday
studies
the
gift.
Then
looks
at
her
mother.
WEDNESDAY
Which
one
of
your
spirits
suggested
this
toe
curling
tchotchke?
I'm
not
you,
Mother.
I
will
never
fall
in
love
or
be
a
housewife
or
have
a
family.
Morticia
is
pained
by
Wednesday’s
words.
MORTICIA
I
preferred
when
you
took
aim
at
me
with
your
crossbow.
(MORE)
*
¥
%
*
*
*
*
17
16
17
18
19
17.
MORTICIA
(CONT'D)
I'm
told
that
girls
your
age
can
say
hurtful
things
and
that
I
shouldn’t
take
them
to
heart.
WEDNESDAY
Luckily
you
don’t
have
one.
MORTICIA
Finally,
a
kind
word
for
your
mother.
(hands
her
a
crystal
ball
carrier
box)
We
can’'t
talk
to
you
for
the
first
week
while
you’re
settling
in.
So
we’ll
call
next
Sunday.
As
she
watches
her
family
drive
away,
she
reaches
for
the
onyx
necklace,
unconsciously
revealing
a
hidden
insecurity.
CUT
TO:
INT.
LIMO
-
MOVING
-
DAY
Morticia
dabs
tears
from
her
cheeks.
Gomez
offers
her
a
reassuring
smile.
GOMEZ
Don’t
worry,
my
love,
our
little
scorpion
won’t
be
alone.
He
surreptitiously
hits
a
button
on
the
dash.
CUT
TO:
UNDER
THE
LIMO
A
red
light
flashes,
signaling
THING
to
drop
from
the
undercarriage
Mission
Impossible-style.
As
the
LIMO
SPEEDS
OFF,
the
hand
races
back
up
the
drive
towards
the
school.
CUT
TO:
EXT.
WEDNESDAY'S
ROOM
-
OPHELIA
HALL
-
NIGHT
CAMERA
LOOKS
THROUGH
a
panel
of
candy-pink
glass
to
REVEAL
Wednesday
on
her
knees,
razor
blade
in
hand,
carefully
shaving
the
colored
gels
off
the
spiderweb
window.
INT.
ROOM
-
OPHELIA
HALL
-
NIGHT
...
Wednesday
steps
back,
REVEAL
that
half
the
window
is
now
plain
glass.
At
that
moment,
Enid
enters
behind
her
and
regards
the
space
in
shock.
16
17
18
19
*
*
*
%
18
18.
REVEAL
THE
ROOM.
Enid’s
side
is
still
in
Technicolor
while
Wednesday's,
complete
with
gramophone,
cello,
and
vintage
Smith-Corona
typewriter,
is
practically
black
and
white.
There
is
a
line
of
black
duct
tape
down
the
center
to
divide
the
space.
ENID
What
the
hell
did
you
do
to
my
room?
Wednesday
regards
Enid’s
side
in
disgqgust.
There’s
a
candy-
colored
bedspread
along
with
pink
and
yellow
throw
pillows
and
enough
stuffed
animals
to
fill
three
zoos.
WEDNESDAY
Dividing
our
room
equally.
It
looks
like
a
rainbow
vomited
on
your
side.
Wednesday
sits
at
her
desk,
rolls
a
piece
of
clean
white
paper
into
her
typewriter.
WEDNESDAY
Silence
would
be
appreciated.
This
is
my
writing
time.
ENID
Your
‘writing
time’?
WEDNESDAY
I
devote
an
hour
a
day
to
my
novel.
Perhaps
if
you
did
the
same,
your
vlog
might
be
coherent.
ENID
You
read
my
vlog?
WEDNESDAY
More
like
deciphered
it.
I’ve
seen
serial
killer
diaries
with
better
punctuation.
ENID
I
write
in
my
voice!
It’s
my
truth,
that’s
what
my
followers
love.
WEDNESDAY
Your
followers
are
clearly
imbeciles.
They
respond
to
your
stories
with
insipid
little
pictures.
*
19
19.
ENID
(incredulous)
You
mean
emojis?
It’s
how
people
express
their
feelings.
I
realize
that’s
a
foreign
concept
to
you.
The
girls
glare
off.
WEDNESDAY
When
I
look
at
you,
I
imagine
the
following
emojis:
Rope.
Shovel.
Hole.
(turns
back
to
typewriter)
By
the
way,
there
are
two
D’s
in
Addams.
If
you’re
going
to
gossip
about
me,
at
least
spell
my
name
correctly.
Pissed,
Enid
opens
her
iPhone,
starts
playing
K-POP
THROUGH
HER
BLUETOOTH
SPEAKER.
Wednesday
spins
in
her
chair.
WEDNESDAY
Turn
that
off.
This
is
your
final
warning.
Wednesday
makes
a
move,
but
Enid
points
to
the
duct-tape
line
on
the
floor
and
snaps
out
her
wolf
claws,
which
extend
three
inches
from
her
fingertips.
ENID
Do
not
mess
with
me,
this
kitty’s
got
claws
and
I'm
not
afraid
to
use
them!
Suddenly,
the
door
swings
open
and
TAMARA
NOVAK
(40)
enters
wearing
muddy
red
boots
and
holding
a
potted
black
flower.
She’s
Ophelia‘s
Hall’s
Dorm
Mom.
Quirky
but
perceptive,
she
senses
the
tension
between
them,
and
smiles
warmly.
MS.
NOVAK
Good
evening,
girls!
Sorry
about
the
mud.
Wanted
to
make
sure
Wednesday
was
settling
in!
(re:
standoff)
Is
this
a
bad
time?
Enid
TURNS
OFF
THE
MUSIC
and
retracts
her
claws.
Wednesday
steps
back
to
her
side
of
the
room.
MS.
NOVAK
(to
Wednesday)
I'm
Ms.
Novak,
your
Dorm
Mom.
(MORE
)
*
*
%
20
MS.
NOVAK
(CONT'D)
Apologies
I
wasn’t
here
to
greet
you
when
you
arrived,
but
Outcast
Bio
won’t
teach
itself!
I
trust
Enid
has
given
you
the
old
Nevermore
welcome.
WEDNESDAY
(deadpan)
She’s
been
smothering
me
with
hospitality.
I
look
forward
to
returning
the
favor...
in
her
sleep.
MS.
NOVAK
A
little
welcome
gift
from
my
greenhouse.
I
try
to
match
the
right
flower
to
each
of
my
girls.
When
I
read
your
personal
statement
in
your
application,
I
thought
of
this
one.
WEDNESDAY
(taking
flower)
A
Black
Dahlia.
MS.
NOVAK
You
know
it?
WEDNESDAY
Of
course.
It’s
named
after
my
favorite
unsolved
murder.
(genuine)
Thank
you.
MS.
NOVAK
Okie
dokie,
before
I
leave,
I
want
to
go
over
a
few
house
rules:
lights
out
by
10:00;
no
loud
music
and
no
boys...
ever.
She
winks
mischievously,
turns...
MS.
NOVAK
(pointed
to
Enid)
Also,
keep
your
claws
to
yourself.
(to
Wednesday)
No
smothering
anyone
in
their
sleep
(smiles
again)
Are
we
clear?
Good
talk!
20.
Ms.
Novak
overlooks
the
dig
and
hands
Wednesday
the
flower.
21
20A
21.
As
Ms.
Novak
exits,
OFF
the
girls,
chastised.
CUT
TO:
THE
SOUND
OF
CLASHING
BLADES
INT.
FENCING
HALL
-
NEVERMORE
ACADEMY
-
DAY
STUDENTS
in
white
fencing
outfits
square
off
in
10
lanes.
Thrusting
and
parrying
as
they
move
up
and
down
this
grand
hall.
They
are
under
the
watchful
eye
of
COACH
VLAD
(30s),
a
debonair
Romanian.
Wednesday
enters
wearing
AN
ALL-BLACK
FENCING
ENSEMBLE.
She
makes
eye
contact
with
Xavier,
who
has
traded
his
pencil
for
a
rapier.
He
gives
her
a
friendly
wave
like
he
knows
her.
She
glances
away,
confused,
and
focuses
on
the
TWO
FENCERS
closest
to
her.
FENCER
#1
toys
with
FENCER
#2,
moves
in
for
the
kill.
Showing
no
mercy,
Fencer
#1
forces
Fencer
#2
to
trip
and
fall.
Fencer
#1
holds
the
tipped
blade
to
Fencer
#2's
throat,
then
flips
off
her
own
mask,
revealing
BIANCA
BARCLAY
She
mockingly
scowls
at
Fencer
#2
as
he
wrenches
off
his
mask.
This
is
ROWAN
LASLOW
(16).
Rowan’s
a
bookish
nerd.
He
stares
at
Bianca,
bitter.
ROWAN
Coach,
she
tripped
me!
COACH
VLAD
It
was
a
clean
strike,
Rowan.
BIANCA
Maybe
if
you
whined
less
and
practiced
more,
you
wouldn’t
suck.
On
the
verge
of
tears,
Rowan
rises.
As
he
storms
to
the
exit,
he
passes
Wednesday,
offering
her
a
wounded
look
with
his
bloodshot
eyes.
BIANCA
Seriously,
Coach,
when
am
I
going
to
get
some
real
competition?
(to
class)
Anyone
else
want
to
challenge
me?
PUSH
IN
ON
Wednesday,
formulating
her
next
move.
20A
*
*
22
22.
WEDNESDAY
(V.O.)
If
there’s
one
thing
I
hate
more
than
a
bully,
it’s
a
bitch.
The
entire
class,
including
Xavier,
reacts
in
disbelief
as
Wednesday
steps
forward,
saber
raised.
WEDNESDAY
I
do!
BIANCA
(smirking,
unimpressed)
You
must
be
that
psychopath
they
let
in.
WEDNESDAY
And
you
must
be
the
self-appointed
queen
bee.
Interesting
thing
about
bees,
pull
out
their
stingers
and
they
drop
dead.
The
class
lets
out
a
collective
“Ooh”
as
Wednesday
throws
down
the
gauntlet.
BIANCA
Rowan
doesn’t
need
you
to
come
to
his
defense.
He’s
not
helpless,
he’s
lazy.
WEDNESDAY
Are
we
doing
this
or
not?
Both
girls
step
into
the
lane
and
eye-fuck
as
they
put
on
their
helmets
and
hook
up
their
scoring
cords.
COACH
VLAD
(raises
his
hand)
En
garde!
The
class
watches
as
the
girls
square
off.
Bianca
thrusts
first,
Wednesday
expertly
blocks
it,
then
attacks
with
a
quick,
clean
stroke,
scoring
the
first
point!
There
is
an
audible
gasp
from
the
onlookers.
Xavier
smiles.
Even
Coach
Vlad
is
surprised.
The
girls
take
their
positions
again.
This
time,
Wednesday
thrusts
first,
but
Bianca
is
ready
and
strikes,
successfully
evening
the
score.
23
20B
23.
BIANCA
(condescending)
That
first
point
was
clearly
beginner’s
luck.
Let’s
finish
this.
Wednesday
takes
off
her
mask,
a
glint
in
her
eye.
WEDNESDAY
(to
Coach
Vlad)
For
the
final
point,
I
would
like
to
invoke
a
military
challenge.
No
masks,
no
tips.
Winner
draws
first
blood.
BIANCA
(removing
mask)
What
are
you
trying
to
prove?
WEDNESDAY
That
I'm
better
than
you.
Bianca
bristles
as
her
classmates
giggle
and
whisper.
COACH
VLAD
It’s
your
decision,
Bianca.
She
removes
the
protective
cap
from
the
tip
of
her
saber
and
tosses
her
mask
aside.
BIANCA
(to
Wednesday)
Let’s
see
if
you
bleed
in
black
and
white.
CUT
TO:
SABERS
CLASHING
INT.
FENCING
HALL
-
NEVERMORE
ACADEMY
-
MOMENTS
LATER
Wednesday
and
Bianca
spar
like
Jedi
while
their
classmates
watch,
mesmerized.
Wednesday'’s
strokes
are
fast,
precise,
and
confident.
She’s
giving
Bianca
a
run
for
her
money.
But
Bianca
is
taller
and
stronger,
giving
her
a
natural
advantage.
Bianca
backs
Wednesday
into
a
corner,
looks
like
she’s
going
to
strike,
when
Wednesday
BACK
FLIPS
OVER
HER
HEAD
20B
*
24
21
22
24.
and
spins,
taking
Bianca
by
surprise.
As
Bianca
faces
her,
Wednesday
sweeps
up
her
blade.
But
before
she
makes
contact,
Bianca
limbos
clear.
GO
TIGHT
as
Wednesday'’s
blade
passes
within
a
mouse-hair
of
Bianca’s
face.
Now
Bianca
goes
on
the
offensive,
swings
up
her
sword,
and
expertly
nicks
Wednesday
just
above
her
right
eye.
SLO
MO
as
A
TEARDROP
OF
BLOOD
drips
onto
Wednesday'’s
black
vest.
Bianca
grins,
raises
her
saber
in
triumph
while
the
rest
of
the
class
erupts
into
cheers.
BIANCA
(re:
bloody
cut)
Your
face
finally
got
the
splash
of
color
it
so
desperately
needed.
(off
laughter)
Did
you
really
think
you
were
going
to
roll
in
here
on
day
one
and
take
me
down?
(leans
in)
Word
of
advice:
stay
in
your
lane,
which
is
as
far
out
of
my
eyeline
as
possible.
Angry
and
humiliated,
Wednesday
stabs
her
sword
into
a
nearby
wall
and
storms
out.
OFF
Xavier
watching
her
go...
CUT
TO:
INT.
INFIRMARY
-
DAY
CLOSE
ON
a
frosted
glass
door.
“Infirmary”
is
etched
across
it
in
faded
gold
paint.
It
opens
and
Wednesday
angrily
strides
out,
now
sporting
three
neat
black
stitches
above
her
eye.
Still
fuming,
she
crosses
the
cavernous
marble
foyer,
has
her
hand
on
the
door
when
she
hears
a
NOISE
behind
her.
She
spins,
on
alert,
but
no
one
is
there.
As
she
exits,
THING
peeks
out
from
behind
a
potted
fern.
EXT.
EDENVALE
HALL
-
DAY
A
THUNDERSTORM
RUMBLES
and
fat
RAINDROPS
POUND
the
foot-worn
stone
steps.
Wednesday
fishes
a
black
umbrella
from
her
backpack,
plumes
it
open,
and
steps
into
the
DOWNPOUR.
ANGLE
ON
A
MASSIVE
STONE
GARGOYLE
21
*
22
25
23
25.
glowering
from
the
roof
as
WATER
CASCADES
OFF
its
snarling
face.
It’s
under
repair,
surrounded
by
scaffolding.
Suddenly,
the
BASE
CRACKS
and
the
HULKING
STONE
CREATURE
SUPERNATURALLY
LURCHES
FORWARD.
Wednesday
looks
up
as
the
Gargoyle
smashes
through
the
scaffolding
and
hurtles
towards
her!
But
a
second
before
impact,
she’s
tackled
out
of
the
way
by
XAVIER.
As
she
smacks
her
head
on
the
ground
and
blacks
out...
CUT
TO:
INT.
INFIRMARY
-
EDENVALE
HALL
-
DAY
CLOSE
ON
Wednesday
as
her
eyes
groggily
open.
She
SEES
A
BLURRED
FIGURE.
It
takes
a
moment
for
her
VISION
TO
SNAP
INTO
FOCUS,
REVEALING
Xavier.
He
offers
a
smile
of
relief.
XAVIER
Welcome
back.
Wednesday
sits
up
in
the
bed,
disoriented,
holds
her
head.
XAVIER
Go
easy,
the
nurse
said
you
don’t
have
a
concussion,
but
you’ll
probably
have
a
nasty
bump
to
go
with
your
stitches.
WEDNESDAY
The
last
thing
I
remember
was
standing
outside
feeling
a
mixture
of
rage,
pity,
and
self-disgust.
I've
never
felt
that
way
before.
XAVIER
Losing
to
Bianca
has
that
effect
on
people.
WEDNESDAY
I
looked
up
and
saw
that
Gargoyle
coming
at
me,
thinking
at
least
I‘ll
have
an
imaginative
death.
Then
you
tackled
me
out
of
the
way.
(off
his
nod)
Why
would
you
do
that?
XAVIER
call
it
instinct.
23
26
26.
WEDNESDAY
So
you
were
guided
by
latent
chivalry,
which
is
just
a
tool
of
the
patriarchy
designed
to
extract
my
undying
gratitude?
XAVIER
Most
people
would
say
thank
you.
WEDNESDAY
I
didn’t
ask
you
to
rescue
me.
XAVIER
So
I
should
have
let
that
thing
smash
you
to
mush?
WEDNESDAY
I
would
rather
have
saved
myself.
Xavier
shakes
his
head,
amused
by
Wednesday’s
attitude.
XAVIER
It’s
good
to
see
you
haven’t
changed.
Still
as
defiant
as
ever.
If
it
makes
you
feel
better,
let’s
just
say
I
returned
the
favor.
(off
her
confusion)
Xavier
Thorpe.
You
really
don’t
remember
me,
do
you?
To
be
fair,
the
last
time
we
met,
I
was
two
feet
shorter
and
40
pounds
heavier.
WEDNESDAY
What
happened?
XAVIER
Puberty...
I
guess.
And
I
started
hitting
the
gym...
eating
better.
WEDNESDAY
I
meant
what
happened
the
last
time
we
met.
XAVIER
(smiles,
embarrassed)
It
was
my
godmother’s
funeral.
She
was
close
with
your
grandmother.
Apparently,
they
spent
their
20s
together
in
Europe
swindling
the
rich
and
notorious.
Anyway,
we
were
10
and
bored.
(MORE)
27
24
27.
XAVIER
(CONT'D)
Decided
to
play
hide
and
seek,
and
I
had
the
inspired
idea
to
hide
in
her
casket.
I
got
stuck
as
it
was
heading
into
the
crematorium...
WEDNESDAY
(remembering)
I
heard
muffled
screams.
At
first
I
thought
your
godmother
had
somehow
cheated
death
and
was
trying
to
claw
her
way
out.
I‘ve
always
wanted
to
see
what
a
zombie
looks
like.
XAVIER
Either
way,
you
hit
the
big
red
stop
button
and
saved
me
from
being
flame
broiled.
(stands)
So
now
we're
even.
He
smiles
charmingly
and
exits.
OFF
Wednesday,
confused
by
the
new
emotions
brewing
inside
her.
CUT
TO:
A
record
spinning
on
Wednesday'’s
gramophone...
INT.
WEDNESDAY'S
ROOM
-
OPHELIA
HALL
-
DAY
...
it’s
Edith
Piaf’s
plaintive
Non,
Je
Ne
Regret
Rein.
PULL
BACK
TO
REVEAL
Wednesday
sitting
at
her
desk,
furiously
typing.
Suddenly,
she
sees
the
curtains
flutter
in
her
mirror.
Suspicious,
she
YANKS
THE
NEEDLE
OFF
THE
RECORD,
stalks
over,
and
whips
back
the
curtains,
revealing
THE
WINDOW
IS
CRACKED
OPEN.
She
turns
toward
her
desk
when
she
sniffs
the
air
like
a
predator
sensing
prey.
With
lightning
speed,
she
reaches
into
the
curtain
folds
and
grabs
Thing
by
the
wrist!
WEDNESDAY
Hello,
Thing.
It’s
a
tug-o-war
as
the
frightened
appendage
clings
to
the
curtain
for
dear
life,
but
with
a
forceful
yank,
Wednesday
wrestles
him
free.
Thing
squirms
in
her
grip.
24
28
28.
WEDNESDAY
Did
you
really
think
that
my
highly
trained
olfactory
sense
wouldn't
pick
up
the
faint
whiff
of
neroli
and
bergamot
in
your
favorite
hand
lotion?
Like
a
flapping
fish,
Thing
tries
to
wriggle
free,
but
Wednesday
subdues
him
by
grabbing
him
with
her
other
hand.
WEDNESDAY
I
can
do
this
all
day
long.
(beat)
Surrender?
Thing
stops
struggling
and
gestures
“okay”
with
his
fingers.
Wednesday
sits,
drops
him
on
her
desk,
and
points
her
desk
lamp
at
him,
interrogation
style.
WEDNESDAY
Mother
and
Father
sent
you
to
spy
on
me,
didn’t
they?
Thing
points
to
himself,
feigning
surprise.
WEDNESDAY
Don’t
try
and
play
innocent.
Your
palm
gets
clammy
when
you
lie.
She
rubs
her
finger
down
his
palm,
sure
enough
it’s
moist.
WEDNESDAY
I'm
not
above
breaking
a
few
fingers.
Thing
wilts
under
the
pressure
and
signs
“yes.”
Wednesday
leans
back,
absorbing
his
confession.
WEDNESDAY
The
fact
that
they
thought
I
wouldn’t
find
out
just
proves
how
much
they
underestimate
me.
Thing
signs
“They
are
worried
about
you.”
WEDNESDAY
Thing,
you
poor,
naive
appendage.
My
parents
aren’t
worried
about
me.
They'’re
evil
puppeteers
who
want
to
pull
my
strings
even
from
afar.
(opens
her
desk
drawer)
The
way
I
see
it,
you
have
two
options.
(MORE)
29
25
26
27
29.
WEDNESDAY
(CONT'D)
The
first:
I
lock
you
in
here
for
the
rest
of
the
semester
and
you
go
slowly
insane
trying
to
scratch
your
way
out.
That,
of
course,
will
ruin
both
your
nails
and
your
supple,
smooth
skin.
And
we
both
know
how
vain
you
are.
Thing
recoils
in
terror,
holds
up
two
fingers.
WEDNESDAY
Option
two.
(beat)
Pledge
your
undying
loyalty
to
me.
Thing
thinks,
then
bows
his
fingers
in
compliance.
Wednesday
nods,
offers
her
hand,
and
they
shake.
WEDNESDAY
Oour
first
order
of
business
is
to
escape
this
teenage
purgatory.
Things
signs
“Do
you
have
a
plan?”
WEDNESDAY
Of
course
I
have
a
plan.
And
it
begins
right
now.
OFF
her
malevolent
smirk...
CUT
TO:
EXT.
COUNTRY
ROAD
-
DAY
An
SUV
drives
past
a
sign
that
reads:
“WELCOME
TO
JERICHO.
ESTABLISHED
1625.
HOME
OF
PILGRIM
WORLD”.
EXT.
MAIN
STREET
-
JERICHO
-
DAY
The
SUV
sweeps
through
this
postcard-perfect
New
England
town.
A
farmer’s
market
is
winding
down
in
the
town
square,
where
a
statue
and
fountain
are
under
construction.
The
SUV
parks
in
front
of
a
handsome
colonial
building.
EXT.
SUV
-
JERICHO
-
DAY
Weems
and
Wednesday
step
out.
WEDNESDAY
I
haven’t
had
a
baby
sitter
since
I
was
eight.
I
nailed
the
last
one
under
the
floorboards
playing
hide
and
seek.
25
26
27
*
*
*
*
*
%
%
%
*
*
*
%k
%
%
30
28
around
the
world.
PRINCIPAL
WEEMS
(points
to
building)
Dr.
Kinbott'’s
office
is
on
the
second
floor.
Other
Nevermore
students
swear
by
her.
WEDNESDAY
And
you’ll
just
wait
here,
until
I'm
done.
PRINCIPAL
WEEMS
Perhaps
afterwards
we
can
stop
by
the
Weathervane
for
hot
chocolate.
WEDNESDAY
Principal
Weems,
this
feeble
attempt
at
bonding
is
beneath
you.
And
chauffeuring
students
is
clearly
below
your
pay
grade.
PRINCIPAL
WEEMS
Given
your
history,
I’m
sure
you're
intent
on
running
away.
here
to
prevent
that
from
happening.
WEDNESDAY
(gauntlet
thrown)
I
wish
you
luck.
OFF
Weems,
as
Wednesday
heads
inside.
KINBOTT
(0.S.)
That
one
was
made
by
a
remote
tribe
in
Papua
New
Guinea.
30.
CUT
TO:
INT.
WAITING
ROOM
-
KINBOTT'S
OFFICE
-
JERICHO
-
DAY
Wednesday
stands
in
front
of
a
wall
of
carved
folk
masks
from
Wednesday
leans
in,
studies
one.
28
*
N
*
*
*
*
%
*
%
X
*
*
*
*
Ok
Wednesday
doesn’t
turn
as
DR.
VALERIE
KINBOTT
(40s)
steps
to
her
side.
She’s
an
Earth-mother
type,
with
a
cashmere
poncho
draped
around
her
elegant
shoulders.
WEDNESDAY
Yes,
the
Citak.
headhunters.
KINBOTT
Impressive.
Are
you
interested
in
anthropology?
31
31.
WEDNESDAY
Decapitation.
Kinbott
smiles
tightly,
motions
Wednesday
into...
INT.
OFFICE
-
JERICHO
-
DAY
Calming
dove-gray
walls
feature
a
dozen
masks
curated
from
Kinbott’s
travels.
The
space
is
accented
by
table
lamps
and
scented
candles
which
gently
flicker.
KINBOTT
I
read
the
notes
from
your
school
counsellor.
WEDNESDAY
Poor
Mrs.
Bronstein.
She
had
a
breakdown
after
our
last
session.
Had
to
take
a
six-month
sabbatical.
KINBOTT
How
do
you
feel
about
that?
WEDNESDAY
Vindicated.
But
someone
who
crochets
for
a
hobby
isn’t
a
worthy
adversary.
KINBOTT
(smiles
demurely)
Adversary?
I
hope
we
can
forge
a
relationship
based
on
trust
and
mutual
respect.
(gestures
to
chair)
Go
ahead
and
take
a
seat.
Wednesday
perches
on
the
edge
of
a
white
overstuffed
armchair.
Kinbott
sits
cross-legged
opposite,
a
Moleskin
notebook
and
Montblanc
pen
at
the
ready.
KINBOTT
This
is
a
safe
space,
Wednesday.
A
sanctuary
where
we
can
discuss
anything.
What
you’re
thinking...
feeling...
your
views
on
the
world...
personal
philosophy.
WEDNESDAY
That'’s
easy.
I
think
this
is
a
waste
of
time.
I
see
the
world
as
a
place
that
must
be
endured.
My
personal
philosophy
is
kill
or
be
killed.
32
Kinbott
motions
for
Wednesday
to
sit
back
down.
KINBOTT
So
for
instance,
when
someone
bullies
your
brother,
your
response
is
to
dump
piranha
in
the
pool.
WEDNESDAY
You
know
the
old
saying.
Never
bring
a
knife
to
a
sword
fight.
Unless
it’s
concealed.
KINBOTT
The
point
is,
you
assaulted
a
boy
and
showed
no
remorse
for
your
actions.
That'’s
why
you’re
here.
WEDNESDAY
He
lost
a
testicle.
I
was
doing
the
world
a
favor.
Mouth
breathers
like
Dalton
shouldn’t
be
allowed
to
procreate.
(standing)
I've
answered
all
your
questions.
reluctantly.
Wednesday
isn’t
convinced.
KINBOTT
Therapy
is
a
valuable
tool
to
help
you
understand
yourself.
It
can
teach
you
new
ways
to
deal
with
your
emotions.
It
can
also
help
you
build
a
life
that
you
want.
WEDNESDAY
I
know
the
life
that
I
want.
KINBOTT
Tell
me
about
it.
(off
her
hesitation)
Everything
said
in
these
sessions
is
strictly
confidential.
glances
at
the
clock,
still
40
minutes
to
go.
forward.
KINBOTT
Do
your
plans
involve
becoming
an
author?
(off
Wednesday’s
surprise)
I
understand
you’ve
written
three
novels
about
a
teen
girl
detective.
Viper
Del
Morte.
Can
you
tell
me
about
her?
32.
She
does
She
stares
at
Kinbott,
then
Kinbott
leans
33
33.
WEDNESDAY
Viper’s
smart,
perceptive,
chronically
misunderstood.
KINBOTT
Any
luck
getting
your
work
published?
WEDNESDAY
Editors
are
short-sighted,
fear-
based
life
forms.
One
described
my
writing
as
‘gratuitously
morbid’
and
suggested
I
seek
psychiatric
help.
huh?
KINBOTT
How
did
you
take
that?
QUICK
FLASH
CUT:
Wednesday
sending
the
editor
a
box
of
preset
mousetraps.
FLASH
CUT:
the
EDITOR
opening
the
box,
getting
her
fingers
caught,
and
screaming.
CUT
BACK
TO:
WEDNESDAY
I'm
always
open
to
constructive
criticism.
KINBOTT
I'm
glad
to
hear
that.
Because
I
was
sent
the
manuscripts
as
part
of
your
psych
evaluation.
She
pauses,
assessing
Wednesday’s
reaction.
KINBOTT
The
relationship
I
found
most
intriguing
was
that
of
Viper
and
her
mother
--
Dominica.
Why
don’t
we
dig
into
that?
Wednesday
looks
away.
KINBOTT
Wednesday,
part
of
this
journey
requires
us
going
to
uncomfortable
places
emotionally.
WEDNESDAY
I
don’t
travel
well.
Would
you
mind
if
I
used
your
powder
room
first?
Kinbott
nods,
motions
to
a
door...
34
30
31
32A
33
34.
INT.
POWDER
ROOM
-
KINBOTT'S
OFFICE
-
DAY
Wednesday
twists
the
door
latch,
looks
out
the
window.
Sees
that
it
opens
onto
the
roof.
She
tries
to
slide
it
open
and
discovers
a
safety
latch.
She
whispers
to
Thing.
WEDNESDAY
Nail
file.
Suddenly,
fingers
plume
through
the
top
of
the
backpack
with
a
nail
file.
Wednesday
uses
it
to
expertly
jimmy
the
lock.
She
gently
slides
open
the
window,
is
climbing
out
when
she
accidentally
knocks
over
a
candle.
It
shatters
on
the
floor.
KINBOTT
(0.S.)
(through
the
door)
Wednesday,
is
everything
okay?
You
can’t
hide
in
there
for
the
rest
of
the
session.
Wednesday
Be
right
out...
She
steps
through
the
window
onto
the
roof.
Wednesday
...
just
preparing
myself
for
our
uncomfortable
journey.
As
she
gently
slides
the
window
shut...
EXT.
ROOF
KINBOTT’S
OFFICE
-
JERICHO
-
DAY
Wednesday
looks
over
the
side.
WHAT
SHE
SEES:
Weems'’
SUV
parked.
Weems
is
on
the
phone,
still
in
the
driver’s
seat.
Across
the
street
is
the
farmers
market.
Then
she
spots
a
drain
spout.
CUT
TO:
EXT.
STREET
-
JERICHO
-
DAY
Wednesday
slides
down
the
drain
pipe
like
a
fire
pole.
She
drops
behind
a
potted
tree,
crouch-runs
to
stay
out
of
Weems’
rear
view
sight
line.
She’s
half
way
across
the
street
when
WEEMS
STEPS
OUT
OF
THE
SUV
to
stretch.
Forced
to
hide,
Wednesday
races
into
the
Farmer'’s
Market
and
bumps
into
a
FARMER
(50s)
loading
a
crate
of
apples
into
the
rear
of
a
red
truck.
The
contact
triggers
ANOTHER
PSYCHIC
VISION
30
31
32A
33
*
*
*
%
%
*
*
35
32B
34
35
35.
The
IMAGES
COME
at
Wednesday
IN
QUICK
FLASHES:
apples
tumbling
into
a
pool
of
blood,
a
truck
tire
spinning,
the
Farmer'’s
face
staring
in
blank
astonishment,
his
neck
horribly
broken.
The
VISION
ENDS.
BACK
TO
SCENE
EXT.
STREET
-
JERICHO
-
DAY
Irritated,
the
Farmer
“tuts”
at
Wednesday
as
he
passes.
FARMER
Who
let
you
out?
Goddamn
weirdo!
Still
rattled,
Wednesday
sees
Weems
climb
into
the
SUV.
She
takes
off
again,
disappearing
into
the
alley.
CUT
TO:
EXT.
WEATHERVANE
CAFE
&
BAKERY
-
JERICHO
-
DAY
-
TO
ESTABLISH
Oon
the
corner,
with
striped
white
and
sage-green
awnings
that
shield
the
outdoor
tables
from
the
New
England
elements.
INT.
WEATHERVANE
CAFE
&
BAKERY
-
JERICHO
-
DAY
A
vintage
industrial
ESPRESSO
MACHINE,
the
size
of
a
small
organ,
GROANS,
SHOOTING
STEAM
from
various
orifices.
TYLER
GALPIN
(16)
is
behind
the
counter,
futilely
trying
to
tame
the
mechanical
beast.
He’s
the
kind
of
kid
constantly
overwhelmed
by
his
underwhelming
life.
The
MACHINE
VIOLENTLY
SHAKES,
like
it’s
about
to
explode.
Freaked,
he
turns
to
flee,
but
is
startled
to
find
Wednesday
standing
a
foot
behind
him.
TYLER
Holy
crap!
How
long
have
you
been...?
Do
you
make
a
habit
of
scaring
the
hell
out
of
people?
WEDNESDAY
It’s
more
of
a
hobby.
TYLER
(re:
uniform)
You
go
to
Nevermore?
Didn’t
realize
they’d
changed
up
the
uniform.
WEDNESDAY
(ignoring
his
question)
I
need
a
quad
over
ice.
an
emergency.
(MORE)
32B
*
34
*
*
35
*
36
36.
WEDNESDAY
(CONT'D)
(off
his
look)
That’s
four
shots
of
espresso.
TYLER
I
know
what
a
quad
is.
But
--
spoiler
alert
--
the
espresso
machine’s
having
a
seizure.
(nodding
to
coffee
pot)
So
all
we
have
is
drip.
WEDNESDAY
Drip
is
for
people
who
hate
themselves
and
know
their
lives
have
no
real
purpose
or
meaning.
She
looks
at
a
MIDDLE-AGED
MAN
about
to
top
off
his
coffee
cup.
Shamed,
he
puts
it
down
and
exits
quickly.
WEDNESDAY
What’s
wrong
with
your
machine?
TYLER
Uhhh...
it’s
a
temperamental
beast
with
a
mind
of
its
own.
(checking
manual)
Doesn’t
help
that
the
damn
instructions
are
in
Italian!
Wednesday
snatches
the
manual,
gives
it
a
quick
scan.
WEDNESDAY
Get
me
a
tri-wing
screwdriver
and
a
four-millimeter
Allen
wrench.
TYLER
Wait...
you
read
Italian?
WEDNESDAY
Of
course.
It’s
the
native
tongue
of
Machiavelli.
(ignoring
his
confusion)
Here'’s
the
deal,
I
fix
your
machine,
then
you
make
my
coffee
and
order
me
a
taxi.
TYLER
(fishes
tools
from
a
drawer)
No
cabs
in
Jericho.
Try
Uber.
WEDNESDAY
I
have
a
phone.
I
refuse
to
be
a
slave
to
technology.
37
37.
TYLER
Then
you’re
out
of
luck.
(handing
her
tools)
Where
are
you
going
anyway?
She
begins
tinkering
with
the
HISSING
BEHEMOTH.
WEDNESDAY
That’s
on
a
need-to-know
basis.
What
about
trains?
TYLER
Nearest
station
is
Burlington.
It’s
half
an
hour
away.
WEDNESDAY
You
have
a
valve
issue.
I’'ve
seen
it
before.
TYLER
Where?
You
got
one
of
these
monsters
at
home?
WEDNESDAY
Steam-powered
guillotine.
I
built
it
when
I
was
10.
(off
his
look,
shrugging)
I
wanted
to
decapitate
my
dolls
more
efficiently.
TYLER
(not
sure
she’s
kidding)
Sure,
Grim
Reaper
Barbie,
makes
perfect
sense.
Wednesday
does
a
few
adjustments
and
the
MACHINE
INSTANTLY
STOPS
GROANING.
TYLER
Wow...
thanks.
Never
met
a
Nevermore
kid
who
got
their
hands
dirty.
I'm
Tyler,
by
the
way.
Didn’t
catch
your
name...
Or
is
that
on
a
need-to-know
basis
too?
WEDNESDAY
TYLER
Tell
you
what,
Wednesday.
To
show
my
appreciation,
how
about
I
drive
you
to
Burlington
myself?
38
36
37
38
INT.
WEDNESDAY
Perfect.
Put
that
quad
in
a
to-go
cup.
TYLER
Whoa.
Whoa.
I
get
off
for
another
hour.
And
I've
got
a
ton
of
coffee
orders
to
fill.
WEDNESDAY
(holds
up
$20)
Fine.
1I’1ll
sweeten
the
pot.
TYLER
(sarcastic)
Twenty
whole
dollars!
Tempting,
but
no.
WEDNESDAY
make
it
40.
Chop.
Chop.
TYLER
Listen,
Wednesday,
one
fun
fact
about
me
--
I
can’t
be
bought.
So
here’s
the
deal.
Wait
an
hour
or
find
someone
else
to
drive
you.
SUV
-
DAY
38.
CUT
Weems
looks
up
from
her
papers
and
is
surprised
to
see
Kinbott
standing
on
the
sidewalk
scanning
the
street.
She
checks
her
watch
--
20
minutes
left
in
the
session.
EXT.
STREET
-
JERICHO
-
DAY
Weems
approaches
Kinbott.
INT.
Wednesday
sits
in
a
booth
at
the
back
downing
her
second
quad
PRINCIPAL
WEEMS
What
happened?
WEATHERVANE
CAFE
&
BAKERY
-
JERICHO
-
DAY
while
surreptitiously
glancing
at
the
clock.
LUCAS
(0.S.)
What’s
a
Nevermore
freak
doing
out
in
the
wild?
CUT
TO:
36
37
38
39
39.
She
looks
up
to
find
three
local
teenagers
LUCAS
(16),
JONAH
(16),
and
CARTER
(16)
incongruously
wearing
pilgrim
costumes.
CARTER
This
is
our
booth.
WEDNESDAY
Why
are
you
three
dressed
like
religious
fanatics?
JONAH
We'’re
pilgrims.
WEDNESDAY
Potato/pot-A-to.
LUCAS
We
work
at
Pilgrim
World.
He
flips
over
the
laminated
menu.
The
back
page
advertises
“Pilgrim
World”
--
a
Renaissance
Faire-style
“living
museum”
celebrating
the
town’s
early
settlers.
WEDNESDAY
It
takes
a
special
kind
of
stupid
to
build
a
theme
park
devoted
to
zealots
responsible
for
mass
genocide.
LUCAS
(leaning
in)
My
dad
owns
Pilgrim
World.
Who
you
calling
stupid?
Not
the
least
bit
threatened,
Wednesday
gives
him
and
his
costume
a
dismissive
elevator
stare.
WEDNESDAY
If
the
buckled
shoe
fits.
ANGLE
ON
TYLER,
who
sees
what'’s
happening,
heads
over.
TYLER
Guys,
back
off.
Lucas
Stay
out
of
this,
Galpin!
Wednesday
rises,
stands
toe-to-toe
with
Lucas.
WEDNESDAY
Yes,
stay
out
of
this.
Lucas
threateningly
starts
backing
her
into
a
corner.
40
40.
LUCAS
So
tell
me,
freak,
you
ever
been
with
a
Normie?
WEDNESDAY
I
never
found
one
who
could
handle
me.
Without
warning,
Wednesday
knees
him
in
the
groin!
He
doubles
over,
then
recovers.
Angry,
he
throws
a
punch,
but
Wednesday
sidesteps
it
and
Lucas’
fist
connects
with
CARTER'S
FACE
The
teen
staggers
back,
grabbing
his
bloody
nose.
Lucas
throws
another
punch,
but
Wednesday
catches
his
fist,
and
SCORPION-KICKS
him
to
the
floor.
Jonah
comes
at
her,
but
she
connects
with
a
spinning-kick,
dropping
him.
Tyler
is
shocked
as
the
three
boys
writhe
in
pain.
Other
PATRONS
look
on,
stunned.
Wednesday
hasn’t
even
broken
a
sweat.
TYLER
Where’d
you
learn
those...
(awkwardly
miming)
...
Kung
Fu
moves?
WEDNESDAY
My
Uncle
Fester
taught
me.
He
spent
five
years
in
a
Tibetan
monastery.
TYLER
Whoa...
was
he
a
monk?
WEDNESDAY
Prisoner.
The
front
door
opens
and
Galpin
enters,
surveying
the
scene.
SHERIFF
GALPIN
Tyler,
you
wanna
explain
what
the
hell’s
going
on?
Tyler
stammers
for
a
response.
Points
to
the
boys.
TYLER
They
were
harassing
a
customer
and
she
put
them
in
their
place.
Galpin
regards
Wednesday,
skeptical.
41
39
41.
SHERIFF
GALPIN
This
little
thing
took
down
three
boys?
Did
you
help
her?
TYLER
Dad,
I
swear,
I
wasn’'t
involved.
Stunned,
Wednesday
eyes
Tyler
--
the
Sheriff
is
his
dad?
Then
she
hears
Weems’
voice
behind
her:
PRINCIPAL
WEEMS
(0.S.)
Apologies,
Sheriff,
this
one
slipped
away
from
me.
Galpin
turns
as
Weems
enters.
PRINCIPAL
WEEMS
(to
Wednesday,
seething)
C’mon,
Miss
Addams,
time
to
go.
Galpin
reacts
to
that
name,
shocked.
He
steps
in
front
of
Wednesday
and
sizes
her
up.
SHERIFF
GALPIN
You’re
an
Addams?
Don’‘t
tell
me
Gomez
Addams
is
your
dad?
(off
her
nod)
That
man
should
be
behind
bars.
I'm
guessing
the
apple
doesn’t
fall
far
from
the
tree.
1I’ll
have
my
eye
on
you.
As
Weems
leads
her
out,
Galpin
sees
his
son
tracking
Wednesday,
clearly
smitten.
OFF
Galpin,
simmering...
CUT
TO:
INT.
SUV
-
MOVING
-
DAY
39
Trees
flicker
past
in
a
golden
blur.
Weems
drives
in
silence.
Wednesday’s
in
the
back
mulling
Galpin’s
words.
PRINCIPAL
WEEMS
Your
first
day
and
already
on
Sheriff
Galpin’s
radar.
I
wish
I
could
say
I
was
surprised.
WEDNESDAY
What
did
he
mean
about
my
father?
42
40
42.
PRINCIPAL
WEEMS
I
have
no
idea,
but
word
of
advice,
stop
making
enemies
and
start
making
a
few
friends.
You’re
going
to
need
them.
Traffic
slows,
Weems
eases
on
the
BRAKES.
PRINCIPAL
WEEMS
Looks
like
an
accident.
As
the
SUV
crawls
past,
Wednesday
sees:
THE
RED
TRUCK
DRIVEN
BY
THE
FARMER
she
bumped
into
during
her
escape
from
Kinbott’s.
The
truck
is
smashed
on
its
side,
surrounded
by
EMT
personnel.
The
front
tire
spins
languidly,
exactly
like
the
one
in
her
VISION.
Next,
she
notices
APPLES
LYING
IN
A
POOL
OF
BLOOD.
Wednesday
sits
back,
shaken.
Weems
continues
to
rubberneck.
PRINCIPAL
WEEMS
Hope
the
okay.
WEDNESDAY
(cold
certainty)
He’s
dead.
Broke
his
neck.
PRINCIPAL
WEEMS
How
can
you
tell
from
this
angle?
Wednesday
doesn’t
answer,
fidgets
with
her
necklace.
Weems
studies
her,
curious.
OFF
Wednesday,
the
repercussions
of
her
psychic
ability
weighing
on
her...
CUT
TO:
EXT.
DORM
ROOF
-
OPHELIA
HALL
-
NIGHT
A
stirring
string
version
of
The
Rolling
Stones’
Paint
it
Black
haunts
the
night,
which
is
illuminated
by
a
dazzling,
platinum-bright
full
moon.
CAMERA
FINDS
WEDNESDAY
dwarfed
under
the
row
of
soaring
chimneys,
playing
her
cello
with
the
intensity
of
a
maestro.
Thing
is
on
a
stand
turning
the
sheet
music.
As
she
continues
to
play,
BEGIN
MONTAGE:
40
*
*
43
41
42
43
44
43.
EXT.
QUAD
-
NEVERMORE
ACADEMY
-
NIGHT
41
ROWAN
--
clings
to
the
shadows
as
he
makes
his
way
along
cloisters.
deserted.
He
stops
in
front
of
A
MARBLE
STATUE
OF
EDGAR
ALLAN
POE.
It’s
set
back
in
a
grotto.
A
stone
raven
rests
on
the
great
man’s
shoulder,
beak
pointed
to
the
open
book
in
Poe’s
frozen
hands.
Rowan
checks
the
coast
is
clear,
then
finger
snaps
twice
(i.e.,
vintage
Addams
Family
style).
The
SOUND
TRIGGERS
THE
STATUE
TO
SLIDE
AWAY,
REVEALING
stone
steps
that
descend
into
darkness.
As
he
heads
down...
CUT
TO:
INT.
NIGHTSHADE
LIBRARY
-
NEVERMORE
ACADEMY
-
NIGHT
42
Rowan
stands
before
a
giant
floor-to-ceiling
bookcase
filled
with
dozens
of
identical
purple
leather-bound
volumes.
His
brow
painfully
furrows
as
he
points
to
one
and
it
TELEPATHICALLY
FLIES
OUT
OF
ITS
SLOT
AND
HOVERS
IN
FRONT
OF
HIM.
The
words
“Nightshade
Society”
are
embossed
on
its
cover
in
faded
silver.
Wincing,
he
TELEPATHICALLY
FLIPS
IT
OPEN
AND
FLICKS
THROUGH
THE
PAGES
UNTIL
HE
STOPS
AT
ONE.
(NOTE:
we
DON’'T
SEE
what’s
on
the
page.)
He
slashes
his
finger
through
the
air,
causing
THE
PAGE
TO
MAGICALLY
RIP
FROM
THE
BOOK.
CUT
TO:
INT.
GARAGE
-
GALPIN
HOUSE
-
JERICHO
-
NIGHT
43
TYLER
--
aims
a
flashlight
at
a
wall
of
old
case
file
boxes,
each
marked
“Property
of
Jericho
PD.”
As
he
opens
the
1lid
of
the
first
box
and
starts
searching
the
dusty
files...
CUT
TO:
INT.
STATION
-~
JERICHO
-
NIGHT
44
GALPIN
--
opens
his
desk
drawer
and
pulls
a
Budweiser
off
a
hidden
six-pack.
He
cracks
the
tab,
steps
to
the
oversized
map
of
Jericho
on
his
wall.
The
crime
scene
photos
from
the
monster
attacks
are
pinned
to
their
respective
locations.
As
he
adds
a
photo
of
the
Farmer’s
truck...
CUT
TO:
*
44
45
46A
44.
EXT.
NEVERMORE
GROUNDS
-
NIGHT
45
REVEAL
XAVIER
in
the
shadows,
watching
Wednesday.
His
face
conveys
a
mixture
of
intrigue
and
attraction.
END
MONTAGE.
EXT.
DORM
ROOF
-
OPHELIA
HALL
-
NIGHT
46A
Wednesday
finishes,
whipping
the
bow
off
the
cello’s
strings
with
a
theatrical
flourish.
Thing
gives
her
the
deaf
applause
hand
wave.
From
behind,
she
hears...
ENID
(0.S.)
(re:
cello)
How
the
hell
did
you
get
that
oversized
violin
out
the
window?
WEDNESDAY
(nods
to
Thing)
I
had
an
extra
hand.
Enid
regards
Thing,
who
gives
her
a
sheepish
wave.
ENID
Uhhh...
where’s
the
rest
of
him?
WEDNESDAY
That’s
one
of
the
great
Addams
Family
mysteries.
Suddenly,
the
HOWLS
OF
WEREWOLVES
RICOCHET
from
a
nearby
boarding
house.
WEDNESDAY
Why
aren’t
you
‘wolfing
out’?
Enid
sighs,
drops
her
guard
and
confesses.
ENID
Because
I
can’t.
(extends
and
retracts
her
claws)
That’s
all
I
got.
My
mom
says
some
wolves
are
late
bloomers...
but...
(sitting
next
to
her)
I've
been
to
the
best
Lycanologist.
Had
to
fly
to
Milwaukee,
would
you
believe.
She
said
there’s
a
chance
that
I’1ll
never...
you
know.
WEDNESDAY
What
happens
then?
ENID
I
become
a
lone
wolf.
45
45.
WEDNESDAY
Sounds
perfect.
ENID
Are
you
kidding?
My
life
would
officially
be
over!
1I’d
be
kicked
out
of
the
family
pack,
with
no
prospect
of
finding
a
mate.
She
turns
away,
emotional.
WEDNESDAY
I
fail
to
see
the
problem
here.
ENID
I
could
die
alone!
WEDNESDAY
We
all
die
alone,
Enid.
ENID
You
really
suck
at
this.
(off
her
blank
look)
Cheering
people
up.
Enid
buries
her
head
and
starts
to
sob.
WEDNESDAY
Why
are
you
crying?
ENID
Because
I'm
upset!
Haven’'t
you
ever
cried?
Or
are
you
above
that
too?
Wednesday
thinks
about
that.
After
a
long
beat...
WEDNESDAY
It
was
the
week
after
Halloween.
I
was
six
years
old.
I
took
my
pet
scorpion
Nero
out
for
his
afternoon
stroll
when
we
were
surrounded
by
three
neighborhood
boys
on
bicycles...
BEGIN
FLASHBACK:
EXT.
SUBURBAN
STREET
-
DAY
It’s
cold
and
DESATURATED,
like
a
forgotten
Polaroid.
SIX-
YEAR-OLD
WEDNESDAY
holds
NERO’s
leash
while
THREE
12-YEAR-OLD
BOYS
circle
on
bikes,
laughing
and
taunting.
46
46.
WEDNESDAY
(V.O.)
They
wondered
what
kind
of
freak
would
have
a
scorpion
for
a
pet.
Then
one
of
them
held
me
down
and
made
me
watch
while
the
others
ran
their
bikes
over
Nero
until...
CUT
TO:
48
EXT.
ADDAMS
FAMILY
PET
CEMETERY
-
DAY
48
Hard,
gray
flakes
of
snow
FILL
THE
FRAME.
PAN
DOWN
TO
Young
Wednesday
kneeling
under
an
ancient
oak,
patting
back
the
dirt
of
a
fresh
grave.
WEDNESDAY
(V.O.)
It
was
snowing
when
I
buried
what
was
left
of
him.
I
marked
his
grave
with
a
black
heart
and
cried.
But
tears
don’t
fix
anything,
so
I
vowed
never
to
do
it
again.
Young
Wednesday
looks
up,
her
oversized
eyes
filled
with
unfathomable
hurt
and
obsidian
rage.
END
FLASHBACK.
BACK
TO
SCENE
*
46B
EXT.
DORM
ROOF
-
OPHELIA
HALL
-
NIGHT
46B
*
Wednesday
looks
away,
embittered
by
the
memory.
That’s
the
most
she’s
ever
opened
up.
Enid
regards
her
in
a
new
light.
ENID
I
haven’t
been
a
very
good
roommate.
Bitching
behind
your
back.
If
you
used
this
against
me,
I
wouldn’t
blame
you.
WEDNESDAY
Your
secret
is
safe
with
me.
ENID
Thanks.
(beat)
I
still
think
you’re
weird
as
shit.
WEDNESDAY
The
feeling
is
mutual.
The
girls
share
a
moment.
Then...
WEDNESDAY
How
would
you
like
your
single
room
back?
47
49
47.
OFF
Enid.
CUT
TO:
INT.
GARAGE
-
GALPIN
HOUSE
-
JERICHO
-
NIGHT
Tyler
is
working
his
way
through
the
police
files
when
he
finds
a
thick
one
marked
“ADDAMS,
GOMEZ.”
He'’s
about
to
crack
it
open
when...
SHERIFF
GALPIN
(0.S.)
What
the
hell
are
you
doing
out
here?
Tyler
spins
to
find
his
father
SILHOUETTED
in
the
doorway.
Only
when
he
staggers
forward
does
Tyler
realize
he’s
drunk.
Tyler
girds
himself,
hides
the
Gomez
file
behind
his
back.
TYLER
Nothing...
just
research
for
a
social
studies
project.
Galpin’s
bloodshot
eyes
bore
into
him.
SHERIFF
GALPIN
Look
at
you,
suddenly
the
model
student...
burning
the
midnight
oil.
Without
breaking
eye
contact,
he
snaps
the
file
from
Tyler’s
hand.
Sees
the
name
on
it.
SHERIFF
GALPIN
(agitated)
This
is
about
that
Addams
girl,
isn’t
it?
You
seeing
her?
TYLER
No...
I
just
met
her.
Paranoid
much?
Without
warning,
Galpin
open-palm
slaps
him
across
the
face.
Tyler
takes
it.
Clearly
not
the
first
time
he’s
been
hit.
SHERIFF
GALPIN
You’re
a
goddamn
liar.
Just
like
your
mother.
Tyler
glares,
eyes
full
of
loathing.
TYLER
At
least
I'm
not
a
drunk.
49
48
50
48.
Galpin
raises
his
hand
again,
but
Tyler
holds
his
ground
before
heading
inside.
Galpin
shouts
after
him...
SHERIFF
GALPIN
Stay
away
from
her!
She’s
trouble,
just
like
her
father!
INT.
TYLER’S
ROOM
-
GALPIN
HOUSE
-
JERICHO
-
NIGHT
Tyler
angrily
lays
on
his
bed,
his
cheek
flushed
until
he’s
interrupted
by
THREE
SHARP
KNOCKS
ON
HIS
WINDOW.
He
peers
into
the
empty
yard,
doesn’t
see
anyone.
Curious,
he
cranks
open
the
window
to
investigate
when
THING
springs
up
from
the
window
ledge,
does
a
360
flip
into
the
room,
nailing
a
perfect
landing
on
the
desk!
Freaked,
Tyler
jumps
back,
staring
at
the
disembodied
hand
in
terror.
TYLER
Holy
shit!!
Desperate,
he
grabs
a
tennis
racket
and
wildly
swings
at
Thing,
who
nimbly
avoids
each
blow.
TYLER
Get
away
from
me!
You
zombie
hand
from
hell!
Thing
goes
on
the
offensive,
catches
the
racket
midswing,
and
yanks
it
from
Tyler’s
grip.
Tyler’s
stunned
as
the
hand
torpedoes
the
racket
out
the
open
window
before
aggressively
snapping
his
fingers,
pointing
for
Tyler
to
sit.
Scared
shitless,
Tyler
nervously
complies.
TYLER
Okay.
Taking
orders
from
a
hand...
this
isn’t
weird
at
all.
Thing
opens
his
palm,
revealing
a
note
in
Gothic
cursive:
“CALL
ME
NOW.
WEDNESDAY.”
Thing
snatches
Tyler'’s
phone,
which
is
charging
on
the
desk,
and
tosses
it
to
him.
Tyler
fumble-catches
it,
then
anxiously
FaceTimes
the
number
written
below
the
message.
ANGLE
ON
PHONE:
It
RINGS
BEFORE
CONNECTING.
WEDNESDAY'S
FACE
FILLS
THE
SCREEN.
INTERCUT
WITH:
50
49
49.
51
INT.
WEDNESDAY'S
ROOM
-
OPHELIA
HALL
-
NIGHT
Wednesday’s
huddled
in
front
of
Enid’s
laptop.
Thing
waves
at
her.
Tyler
keeps
glancing
at
the
hand,
incredulous.
TYLER
Uhhh...
hi.
WEDNESDAY
(re:
Thing)
Thing.
TYLER
Is
he...
like
your
pet?
Annoyed,
Thing
flips
him
off.
Wednesday
intercedes.
WEDNESDAY
He'’s
sensitive.
(gets
down
to
business)
Are
you
still
willing
to
help
me
escape?
TYLER
Figured
after
the
shenanigans
the
other
day,
they’d
have
you
in
solitary.
WEDNESDAY
There’s
a
Harvest
Festival
this
weekend.
Attendance
is
mandatory.
I'm
going
to
use
it
as
cover.
If
you’re
still
willing
to
drive
me
to
the
train
station,
I
can
make
it
worth
your
while.
Tyler
glances
at
the
photo
of
his
mother.
TYLER
I'm
in.
No
charge.
Consider
it
a
freebie.
WEDNESDAY
Why?
TYLER
Because
I
wish
I
was
going
with
you.
At
least
one
of
us
will
get
out
of
this
hellhole
town.
CUT
TO:
*
50
52
53
50.
EXT.
LAKE
JERICHO
-
NIGHT
CAMERA
RISES
OVER
the
trees
REVEALING
the
Harvest
Festival
is
in
full
swing.
Carnival
rides,
food
trucks
fill
a
clearing
along
with
game
booths
are
strung
with
Edison
bulbs.
Wednesday
stands
with
Enid.
They
glance
at
Tyler,
who’s
in
a
heated
discussion
with
Galpin.
Then
watch
as
he
storms
away.
ENID
You
sure
you
can
trust
that
Normie?
WEDNESDAY
I
trust
that
I
can
handle
myself.
ENID
Good
luck...
and
safe
travels.
Wednesday
nods
her
thanks.
Enid
goes
in
for
a
hug,
but
Wednesday
steps
back.
ENID
Still
not
a
hugger.
Got
it.
As
Enid
heads
off
to
join
Ajax,
Wednesday
trades
glances
with
Weems,
who
makes
it
clear
she’ll
be
monitoring
her.
CUT
TO:
EXT.
DART-THROWING
BOOTH
-
HARVEST
FESTIVAL
-
NIGHT
CLOSE
ON
a
BALLOON
POPPING.
REVEAL
Wednesday
expertly
throwing
darts,
obliterating
every
balloon
she
aims
at.
The
GAME
impressed.
ZXavier
slides
up
to
her,
points
to
the
prizes
--
a
row
of
giant
stuffed
panda
bears.
XAVIER
(re:
panda
bears)
Keep
it
up
and
you’ll
be
taking
home
a
whole
pack.
WEDNESDAY
Pandas
don’t
travel
in
packs.
They
value
their
solitude.
XAVIER
Subtle
hint
taken.
He
hands
the
Game
Operator
a
ticket
and
is
given
a
trio
of
darts.
He
takes
his
first
shot.
Completely
misses.
WEDNESDAY
You
should
know
that
I‘m
waiting
for
someone.
52
53
*
*
*
*
*
*
*
51
51.
XAVIER
So,
who'’s
the
lucky
guy...
or
girl?
He
misses
again.
WEDNESDAY
Why
does
it
matter
to
you?
Tyler
approaches,
surprised
to
see
Xavier.
TYLER
Didn’t
mean
to
interrupt.
Xavier
takes
in
the
awkward
situation.
Glares
at
Tyler.
Never
anticipated
Wednesday
would
be
meeting
him.
There’s
clearly
history
here,
but
Xavier
lets
it
go.
XAVIER
You’re
not.
(to
Wednesday
re:
Tyler)
Gotta
hand
it
to
you,
Wednesday.
You
never
fail
to
surprise.
He
throws
his
last
dart,
finally
nailing
a
BALLOON,
and
departs.
Wednesday
watches,
conflicting
emotions
play
across
her
face.
Unaware,
Tyler
anxiously
scans
the
crowd.
TYLER
This
is
gonna
be
a
little
trickier
than
I
thought.
My
dad’s
tracking
me
like
it’s
hunting
season.
Wednesday
sees
Weems
sitting
at
a
picnic
table
by
a
BBQ
truck.
She
holds
up
a
sandwich
and
gives
her
a
smile.
WEDNESDAY
I
have
my
own
dead
weight
I
need
to
lose.
Meet
me
behind
the
parking
lot
when
the
fireworks
start.
As
Tyler
nods
and
leaves,
Wednesday
throws
her
last
dart,
demolishing
a
BALLOON.
The
Game
Operator
goes
to
hand
her
a
giant
panda
bear.
Wednesday
nods
over
to
Weems.
WEDNESDAY
See
that
sad
lonely
woman
over
there?
She
needs
this
pathetic
validation
more
than
me.
(holds
up
ten
dollar
bill)
Mind
distracting
her?
*
*
*
*
*
Ok
52
54A
52.
The
Operator
smiles,
takes
the
bill,
then
heads
over
to
Weems
with
the
bear.
OFF
Wednesday
as
she
slips
away.
CUT
TO:
EXT.
PARKING
AREA
-
HARVEST
FESTIVAL
-
NIGHT
FIREWORKS
explode
in
the
sky
washing
the
scene
in
a
multicolored
spectrum.
Tyler
steps
out
from
behind
a
pickup
as
Wednesday
approaches.
He
hesitates,
cautiously
pulls
a
file
from
his
jacket.
TYLER
I
wanted
you
to
have
this.
1It’s
your
father'’s
police
file,
you
know,
from
when
he
was
at
Nevermore.
I
think
it’s
the
reason
my
dad
hates
him.
She
takes
it,
regards
it
before
handing
it
to
Thing,
who
slides
into
her
backpack.
TYLER
You
okay?
WEDNESDAY
I'm
not
used
to
people
being
nice
to
me.
Most
see
me
coming
and
cross
the
street.
TYLER
You’re
not
scary.
You’'re
just
kinda...
kooky.
WEDNESDAY
I
prefer
spooky.
The
teens
share
a
moment,
their
faces
illuminated
in
the
sparkling
glow
of
a
trio
of
giant
Chrysanthemum
fireworks.
WEDNESDAY
My
train
leaves
in
an
hour.
We're
burning
moonlight.
TYLER
Right...
car’s
this
way.
a
junker,
but
it’ll
get
you
there.
They
turn
to
go,
have
almost
reached
the
car
when:
LUCAS,
CARTER,
AND
JONAH
53
53.
step
from
the
shadows,
holding
baseball
bats.
looking
for
payback
for
the
cafe
incident.
Wednesday
is
ready
to
face
them,
but
Tyler
grabs
her
arm.
TYLER
We
can
lose
them
in
the
crowd!
As
they
race
off
into
the
THRONG
watching
the
fireworks,
she
collides
with
a
teen
in
a
green
hoodie.
Rowan.
The
unexpected
contact
triggers
another
55
PSYCHIC
VISION.
55
This
one
consists
of
THREE
QUICK,
PAINFUL
FLASHES:
the
purple
leather
book
tumbles
through
the
air,
cover
ablaze;
a
*
droplet
of
blood
splashes
in
SUPER
SLO
MO;
and
lastly,
Rowan,
in
his
green
hoodie,
looks
up
with
dead
eyes,
blood
pluming
through
his
sweatshirt.
The
VISION
ENDS.
BACK
TO
SCENE
*
54B
EXT.
PARKING
AREA
-
HARVEST
FESTIVAL
-
NIGHT
54B
*
Wednesday'’s
eyes
snap
open.
Woozy,
she
spots
the
back
of
Rowan’s
green
hoodie
before
he’s
swallowed
in
the
crowd.
Tyler
catches
up.
TYLER
C’mon,
we
gotta
bounce!
Wednesday
looks
in
Rowan’s
direction.
It’s
a
moment
of
decision.
Tyler
doesn’t
understand
her
hesitation.
TYLER
Wednesday,
now
or
never.
Wednesday
considers
her
option,
then
takes
off
after
Rowan,
leaving
Tyler
confused.
PAN
TO
REVEAL
Xavier,
watching...
CUT
TO:
56
EXT.
WOODS
-
LAKE
JERICHO
-
NIGHT
56
Eerie
and
moon-soaked.
Wednesday
powers
through
the
mist
and
catches
up
with
Rowan.
Fireworks
BOOM
in
the
distance.
WEDNESDAY
Rowan,
wait!
ROWAN
What
do
you
want?
Why
are
you
*
following
me?
54
54.
WEDNESDAY
I
don’t
have
time
to
explain,
but
you’re
in
danger.
Instead
of
being
surprised,
he
regards
Wednesday
coolly.
He
steps
towards
her,
smirking
with
sudden
malevolence.
His
face
is
warped
by
the
surreal
shadows
cast
as
the
firework
display
reaches
its
extravagant
crescendo.
ROWAN
I
think
you've
got
it
backwards.
Without
warning,
he
raises
his
hand
and
TELEPATHICALLY
LIFTS
WEDNESDAY
OFF
THE
GROUND!
She’s
totally
caught
off-guard
as
he
viciously
HURLS
HER
AGAINST
A
TREE,
PINNING
HER
AGAINST
THE
TRUNK.
ROWAN
the
one
who'’s
in
danger!
WEDNESDAY
(struggling)
What
are
you
doing?
ROWAN
saving
everyone
from
you.
I
have
to
kill
you!
WEDNESDAY
(alarmed,
putting
it
together)
The
Gargoyle.
That
was
you?
(off
his
nod)
It’s
always
the
quiet
ones.
A
SHEET
OF
FOLDED
PAPER
TELEPATHICALLY
FLIES
OUT
OF
HIS
POCKET
AND
OPENS
IN
FRONT
OF
HER
FACE.
It’s
the
one
he
ripped
from
the
purple
book
in
the
octagonal
room
--
a
drawing
featuring
Wednesday
with
her
arms
in
the
air
and
Nevermore
in
flames
behind
her!
WEDNESDAY
You
want
to
kill
me
because
of
some
picture?
ROWAN
My
mother
drew
that
25
years
ago
when
she
was
a
student
at
Nevermore.
She
was
a
powerful
seer...
told
me
about
it
before
she
died.
*
*
55
57
55.
WEDNESDAY
Rowan,
put
me
down!
ROWAN
No!
My
mother
said
it
was
my
destiny
to
stop
this
girl
if
she
ever
came
to
Nevermore
because
she
will
destroy
the
school
and
everyone
in
it!
He
TIGHTENS
HIS
TELEPATHIC
GRIP
AROUND
WEDNESDAY'S
THROAT.
Suddenly,
an
OMINOUS
GROWL
ECHOES
FROM
THE
MIST.
Rowan’s
eyes
nervously
track
the
trees.
WEDNESDAY
(gasping)
Rowan...
we
need...
Before
she
can
finish
her
sentence,
a
MONSTROUS
SHAPE
blurs
out
of
the
dark
and
violently
body-slams
Rowan.
It’s
the
same
one
Wednesday
saw
in
her
VISION
OF
THE
FARMER'’S
ACCIDENT.
The
teen
screams
as
the
beast
thrashes
him
like
a
rag
doll.
The
CAMERA
DOESN'T
LINGER
as
Rowan’s
disemboweled
with
a
vicious
swipe
of
the
Monster’s
taloned
hand.
RELEASED
FROM
ROWAN’S
TELEPATHIC
GRIP,
WEDNESDAY
DROPS
TO
THE
GROUND.
Dazed,
she
looks
up,
her
breath
catching
in
her
throat,
her
vision
in
and
out
of
focus
as
she
locks
eyes
with
THE
MONSTER
glaring
at
her.
hulking
body
is
CLOAKED
IN
SHADOW,
its
eyes
a
penetrating
Arctic
blue.
With
a
LOW
GROWL,
it
turns
on
its
haunches
and
HURTLES
into
the
night.
Weak
and
shaken,
Wednesday
crawls
to
Rowan.
Blood
plumes
on
his
green
hoodie
and
his
dead
eyes
stare
up,
EXACTLY
LIKE
HER
VISION.
The
DRAWING
FLUTTERS
TO
THE
GROUND
in
front
of
her.
She
snatches
it
and
studies
the
image,
deeply
troubled:
TRANSITION
TO:
INT.
WEDNESDAY’'S
ROOM
-
OPHELIA
HALL
-
NIGHT
The
sketch
now
sits
next
to
the
police
file
Tyler
gave
her.
Wednesday
tentatively
opens
it
and
finds
a
mug
shot
of
TEENAGE
GOMEZ
staring
back.
The
word
“HOMICIDE”
is
stamped
in
red
on
the
charge
sheet.
Suddenly,
the
CRYSTAL
BALL
ON
HER
DESK
SWIRLS
WITH
BLUE
LIGHT.
She
puts
her
hand
on
it
and
MORTICIA
AND
GOMEZ
smile
back,
their
faces
gently
stretched
across
the
curving
surface
of
the
glass.
57
*
56
56.
GOMEZ
Hello,
my
little
black
cloud!
MORTICIA
Tell
us,
darling,
how
was
your
first
week?
Wednesday
considers
the
question...
WEDNESDAY
(V.O.)
Let’s
see.
I
narrowly
avoided
death
twice,
discovered
that
my
father
may
be
a
murderer,
learned
that
I
could
potentially
destroy
the
school,
and
had
a
brush
with
a
supernatural
serial
killer.
She
glances
at
the
sketch
and
the
mugshot.
So
many
questions
to
answer.
Finally:
WEDNESDAY
As
much
as
it
pains
me
to
admit,
you
were
right,
Mother.
I
think
I'm
going
to
love
it
here.
Wednesday'’s
eyes
flick
up
and
she
stares
STRAIGHT
AT
THE
LENS
with
a
look
of
dark
mischief.
OFF
the
possibilities
to
come:
SMASH
TO
BLACK.
END
OF
EPISODE
57
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