Reveille
LLC
The
Tudors
by
Michael
Hirst
SECOND
DRAFT
1
INT.
DUCAL
PALACE
-
URBINO
-
DAY
TITLE:
URBINO,
ITALY
On
the
ground
floor
there
are
raised
voices
as
the
English
Ambassador,
EDWARD
COURTENAY,
EARL
OF
DEVON,
is
led
inside
by
two
of
the
Duke’s
officials,
BEDOLI
and
SARTO.
.
COURTENAY
This
is
humiliating,
Signore
Bedoli.
‘BEDOLI
‘Prego,
Excellency,
prego.
COURTENAY
.
What
is
so
urgent
that
I
have
to
be
dragged
from
my
bed
before
seven
o’
clock?
SARTO
The
Duke
has
called
an
early
meeting
of
the
Council.
He
wanted
you
to
attend.
Ducal
SECRETARIES
and
GUARDS
throng
the
lower
floor,
but
as
they
mount
the
grand
staircase
-
hung
with
recently
painted
Renaissance
masterpieces
-
Courtenay
sees
a
group
of
armed
MEN
wearing
very
different
clothes.
They
part
to
let
him
through.
The
CAPTAIN
bows
to
him.
CAPTAIN
Monsieur.
They
go
on
up.
COURTENAY
What
are
the
French
doing
here?
BEDOLI
(quietly)
That
is
what
his
Grace
wants
to
talk
to
you
about.
They
reach
the
doors
to
the
Council
Chamber.
SARTO
The
meeting
has
already
started.
They
open
a
door
and
bow
as
Courtenay
enters.
2
INT.
COUNCIL
CHAMBER
-
DAY
A
group
of
well-dressed
ITALIAN
MEN
are
sat
around
a
large,
ornate
table.
They
acknowledge
Courtenay’s
presence,
without
rising.
COUNCILLOR
Your
Excellency...forgive
us.
We
have
some
other
business.
(beat)
His
Grace
will
be
here
shortly.
They
go
back
to
their
discussion,
in
Italian,
of
some
financial
affair.
Feeling
cold,
Courtenay
goes
over
to
the
fire.
He
picks
at
a
bowl
of
sugared
fruits
and,
the
fire
warming
him,
removes
his
cape.
.
Then
Bedoli
comes
back
in.
BEDOLI
Excellency
-
the
Duke
would
like
a
private
word
with
you
in
his
apartments.
.
Courtenay
nods,
pushes
open
the
door
to
the
Duke’s
apartments,
his
cloak
negligently
over
his
arm.
INT.
CORRIDOR
~
DAY
Halfway
down
the
corridor
Courtenay
sees
the
same
group
of
Frenchmen.
He
is
uneasy
as
he
passes
them,
and
quickens
his
pace
towards
the
door
of
the
Duke’s
cabinet.
He
is
aware
that
they
have
fallen
in
behind
him.
Almost
at
the
door,
in
the
lobby,
Courtenay
whirls
round
to
face
them.
The
captain
stabs
him
with
a
dagger.
Courtenay
bellows
with
rage.
COURTENAY
Your
Grace!...Help!...Your
Grace!
He
tries
to
free
his
sword
-
but
the
hilt
has
become
entangled
with
the
cape..And
as
he
struggles
to
free
it,
he.
is
stabbed
again
and
again.
COURTENAY
(cont’d)
Bastards!
You
French
bastards!
3
3.
But
he
is
a
powerful
man,
and
hampered
and
wounded
though
he
he
drags
his
assailants
this
way
and
that
across
the
lobby,
smearing
its
marble
floor
with
blood,
while
they
go
on
lunging
at
him
with
their
daggers.
With
a
sudden
convulsive
movement
he
shakes
the
pack
loose
and
stands
alone,
swaying,
blood
pouring
from
his
wounds.
He
takes
a
step
forward
-
and
falls
headlong
to
the
ground,
_
Stone
dead.
INT.
COURT
-
WHITEHALL
PALACE
-
LONDON
-
DAY
The
King’s
secretary,
RICHARD
PACE,
walks
through
the
court,
watched
enviously
by
some
of
the
young
COURTIERS.
He
is
joined
by
a
man
of
an
older
generation,
THOMAS
MORE
|
(36),
dressed
soberly
in
black.
MORE
Mr
Pace.
PACE
Mr
More.
(beat)
His
Majesty
wants
Council
this
afternoon
to
be
brief.
He’s
due
to
tennis.
MORE
Where
is
the
King?
Pace
lowers
his
voice
a
little.
PACE
He’s
gone
down
to
Jericho.
More
knows
what
he
means,
frowns
with
disapproval.
They
walk
on,
through
grand
rooms.
.
MORE
How
is
he?
PACE
With
regard
to...?
MORE
With
regard
to
Italy.
What
the
French
are
doing
in
Italy.
What
other
regard
is
there?
4
PACE
His
Majesty
is
counselling
patience.
MORE
Yes,
but
you
are
his
secretary.:
You
see
him
every
day.
Pace
stops
before
the
doors
to
the
King’s
private
chambers,
guarded
by
YEOMEN
OF
THE
GUARD
armed
with
long
battle
axes.
PACE
In
private
he’s
mad
with
grief.
Almost
inconsolable.
(beat)
I
think
you
ought
to
remember
it
was
his
uncle
they
murdered!
A
beat.
Then
Pace
passes
through
the
doors.
CuT
TO:
INT.
BEDCHAMBER
-
“JERICHO”
-
DAY
On
a
vast
bed,
in
a
well-appointed
chamber,
this
young
KING:
who
is
“mad
with
grief”
and
“inconsolable”
is
in
fact
making
passionate
love
to
his
latest
mistress,
the
beautiful
and
blonde
ELIZABETH
BLOUNT.
HENRY
V111,
King
of
England,
is
25
years
old:
tall,
athletically-built,
and
extremely
handsome:
by
reputation
“the
handsomest
prince
in
Christendom”.
INT.
OUTER
CHAMBER
-
“JERICHO”
-
DAY
In
the
very
next
room,
Henry’s
GROOMS,
SERVANTS
and
BODYGUARDS
await
him.
The
King
is
never
truly
alone.
They
can
hear
very
distinctly
the
creaking
of
the
wooden
bed,
and
Elizabeth’s
mounting
moans
of
pleasure
—-
but
they
sit
without
expression,
as
if
they
can’t
hear
anything.
INT.
BEDCHAMBER
-
JERICHO
-
DAY
Passion
spent,
Henry
rolls
off.
There’s
a
long
beat.
She
can’t
speak
before
he
does.
.
HENRY
How
is
your
husband?
5
ELIZABETH
My
husband
is
-
extremely
jealous.
Henry
turns
towards
her,
smiles
gleefully,
puts
his
hand
back
on
her
breast.
ELIZABETH
He’s
threatening
to
make
a
scandal.
He
says
he’1l
put
me
in
a
nunnery.
Henry
runs
his
hand
down
her
taut,
naked
body.
HENRY
That
would
be
such
a
waste.
INT.
COUNCIL
CHAMBER
-
DAY
Henry
presides
over
a
meeting
of
his
council.
The
COUNCILLORS
-.
apart
from
Pace
and
More
-
are
the
great
lords
of
England,
men
like
the
DUKES
of
BUCKINGHAM
and
NORFOLK,
scions
of
—
ancient
families
with
vast
wealth
and
estates.
But
next
to
Henry
sits
his
CHANCELLOR,
THOMAS
WOLSEY,
a
man
with
almost
effeminate
features,
dressed
in
the
red
robes
of
a
Cardinal.
HENRY
My
Lords,
we
meet
to
consider
questions
of
great
moment.
The
King
of
France
has
demonstrated
to
the
world
his
aggressive
policies.
He
is
already
at
war
with
the
Emperor.
Now
his
forces
have
over-run
five
or
six
city
states
in
Italy.
He
has
bullied
the
Pope
into
declaring
him
the
Defender
of
the
Faith!
(beat)
On
top
of
that,
to
prove
that
nobody
can
touch
him,
he
arranges
to
have
my
cousin
murdered
in
cold
blood.
There
are
loud
murmurs
of
outrage
and
disgust
around
the
room.
HENRY
(cont’d)
My
Lords,
I
believe
all
these
actions
are
causes
for
war.
There
are
even
louder
mutterings
of
agreement.
Henry
turns
to
Buckingham.
6
6.
Although
he
is
England’s
highest
ranking
nobleman,
Buckingham
-
with
his
fat,
red
face
-
actually
looks
more
like
a
butcher.
BUCKINGHAM
(proud
and
haughty)
Your
Majesty
is
right.
You
have
every
reason
to
prosecute
a
war,
although,
in
truth,
you
have
been.
slow
to
say
so,
and
only
now
perhaps
because
it
has
touched
you
-
in
person.
Henry
overlooks
the
criticism;
looks
towards
another
of
his
great
Nobles.
HENRY
Norfolk?
NORFOLK
I
agree
with
my
lord
Buckingham.
We
should
attack
France
and
teach
the
’
French
a
lesson.
The
great
noises
of
approval
continue.
Then
abate.
e
Wolsey?
The
Chancellor
looks
around
carefully.
Buckingham
stares
at
him
with
evident
hostility.
HENRY
WOLSEY
I
concur
with
Your
Majesty.
They
are
indeed
just
causes.
Henry
smiles,.claps
his
hands
together.
HENRY
Good.
That’s
settled.
We
shall
go
to
war
with
France.
Your
Grace
will
make
the
necessary
arrangements.
—
Now
I
can
go
play.
Wolsey
bows.
.
WOLSEY
-
Henry
leaves
the
chamber,
some
of
the
Councillors
in
his
wake.
More
artfully
steps
in
front
of
Wolsey.
7
MORE
.
You
really
think
we
should
go
to
war?
WOLSEY
I
think
we
should
try
to
do
what
the
King
wants
us
to
do.
MORE
What
if
the
King
doesn’t
know
what
he
really
wants.
to
do?
WOLSEY
Then
we
should
help
him
to
decide.
Wolsey
moves
on
past.
INT.
REAL
TENNIS
COURT
-
DAY
Henry
plays
“real”
tennis
with
his
close
friend,
CHARLES
BRANDON.
Brandon
is
the
same
age
as
the
King,
physically
very
similar..
The
game
they
are
playing
is
not
like
modern
tennis,
but
a
fast,
more
aggressive
version,
played
with
racquets
and
a
hard
ball
in
a
confined
space.
The
ball
SLAMS
off
black
painted
walls
and
sloping
roofs,
and
there
are
galleries
filled
with
SPECTATORS.
Henry
and
Brandon
wear
shorts,
soft
shoes
and
fine-textured
shirts,
through
which
their
fair
skins
glow.
They
play
hard
and
physical...but
manage
at
the
same
time
short,
quiet
exchanges
about
women
in
the
crowd.
HENRY
The
blonde
one,
behind
Norfolk.
I
‘haven’t
seen
her
before.
BRANDON
She’s
Lady
Jane
Howard.
Norfolk
just
brought
her
to
court,
as
a
lady
to
her
They
play
on,
smashing
the
ball
around.
HENRY
Have
you
tried
her?
Brandon
grins,
wipes
the
sweat
from
his
forehead
with
a
cloth.
8
BRANDON
She
has
the
sweetest,
plumpest
breasts
-
and
sighs
when
you
kiss
them.
Henry
laughs.
Plays
a
winning
shot
-
to
great
applause
from
the
galleries.
HENRY
My
game,
I
think,
Charles.
BRANDON
You
know.
I’m
just
letting
you
win!
Henry
grins,
shoves
him
against
the
wall.
HENRY
Play!
They
start
playing
again.
BRANDON
Now
there
is
someone
I
have
to
try.
Look
over
there:
middle
gallery,
blue
dress.
See
her?
Such
an
exquisite,
virginal
face.
HENRY
Who
is
she?
BRANDON
(after
a
beat)
Buckingham’s
daughter.
Henry
glances
up
at
the
sweet
face
of
the
girl,
then
at
Buckingham,
proud
and
haughty.
HENRY
A
hundred
pounds
you
don’t
succeed.
-
BRANDON
Done.
INT,
PRIVATE
CHAMBERS
-
DAY
Food
dishes
are
tasted
for
poison,
then
passed
to
a
GENTLEMAN
of
the
privy
chamber,
then
in
turn,
with
a
bow,
to
Buckingham
who
serves
the
King,
and
Lady
Elizabeth
Blount
who
serves
the
Queen
as
they
sit
at
table.
The
Spanish-born
Katherine
of
Aragon,
once
beautiful,
is
now
a
dumpy,
middle-aged
matron,
worn.
out
by
constant
miscarriages.
She
picks
at
her
food.
Henry
eats
with
relish.
:
9
@
HENRY
How
is
our
daughter?
KATHERINE
She
is
healthy.
Her
tutors
tell
me
she
has
exceptional
talents,
especially
for
music.
You
should
be
proud.
HENRY
I
am,
sweetheart.
She
is
the
pearl
of
my
world.
Buckingham,
bowing,
sets
down
another
dish.
BUCKINGHAM
Majesty.
Then
moves
away.
KATHERINE
(after
a
beat)
You
have
not
answered
my
father’
s
letters.
©
Henry
pretends
not
to
have
heard
her.
KATHERINE
(cont’d)
Why
have
you
not
answered
his
letters?
HENRY
dust
because
your
father
is
the
King
of
Spain,
does
he
think
I
have
nothing
better
to
KATHERINE
He
advises
you
to
sign
a
treaty
with
the
Emperor,
recognizing
France
as
your
mutual
enemy.
Henry
doesn’t
answer.
Katherine
is
insistent,
leaning
closer.
:
KATHERINE
(cont’d)
He
also
advises
you
not
to
heed
everything
Wolsey
tells
you,
since
Wolsey
is
biased
for
the
French.
HENRY
Since
when
are
you
a
diplomat?
.
KATHERINE
I
am
my
father’s
daughter.
10
10.
HENRY
You
are
my
wife.
You
are
not
my
minister,
or
my
chancellor.
But
my
wife.
They
both
smile
for
the
sake
of
the
watching
COURTIERS.
KATHERINE
(whispers)
And
I
should
like
to
be
your
wife
in
every
way.
Will
you
not
visit
my
bedchamber
again,
as
you
used
to?
-
Henry’s
food
suddenly
doesn’t
taste
so
good.
EXT.
HAMPTON
COURT
PALACE
-
DAY
With
its
mellow
red
brick
and
formal
gardens,
this
is
one
of
the
most
beautiful
houses
in
England.
INT.
CHAMBER
-
HAMPTON
COURT
PALACE
-
DAY
Two
MEN
are
waiting
in
one
of
the
many
magnificent
reception
rooms.
One
of
the
men
is
wearing
ecclesiastical
robes.
They
examine
a
huge,
obviously
priceless
tapestry.
MAN'S
VOICE
(explaining)
“The
Triumph
of
Fame
over
Death.”
It’s
based
on
a
work
by
Petrach.
It
was
presented
to
the
Cardinal
by
the
Venetian
state.
Arriving,
the
man
-
one
of
Wolsey’s
SECRETARIES
~
bows.
SECRETARY
Excellency...your
Grace.
Cardinal
Wolsey
is
ready
to
receive
you.
He
leads
them
through
into
Wolsey’s
private
apartments.
INT.
PRIVATE
APARTMENT
-
DAY.
Wolsey,
as
ever
in
his
red
robes,
rises
from
his
desk
in
the
wood-paneled
chamber.
SECRETARY
His
Excellency
the
French
Ambassador
and
Bishop
Bonnivet.
11
11.
WOLSEY
Gentlemen,
welcome.
He
offers
his
hand
and
they
both
kiss
it.
He
makes
a
gesture
for
them
to
sit.
WOLSEY
(cont’d)
What
happened
in
Urbino
was
most
unfortunate
-
especially
for
me.
Your
Excellency
is
well
aware
of
my.
sentiments
towards
your
country.
But
-
how
to
explain
this?
AMBASSADOR
It
was
not
done
on
my
master’s
orders.
And
those
who
committed
the
crime
have
already
been
punished.
Wolsey
shrugs.
WOLSEY
No.
You
must
understand,
we
are
already
beyond
that.
King
Henry
has
an
appetite
for
war.
And
on
this
occasion
it
will
be
hard
to
appease
him.
AMBASSADOR
Then
~
let
us
have
war.
A
beat.
WOLSEY
With
respect
to
your
Excellency
-
you
don’t
mean
that.
You
are
already
fighting
a
war
against
the
Emperor.
Now
you
would
have
to
fight
on
two
fronts
-
even
though
I’m
told
your
King
already
complains
of
being
short
of
money.
‘The
Frenchmen
look
at
one
another.
:
BONNIVET
May
I
ask
your
Grace
why
you
invited
me
here
today?
I
am
a
man
of
God,
after
all,
and
not
a
diplomat.
WOLSEY
But
I
too
am
a
man
of
God.
I
believe
that
faith
can
drive
diplomacy.
(MORE)
12
12.
WOLSEY
(cont'd)
I
asked
you
here
precisely
because
I
wanted
your
advice.
BONNIVET
(surprised)
Well...I
believe...I
believe
that
everything
humanly
possible
should
be
done
to
avoid
a
war
between
our
two
countries.
It
would
do
England
no
good
to
get
involved
in
our
European
squabbles.
Far
better
she
stands
above
them.
Why
become
involved
when
you
don’t
have
to?
I
am
certain
your
Grace
has
ways
to
pacify
the
young
lion.
WOLSEY
Thank
you.
But
I
know
an
old
fable.
A
group
of
wise
men
had
learned
that
anyone
caught
in
the
rain
would
be
driven
mad.
So
they
sought
shelter
in
a
cave,
believing
that
when
they
emerged
they
would
be
able
to
rule
a
world
peopled
by
fools
and
imbeciles.
Unfortunately,
when
they
did
come
out,
they
were
set
upon
by
homicidal
maniacs.
(beat)
So
much
for
splendid
isolation.
INT.
ROYAL
BEDCHAMBER
-
NIGHT
The
GROOMS
of
the
bedchamber
finish
preparing
the
King
for
sleep:
tying
up
his
nightgown,
pulling
back
the
bedcovers
and
removing
the
warming
pans.
Henry,
glancing
at
a
large
crucifix,
plants
a
kiss
upon
it.
A
beat.
.
HENRY
I
will
visit
the
Queen
tonight.
GROOM
Yes,
your
Majesty.
The
servants
busy
themselves,
some
taking
flaming
torches
from
the
walls.
A
hidden
door
is
opened
into
the
secret
passage
which
connects
Henry’s
private
apartments
to
By
the
light
of
the
torches
Henry
walks
though
the
passage.
13
13.
INT.
QUEEN’S
CHAMBERS
-
NIGHT
Taken
by
surprise,
the
Queen’s
LADIES-OF-THE
BEDCHAMBER
hurry
to
greet
the
King.
They
curtsey
low.
Among
them
is
LADY
JANE
HOWARD.
She
is
very
young
and
very
beautiful,
her
skin
milk
white,
her
hair
touselled.
HENRY
Where
is
the
Queen?
.
LADY
JANE
Her
Majesty
is
at-
prayer,
your
Majesty.
A
beat.
Henry
stares
at
her.
He’s
changed
his
mind.
HENRY
Tell
her
Majesty
that
I
came
to
offer
her
my
love
and
devotion,
as
her
true
husband.
LADY
JANE
Yes,
your
Majesty.
Henry
turns
away,
but
as
he
does
so
he
catches
the
eye
of
one
of
his
SERVANT’S,
who
understands
immediately.
As
Henry
withdraws,
the
servant
goes
over
and
whispers
something
into
Lady
Jane’s
ear.
CUT
TO:
INT.
WOLSEY’S
CHAMBER
-
NIGHT
Wolsey
with
the
two
Frenchmen.
"AMBASSADOR
Has
your
Grace
some
plan?
A
way
to
avoid
war?
WOLSEY
Otherwise
I
would
be
wasting
my
time.
AMBASSADOR
If
your
demands
are
excessive
or
humiliating,
you
will
be
wasting
your
time.
WOLSEY
Excellency,
I’m
not
going
to
make
any
demands.
14
14.
The
Ambassador
is
suitably
surprised.
Wolsey
pushes
a
sheaf
of
papers
across
the
table.
WOLSEY
(cont’
d)
This
is
the
outline
of
a
new
peace.
treaty.
Take
a
deep
breath
before
you
open
it.
The
Ambassador
reaches
for
the
paper.
AMBASSADOR
May
I?
Wolsey
stops
him
WOLSEY
No.
I
want
you
to
go
away
and
read
it
carefully.
I
believe
it
introduces
something
new
into
the
world
of
diplomacy.
If
your
King
accepts
it,
in
principle,
then
he
can
sign
without
any
lose
of
face.
On
the
contrary,
he
can
rejoice.
My
master
can
rejoice.
A
beat.
AMBASSADOR
In
which
case
-
what
does
your
Grace
want
in
return?
.
WOLSEY
Nothing.
AMBASSADOR
WOLSEY
Nothing
from
you.
Wolsey
looks
at
the
Bishop.
WOLSEY
(cont’d)
What
I
want,
your
Grace...only
you
can
give
me.
BONNIVET
I
don’t
understand.
15
15.
WOLSEY
Ah,
but
when
you
come
to
think
of
it,
when
you
pray...when
you
ask
God...I’m
sure
the
answer
will
come
to
you.
INT.
PRIVATE
CHAPEL
-
NIGHT
Alone
in
her
small
private
chapel,
filled
with
candles
and
icons,
Katherine
kneels
on
the
stone
floor,
as
she
does
for
hours
each
day.
On
the
altar
is
an
image
of
the
Virgin
holding
the
baby
Jesus
in
her
arms.
INT.
ROYAL
BEDCHAMBER
~
NIGHT
Lady
Jane
is
escorted
into
Henry’s
bedchamber.
She
curtsies.
With
a
gesture,
Henry
dismisses
his
servants,
then
gently
lifts
her.
HENRY
Jane.
LADY
JANE
Your
Majesty.
HENRY
Do
you
consent?
LADY
JANE
Yes,
your
Majesty.
Henry
touches
and
kisses
her,
gently,
her
mouth,
cheek
and
neck.
As
she
arches
back
he
tears
open
the
front
of
her
gown
and
-kisses
her
breasts.
Lady
Jane
sighs.
CUT
TO:
EXT.
TILTYARD
-
PALACE
DAY
Two
huge
horses
carrying
KNIGHTS
in
full
armour
gallop
towards
each
other
down
either
side
of
a
wooden
barrier,
their
long
wooden
lances
aimed
at
the
breastplate
or
helmet
of
their
opponent.
The
ground
shakes.
The
COURTIERS
cheer
on
their
favourite.
Katherine
sits
under
a
coloured
awning
watching
the
spectacle
with
several
of
her
LADIES.
16
16.
There
is
a
violent
collision.
One
of
the
lances
shatters
against
a
helmet,
the
force
of
the
impact
knocking
the
RIDER
out
of
his
saddle
and
sending
him
crashing
to
the
ground.
Where
he
lies
still.
The
winning
KNIGHT,
dressed
in
black
armour,
takes
the
applause,
removes
his
helmet,
revealing
himself
as
Buckingham.
As
he
rides
out
of
the
list,
the
fallen
rider
is
lifted
off
the
ground
by
three
STRONG
MEN.
Blood
bubbles
though
the
eye
slits
of
his
helmet,
and
gushes
out
beneath
it.
-
Waiting
to
enter
the
list
we
find
Henry
and
a
few
of
his
-
closest
friends
and
contemporaries:
BRANDON,
KNIVERT
and
COMPTON.
All
four
are
armoured
up
and
on
horseback.
They
laugh
and
joke.
BRANDON
My
turn.
COMPTON
Good
luck.
BRANDON
Why
should
I
need
luck?
Trumpets
announce
his
arrival
in
the
list.
He
rides
up
the
dais
on
which
Katherine
and
her
ladies
are
sitting.
He
bows
to
the
Queen.
BRANDON
(cont’
d)
Your
Majesty.
Then
his
eyes
search:
settle
on
Lady
Jane
a
moment,
—
pass
on...settle
again
on
Buckingham’s
daughter,
ANNA.
BRANDON
(cont’
d)
My
Lady,
would
you
do
me
the
honour
of
letting
me
wear
your
favours
today?
Anna
appears
to
hesitate,
blushes...then
nods,
stands
up
and
gives
Brandon
a
piece
of
material
dyed
with
her
colours.
Brandon
ties
the
material
round
his
arm,
then
bows,
rides
t6
the
end
of
the
list
where
his
PAGE
hands
him
his
shield,
helmet
and
lance.
Meanwhile
the
ladies
around
Anna
whisper
and
giggle
with
excitement.
At
a
signal,
Brandon
flies
down
the
list
towards
his
OPPONENT.
Their
lances
glance
against
thin
air,
the
horses
thundering
on.
17
17.
They
turn
once
more,
and
once
more
these
metal
juggernauts
gather
speed
and
momentum
and
crash
together.
Brandon
is
caught
a
glancing
blow,
sways
but
stays
in
the
saddle.
But
his
own
lance
has
caught
his
opponent
square
on
the
breastplate,
shattered,
and
lifted
the
KNIGHT
into
the
air.
‘Brandon
takes
the
cheers...catches
Anna’s
eye.
His
OPPONENT
is
helped
back
to
his
feet,
groggy
but
unharmed.
CUT
TO:
INT.
CHAMBER
-
HAMPTON
COURT
PALACE
-
DAY
Wolsey
works
at
his
desk,
carrying
on
the
affairs
of
state,
a
couple
of
lean
dogs
at
his
feet.
His
Secretary
enters.
SECRETARY
Your
Grace
-
Lady
Blount
is
here.
A
beat.
Wolsey
seems
irritated,
then
nods.
WOLSEY
Very
well.
Elizabeth
is
shown
in,
curtseys.
ELIZABETH
Your
Grace.
~
WOLSEY
What
can
I
do
fer
you,
Lady
Blount?
A
beat.
She
is
somewhat
unnerved.
ELIZABETH
.
I
am
-
with
child,
your
Grace.
WOLSEY
So
what?
ELIZABETH
It
is
-
his
Majesty’s
child.
Wolsey
is
suddenly
all-attention.
Looks
at
her
searchingly.
WOLSEY
You
are
certain?
ELIZABETH
Yes.
18
18.
A
beat.
Wolsey
thinks.
WOLSEY
Have
you
told
the
King?
She
shakes
her
head.
WOLSEY
(cont’d)
|
.
Good.
In
due
course
I
will
inform
his
Majesty.
But
for
the
time
being
you
will
say
nothing
to
anyone
-
on
pain
of
death.
Do
you
understand?
A
beat.
She
nods.
WOLSEY
When
you
can
no
longer
disguise
your
condition,
you
will
be
removed
to
a
private
place
for
your
lying-
in.
There
you
can
give
birth
to
your
bastard.
A
beat.
He’s
finished.
Elizabeth
stands
up.
ELIZABETH
Thank
you
-
your
Grace.
Wolsey
is
once
more
writing
his
correspondence.
Elizabeth
quietly
leaves
his
chamber.
CcuT
TO:
EXT.
TILTYARD
-
DAY
Cheers
and
applause
at
the
violent
conclusion
to
another
contest.
Henry
and
his
friends,
their
armour
all
dusty
now
and
smeared
with
blood
after
several
forays,
look
over
to
see
who
will
enter
the
list.
Once
more
it
is
the
black
knight
-
Buckingham.
KNIVERT
He’s
won
ten
courses
already!
What
is
he
trying
to
prove?
COMPTON
Let
me
go
against
him.
BRANDON
No.
Let
me.
19
19.
Brandon
rides
forward.
HENRY
(quietly)
Out
of
the
way!
Brandon
has
to
draw
back,
as
Henry
rides
into
the
list.
The
very
appearance
of
the
King
of
England,
in
armour,
on
horseback,
in
the
flesh...elicits
an
audible
thrill
of
excitement,
a
gathering
of
breath,
an
expectancy.
As
he
rides
over
to
the
dais,
Compton
leans
closer
to
Brandon.
COMPTON
(quietly)
What
is
it
between
those
two?
BRANDON
You
mean
you
don’t
know?
Buckingham
has
a
better
claim
to
the
throne
‘than
Henry.
(beat)
And
they
both
know
it.
Henry.
approaches
the
dais,
stops
in
front
of
Katherine,
and
bows.
HENRY
My
Lady.
Katherine
smiles,
walks
over
to
him...and
ties
her
colours
to
his
arm.
At
the
same
time,
out
of
the
corner
of
his
eye,
Henry
catches
Lady
Jane’s
eye.
But
he
bows
once
more
to
Katherine,
canters
back
to
the
end
“of
the
list.
Both
he
and
Buckingham
are
given
their
shields,
_
helmets
and
lances.
Henry
puts
on
his
helmet
-
and
we
suddenly
see
everything
from
his
POV.
Through
the
two
narrow
eye
slits
we
see
Buckingham,
a
tiny
figure.
We
hear
the
snorting
of
the
horse,
the
drumming
of
its
hoof-beats,
the
grinding
of
metal
plates,
the
roar
and
din
of
the
crowd.
The
noise
becomes
almost
;
unendurable
as
the
horse
kicks
into
a
gallop
of
just
amazing,
dizzying
speed.
We
can
see
the
end
of
the
lance,
seemingly
miles
away,
difficult
to
aim
because
of
its
length.
But
steadying...as
Buckingham’s
horse
hurtles
towards
ours,
growing
bigger
and
bigger.
And
then
an
EXPLOSION
of
NOISE,
a
sickening
sound
of
high-
speed
collision,
a
lurching,
some
high
speed
auto
crash.
:
20
20.
Then,
we’re
outside
again.
Henry’s
lance
is
shattered
and
he
throws
it
aside.
Buckingham
is
lying
on
the
ground.
The
people
are
cheering.
He
rides
back,
watches
as
Buckingham’s
PAGES
remove
his
helmet,
sit
him
upright.
Henry
stares
down
at
him
for
a
moment,
without
a
word
-
then
rides
off
to
enjoy
his
triumph.
EXT.
RIVER
THAMES
-
DAY
CAPTION:
ONE
MONTH
LATER.
On
a
beautiful
summer’s
day,
the
King’s
barge
is
rowed
upstream
from
Whitehall
to
Chelsea,
a
small
village
outside
the
city
walls.
Cows,
horses
and
sheep
graze
in
the
open
fields
on
either
side
of
the
river
in
this
buccolic
scene.
EXT.
HOUSE
AND
LANDING
STAGE
-
CHELSEA
-
DAY
Thomas
More
and
his
extended
FAMILY
await
the
arrival
of
the
barge
at
his
stage.
As
the
boat
docks,
Henry
leaps
ashore
and
embraces
More
with
obvious
affection.
@
HENRY
Thomas.
MORE
Your
Majesty.
More
indicates
the
large
gathering.
MORE
(cont’d)
My
family.
(to
his
wife)
Alice,
won’t
you
kiss
the
King?
.
ALICE,
a
rather
plain
woman,
comes
hesitantly
forward,
but
kisses
Henry
on
the
mouth,
in
the
English
fashion.
.
ALICE
Majesty.
HENRY
Mistress
Alice.
(to
More)
Shall
we
walk
in
the
garden?
I
like
walking
in
gardens.
Moré
smiles,
indicates
the
path.
They
walk
on
together.
21
HENRY
(cont’d)
You
didn’t
say
much
in
Council.
MORE
About
what?
HENRY
You
know
very
well
-
about
going
to
war
with
France.
More
is
silent
a
while.
The
river
slips
past.
MORE
As
a
humanist
I
have
an
abhorrence
of
war.
It’s
an
activity
fit
only
for
beasts
-
yet
practiced
by
no
kind
of
beast
so
constantly
as
by
man.
A
long
beat.
HENRY
As
a
humanist
I
share
your
opinion.
As
a
King
I
am
forced
to
disagree.
More
smiles
a
little.
MORE
Spoken
like
a
lawyer.
HENRY
You
should
know.
You
taught
me.
Henry
suddenly
grabs
More
around
the
neck,
playfully.
:
HENRY
(cont’d)
Are
you
finished?
MORE
Yes.
Henry
lets
him
go.
MORE
(cont’d)
And
no.
Instead
of
spending
ruinous
amounts
of
money
on
war,
I
think
you
should
spend
it
on
the
welfare
of
your
people.
Henry
nods.
21.
22
22.
HENRY
Thomas,
I
intend
to
be
a
just
ruler.
But
tell
me
this:
where’s
the
glory
in
education
and
welfare?
Why
is
Henry
V
remembered?
Because
.
he
endowed
universities
and
built
alm
houses
for
the
destitute?
It’s
because
he
won
the
battle
of.
Agincourt.
Three
thousand
English
bowmen
against
sixty
thousand
French.
The
flower
of
French
chivalry
destroyed
in
four
hours.
Arrows
falling
like
rain
from
the
skies.
That’s
why
he’s
remembered,
Thomas.
And
More,
sadly,
looks
at
him.
INT.
COURT
-
NIGHT
A
crowded
court.
Buckingham
and
Norfolk
look
down
from
a
gallery.
Buckingham
is
drunk.
BUCKINGHAM
He
has
no
right
to
any
of
this.
His
father
took
the
throne
on
the
battlefield;
he
had
no
real
claim
to
it,
only
through
a
bastard
on
his
mother’s
side.
NORFOLK
Your
Grace’s
family
is
more
ancient.
BUCKINGHAM
I
am
directly
descended
from
Edward
111.
This
is
my
crown,
and
my
court,
and
not
his
crown
or
his
court.
Norfolk
looks
around
carefully.
NORFOLK
That’s
treason,
your
Grace.
BUCKINGHAM
But
it’s
true.
It’s
true,
isn’t
it,
Norfolk?
It’s
the
truth.
And
one
.day
we
shall
make
it
come
true.
23
23.
He
looks
at
Norfolk,
who
doesn’t
deny
it.
Buckingham
smiles,
kisses
him,
and
moves
away
-
followed
by
a
small
entourage
of
his
FOLLOWERS.
As
they
walk
through
the
court,
COURTIERS
bow
and
make
way.
One
or
two
even
whisper
into
his
ear.
Buckingham
is
like
a
King
in
waiting!
So
he
enters
his
private
apartments.
INT.
PRIVATE
APARTMENTS
-
NIGHT
No
sooner
is
he
inside,
when
he
hears
the
VERY
LOUD
sounds
of
love-making
from
an
adjoining
room.
A
beat.
Then
Buckingham
throws
open
the
doors.
.
On
the
bed,
Brandon
is
making
love,
doggie-fashion,
to
Anna,
Buckingham’s
daughter.
Buckingham
lets
out
a
howl,
and
draws
his
sword.
Brandon
leaps
for
his
clothes.
Buckingham
puts
the
point
of
his
sword
to
Brandon’s
throat.
BUCKINGHAM
What
is
this?
BRANDON
It
is
what
it
looks
like
-
your:
Grace.
Buckingham
presses
the
point’
a
little
deeper.
BUCKINGHAM
~You
have
violated
my
daughter.
BRANDON
No.
She
begged.
BUCKINGHAM
taken
her
honour.
BRANDON
I
swear
to
your
Grace
I
have
not.
Someone
else
was
there
first.
The
girl
can’t
help
laughing.
Buckingham
is
puce.
BUCKINGHAM
Son
of
a
whore.
24
24.
‘Brandon
meets
his
gaze
squarely.
BRANDON
Yes,
that
is
true
-
your
Grace.
Buckingham
lowers
his
sword.
BUCKINGHAM
Get
out.
Brandon
leaves.
Buckingham
walks
over
to
the
bed.
He
hits
Anna
so
hard
in
the
face
that
her
nose
explodes
with
blood.
EXT.
WHITEHALL
PALACE
-
DAY
rides
on
a
mule
into
the
palace
grounds,
just
as
Christ
rode
a
mule
as
he
entered
Jerusalem.
But
there
the
comparison
ends.
Wolsey
is
preceded
by
two
CROSS
BEARERS
on
horseback
holding
aloft
two
great
silver
crucifixes,
and
followed
by
four
FOOTMEN
carrying
gilt
poleaxes
-
and
his
mule
is
decked
out
in
velvet
cloth.
His
appearance
creates
a
great
stir,
COURTIERS
and
BEGGARS
crowding
around
the
procession
to
stare,
many
in
awe,
at
the
Chancellor
of
England.
INT,
PALACE
-
DAY
Holding
an
orange
hollowed
out
with
spices
and
herbs
to
his
nose,
to
protect
him
against
the
stench
of
humanity,
Wolsey
proceeds
through
the
palace.
Now
PETITIONERS
crowd
around
him,
desperate
for
him
to
read
their
suits,
address
their
grievances.
PETITIONER
#1
Your
Grace,
I
beg
you,
read
my
petition!
Waving
it
in
his
face.
PETITIONER
#2
Read
mine,
your
Grace,
for
the
love
of
God!
PETITIONER
#3
All
I
ask
for,
your
Grace,
is
justice!
Please
take
my
petition.
I
beg
you,
as
a
man
of
God.
25
25.
Wolsey
ignores
them,
and
his
USHERS
push
them
USHER
(shouting)
Oh
my
lords
and
masters,
make
way
for
his
Lord’s
Grace.
Make
way
there!
Wolsey
passes
through
another
set
of
doors
-
which
are
shut
‘in
the
anguished
faces
of
the
Petitioners.
INT.
CHAMBER
-
PALACE
-
DAY
Wolsey
is
joined
by
Pace
-
who
bows
to
him.
WOLSEY
(quietly)
.
I
trust
you
are
keeping
a
good
eye
on
my
interests,
Mr.
Pace?
PACE
Of
course,
your
Grace.
Like
an
eagle.
WOLSEY"
I
don’t
want
an
eagle,
Mr.
Pace.
They
can
soar
too
high.
Be
a
pigeon
-.
shit'on
everything!
PACE
Yes,
your
Grace.
Wolsey
moves
on.
WOLSEY
-
Where
is.the
King?
PACE
Out
hunting.
WOLSEY
Good.
It
keeps
him
in
good
humour.
Send
word
when
he
returns.
PACE
Yes,
your
Grace.
He
bows,
as
Wolsey
walks
away.
CUT
TO:
26
26..
EXT.
ROYAL
PARK
-
DAY
Henry
out
hunting
with
his
friends,
already
mud-spattered,
the
horses
steaming.
Then
the
CRY
goes
up,
and
the
dogs
begin
their
furious
barking.
COMPTON
Over
there!
A
DEER
has
been
chased
out
of
copse,
and
flees
before
the
dogs.
The
hunting
horn
sounds.
HENRY
A.
fine
buck.
Let’s
have
some
sport.
The
young
men
fly
after
the
buck
on
their
massive
hunters,
galloping
pell-mell
into
thickets,
jumping
ditches,
reckless,
each
one
trying
to
out-ride
the
others.
'
Knivert
gets
in
front.
Grins
-
then
the
next
second
his
horse
stumbles
into
an
unseen
ditch,
and
almost
somersaults,
throwing
Knivert
violently
into
the
>
bank,
and
breaking
its
own
legs.
Henry
and
the
others
laugh
at
his
failure,
ride
on,
faster,
whipping
between
the
trees,
the
buck
now
clearer
ahead
of
“them.
.
COMPTON
(shouting)
He's
tiring!
Look!
They
burst
into
open
ground.
But
ahead
of
them
now,
is
a
‘lake.
It’s
touch
and
go...but
the
buck
just
gets
there
first...and
swims
out
of
reach,
leaving
dogs
and
riders
.
stranded
on
the
bank,
panting,
watching
the
antlers
recede
.
into
the
distance.
.
Henry
shrugs.
HENRY
-You
win
some,
you
lose
some.
Beat.
BRANDON
That
reminds
me.
You
owe
me
a
hundred
pounds.
Henry.
looks
at
him,
and
grins.
27
27.
EXT.
WHITEHALL
PALACE
-
EVENING
The
hunters
return
in
the
gathering
dusk,
exhausted
and
satisfied.
SERVANTS
carry
the
kill
on
long
poles
strung
over
theix
shoulders:
the
corpses
of
deers,
hares,
wild
boars
and
other
animals.
More
SERVANTS
-
and
some
of
Henry’s
GROOMS
-
swarm
around
as
they
dismount,
laughing
among
themselves.
.
Pace
comes
forward,
bows.
HENRY
Mr.
Pace.
PACE
Your
Majesty.
His
Grace
the
Chancellor
is
in
the
palace.
Henry
nods.
HENRY
see
him
(beat)
Oh,
and
Mr.
Pace
-
give
Mr.
Brandon
a
hundred
pounds
from
my
purse.
PACE
Majesty.
Henry
slaps
Brandon
on
the.
back.
HENRY
I
want
to
hear
all
about
it.
They
go
off,
laughing.
INT.
PRIVATE
CHAMBERS
-
NIGHT
Henry
with
Wolsey
and
More.
Henry,
loose-limbed,
relaxed,
bites
into
an
apple,
walks
around.
HENRY
How
are
the
preparations
going?
WOLSEY
Very
well.
Both
your
army
and
your
fleet
are
assembling.
Provisions
and
stores
are
being
laid
in.
You
could
go
to
war
in
a
matter
of
weeks.
28
28.
Henry
beams.
HENRY
Excellent.
I
knew
I
could
depend
on
you.
When
have
you
ever
failed
me?
WOLSEY
I
am
grateful
to
your
Majesty.
A
beat.
Wolsey
-
always
a
great
actor
-
seems
to
hesitate.
HENRY
What
is
it?
WOLSEY
Your
Majesty,
wars
are
expensive.
To
pay
for
them
you
must
raise
taxes.
That’s
not
always
popular.
(beat)
What
if
your
Majesty
could
gain
more
glory
and
prestige
by
other
means?
.
HENRY
Other
means?
WOLSEY
Peaceful
means.
Henry
pulls
a
face.
HENRY
What!
No
battles?!
No
glory?
He
glances
at
More.
MORE
your
Majesty
should
hear
him
out.
Henry
sits
down.
HENRY
Goon.
WOLSEY
In
the
last
few
weeks,
on
your
Majesty’s
behalf,
I
have
conducted
an
intense
round
of
diplomatic
talks.
(MORE)
29
29.
WOLSEY
(cont'd)
Not
just
with
the
French
Ambassador
-
also
with
representatives
of
the
Emperor,
and
envoys
from
the
Italian
States,
from
Denmark,
Portugal...
HENRY
What
for?
WOLSEY
To
make
a
Treaty.
Beat.
Henry,
puzzled,
glances
at
More
again,
who
shrugs.
HENRY
What
kind
of
Treaty?
.
WOLSEY.
A
new
kind.
Something
never
before
envisaged.
A
Treaty
of
Universal
|
and
Perpetual
Peace.
Henry,
despite
himself,
is
intrigued.
More
certainly
is.
MORE
How
is
it
to
be
effected?
WOLSEY
In
several
stages.
In
the
first
place
there
will
be
a
summit
meeting
between
the
Kings
of
France
and
England.
During
the
summit,
your
Majesty’s
daughter
will
be
betrothed
to
the
French
Dauphin.
And
at
the
end
of
the
summit,
you
will
both
sign
the
Treaty.
It
will
be
quite
new
in
the
history
of
Europe,
committing
all
its
signatories
to
the
principle
of
collective
security
and
universal
peace.
HENRY
Which
means?
WOLSEY
Should
any
of
the
signatory
countries
suffer
aggression,
all
the
others
would
immediately
demand
that
the
aggressor
withdraw.
If
he
refuses,
within
one
month
all
the
-
rest
would
declare
against
him...and
continue
until
peace
is
restored.
(MORE)
30
WOLSEY
(cont'd)
The
Treaty
also
envisages
that
closer
co-operation
will
inevitably
lead
to
the
creation
of
new
institutions,
like
a
Council
of
Europe,
which
would
organize
trade
and
resolve
all
future
conflicts
peacefully.
During
the
latter
part
of
this,
Henry
has
got
‘back
to
his
feet,
excited,
pacing
about
again.
HENRY
In
some
ways
I
like
this.
I
know
what
it
is...
{looks
at
More)
so
do
you,
Thomas.
MORE
Yes.
HENRY
It’s
the
application
of
humanist
principles
to
international
affairs.
A
totally
new
way
of
conducting
them.
(beat)
Your
Grace
is
to
be
congratulated.
WOLSEY
Thank
you,
your
Majesty.
HENRY
Always
be
assured
of
my
love.
Wolsey
bows,
withdraws.
GROOM
Your
Majesty,
the
Duke
of
Buckingham
desires
an
audience.
Henry
pauses,
then
nods.
Buckingham
is
shown
in.
HENRY
Your
Grace.
BUCKINGHAM
Your
Majesty
ought
to
be
made
aware
that
yesterday
I
discovered
Mr.
Charles
Brandon
in
flagrante
delecto
with
my
daughter.
Henry
looks
at
him.
31
31.
HENRY
You
interfered?
A
beat.
Buckingham’s
face
spasms.
BUCKINGHAM
.
Mr.
Brandon
has
brought
shame
to
my
family.
I
demand
that
your
Majesty
banish
him
from
court,
with
whatever
other
punishment
your
Majesty
sees
fit.
The
two
men
are
toé
to
toe.
HENRY
There
will
be
no
punishment.
Unless
your
daughter
accuses
Mr.
Brandon
of
raping
her.
Does
she
so
claim?
A
long
beat.
Buckingham
struggles
with
his
anger.
HENRY
(cont!
d)
Does
she
claim
that
Mr.
Brandon
raped
her?
.
BUCKINGHAM
She
doesn’t
need
to.
The
offence
is
against
me
and
against
my
family.
HENRY
As
far
as
I
know,
there
has
been
no
offence.
Therefore
no
need
for
any
.
punishment.
A
long
beat.
Still
Buckingham
struggles
with
his
emotions.
Then
briefly
bows.
BUCKINGHAM
Majesty.
And
walks
out.
MORE
Be.careful
of
Buckingham,
I
beg
you.
He
may
well
be
stupid
but
he’s
richer
than
you
are,
and
he
has
an
army.
(beat)
Even
your
father
backed
off
him.
Henry
looks
at
him.
32
@
INT.
COURT
-
NIGHT
32.
Wolsey
walking
in
company
with
Bishop
Bonnivet.
They
speak
quietly.
WOLSEY
.
I’m
very
happy
that
the
King
of
France
has
agreed
to
sign
the
Treaty
and
host
the
summit.
BONNIVET
His
Majesty
is
delighted
there
will
be
no
war.
As
we
all
are.
WOLSEY
What
about
the
other
matter
we
spoke
of?
A
beat.
BONNIVET
Which
-
other
matter,
your
Grace?
Wolsey
stops,
suddenly
seizes
the
Bishop,
slams
him
against
the
wall.
WOLSEY
I
saved
your
master’s
arse.
I
want
my
reward.
And
you
can
arrange
it.
Do
you
understand?
Bonnivet
nods.
INT.
PRESENCE
CHAMBER
-
DAY
Henry
gives
his
almost
daily
audience,
sitting
on
a
throne
beneath
a
canopy
of
cloth-of
gold,
flanked
by
NOBLES
and
COURTIERS.
The
Palace
Chamberlain
knocks
on
the
door
with
staff,
is
admitted.
CHAMBERLAIN
Sir
Thomas
Boleyn.
BOLEYN
enters.
A
tali,
impressive-looking
man
in
middle-age,
.
with
hooded,
intelligent
eyes.
He
bows
low.
33
33.
HENRY
Sir
Thomas.
We
have
recalled
you
from
France
because
there
is
some
talk
of
a
rapprochement
with
the
French,
possibly
a
summit.
As
our
Ambassador
it
would
be
up
to
you
to
make
all
the
necessary
arrangements.
BOLEYN
I
am
as
always
at
your
Majesty’s
service.
Whatever
task
you
give
me,
I
will
venture
to
carry
it
out
to
the
very
best
of
my
abilities,
whether
it
be
in
the
name
of
peace
or
war.
Henry
smiles.
HENRY
|
Of
your
abilities,
Sir
Thomas,
I
have
not
the
slightest
doubt.
Nor
of
your
faithfulness.
He
extends
a
hand,
and
Boleyn
kisses
his
coronation
ring,
@
with
obvious
fervour.
BOLEYN
Majesty!
‘
CUT
TO:
INT.
BUCKINGHAM’
S
CHAMBERS
-
PALACE
—
DAY
One
of
Buckingham’
s
RETAINER’
S
accompanies
Boleyn
as
he
walks
through
the
Duke’s
gilded
rooms.
He
passes
Anna,
who
is
reading
a
book,
a
bandage
over
her
nose.
She
turns
away
self-
consciously.
The
servant
finds
his
master.
SERVANT
Your
Grace,
Sir
Thomas
Boleyn.
Buckingham
makes
a
languid
gesture.
BOLEYN
walks
in,
bows,
and
kisses
his
hand.
BUCKINGHAM
Sir
Thomas.
You
have
returned
from.
France?
34
34.
.
BOLEYN
©
For
a
while,
your
Grace.
BUCKINGHAM
They.
tell
me
you
are
an
excellent
Ambassador.
BOLEYN
Then,
whoever
they
are,
they
are
very
kind.
There’s
a
pause.
Buckingham
dismisses
his
servants
with
a
gesture.
BUCKINGHAM
You
come
from
an
old
family.
BOLEYN
Indeed.
But
not
as
ancient,
nor
as
grand
as
your
Grace’s.
Buckingham,
though
pleased,
waves
the
compliment
airily
away.
BUCKINGHAM
Nevertheless,
we
have
much
in
common.
I
understand
-
I
understand
you
dislike
parvenus
as
I
do.
A
beat.
BOLEYN
I
-
think
I
might
follow
your
Grace’s
BUCKINGHAM
The
King
chooses
to
surround
himself
with
commoners,
men
of
no
distinction,
new
men,
without
pedigree
or
title.
How
does
that
help
the
prestige
of
his
crown?
BOLEYN
(in
dangerous
waters)
Your
Grace,
I
-
.
BUCKINGHAM
His
father
seized
the
crown
on
a
battlefield,
by
force,
not
by
right.
35
35.
BOLEYN
Your
Grace,
no-one
wants
to
return
to
the
evil
days
of
civil
war.
What
is
done
is
done.
The
King
is
the
King.
:
BUCKINGHAM
And
Wolsey
is
his
hand-maiden!
The
son
of
a
butcher!
A
man
of
the
cloth
with
a
mistress
and
two
children.
Tell
me,
Boleyn,
how
do
you
like
this
fellow?
BOLEYN
Not
at
all.
Buckingham
smiles.
BUCKINGHAM
Then,.
together,
we
must
destroy
him!
INT.
PRIVATE
CHAMBERS
-
DAY
Henry
being
shaved
by
his
BARBER,
while
at
the
same
time
dictating
a
letter
to
Pace.
HENRY
My
dearest
royal
cousin...No.
Make
that
-
My
beloved
cousin.
We
shall
make
all
necessary
arrangements
to
meet
together
face
to
face.
Nothing
is
now
closer
and
dearer
to
my
heart
than
this
Treaty
of
Universal
Peace.
He
pauses,
to
let
the
barber
shave
under
his
chin.
HENRY
(cont’d)
And
as
a
token
of
my
good
will,
my
commitment
to
this
Treaty,
and
my
love
for
your
Majesty,
I
have
‘decided...
He
pauses
again,
to
let
the
barber
finish,
and
gently
wipe
his
face.
Then
Henry
strokes
his
clean-shaven
jaw
reflectively.
HENRY
(cont’d)
.I
have
decided
not
to
shave
again
until
we
meet.
(MORE)
36
HENRY
(cont’d)
My
beard
will
be
a
token
of
universal
friendship,
of
the
love
between
us.
We
have
been
enemies
too
long.
Let
us
now
embrace
in
friendship.
And
let
there
be
peace
in
Europe.
INT.
CHAMBER
-
HAMPTON
COURT
PALACE
-
DAY
Bishop
Bonnivet
kisses
Wolsey’s
hand.
BONNIVET
I
have
some
news
for
your
Grace.
His
Holiness,
Pope
Alexander,
is
desperately
ill
and
sure
to
die,
In
view
of
your
Grace’s
well-known
piety,
as
well
as
your
learning
and
diplomatic
skills,
I.can
assure
your
Grace
of
the
support
of
the
French
Cardinals
at
the
conclave
to
elect
a
successor.
If
your
Grace
has
also
the
votes
of
your
own
Cardinals,
then,
as
it
please
God,
you
will
be
elected
Pope,
Bishop
of
_
Rome
-
our
new
Holy
Father.
Wolsey’s
face
somehow
manages
to
express
his
total
satisfaction.
But
he
crosses
himself.
.
WOLSEY
Thank
you,
your
Grace.
You
make
me
feel
very
humble.
Curt
TO:
INT.
BEDCHAMBER
-
HAMPTON
COURT
PALACE
-
NIGHT
Wolsey
lies
face
down
but
naked
on
his
great
bed.
His
MISTRESS,
plain-looking
PEASANT-WOMAN
with
enormous
breasts,
straddles
his
back
and
pummels
it
with
her
fists.
Wolsey
groans
with
relief.
.
PEASANT
WOMAN
You
work
too
hard.
WOLSEY
I
know.
Grunts
beneath
another
blow.
PEASANT
WOMAN
It
will
kill
you.
37
37.
WOLSEY
I
know
that
too.
What
am
I
supposed
to
do?
She
stops
pounding
him,
leans
over
him
to
whisper
in
his
ear.
PEASANT
WOMAN
Stay
alive.
cuT
TO:
INT.
CLOSET
-
PALACE
-
NIGHT
More
finishes
his
prayers,
his
Latin
orisons,
and
rises
for:
bed.
He
removes
his
doublet
-
revealing
beneath
it
a
filthy
hair-shirt.
The
skin
around
it
is
lacerated
and
raw,
with
weeping
wounds.
More
doesn’t
take
the
shirt
off,
merely
lies
down
in
his
bunk,
to
suffer.
CUT
TO:
INT.
QUEEN'S
PRIVATE
CHAMBERS
-
NIGHT
Katherine
is
undressed
by
two
of
her
Ladies
-
Elizabeth
Blount
and
Lady
Jane.
As
they
unfasten
each
article
of
‘clothing,
(
dresses
were
made
up
of
many
interchangeable
parts),
she
catches
their
eye
-
but
says
nothing.
Maybe
she
knows,
and
maybe
she
doesn’t.
But
her
feminine
intuition
probably
tells
her
something.
Elizabeth
moves
away
from
her,
suddenly
has
a
stomach
cramp.
She
touches
her
stomach
~-
and
Katherine
sees
her
doing
it.
KATHERINE
.
.
Are
you
ill,
Lady
Blount?
ELIZABETH
No,
your
Majesty.
She
moves
away.
KATHERINE
No,
stay.
Elizabeth
turns,
curtseys
again.
Katherine
indicates
that
she
can
kneel
beside
her,
and
dismisses
Lady
Jane.
There’s
a
long
beat.
38
KATHERINE
I
have
not
talked
to
anyone
for'a
long
time.
The
King
dismissed
my
Spanish
confessor
and
my
Spanish
ladies,
in
case
they
were
spies.
And
I
cannot
trust
my
English
confessor.
A
beat.
She
plays
with
her
rosary.
KATHERINE
(cont’d)
I
can
trust
you
though,
can’t
I,
Lady
Blount?
ELIZABETH
{after
a
beat)
Yes,
Madam.
KATHERINE
is
not
seemly
to
feel
self-pity.
Suffering
is
the
lot
of
all
mankind.
Think
how
our
Lady
suffered
to
see
her
only
son
nailed
to
a
cross.
Her
only
son...
She
pauses,
overcome.
KATHERINE
(cont’d)
I
cannot
give
the
King
a
living
son.
That
is
my
pity.
That
is
my
suffering.
I
once
gave
birth
to
a
baby
boy...a
sweet
boy...who
died
in
my
arms,
after
just
four
weeks
of
life.
_She
starts
to
cry.
_
KATHERINE
(cont’d)
The
King
blames
me.
I
know.
He
thinks
it
is
all
my
fault.
He
does
not
know
how
much
I
suffer,
how
much
I
pray.
A
beat.
She
looks
up
at
Elizabeth,
her
face
shining
with
tears.
.
KATHERINE
(cont’d)
And
now
he
will
not
come
to
my
bed.
He
does
not
come.
He
does
not
come
because
he
thinks
me
repulsive.
Look
at
me!
Am
I
not
old?
Am
I
not
fat
and
repulsive?
38.
39
39.
ELIZABETH
(softly)
Gentle
Madam,
no.
Katherine
weeps
bitter
tears.
Elizabeth
cannot
watch,
and
lowers
her
eyes.
CUT
TO:
INT.
BUCKINGHAM’S
CHAMBERS
~
NIGHT
A
young,
beautiful,
Italian-looking
BOY,
dressed
in
a
white
Greek
tunic,
is
fitted
with
a
pair
of
feathered
wings
by
Buckingham’s
servants.
They
also
powder
his
face,
put
some
red
colour
on
his
lips.
Then
a
hook
is
placed
over
his
belt,
attached
to
a
wire.
One
of
the
SERVANT’S
whispers
to
the
boy.
SERVANT
Remember
you’re
flying.
They
winch
the
boy
up
with
a
rudimentary
pulley.
He
spreads
his
arms
out,
with
the
wings
attached,
and
as
they
let
go
he
glides
slowly
down
a
taut
rope.
From
his
bed,
Buckingham
watches
the
winged
boy
descend
like
With
a
shudder,
the
boy
comes
to
an
abrupt
halt
just
.a.few
feet
above
the
aristocrat.:Who
smiles,
and
reaches
for
him.
court
TO:
INT.
CONFESSIONAL
-
NIGHT
Henry
sits
alone
in
the
small
and
dark
confessional.
He
looks
very.
sombre.
This
is
a
different
Henry,
not
just
thoughtful
but
troubled.
PRIEST
V.0O.
(quietly)
Yes,
my
son.
There’s
a
long
pause.
HENRY
I
have
been
thinking
of
my
brother.
Arthur.
He
died
when
I
was
fifteen
years
old.
Of
a
fever.
He
had
only
been
married
for
six
months.
40
40.
Another
long
pause.
HENRY
(cont’d)
He
was
married
to
my
wife.
When
he
died,
it
was
decided
that
I
should
marry
her.
I
think
my
father
did
not
want
to
lose
the
dowry.
In
any
case,
Katherine
swore
her
marriage
to
Arthur
had
never
been
consummated,
that
he
had
been
too
weak
and
ill,
and
Papal
dispensation
was
granted.
-
In
the
darkness
Henry
can
just
hear
the
soft
breaths
of
the
Priest.
HENRY
(cont’d)
So
I
married
her.
And
since
then
she
has
had
five
still-born
children,
a
boy
who
lived
for
twenty
eight
days,
and
a
single
living
daughter.
Another
pause.
There
is
very
real
pain
in
Henry’s
eyes.
HENRY
d)
What
if
she
lied?
What
if
their
marriage
was
consummated.
She
was
young
and
beautiful
then.
The
object
of
desire...
(beat)
Father,
what
does
it
say
in
the
Gospels?
There
is
no
answer.
HENRY
(cont’d)
Answer
me!
PRIEST
V.O.
In
Leviticus
it
says,
“If
a
man
marries
his
wife,
they
will
die
childless.
He
has
done
a
ritually
unclean
thing.”
We
see
Henry
clench
his
fists.
PRIEST
V.O.
(cont’d)
But
you
have
a
child.
41
41.
HENRY
But
not
a
son!
Not
a
son.
Can
you
not
see
that
it
is
Divine
Justice
for
my
offence
against
God!
A
long
pause.
Henry
rests
his
head
bleakly
against
the
wooden
screen.
INT.
COURT
-
DAY
Henry
strides
through
the
court
accompanied
by
COURTIERS
and
SERVANTS.
The
doors
to
the
Queen’s
private
chambers
open,
and
a
dark-
haired,
very
pretty
LITTLE
GIRL
of
about
six
emerges,
with
her
GOVERNESS.
Henry’s
eyes
light
up.
She
and
the
Governess
both
curtsey
-
formally
to
him,
but
with
a
great
roar
of
delight
he
sweeps
the
little
girl
up
in
his
arms
and
swings
her
around,
laughing.
HENRY
This
is
my
daughter,
Mary!
Is
she
not
beautiful?
He
hugs
and
kisses
her,
and
Mary
smiles
and
kisses
him
back,
much
to
everyone’s
delight.
Then
he
hands
her
back
to
her
Governess.
HENRY
.Goodbye,
sweetheart.
Be
good.
Do
everything
you
are
told.
Katherine
has
also
appeared.
KATHERINE
(quietly)
May
we
talk?
INT.
SMALL
CHAMBER
-
DAY
Katherine
with
Henry.
KATHERINE
I
don’t
like
it.
HENRY
What?
42
KATHERINE
Your
beard.
Henry
grins
ruefully,
touches
the
result
of
several
days’
growth,
Nor
KATHERINE
(cont’d)
what
it
means.
.
HENRY
(warning)
Katherine.
You
the
not
the
She
KATHERINE
are
giving
my
daughter
away
to
Dauphin
and.to
You
did
even
consult
me.
The
Valois
are
sworn
enemies
of
my
family.
HENRY
is
mine
to
do
with
as
I
see
fit.
It
is
a
great
marriage.
KATHERINE
It
is
not.
She
is
marrying
into
a
cesspit.
I
see
Wolsey’s
hand
behind
this.
Though
I
love
your
Majesty,
and
am
in
every
way
loyal
to
you,
I
cannot
disguise
my
distress
and
unhappiness.
Henry
looks
at
her,
rather
coldly.
HENRY
I
am
afraid
you
will
have
to.
INT.
SHOOTING
GALLERY
-
PALACE
-
DAY
THWACK!
An
arrow
buries
itself
into
the
wooden
top
of
a
CuT
TO:
barrel.
Henry
has
built
this
shooting
gallery
in
the
centre
of
his
palace,
and
now
he
and
Thomas
Boleyn
take
turns
at
firing
their
bows.
HENRY
Tell
me
about
King
Francis.
Boleyn
fires,
just
catching
the
target.
BOLEYN
He
is
twenty
three
years
old.
43
43.
HENRY
Then
he
is
younger
than
me.
He
aims.
BOLEYN
Your
Majesty
would
not
think
so,
to
look
at
him.
.
HENRY
(pleased)
Ah.
He
fires,
hits
near
the
centre.
HENRY
(cont’d)
Is
he
tall?
BOLEYN
About
your
height
-
perhaps
a
little
shorter.
HENRY
How
about
his
legs?
Has
he
got
strong
calves,
like
mine?
Boleyn
fires,
misses.
BOLEYN
Your
Majesty,
has
calves
like
yours.
Henry
laughs.
.
HENRY
Is
he
handsome?
BOLEYN
Some
people
might
think
so.
He
certainly
thinks
so
himself.
RENRY
He’s
vain?
BOLEYN
Your
Majesty
-
he’s
French.
Henry
laughs
again,
fires,
the
arrow
speeding
down
the
long
gallery,
thumping
into
the
tub.
.
HENRY
What
about
his
court?
44
BOLEYN
It
has
a
reputation
for
loose
morals
and
licentiousness
which
the
King,
by
his
own
behaviour,
does
nothing
to
dispel.
HENRY
He
encourages
it?
BOLEYN
He
practices
it
openly.
A
beat.
Henry
looks
at
him.
HENRY
You
have
two
daughters.
How
do
you
protect
them?
BOLEYN
I
keep
an
eye
on
them.
But
I
also
trust
in
their
goodness.
A
beat.
Henry
nods,
puts
his
bow
down,
the
game
over.
_
HENRY
You
will
return
immediately
to
Paris.
I
am
entrusting
you
with
all
the
diplomatic
negotiations
for
the.
summit.
Boleyn
bows.
BOLEYN
Majesty.
Henry
strides
off.
INT.
STABLES
-
DAY
‘Knivert
carefully
examines
some
magnificent
horse-flesh,
watched
by
Brandon.
He
steps
back,
admiring
the
young
bay
..
gelding.
KNIVERT
I’1l
take
him.
He’s
a
beauty.
BRANDON
He
looks
good
enough.
Knivert
walks
over.
45
45.
@
KNIVERT
The
French
better
watch
out.
During
the
day
we’ll
unseat
them
from
their
horses,
and
at
night
from
their
women.
He
laughs.
Brandon
is
silent.
KNIVERT
(cont’
d)
And
if
we
do
well
enough,
Henry
is
bound
to
reward
us.
_
BRANDON
What
are
you
looking
for?
KNIVERT
An
earldom
at
least.
What
about
you?
A
long
beat.
Brandon
looks
back
at
him.
BRANDON
A
Dukedom.
It
sobers
Knivert
up
@
KNIVERT
Are
you
serious?
You
want
to
be
a
Duke?
BRANDON
What’s
the
point
of
being
ambitious,
if
you’re
not
ambitious
enough?
Fortune
is
a
wheel,
my
friend.
(looks
over
at
the
horses)
Let’s
ride
it
to
the
top.
He
walks
out.
INT.
CHAMBER
—
HAMPTON
COURT
PALACE
-
DAY
Wolsey
and
More.
MORE
Your
Grace
wanted
to
see
me?
46
46.
WOLSEY
I
did.
To
talk
about
the
summit,
since
you
have
been
appointed
the
King’s
principle
Secretary.
He
pushes
a
thick
document
across
the
table.
WOLSEY
(cont’d)
It’s
important
that
his
Majesty
_
does
what
he’s
told.
Here
are
the
rules
governing
all
matters
of
precedent
and
etiquette.
They
will
be
observed
at
all
times.
It’s
also
been
agreed
that,
in
order
to
preserve
the
honour
of
both
nations,
neither
King
will
take
part
in
any
joust
or
combat.
MORE
(with
a
smile)
I
see.
‘
(beat)
What
can
the
King
do?
WOLSEY
Always
tell
the
King
what
he
ought
to
do,
never
what
he
can
do.
For
if
the
Lion
ever
discovers
his
own
strength,
no
man
will
ever
be
able
to
control
him..
More
looks
back
at
him,
soberly.
INT.
COURT
-
NIGHT
Norfolk
walks
by
himself
down
darkened
passageways.
There
is
something
furtive
about
it.
Reaching
a
door,
he
knocks
on
it
gently.
The
door
is
quickly
opened
by
an
invisible
hand.
We
catch
a
glimpse
into
the
room
beyond.
We
see
Boleyn,
and
two
other
Councillors.
They
look
like
conspirators.
Norfolk
joins
them.
The
door
is
closed
in
our
face.
INT.
BEDCHAMBER
-
BRANDON’S
CHAMBERS
-
NIGHT
Brandon
gently
examines
the
scar
on
Anna’s
BRANDON
Poor
you.
47
47.
He
kisses
it.
Then
gently
he
pushes
her
back
on
the
bed.
BRANDON
Now
-
where
were
we?
She
takes
his
hand,
guides
it
between
her:
legs.
ANNA
You
were
there.
Brandon
smiles.
PRIVATE
CHAMBERS
-
DAY
Henry,
with
courtiers,
grooms
and
TAILORS
in
attendance
looks
eagerly
through
a
new
collection
of
clothes
and
accessories
for
the
coming
summit.
The
fabrics
are
beautiful,
expensive,
and
richly
coloured.
Many
sewn
into
them.
There
are
also
daggers
with
handles
of
gold,
coats
with
fur
collars,
gold
chains,
feathered
bonnets,
slippers
and
boots.
.
SERVANT
(announcing)
His
Grace
Cardinal
Wolsey.
Wolsey
enters,
bows.
Henry
gestures
him
over.
HENRY
I
want
your
opinion.
Do
you
like
_
this
cloth?
He
picks
out
a
suit
of
cloth
and
gold
and
silver,
and
holds
it
against
himself.
Wolsey,
his
own
clothes
—
even
his
ecclesiastical
robes
-
always
finely
made
and
cut
(unlike
More’s
disregard
of
fashion)
-
carefully
studies
the
effect.
WOLSEY
It
suits
your
Majesty
well.
Perhaps
-
if
I
may
-
with
these
with
it.
He
picks
out
‘some
accessories
carefully
-
gloves,
shoes,
chain,
and
then
an
over-jacket
lined
with
black
fur.
Henry
|
is
pleased.
HENRY
You
think
Francis
will
have
anything
as
fine
as
these?
WOLSEY
Only
if
he
steals
them.
48
48.
Henry
laughs,
claps
Wolsey
on
the
back.
HENRY
Come.
Let’s
eat
together.
We
can
talk.
He
walks
from
the
room,
all
the
courtiers
and
servants
bowing.
There
are
still
more
in
the
next,
larger
chamber,
with
a
dining
table
already
laid
and
food
ready
to
be
served.
Buckingham
is
also
in
the
chamber,
ready
to
serve
the
King.
Buckingham
has
been
given
the
privilege
of
holding
the’
silver
basin
for
the
King
to
wash
his
hands.
in.
He
bows,
but
there’s
still
a
coolness
between
them.
Henry
dips
his
fingers
into
the
water,
then
removes
them.
Then
Wolsey
puts
his
own
fingers
into
the
water.
Buckingham,
outraged
to
be
holding
a
basin
for
the
son
of
a
butcher,
reacts
violently,
emptying
its
contents
over
Wolsey’s
shoes.
Everything
stops.
WOLSEY
Your
Grace
has
made
a
mistake.
Buckingham
can
hardly
speak.
HENRY
You
will
apologize.
(beat)
I
said,
you
will
apologize.
BUCKINGHAM
I
apologize
if
I
have
offended
your
Majesty.
A
beat.
Henry
nods
a
little.
HENRY
Your
Grace
may
leave
us.
Buckingham
bows,
withdraws.
Henry
looks
over
at
one
of
his
grooms.
HENRY
Fetch
the
Chancellor
a
pair
of
my
shoes.
He
smiles,
as
they
sit
at
table.
Wine
is
poured.
Wolsey
makes
the
sign
of
the
cross,
both
men
lower
their
heads.
49
49,
WOLSEY
We
thank
God
for
what
we
are
about
to
receive.
HENRY
Amen.
He
crosses
himself.
WOLSEY
Everything
is
prepared
for
the
summit.
It
will
take
place
in
the
Pale
of
Calais
-
English
territory.
In
a
valley
known
as
the
Val
d’Or,
the
valley
of
gold.
More
than
a
thousand.
labourers
have
constructed
a
palace
for
your
Majesty
built
of
©
temporary
materials
made
to
look
real.
They
have
called
it
the
-
Palace
of
Illusions,
and
some
say
it
is
the
eighth
wonder
of
the
world.
HENRY
And
the
French?
.
WOLSEY
Have
put
up
tents
and
pavilions
in
the
field.
A
beat.
They
are
interrupted
by
the
arrival
of
dry
shoes.
HENRY
They
haven’t
spent
as
much
money’
as
we
have.
WOLSEY
I
assure
your
Majesty
the
French
are
just
as
committed
as
we
are
to
the
success
of
this
summit.
There’s
a
long
pause.
Food
is
brought.
WOLSEY
(cont’d)
(quietly)
Lady
Blount
is
with
child.
HENRY
Lady
Blount?
WOLSEY
She
came
to
see
me.
She
is
carrying
your
Majesty’s
child.
50
56.
long
beat.
Henry
thinks
about
it.
WOLSEY
(cont’d)
If
you
want
her
to
keep
the
child,
I
will
arrange
for
her
to
be
moved
to
the
house
at
Jericho.
I
will
also
deal
with
her
husband.
Henry
looks
at
him.
HENRY
I
am
very
grateful
to
your
Grace.
Wolsey
smiles.
EXT.
VAL
D’OR
-
DAY
CAPTION:
THE
FIELD
OF
THE
CLOTH
OF
GOLD.
We
see
an
empty
ridge.
We
hear
the
sound
of
horses
-
and
suddenly
Henry
and
ail
his
party
appear
at
the
top
of
the
ridge,
in
all
their
glory.
Henry,
in
his
cloth
of
gold
and
silver,
rides
a
bay
horse
hung
with
gold
bells
that
jangle
as
he
rides.
Beside
him
are
YEOMEN
OF
THE
GUARD,
carrying
the
fluttering
pennants
and
banners
of
England,
and
many
of
his.
great
LORDS
and
COURTIERS,
from
Buckingham
to
Boleyn
and
Brandon.
Below
them,
in
the
valley,
is
the
Field
of
the
Cloth
of
Gold:
a
vision
of
brightly
painted
pavilions
and
a
fairy-tale
palace.
On
the
ridge
opposite,
the
French
party
appears.
KING
FRANCIS
1
with
members
of
his
glittering
NOBILITY
and
an
armed
escort
of
his
SWISS
GUARDS.
Francis
himself
is
tall,
dark,
hook-
nosed
but
devilishly
handsome.
The
two
parties
stare
across
at
each
other,
warily.
Brandon
rides
closer
to
Henry.
BRANDON
What
if
it’s
a
trap?
What
if
they.
mean
to
kill
you?
A
long
beat.
Henry
looks
over
at
Francis
-
then
abruptly
urges
on
his
horse.
HENRY
(shouts)
Stay
here!
All
of
you!
On
pain
of
death!
51
$1.
He
rides
down
into
the
valley.
Francis,
urging
on
his
own
horse,
follows
suit,
the
two
Kings
converging
on
the
French
|
pavilion.
EXT.
FRENCH
PAVILION
-
DAY
‘The
pavilion
is
made
of
gold
damask
and
guarded
by
a
statue
of
St
Michael.
Henry
and
Francis
ride
slowly
towards
each
other.
On
meeting
they
doff
their
caps,
and
embrace,
full
of
smiles,
admiring
‘each
others’
beards.
They
dismount
and
walk
to
the
entrance
to
the
pavilion
-
where
they
pause.
_
HENRY
After
you,
cousin.
FRANCIS
Absolutely
not.
After
you,
cousin.
The
impasse
lasts
a
moment
or
two,
then
they
link
arms
and,
laughing,
pass
into
the
tent
together.
INT.
PAVILION
-
DAY
.
The
inside
of
the
pavilion
is
lined
with
blue
velvet
embroidered
with
fleurs-de-lys.
This
is
a
formal
reception,
with
the
French
on
one
side
and
the
English
on
the
other.
Henry
is
supported
by
Queen
Katherine,
by
Wolsey,
More,
and
many
members
of
his
nobility.
Beside
Francis
is
his
beautiful
young
wife,
QUEEN
CLAUDE,
and
several
DUKES
and
PRINCES
OF
THE
CHURCH.
All
these
people
are
fashion
victims.
It’s
like
the
Oscars.
Except
it’s
beth
men
and
women
who
have
dressed
up
like
peacocks
to
impress
and
dazzle.
The
competitiveness
of
the
whole
occasion
is
already
just
so
obvious.
But
no-one
dazzles
more
than
the
two
Kings.
Their
clothes
simply
glitter
with
jewels.
Trumpets
sound.
An
ENGLISH’
HERALD
steps
forward
to
read
a
proclamation.
HERALD
Hear
ye!
Hear
ye!
I,
Henry,
by
the
Grace
of
God,
King
of
England,
Ireland
and
France,
do
hereby...
52
$2.
HENRY
{loudly)
Stop.
Henry
looks
at
Francis.
HENRY
(cont’d)
I
cannot
be
that
while
you
are
here,
for
I
would
be
a
liar.
During
this
summit
I
am
simply
Henry,
King
|
of
England.
-He
smiles,
and
applause
ripples
through
the
pavilion.
FRANCIS
And
I
am
just
Francis,
King
of
France
-
and
Burgundy.
There
is
more
applause.
But
obviously,
beneath
the
conviviality,
both
Kings
are
sparring.
WOLSEY
Your
Majesties,
I
ask
you
to
each
place
a
hand
upon
the
Holy
Bible,
and
swear
before
God
and
these
Princes
and
Lords
that
you
will
be
true
and
loving
to
each
other.
He
holds
out
a
large,
gold-tooled
Bible.
Both
Henry
and
Francis
manages
to
place
their
hands
upon
it
at
the
same
time.
HENRY
I
so
swear.
FRANCIS
Moi
aussi.
There
is
more
applause.
The
Kings
embrace
again
and
move
away.
WOLSEY
And
now
the
Queens’
Majesties.
Katherine
and
Claude
approach.
Then
hesitate.
.
KATHERINE
(under
her
breath)
|
We
are
supposed
to
kiss
the
Bible.
But
which
one
of
us
first?
53
53.
CLAUDE
(under
her
breath)
You
do
it.
I
don’t
mind.
KATHERINE
No,
I
You
kiss
it.
CLAUDE
I
don’t
want
to.
A
beat.
KATHERINE
Then
what
shall
we
do?
It
looks
as
if
a
diplomatic
incident
is
already
brewing.
There
is
some
restlessness.
A
murmuring.
CLAUDE
Kiss
each
other.
very
happily,
the
two
Queens
kiss
cheeks
-
to
great
laughter
and
applause.
An
incident
averted.
:
Henry
and
Francis
join
in
the
laughter.
Champagne
corks
begin
popping.
The
party
has
started.
CUT.
TO:
EXT.
PAVILION
-
DAY
outside
the
pavilion
great
crowds
of
French
and
English
servants
and
retainers
have
gathered.
They
have
already
been
served
with
free
wine
or
beer
and
are
also
in
a
party
mood.
One
FRENCHMAN
climbs
on
top
of
a
barrel,
and
raises
his
cup.
FRENCHMAN
English
and
French!
Good
friends!
Everyone
laughs
and
drinks.
EXT.
PALACE
OF
ILLUSIONS
-
DAY
Henry
and
several
of
his.
party
approach
the
specially-
constructed
palace.
From
the
outside
it
looks
like
a
genuine
building,
constructed
of
brick
and
stone,
with
a
gatehouse
and
battlements,
with
lawns
in
front
of
it
with
an
“ancient”
Roman
fountain.
There
are
poles
with
the
King’s
carved
beasts
on
top
of
them.
54
54.
Henry
surveys
the
effect.
Looks
at
More.
HENRY
What
do
you
think?
MORE
It’s
-
incredible!
Henry
laughs,
puts
his
hand
on
the
wall
-
and
shakes
it!
It’s
only
painted
canvas.
:
HENRY
But
it’s
not
real.
It’s
all
an
illusion.
No-one
can
quite
believe
it.
Brandon
walks
over
to
the
fountain,
cups
his
hands
and
drinks
from
the
free-flowing
liquid.
BRANDON
It’s
real
wine!
Everyone
laughs.
INT.
DINING
HALL
-
PALACE.OF
ILLUSIONS
-
NIGHT
Another
beautiful
illusion.
The
“hall”
has
a
ceiling
of
green.
silk
studded
with
gold
roses,
a
taffeta
carpet.
Henry
and
Francis
sit
at
either
end
of
the
huge
dining
table,
each
surrounded
by
members
of
their
Court.
The
table
groans
with
food,
wine
flows
freely
and
-
much
to
More’s
disapproval
-
‘the
general
behaviour
is
almost
riotous.
Henry
and:
Francis
keep
lifting
their
cups
to
each
other.
Then
Henry
stands.
HENRY
Brother,
I
have
a
gift
for
you.
He
makes
a
signal.
Norfolk
carries
the
gift
to
Prancis.
NORFOLK
Majesty.
FRANCIS
(aside,
in
French)
You
know,
I
fear
the
English
even
when
they
bring
gifts!
.
His
courtiers
laugh.
55
55.
The
velvet
box
is
opened,
revealing
a
fabulous
collar
of
rubies.
Francis
smiles
graciously
at
Henry,
claps
his
hands.
FRANCIS
(cont‘d)
Thank
you,
brother.
And
now
I
have
a
gift
for
you.
A
FRENCH
NOBLE
takes
the
gift
to
Henry.
NOBLE
Majeste.
The
gift
is
revealed
-
a
magnificent
bracelet
of
diamonds.
There
are
genuine
gasps
of
amazement
and
admiration.
Clearly
it’s
worth
much
more
than
Henry’s
gift.
But
Henry
manages
to
smile
graciously.
HENRY
Brother
your
gift
is
much
more
splendid.
Thank
you.
I
am
embarrassed,
for
the
only
other
thing
I
can
give
you
is
this
pastry.
He
gestures
to
a
large
brown
pie.
His
CHEF,
bowing,
carries
it
over
to
Francis,
whose
courtiers
snigger
audibly.
The
chef
bows
again,
puts
it
down
before
the
French
King
-
and
oddly,
offers
him
a
hunting
knife.
Amused,
slightly
puzzled,
Francis
takes
the
knife
-
and
cuts
into
the
pastry.
Almost
at
once
the
whole
dish
trembles,
the
pastry
cracks
open,
bright
wings
flutter
-
and
a
dozen
small
ortelon
birds,
burst
out
of
the
pie
and
start
to
fly
around
the
tent.
There
is
general
amusement,
and
much
applause
for
Henry’s
trick.
Only
Francis
seems
somewhat
unimpressed.
FRANCIS
That
was
~
tres
amusant,
mon
frere.
Henry
rises,
holding
out
his
goblet.
HENRY
:
Now,
sir,
let
me
propose
a
toast
to
your
beautiful
and
gracious
Queen,
Claude.
Madame.
He
bows,
they
all
drink.
.
56
56.
FRANCIS
And
I,
to
your...
(beat)
Gracious
and...beautiful
Queen,
Katherine.
Madame.
He
bows.
Katherine
smiles
graciously
-
but
the
comparison
between
the
Queens
is
wounding.
Then
the
conviviality
resumes
-
the
drinking,
music
playing.
More
turns.
to
his
neighbour.
MORE
Who
are
you,
sir?
MAN
Sir,
I
am
the
Venetian
Ambassador.
MORE
What
do
you
make
of
all
this?
AMBASSADOR
I
admire
the
gold-chains
of
the
English
-
but
I
think
the
French
dress
more
elegantly.
-
MORE
You
don’t
think
the
dresses
of
the
French
ladies
are
too
revealing?
Unfit
for
the
chaste?
The
Ambassador
shrugs.
AMBASSADOR
Perhaps.
But
the
English
ladies
don’t
know
how
to
dress
at
all!
And
they
drink
too
much!
More
doesn’t
have
a
comeback.
We
PAN
down
the
table.
The
dresses
of
the
French
women
are
indeed
very
revealing,
and
most
of
them
are
as
young
and
-
beautiful
as
the
Queen.
.
PAN
ON.
We
find
Buckingham
sitting
next
to
Boleyn.
Both
men
are
staring
at
Henry,
who
seems
to
be
having
such
a
good
time.
Further
down
-
Wolsey
is
staring
at
them.
57
57.
EXT.
TOURNAMENT
-
DAY
English
KNIGHTS
joust
against
French
ones,
each
side
shouting
for
its
champions,
applauding
the
results.
The
two
Kings
and
their
parties
sit
in
a
viewing
gallery.
Henry
can’t
stand
just
being
a
spectator,
can
hardly
sit
still.
A
FRENCH
KNIGHT
in
blue
thunders
down
the
list,
and
unhorses
the
ENGLISH
KNIGHT
in
red...to
a
great
cry
from
the
French
spectators.
:
FRANCIS
Bravo!
Bravo!
Vive
la
France!
It’s
almost
too
much
for
Henry.
He
looks
back
at
More.
HENRY
God
help
me,
I
must
enter
the
list,
or
I'll
go
mad!
_
MORE
Let
me
advise
your
Majesty.
Don’t.
How
do
you
negotiate
with
a
dead
King?
HENRY
I
won’t
get
killed.
You
know
I
won't.
MORE
Yes,
but
if,
just
this
once,
your
horse
were
to
stumble,
and
you
were
to
fall...?
He
glances
across
at
the
great
banks
of
spectators.
Henry
sees
the
huge
potential
for
humiliation,
has
to
bite
his
lip.
Francis
leans
across,
whispers
to
Henry.
FRANCIS
You
see
that
young
woman
over
there.
Dressed
in
red
and
gold?
Henry
sees
her,
nods.
.
FRANCIS
(cont’d)
Her
name
is
Mary
Boleyn,
the
daughter
of
your
Ambassador.
I
call
her
my
English
mare
because
I
ride
her
so
often.
58
58.
With
a
smile,
Prancis
sits
back.
INT.
CHAPEL
ROYAL
-
PALACE
OF
ILLUSIONS
-
DAY
Members
of
both
courts,
both
Queens
and
Kings,
have
gathered
to
witness
the
betrothal
of
six-year
old
Mary
to
the
eight-
year
old
DAUPHIN,
Francis’
eldest
son.
Both
children
are
dressed
like
grown-ups
and
the
Dauphin
even
wears
a
little
silver
sword.
Wolsey
officiates.
WOLSEY
.
In
the
name
of
the
Father,
the
Son
and
the
Holy
Ghost
we
are
come
here:
to
this
place
of
God
to
witness
the
betrothal
of
his
Highness,
Prince
Henry
Philip
of
France,
to
her
Highness
Princess
Mary
Tudor
of
England.
(beat)
May
I
have
the
ring?
He
is
handed
an
absurdly
large
diamond
ring.
He
solemnly
blesses
it,
then
puts
it
on
Mary’s
finger.
WOLSEY
There.
You
see?
You
will
be
the
Queen
of
France!
Everyone
applauds.
The
ring
is
handed
back.
Mary
looks
her
future
husband
up
and
down
with
a
child’s
curiousity.
MARY
Are
you
the
Dauphin
of
France?
If
you
are,
I
want
to
kiss
you.
There
is
some
genial
laughter
as
she
tries
to
do
this...but
the
Dauphin,
small
and
rather
feeble
is.
patently
petrified,
tries
to
escape
from
her
clutches.
.
DAUPHIN
Mama!
Mama!
Disgusted
by
his
performance,
Mary
pushes
him
away
and
he
-
sprawls
on
the
floor.
Amusement
turns
to
horror.
FRANCIS
Mon
Dieu!
59
59.
The
Dauphin,
now
weeping,
is
consoled
by
several
of
his
Courtiers.
Personally,
Henry
finds
it
hard
to
disguise
a
little
smile
of
satisfaction.
INT.
WOLSEY’S
CHAMBER
-
PALACE
OF
ILLUSIONS
-
NIGHT
Wolsey
entertains
a
surprising
guest
-
Thomas
Boleyn.
BOLEYN
In
my
presence
he
has
railed
against
your
Grace,
calling
you
a
necromancer,
a
pimp,
who
uses
evil
ways
to
maintain
your
hold
over
the
King.
WOLSEY
Go
on,
Sir
Thomas.
BOLEYN
He
made
it
clear
that
the
affairs
of
England
would
be
handled
better
if
he,
and
not
you,
were
at
his
Majesty’s
right
hand.
:
WOLSEY
And
what
did
Lord
Buckingham
say
about
the
King?
A
beat.
BOLEYN
He
said
that
he
had
a
greater
claim
to
the
throne
and
that
as
the
King
has
no
male
heirs,
no
son,
then
he
will
be
made
King
next.
(beat)
He
also
told
me
once
that
he
has
even
considered
bringing
that
eventuality
forward
more
quickly.
WOLSEY
In.what
way?
BOLEYN
By
assassinating
his
Majesty.
A
beat.
Wolsey
nods.
WOLSEY
You
have
done
well
to
come
to
me.
He
offers
his
hand,
and
Boleyn
kisses
it.
60
60.
WOLSEY
(cont’d)
But
say
nothing
of
this
to
anyone.
INT.
KING'S
APARTMENTS
-
PALACE
OF
ILLUSIONS
-
NIGHT
Henry
sups
wine,
and
waits
impatiently.
After
a
few
moments
Brandon
enters,
bows,
then
signals
for
someone
to
follow.
A
YOUNG
WOMAN
enters,
her
hood
down
over
her
face.
Henry
glances
at
Brandon
-
who
nods,
smiles,
and
withdraws,
leaving
them
alone.
Henry
gently
pulls
off
the
hood,
revealing
the
beautiful
face
of
Mary
Boleyn.
He
stares
at
her.
HENRY
Lady
Mary.
MARY
Your
Majesty.
He
touches
her
face.
HENRY
I
have
heard
many
things
about
you.
You
have
been
at
the
French
court
for
two
years.
Tell
me
what
French
graces
have
you
learned?
MARY
With
your
Majesty’s
permission?
She
sinks
to
her
knees
in
front
of
him.
We
see
this
from
behind,
but
it’s
clear
she
unfastens
and
takes
off
his
piece,
takes
his
cock.in
her
mouth.
CLOSE
ON
Henry’s
face.
He
is
both
surprised,
disgusted
and
thrilled
-
all
three
at
once!
He
glances
down
at
her
bobbing
head,
then
closes
his
eyes
in
pleasure.
EXT.
PALACE
OF
ILLUSIONS
-
NIGHT
Wine
is
still
flowing
freely
from
the
fountain
and
large
groups
of
English
and
French
servants
and
retainers
with
nothing
better
to
do
have
made
liberal
use
of
it
and
are
now
stinking
drunk.
61
Good
feelings
have
evaporated,
replaced
by
ancient
feelings
of
suspicion
and
hostility.
The
whole
thing
is
a
tinder
box,
waiting
for
a
spark
to
ignite
it.
A
FRENCHMAN,
almost
too
drunk
to
walk
but
still
needing
another
drink,
trips
over
an
ENGLISHMAN’S
foot
in
the
darkness
ENGLISHMAN
Fucking
frog!
Watch
where
you’re
going,
FRENCHMAN
Cochon!
ENGLISHMAN
What
was
that?
What
did
you
call
me?
More
people
begin
to
move
up,
on
either
side,
quickly,
menacingly.
FRENCHMAN
Pig!
;
ENGLISHMAN
Fuck
off!
The
French
start
to
make
the
sound
of
pigs
grunting.
The
Englishman
sees
red.
ENGLISHMAN
(cont’d)
I
said
fuck
off!
All
of
you
frogs
fuck
off!
This.is
our
palace.
This
_is
our
fucking
wine,
So
fuck
off!
|
The
English
make
two-fingered
signs
at
the
French,
famous
from
Agincourt,
and
meaning
“fuck
you”.
Some
laugh
tauntingly.
FRENCHMAN#2
Yes.
We’re
going
off
to
wives,
since
you
English
don’t
Satisfy
them.
—
The
French
laugh,
make
the
sign
of
cuckolds
horns
on
their
heads.
Someone
on
the
English
side
throws
a
punch
-
and
suddenly
it’s
mayhem,
both
sides
wading
in,
throwing.
punches,
sprawling
to
the
ground,
in
a
moveable
feast
of
hatred.
TO:
62
62.
INT.
FRENCH
PAVILION
-
DAY
‘Here,
there
is
organized
violence.
The
royal
parties
and
their
courtiers
watch
WRESTLING
MATCHES
between
English
YEOMEN
OF
THE
GUARD
and
some
FRENCH
BRETONS.
_Francis
is
visibly
delighted
by
the
success
of
one
HUGE
BRETON
who
tosses
a
YEOMEN
out
of
the
ring
like
a
straw
man.
.
FRANCIS
You
see
that,
brother?
The
truth
is,
in
most
things,
we
French
excel
you.
Why
deny
it?
We
have
the
.
greatest
artists,
the
greatest
musicians,
the
greatest
poets...most
of
whom,
by
the
way,
live
at
my
court.
The
greatest
philosophers,
architects,
engineers.
We
have
the
most
beautiful
women.
Surely,
brother,
you
don’t
deny
that?
He
laughs
-
but
he
means
it!
More,
sitting
beside
Henry,
watches
his
master’s
face
contort
with
anger.
FRANCIS
(cont’
d)
Even
our
wrestlers
are
better
than
yours!
A
beat.”
HENRY
Are
you
sure?
His
voice
is
heavy
with
threat.
FRANCIS
What?
MORE
I
beg
your
Majesty
to
consider
-
HENRY
Are
you
sure?
Are
you
sure
all
your
wrestlers
are
better
than
mine?
Do
you
want
to
prove
it?
Henry
stands
up
-
and
everything
around
them
abruptly
STOPS,
and
GOES
QUIET.
FRANCIS
What
are.
you
suggesting?
63
63.
HENRY
I
am
suggesting
-
I
am
challenging
you
to
a
wrestling
match.
You
and
me
-
brother.
There
is
general
astonishment
-
also
a
frisson
of
excitement.
Francis’s
ADVISERS
immediately
surround
him,
shaking
their
heads,
pleading
with
him
not
to
respond.
More
tries
one
last
time.
MORE
Your
Majesty
-
for
the
love
of
God!
But
Henry
is
beyond
appeal.
HENRY
(to
Francis)
You’re
a
coward.
Furious,
Francis
springs
up.
FRANCIS
Merde!
(beat)
I
accept
your
challenge.
Let’s
do
it
now.
The
two
Kings
walk
down
to
the
ring.
There
is
an
almost
incredulous
silence
as
their
grooms
disrobe
them,
until
they
are
practically
naked.
Both
are
fit
men,
well
toned;
like
showing
off.
They
walk
into
the
ring
towards
one
another.
HERALD
Your
Majesties...gentlemen...the
rules
of
the
game...the
rules
are...as
follows:
the
first.
man
to
throw
his
opponent
to
the
ground
will
be
declared
the
winner.
Are
you
content?
.
(beat)
Then
fight.
and
suddenly
the
whole
pavilion
EXPLODES
with
noise,
the
French
shouting
and
screaming
for
their
King,
the
English
doing
the
same,
all
decorum
abandoned.
In
the
ring,
the
two
young
men
begin
cautiously
to
circle
each
other,
making
feints,
looking
for
places
to
attack.
Then
first
one
attacks,
then
the
other.
Brief,
repulsed.
64
64.
The
spectators
are
mesmerized,
excited.
Who
could
have
expected
such
a
thing?
Brandon
leans
over,
has
to
shout
above
the
noise.
BRANDON
His
Majesty
is
going
to
win.
But
More
shakes
his
head.
MORE
No,
whatever
happens,
he’s
not
going
to
win.
They
look
on.
People
are
yelling
themselves
hoarse.
Already
both
men
have
worked
up
a
sweat,
are
panting
slightly,
still
looking
for
that
opening,
that
vital
chance.
The
Queens
watch
on,
white-faced.
Katherine
gently
takes
Claude’s
hand
in
hers.
Francis
seems
to
be
blowing
harder
-
and
Henry
goes
for
him,
big
time.
He
gets
the
French
King
in
a
deadly
grip...and
the
contest
seems
virtually
over.
But
in
that
last
second,
as
if
finding
some
inner
strength,
Francis
suddenly
powers
his
body
upwards.
Henry
is
caught
off
balance.
He
loses
his
grip
on
Francis’s
sweaty
flesh,
seems
to
hang
in
the
air
a
long
time...but
then
crashes
to
the
floor.
Francis
has
won.
The
French
go
delirious.
Grooms
and
servants
of
both
men
pile
into
the
ring
and
surround
them.
Among
the
English
there’s
a
palpable
sense
of
disbelief.
Henry,
with
only
his
ego
truly
bruised,
is
quickly
back
on
his
feet.
He
tries
to
shove
his
way
through
the
throng
to
Francis.
HENRY
(shouting)
A
re-match.
I
want
a
re-match!
(peat)
Can
you
hear
me?
I
want
a
re-match.
Are
you
afraid
of
a
re-match?
Francis
at
least
pretends
to
be
angry
again.
He
even
pretends
to
try
to
reach
Henry.
65
65.
FRANCIS
Are
you
calling
me
afraid?
Of
what
am
I
supposed
to
be
afraid?
HENRY
Then
we'll
have
a
re-match.
A
tall
FRENCHMAN
steps
between
them.
FRENCHMAN
As
his
Majesty’s
physician,
I
absolutely
forbid
it.
It
would
not
to
right
for
his
Majesty
to
further
risk
serious
injury...in
the
name
of
sport.
And
Henry
is
obliged
to
see
Francis
being
hustled
away,
the
victor,
applauded,
fawned
upon,
slapped
on
the
back,
cheered
by
his
supporters.
INT.
HENRY’S
APARTMENTS
—
PALACE
OF
ILLUSIONS
-
NIGHT
Henry
stands
alone
in
the
extraordinary
beautiful
set
of
apartments
that
have
been
created
for
him.
_
There’s
a
long
moment,
then
Henry
picks
up
an
axe
and
starts
to
destroy
his
apartments.
Because
everything
is
so
flimsy,
"the
walls
made
of
canvas
and
only
painted
to
look
like
brick,
it
is
far
easier
for
him
to
wreck
absolute
havoc.
He
tears
the
illusion
to
bits.
His
fury
is
so
great
and
terrifying
that
no
servant
or
groom
will
go
near
him.
They
back
off,
disappear...while
Henry
grunts
with
concentration,
destroying
the
dream.
Eventually,
when
everything
has
been
destroyed,
smashed,
obliterated,
he
stops.
More
has
been
summoned.
He
walks
in.
He
sees
Henry
holding
the
axe,
and
he
sees
the
universal
damage.
But
what
he
also
sees
is
a
new
Henry.
This
is
not
a
defeated
man.
This
is
the
Lion
Rampant.
Behind
Henry’s
eyes
is
a
clear,
cold
intelligence.
Here
is
a
man
who
is
breaking
out.
Over
this,
we
begin
to
HEAR
a
beautiful
and
very
spiritual’
song,
sung
by
English
and
then
French
CHORISTERS.
More
walks
closer
to
the
calmer
Henry,
amongst
the
ruins
of
his
apartments.
66
66.
MORE
Tell
me:
are
you
going
to
sign
the
Treaty?
HENRY
Yes.
MORE
But
why,
if
you
don’t
believe
in
it?
HENRY
(smiles)
I
will
sign
it
because
Francis
will
sign
it.
But
it’s
only
words.
Within
a
week,
a
month,
a
year,
if
he
think
it
serves
his
interest
he’1ll
break
it.
We
can
talk
of
love
-
but
it’s
only
words.
.
(beat)
Why
shouldn’t
I
sign
the
Treaty?
More
looks
back
at
him,
with
nothing
to
say.
The
spiritual
Music
grows
louder.
INT.
HALL
~-
PALACE
OF
ILLUSIONS
-
DAY
Crowded
with
all
the
dazzling
COURTIERS
of
both
Kings.
The
big
formal
occasion
to
end
the
summit.
Both
Henry
and
Francis
look
incredible,
still
trying
to
outdo
each
other
in
the
magnificence
of
their
clothes
and
jewels.
Wolsey,
the
architect
of
peace,
officiates.
On
a
table
in
the
_
centre
of
the
hall
is
the
Treaty
Document.
The
CHORISTERS
end
their
song.
WOLSEY
I
now
ask
his
Majesty
the
King
of
France
to
come
forward,
and
sign,
in
good
faith,
the
Treaty
of
Universal
and
Perpetual
Peace.
Francis,
smiling
sincerely,
does
so,
with
a
flourish.
:
WOLSEY
(cont’d)
And
I
ask
his
Majesty
the
King
of
England,
in
good
faith,
to
do
same.
67
67.
Henry,
smiling
sincerely,
signs,
with
a
flourish.
The
Kings
embrace
-
and
everyone
applauds.
Thomas
More
doesn’t
applaud,
or
smile.
But
then,
Thomas
More
rarely
smiles.
EXT.
WHITEHALL
PALACE
-
DAY
|
CAPTION:
ONE
MONTH
LATER
The
palace
is
in
the
grip
of
winter.
There
is
ice
everywhere
and
the
trees,
stripped
of
their
leaves,
stand
like
gaunt
sentinels
in
the
grounds.
INT.
CHAMBER
-
WHITEHALL
PALACE
-
DAY
A
clean-shaven
Henry
talks
to
Wolsey.
HENRY
What
else
have
you
found
out?
WOLSEY
The
Duke
is
raising
an
army.
He
says
it
is
to
protect
him
when
he
tours
his
Welsh
estates,
because
he’s
not
popular
there.
He’s
also
been
borrowing
large
amounts
of
money
-
perhaps
to
bribe
your
Majesty’s
guard.
There’s
a
long
pause.
Henry
walks
to
the
window,
looks
over
the
wintry
scene.
HENRY
Invite
the
Duke
to
court.
But
don’t
say
anything
that
might
alarm
him.
And
in
the
meantime,
keep
a
watch
on
him.
Wolsey
bows.
HENRY
(cont’d)
Oh,
and
prepare
yourself
for
a
trip
to
Aushburg.
I
want
you
to
visit
the
Austrian
Emperor.
We
have
business
to
discuss.
It
might
suit
us
better
to
make
deals
with
him,
rather
than
with
France.
_A
beat.
Wolsey
is
surprised,
but
tries
no
to
show
it.
He
bows
again.
68
68.
WOLSEY
Majesty.
And
goes
out.
sits
down
at
a
desk,
and
begins
to
work
on
some
correspondence.
EXT.
CHAPEL
TO
OUR
LADY
OF
WALSINGHAM
-
DAY
A
bitter
day.
The
rain
falls.
Katherine
approaches
the
small
stone
chapel
with
several
of
her
LADIES,
including
Lady
Jane.
At
the.
gate,
they
stop.
Though
a
Queen,
Katherine
does
what
all
pilgrims
do
-
removes
her
cloak
and
shoes.
Alone
now,
drenched
by
the
soaking
rain,
she
walks
up
the
path
to
the
chapel
door,
her
head
bent
in
humility.
She
enters
the
chapel.
INT.
CHAPEL
-
DAY
It’s
dark
and
cold
inside.
But
hundreds
of
candles
brightly
illuminate
the
image
of
the
Virgin
and
Child.
Katherine
sinks
to
her
knees
on
the
stone
floor,
stares
up
at
the
lovely,
compassionate
face
of
Mary,
holding
the
little
baby
Jesus
in
her
arms.
Tears
form
in
eyes,
spill
onto
her
cheeks.
KATHERINE
_
(quietly)
‘My
Lady,
full
of
Grace,
I
pray
you...I
beseech
you...give
me
a
child.
A
son
to
my
womb.
Oh
my
Lady,
I
beg
you.
She
starts
to
weep,
inconsolably,
her
body
shaking,
her
face
pressed
against
the
cold
unforgiving
stone.
CUT
TO:
INT.
CHAMBER
-
JERICHO
-
DAY
Big
with
child,
Elizabeth
Blount
moves
slowly
into
the
main
_chamber,
accompanied
by
two
of
her
LADIES,
where
Wolsey
is
.
waiting.
69
69.
.
ELIZABETH
Your
Grace.
WOLSEY
Lady
Blount.
You
are
nearly
full
term?
ELIZABETH
In
a
little
while.
WOLSEY
You
are
well?
ELIZABETH
As
can
be
expected.
(beat)
Have
you
some
message
from
his
Majesty?
WOLSEY
No.
None.
But
from
your
husband...
Elizabeth's
face
falls.
ELIZABETH
My
husband.
WOLSEY
I
have
spoken
to
him.
He
finds
that
he
is
reconciled
to
your
condition.
ELIZABETH
Then
he
won’t
send
me
to
a
nunnery?
WOLSEY
He
will
be
created
a
Lord,
and
given
an
estate.
ELIZABETH
And
my
child?
.
WOLSEY
That
is
for
the
King
to
decide
-
whether
or
not
he
will
recognize
the
child.
I
cannot
give
you
any
more
encouragement.
ELIZABETH
Will
you
tell
the
King
of
my
love
for
him?
Wolsey
doesn’t
react,
or
reply.
Merely
bows
a
little,
and
walks
away
down
the
long
hall,
and
out.
.
70
70.
EXT.
BEACH
-
NORTHERN
FRANCE
—-
DAY
A
cold
and
windswept
stretch
of
flat
beach
stretching
for
miles,
with
the
Atlantic
breakers
rushing
up
onto
the
sand.
-In
the
distance,
two
small
FIGURES
break
up
the
monotony
of
sea
and
sky.
move
CLOSER
and
CLOSER
towards
them,
as
they
walk
together
along
the
beach.
One
of
them
is
Thomas
Boleyn,
the
other
a
beautiful
YOUNG
WOMAN
with
red-hair
and
bright,
intelligent
‘eyes
-
though
she
is
wrapped
against
the
cold.
They
stops,
stare
out
to
sea.
BOLEYN
I
am
sending
you
back
to
England.
YOUNG
WOMAN
Why?
BOLEYN
His
Majesty
seems
to
be
tiring
of
|
his
French
alliance.
He
has
also
tired
of
your
sister.
A
beat.
They
start.
to
walk
on
again,
slowly.
BOLEYN
(cont’d)
When
you
return
you
will
be
introduced
at
court.
You
will
be
brought
to
the
attention
of
the
King.
After
that,
it
is
your
affair.
But
since
his
Majesty
so
much
enjoyed
your
sister’s
company,
I
cannot
think
why
he
should
not
enjoy
yours.
Perhaps
even
more
so.
He
glances
at
the
young
woman,
who
nods
thoughtfully.
BOLEYN
(cont’d)
I
don’t
know
how
you
should
do
it,
but
try
to
prevent
his
Majesty
tiring
of
you
as
quickly
as
he’s
tired
of
all
the
others.
A
beat.
YOUNG
WOMAN
I
shall
think
of
a
way.
It's
our
first
glimpse
of
ANNE
BOLEYN.
71
71.
INT.
LIBRARY
-
WHITERALL
PALACE
-
DAY
Henry
with
More.
He
fetches
down
a
slim
but
beautifully—bound
book.
HENRY
I've
had
a
gift,
Thomas.
From
the
Duke
of
Urbino.
A
book
called
“The
Prince”,
written
by
a
Florentine
called
Niccolo
Machiavelli.
MORE
I’ve
read
the
book.
It’s
a
cynical
portrayal
of
political
life.
HENRY
It’s
true
it’s
not
like
your
“Utopia”.
It’s
less
-
utopian.
But
it’s
extremely
interesting.
He
asks
the
question
whether
it’s
better
for
a
Prince
to
be
feared
or
loved.
(reads)
“It
is
far
safer
to
be
feared
than
loved.
For
of
men
it
may
generally
@
be
affirmed
that
they
are
thankless,
fickle,
false.
Studious
to
avoid
danger,
greedy
of
gain,
devoted
to
you
while
you
are
able
to
confer
benefits
upon
them
and
ready,
while
danger
is
distant,
to
shed
their
blood
and
sacrifice
property,
their
lives
and
their
children
for
you....”
CUT
TO:
EXT.
TRACK
-
LANDSCAPE
-
DAY
Buckingham
rides
off
his
estates,
towards
London.
As
a
great
lord
he
has
a
great
retinue
-
of
KNIGHTS,
GROOMS,
SERVANTS
and
ATTENDANTS.
His
procession
through
the
countryside
is
meant
to
impress
and
intimidate
-
and
it
does.
More
than
a
HUNDRED
ARMED
MEN
ride
in
convoy,
all
dressed
in
the
Duke’s
colours.
It’s
like.
a
small
army.
HENRY
V.O.
But
in
the
hour
of
need
they
turn
against
you.
(MORE)
72
72.
HENRY
V.O.
(cont'd)
The
Prince,
therefore,
who
without
otherwise
securing
himself
builds
wholly
on
their
professions
of
love,
is
undone.”
The
Duke’s
convoy
enters
a
wooded
area.
And
suddenly
other
ARMED
MEN
ride
through
the
trees,
and
confront
them.
There’s
a
stand
off.
COMPTON
rides
out
in
front
of
the
Duke
~
all
of
whose
knights
have
ridden
their
horses
closer
around
their
master.
Buckingham
is
not
impressed
by
Compton,
though
recognizing
him.
is
only
attended
by
about
twenty
YEOMEN
OF
THE
GUARD.
BUCKINGHAM
What
do
you
want?
COMPTON
Your
Grace
is
arrested
for
treason.
I
am
here
to
take
you
to
the
Tower.
The
men
draw
their
swords.
Compton
is
clearly
out-
gunned,
and
for
a
moment
everything
hangs
in
the
balance.
BUCKINGHAM
Let
us
pass.
COMPTON
By
no
means.
And
if
any
of
your
men
should
strike
one
of
his
Majesty’s
guards
-
that
is
another
treason
in
itself,
as
your
Grace
should
know.
A
beat.
Buckingham
considers
-
then
gestures
for
his
men
to
put
away
their
swords.
He
rides
closer
to
Compton,
looks
at
him
contemptuously.
BUCKINGHAM
If
I
am
accused
-
falsely
-
of
treason,
I
must
be
tried
by
a
jury
of
my
peers,
not
by
commoners
or
the
sons
of
butchers.
And
there
is
no
lord
in
England
who
would
ever
find
against
me!
Compton
doesn’t
answer.
GUARDS
close
around
Buckingham,
and
escort
him
away.
73
73.
INT.
WHITEHALL
PALACE
-
DAY
Henry
is
on
his
way
to
play
tennis.
Wolsey
walks
beside
him,
talking
quietly.
WOLSEY
I’ve
instituted
what’s
called
a
Court
of
High
Steward
to
judge
Buckingham’s
case.
I’ve
appointed
twenty
peers
to
the
court,
led
by
Norfolk.
Henry
nods,
walks
briskly
on.
There’s
a
long
pause.
WOLSEY
(cont’d)
Majesty.
Something
in
his
tone
makes
Henry
stop,
look
at
him.
HENRY
What?
@
WOLSEY
It
would
be
dangerous
to
find
the
.
Duke
guilty
of
treason.
HENRY
Even
if
he
is?
WOLSEY
Yes.
Even
if
he
is.
In
your
father’s
day,
we
had
other
ways
and
means
of
bringing
the
great
to
heel,
without
risking
revolt.
The
Lord:
would
be
heavily
fined,
banished
from
court,
stripped
of
all
offices.
Disgraced
but
not
humiliated
-
and
still
beholden
to
your
Majesty
for
everything.
HENRY
-
Do
you
think
that’s
what
the
court
will
decide?
WOLSEY
I
have
every
confidence.
Henry
smiles,
puts
his
hand
on
Wolsey’s
shoulder.
74
“4.
HENRY
As
I
have
in
your
Grace.
He
marches
off.
INT.
COURT
-
DAY
Henry
plays
with
Brandon.
This
time
he’s
meaner
-
playing
to
win.
Brandon
notices.
The
galleries,
as
always,
are
full
of
COURTIERS.
Henry
pauses
in
his
play.
HENRY.
Wolsey
has
set
up
the
court.
Norfolk
will
head
it.
Make
sure
he
knows
.
his
responsibilities.
Brandon
glances
up
at
the
galleries,
sees
Norfolk
standing
beside
two
other
LORDS.
Nods
to
Henry.
They
resume
playing.
HENRY
(cont’d)
The
red-head.
Over
there.
Who
is
she?
Brandon
looks
over.
;
BRANDON
.
Lady
Anne
Boleyn
-
Boleyn’s
youngest
daughter.
Henry
nods,
goes
on
with
his
game,
grunting
with
sheer
effort.
EXT.
GARDENS
~
HAMPTON
COURT
PALACE
-
DAY
Wolsey
and
More
walk
slowly
through
the
formal
palace
gardens.
Enclosed
by
high
brick
walls
or
clipped
hedges,
the
gardens
are
as
beautiful
and.as
elegant
as
the
great
house
itself.
_
WOLSEY
I
am
being
sent
to
meet
the
Austrian
Emperor.
The
King
has
asked
me
to
draw
up
a
Treaty,
uniting
us
against
the
French.
75
75.
MORE
Your
Grace
must
be
very
sad.
Wolsey
looks
at
him.
WOLSEY
I
am
very
realistic.
They
walk
on,
past
antique
statues
and
water
fountains.
MORE
Then
I
am
sad.
WOLSEY
Our
dreams
were
very
unrealistic.
Like
your
utopia.
MORE
Probably.
And
yet
I
will
continue
to
dream
them,
even
if
I
am
alone
in
doing
so.
A
beat.
Wolsey
smiles
a
little.
;
MORE
I
fear
his
Majesty
no
longer
trusts
or
cares
for
me
as
he
once
did.
His
love
grows
cold.
WOLSEY
Thomas,
let
me
offer
you
some
advice:
if
you
want
to
keep
the
_
love
of
a
prince,
this
is
what
you
have
to
do:
you
have
to
give
him
the
thing
you
care
most
for
in
the
world.
A
beat.
More
stops.
MORE
But
the
thing
I
care
most
for,
is
my
integrity.
A
beat.
meets
his
gaze.
MORE
{(cont’d)
And
what
is
it
you
care
for
most
in
the
world,
your
Grace?
A
beat.
Then
More
turns
his
head,
taking
in
the
magnificent
gardens,
the
extraordinarily
beautiful
house
beyond
-
and
has
his
answer.
76
76.
He
meets
Wolsey’s
gaze
again,
smiles
a
little.
EXT.
CASTLE
-
DAY
Brandon
with
six
ATTENDANTS
rides
through
the
massive
wooden
doors
into
one
of
Norfolk’s
castles.
EXT.
PADDOCK
-
CASTLE
-
DAY
Norfolk
is
watching
a
YOUNG
BOY
learning
to
ride,
being
led
_around
the
paddock
on
a
long
lead
rein.
Brandon
approaches,
bows.
BRANDON
Your
Grace.
NORFOLK
I'm
busy.
I
have
people
who
could
talk
to
you.
BRANDON
I
fear
they
would
not
understand.
A
beat.
Norfolk
nods,
his
men
withdraw.
BRANDON
(cont’d)
His
Majesty
sends
your
Grace
his
love.
And
this.
He
hands
Norfolk
a
small
package.
Inside
is
a
large
gold
ring,
bearing
a
ruby
seal.
Norfolk
reacts.
After
a
long
beat.
NORFOLK
This
is
my
father’s
ring.
He
was
executed
-
by
his
Majesty’s
father.
BRANDON
The
King
thought
you
might
like
to
wear
it.
A
beat.
Norfolk
puts
the
ring
onto
his
finger.
Brandon
looks
over
at
the
young
boy
on
the
pony.
BRANDON
(cont’d)
Who's
that?
77
V7.
NORFOLK
He’s
my
son.
BRANDON
Your
Grace
should
have
a
care
for
his
inheritance.
It
would
be
terrible,
for
example,
if
he
did
not
inherit
your
ring.
Norfolk
looks
at
Brandon.
NORFOLK
(quietly)
I
tried
to
warn
him.
I
told
him
that
even
those
who
recognized
his
right
would
not
chose
to
fight
for
him.
Everyone
is
tired
of
civil
war.
(beat)
He
would
not
listen.
He’s
too
proud.
He’s
always
thought
himself
so
great
he
could
stop
the
wheel
of
fortune
turning.
But
it
turns
for
everyman.
BR
beat.
Then
Brandon
walks
away
from
him.
INT.
COURT
-
EVENING
Music
is
playing,
and
there
is
dancing.
Katherine,
sat
with
some
of
her
ladies,
her
face
more
care-worn
than
ever,
watches
her
young
husband
dancing
with
some
of
the
most
beautiful
young
ladies
at
court.
The
dance
is
ritual
and
formal,
the
dancers
passing
from
partner
to
partner.
Toh
Eventually,
Anne
Boleyn
comes
around
to
Henry.
Their
eyes
meet,
intensely...but
nothing
is
said.
Nothing
needs
to
be
said.’
Their
is
desire
in
Henry’s
eyes...and
his
gaze
lingers
upon
her,
even
as
he
moves
on
to
his
next
partner.
INT.
GREAT
HALL
-
WHITEHALL
PALACE
-
DAY
Buckingham
sits
in
a
chair
of
estate,
facing
his
JUDGES
-
twenty
PEERS
OF
THE
REALM,
with
Norfolk
in
their
midst.
Buckingham
looks
easy
and
confident.
78
78.
NORFOLK
Your
Grace
has
been
accused
of
treason,
and
with
imagining
and
compassing
the
death
of
the
King’s
Majesty.
A
beat.
Norfolk
begins
to
cry,
and
finds
expression
difficult.
NORFOLK
(cont’d)
This
Court
of
High
Steward,
after
reviewing
all
the
evidence
against
your
Grace,
finds
your
Grace
guilty
of
the
charges
against
you.
And
so
sentences
your
Grace
to
death,
at
his
Majesty’s
pleasure.
Buckingham,
astonished
and
outraged,
has
turned
white.
Norfolk,
still
weeping,
cannot
even
look
at
him.
BUCKINGHAM
This
is
Wolsey’s
doing.
THIS
IS
WOLSEY’S
DOING!
THIS
IS
WOLSEY’S
DOING!
THIS
IS
WOLSEY’S
DOING!
And
so
he
screams.
INT.
JERICHO
~
DAY
Elizabeth
is
helped
down
the
passage
by
two
of
her
LADIES,
hurrying
as
much
as
they
can,
and
calling
out
for
help.
Elizabeth
herself
seems
distressed.
A
MAID
appears.
LADY
#1
Hurry.
Fetch
the
midwives.
My
Lady’s
waters
have
broken.
They
help
Elizabeth
into
her
bedchamber.
CUT
TO:
INT.
CELL
-
TOWER
OF
LONDON
~
DAY
Buckingham,
in
a
simple
shirt
and
jerkin,
kneels
on
the
floor
praying
before
a
PRIEST.
The
cell
door
is
unlocked
and
opened.
The
CONSTABLE
OF
THE
TOWER
appears.
79
‘19,
CONSTABLE
It
is
time,
your
Grace.
beat.
Buckingham,
suddenly
tremulous,
grabs
hold
of
the
priest’s
hand,
fearful
and
unwilling
to
meet
his
Maker.
Those
around
look
on,
appalled
and
embarrassed.
cut
To:
INT.
BEDCHAMBER
-
JERICHO
-
DAY
Elizabeth
lies
on
the
bed.
And
all
around
her
is
activity
-
a
bustle
of
WOMEN,
MID-WIVES
and
LADIES.
Water
is
being
boiled
and
brought
in,
clean
towels
and
linen
prepared.
Elizabeth
has
gone
into
labour,
and
her
contractions
-have
started.
The
MID-WIVES
comfort
and
reassure
her.
CUT
TO:
INT.
TOWER
-
DAY
We
suddenly
see
everything
from
Buckingham’s
POV
-
as
if
we
were
going
to
our
own
execution.
-
.
Buckingham
is
taken
down
of
narrow
stone
steps,
with
GUARDS
all
about
him.
The
echoing
footsteps,
the
distant
voices...everything
is
slightly
surreal.
Buckingham
goes
through
a
door
and
out
onto
Tower
Green,
where
the
cold
sunlight
hits
him,
and
makes
him
blink.
CUT
TO:
INT.
BEDCHAMBER
-
JERICHO
-
DAY
The
contractions
are
coming
quicker
and
quicker,
and
each
is
more
painful.
The
mid-wives
sponge
Elizabeth’s
face
but
she
cries’
out
in
agony.
EXT.
TOWER
GREEN
-
DAY
We
still
see
everything
from
Buckingham’s
POV
-
as
he
passes
between
lines
of
PEOPLE,
then
sees
the
low
scaffold,
the
block,
the
PRIESTS
and
NOBLES
-
and
the
HOODED
EXECUTIONER.
80
“BO.
Courage
again
almost
fails
him.
He
stutters,
pauses
-
is
pushed
forward,
almost
stumbles
onto
the
stage.
CUT
TO:
INT.
BEDCHAMBER
~
DAY
Elizabeth
screams
with
pain.
A
MID-WIFE
puts
her
hand
under:
her
night-dress,
between
her
legs,
feels
about.
MID-WIFE
You
are
well
open.
The
baby
is
coming.
cur
TO:
EXT.
TOWER
GREEN
-
DAY
The
executioner
kneels
before
Buckingham.
.
EXECUTIONER
Do
you
forgive
me?
It's
hard
for
Buckingham,
who
is
not
brave,
and
very
_
He
holds
out
a
trembling
hand.
BUCKINGHAM
With...with
all
my
heart.
Buckingham
kneels
before
the
block.
We
share
the
sight
he
has
of
the
wooden
boards
a
foot
or
so
below
his
head.
BUCKINGHAM
(cont’
d)
When
I...when
I
stretch
out
my
arms,
that’s
the
signal
to
strike.
A
beat.
Still
he
doesn’t
stretch
out
his
arms.
CcuT
TO:
INT.
BEDCHAMBER
-
DAY
-
The
moment
has
come.
An
awesome
moment.
The
whole
atmosphere
in
the
room
has
changed,
it’s
almost
sacred,
the
mid-wives
grouped
around
Elizabeth
to
assist
the
birth.
Elizabeth
shudders,
shrieks
and
moans,
in
desperate
pain,
her
face
purple
with
pushing,.
beyond
any
pain
she
has
ever
known.
CUT
TO:
81
81.
EXT.
TOWER
GREEN
-
DAY
We
are
still.with
Buckingham.
We
sense
his
whole
body
shaking.
BUCKINGHAM
(under
his
breath)
Oh
Jesus...
A
beat.
Then
abruptly
he
thrusts
out
his
arms.
We
see
the
shadow
of
the
axe
descending
fast
across
the
boards.
Then
hear
a
LOUD
BANG
and
our
eyes
lurch
to
the
ground
-
a
beat
-—
before
there
is
BLACKNESS.
cur
TO:
INT.
BEDCHAMBER
—
DAY
A
bloody
bundle
of
living
flesh
is
delivered
from
womb,
with
a
gush
of
blood.
FADE
TO
BLACK.
FADE
IN:
.
INT.
JERICHO
DAY
Henry
walks
briskly
though
the
chambers
of
the
great
house.
All
along
his
way,
SERVANTS,
STAFF,
WOMEN
bow
and
curtsey
before
him.
Ducking
his
head
under
a
low
lintel
he
finally
enters
a
small
chamber,
where
there
are
two
MID-WIVES
and
a
wooden
cradle
with
a
velvet
cloth.
The
midwives
curtsey,
as
Henry
approaches
the
cradle,
and
sees
the
face.
of
the
living,
new
born
child.
He
makes
a
signal.
One
of
the
mid-wive’s
pulls
back
the
velvet
cloth.
The
baby
is
naked
beneath
it.
Henry
can
see
that
it
is
a
boy.
HENRY
©
I
have
a
son.
A
son.
(beat)
I
have
a
son.
82
82.
And
a
smile
lights
up
his
face.
INT.
VATICAN
-
ROME
-
DAY
These
words
appear
on
the
screen:
VATICAN,
ROME.
Hushed
whispers.
PAPAL
GUARDS
at
the
doors.
Small
groups
of
red-robed
CARDINALS
and
VATICAN
OFFICIALS
congregating.
_
Bishop
Bonnivet
approaches
one
of
the
Cardinal's.
BONNIVET
Cardinal
Orsini.
Your
Grace.
ORSINI
Ah,
Bonnivet.
Come.
He
draws
the
Bishop
aside.
They
whisper.
BONNIVET
Is
it
true?
A
beat.
Orsini
glances
about.
ORSINI
.
Yes.
His
Holiness
passed
away
just
after
midnight.
God
rest
his
soul.
BONNIVET
But
-
where
is
his
body?
Orsini
leans
in,
and
whispers
into
Bonnivet’s
ear.
The
Bishop
stares
at
him
in
absolute
astonishment.
INT.
VATICAN
CELLARS
-
DAY
Bonnivet
walks
carefully
down
the
ill-lit
cellar
stairs.
Walking
forward,
he
enters
some
dank
chambers
where
the
workmen
keep
their
tools.
Walking
deeper,
he
comes
upon
an
incredible
sight.
The
body
of
POPE
ALEXANDER
has
been
laid
out
upon
a
rough
board
table,
lit
with
candles
at
each
end;
covered
with
a
piece
of
poor
cloth.
Bonnivet
crosses
himself,
as
he
approaches
the
corpse.
83
83.
BONNIVET
Holy
Father,
forgive
me.
He
stares
down
at
the
pallid
form.
Then
a
WORKMAN,
in
filthy
clothes,
suddenly
appears.
.
WORKMAN
Father,
would
you
have
some
money?
Anything
at
all.
So
we
can
bury
the
Holy
Father,
and
lay
his
soul
to
rest.
BONNIVET
What
is
this?
“The
workman
shakes
his
head
sadly.
WORKMAN
You
don’t
know?...Well,
so
it
is:
the
Holy
Father
kept
a
mistress.
Sure
enough
she
was
a
vain
and
terrible
woman,
Father.
And
when
the
Pope
died
last
night,
what
did
she
do
but
rush
in
and
have
her
servants
remove
all
the
treasures
from
under
his
bed,
where
he'd
hidden
them.
So
there
was
no
money
left
him.
BONNIVET
But
the
Curio?...The
Faithful?
I
don’t
understand.
WORKMAN
Sure
Father,
but
nobody
loved
this
man.
He
was
greedy.
He
loved
women
and
he
loved
money.
He
made
so
many
enemies.
But
still,
and
after
all,
he
was
our
Holy
Father.
A
beat.
Bonnivet
looks
down
at
the
corpulent
corpse.
BONNIVET
I
will
arrange
for
the
(beat)
You
don’t
know
what
you’ve
done.
WORKMAN
Sure,
just
done
what
anyone
©
would
do.
84
84,
BONNIVET
No.
You've
done
more
than
that.
You've
kept
our
faith
alive.
The
workman
stares
back
at
him,
without
any
comprehension.
INT.
ST.
PETER’S
BASILICA
-
VATICAN
-
ROME
-
DAY
The
election
of
a
new
Pope.
The
basilica,
dark
and
smoky,
is
filled
with
red-robed
and
mitred
CARDINALS
and
BISHOPS,
circling
around
the
empty
papal
throne.
:
Each
PRELATE
in
turn
approaches
the
altar,
on
which
stands
a
silver
chalice.
He
lifts
his
voting
paper,
and
drops
it
into
the
chalice.
CARDINAL
Eligo
in
suu
mun
pontificem...
(I
elect
a
supreme
pontiff)
Eligo
in
suu
mun
pontificem.
We
are
suddenly
CLOSE
on
Bonnivet
and
Orsini.
They
whisper.
.
BONNIVET
is
an
agreement
for
Wolsey.
ORSINI
No
Pope
will
ever
come
out
of
England.
There
is
a
new
agreement..
.
BONNIVET
What
is
it?
;
ORSINI
The
Emperor's
candidate.
An
Italian.
They
stop
whispering
-
as
Wolsey
himself
passes
them.
He
exchanges
a
knowing
glance
with
Bonnivet;
Bonnivet,
as
if
in
answer,
nods
his
head
once
or
twice.
Satisfied,
Wolsey
moves
on.
BONNIVET
(whispers)
Who?
Orsini
pauses,
and
stares
back
at
him
with
a
small
smile.
And
then
lifts
his
voting
paper
over
the
chalice.
85
85.
ORSINI
.
Eligo
in
suu
mun
pontificem.
He
drops
the.
paper
into
the
chalice..
The
PRIMICERIUS,
whose
job
it
is
to
count
the
votes,
sewing
them
together
with
needle
and
thread,
now
rises
from
his
chair.
A
dramatic
beat
-
then
he
lifts
his
arms
into
the
air:
PRIMICERIUS
Habemus
Papam
(We
have
a
Pope)
There
isa
loud,
sonorous
murmur
of
assent.
The
Primicerius
walks
steadily
towards
Wolsey...who
begins
to
smile.
Then
he
walks
past
Wolsey.
And
past
Bonnivet.
And
finally
approaches
Orsini.
PRIMICERIUS
(cont’d)
Cardinal
Orsini,
do
you
accept
the
election?
.Orsini
tries
to
play
humble.
But
we
CLOSE
on
Wolsey’s
face.
All
the
dreams
of
his
life
have
evaporated
and
been
turned
to
dust.
And,
for
that
split
second,
he
shows
it!
INT.
CHAMBERS
-
WHITEHALL
PALACE
-
DAY
Wolsey
with
Elizabeth
Blount.
It’s
as
if
his
failure
never
happened;
he’s.
a
consummate
actor!
His
desk,
as
always,
is
piled
high
with
official
documents
and
letters.
He
scratches
away
with
pen
and
ink.
.
WOLSEY
His
Majesty
has
decided
to
recognize
his
son.
He
will
be
known
for
the
present
as
Henry
Fitzroy,
and
he
is
to
have
an
establishment
at
Durham-House,
with
a
chaplain,
officer,
and
a
sufficient
retinue
|
for
his
station.
You
are
to
remain
with
the
boy,
and
his
Majesty
will
-
agree
an
income
through
the
privy
purse.
86
86.
ELIZABETH
(quietly)
Thank
you.
Wolsey
glances
up.
WOLSEY
You
must
write
and
thank
the
King.
I
only
do
his
Majesty’s
bidding.
A
beat.
He
lowers
his
head
again
to
his
work.
The
interview
is
over.
Elizabeth
curtsies,
and
quietly
leaves.
INT.
COURT
-
DAY
As
she
walks
through
the
court,
the
doors
to
the
Queen’s
private
chambers
open
-
and
Katherine
walks
out,
accompanied
by
several
of
her
Ladies.
Both
women
catch
sight
of
each
other
and
pause.
In
the
Queen’s
eyes
we
can
see
a
terrible
pain,
which
is
alsoa
terrible
bitterness.
Elizabeth
curtsies.
ELIZABETH
My
Lady.
Without
responding,
her
head
held
regally
high,
Katherine
sweeps
away.
INT.
COURT
-
DAY
Wolsey
moves
through
the
court,
with
More
beside
hin,
MORE
How
is
the
King?
.
WOLSEY
His
Majesty
suffers
more
and
more
from
these
acute
headaches.
The
©
physicians
say
they
may
be
the
result
of
an
accident
in
the
tilt
yard,
when
the
lance
shattered
on
his
helmet.
Whatever
the
case,
he
is
best
avoided
at
such
times.
They
pass
on,
COURTIERS
bowing
to
either
side.
87
87.
MORE
I
was
sorry
to
hear
of
Orsini’s
election.
-
WOLSEY
You
are
perpetually
sorry!
:
MORE
This
is
serious.
While
there
is
such
blatant
corruption
in
the
church,
then
Luther
and
his
like
will
gain
followers.
.
WOLSEY
That
little
shit!
More
stops
abruptly.
MORE
No.
He
can’t
be
dismissed
like
that.
His
arguments
have
to
be
addressed
and
refuted
~
or
we
can
all
be
tarred
with
the
same
brush.
If
your
Grace
had
become
Pope,
I
know
you
would
have
worked
tirelessly
to
cleanse
the
church
of
all
its
evil
practices.
A
beat.
Wolsey
smiles
a
little.
WOLSEY
Perhaps
you
think
too
highly
of
me,
Thomas.
Perhaps
you
think
too
highly
of
the
whole
human
race.
Wolsey
walks
on
alone.
INT.
KING'S
PRIVATE
CHAMBERS
-
DAY
But
the
curtains
are
closed.
Henry
is
alone,
by
the
light
of
a
candle
he
is
trying
to
write
something.
But
we
sense
at
once
his
discomfort.
Pushing
books
and
papers
aside
he
gets
to
his
feet,
and
paces
about.
The
pain
throbs
brutally
in
his
head.
He
is
in
agony,
grunting,
hitting
his
head
against
the
doorpost.
The
blinding
pain
rips
through
him.
He
is
in
darkness.
CUT
TO:
88
INT.
COURT
-
EVENING
88.
Music
is
playing.
Henry
is
with
his
friends
and
in
a
good
mood,
drinking,
watching
the
dancing.
-He
stares
for
a
moment
at
Anne
Boleyn,
and
she
catches
his
eye
and
flirts
with
him,
before
moving
away.
Henry
gestures
to
Wolsey.
They
move
a
little
apart.
HENRY
I
am
creating
some
new
peers.
My
son
will
become
the
Duke
of
Richmond.
Henry
Brandon
will
be
made
the
Earl
of
Lincoln.
Sir
Thomas
Boleyn
is
to
be
Lord
Rochford.
{beat)
See
to
the
arrangements.
Wolsey
bows.
.
WOLSEY
Majesty.
Starts
to
move
away.
Henry,
his
attention
elsewhere,
him
back.
HENRY
I
had
not
dismissed
you.
WOLSEY
No,
your
Majesty.
Henry
pauses
to
sup
-
to
look
over
again
at
Anne.
HENRY
I
am
going
to
pay
you
a
visit.
Very
soon.
A
beat.
WOLSEY
Yes,
your
Majesty.
Henry
dismisses
him
with
a
gesture
of
his
hand.
signals
He
glances
across
the
court.
Katherine
is
looking
back
at
him.
There
is
a
new
despair
about
her...as
if
she
has
let
go.
Her
eyes
pouched
and
black
with
lack
of
sleep,
her
face
visibly
ageing.
89
89.
Henry
nods
in
her
direction.
INT.
WHITEHALL
PALACE
-
NIGHT
Henry
pursues
Anne
through
the
chambers
and
down
the
corridors
of
the
palace.
It’s
a
game
-
but
it
also
has
elements
of
a
dream.
Where
are
the
courtiers?
-
sometimes
we
glimpse
groups
of
them
standing
vaguely
back
among
the
shadows.
Like
ghosts.
The
pursuit
goes
on.
What
it
really
reminds
us
of
is
the
deer
hunt.
Anne
is
the
quarry.
Henry
strides
after
her,
both
of
them
enjoying
the
hunt.
Finally,
she
is
cornered,
unable
to
escape
from
the
chamber
she
has
found
herself
in,
panting
from
her
exertions.
Henry
has
her
at
his
mercy.
As
he
strides
in,
she
sinks
to
the
floor
in
obeisance
~
or
like
a
wounded
deer.
Henry
drinks
her
in
with
his
eyes.
HENRY
Anne.
She
raises
her
head,
stares
at
him.
He
walks
over
to
her,
gently
raises
her.
Their
faces
close
now.
HENRY
(cont'd)
Will
you...?
She
smiles,
but
shakes
her
head.
ANNE
No.
Not
like
this.
HENRY
How?
ANNE
Seduce
me.
The
thought
amuses
him.
He
reaches
out
a
hand
to
touch
her.
face.
HENRY
Sweet
Anne.
She
is
no
longer
there,
but
in
a
different
part
of
the
room.
The
sense
of
being
in
a
dream
intensifies.
90
90.
He
stares
over
at
her
longingty-.
HENRY.
(cont’d)
Sweet
Anne.
ANNE
Write
secret
letters
to
me.
And
poems.
I
love
poems.
Ravish
me
with
your
words.
Seduce
me.
He
smiles,
infatuated
-
makes
a
move
towards
her.
But
she’s
disappeared.
:
He
turns.
The
only
door
into
the
room
is
closed.
He
walks
over
and
opens
it.
on
the
other
side,
she
is
naked.
But
the
image
is
subliminal.
Anne
has
gone.
It
was
in
his
mind
-
possibly.
CUT
TO:
EXT.
HAMPTON
COURT
PALACE
-
DAY
This
is
very
real!
The
dust
clinging
to
the
King’s
shoes
as
he
rides
through
the
magnificent
gates
into
Hampton
Court
Palace.
.
Brandon
and
Knivert
accompany
him,
as
well
as
his
bodyguard.
He
pauses
to
study
the
effect
of
the
late
afternoon
sun
on
the
warm
brick
facades,
clock
towers
and
formal
gardens
of
this
exquisite
place.
;
Then
he
rides
on.
In
the
courtyard
Wolsey
is
waiting
to
receive
him,
in
his
Cardinal’s
red
robes,
surrounded
by
his
staff.
INT.
GREAT
HALL
-
EVENING
Music
plays.
Henry
and
Wolsey
are
served
a
magnificent
meal,
They
eat
off
gold
plates,
drink
French
wines,
and
each
course
has
thirty
sauces.
The
great
hall
is
one
of
the
architectural
wonders
of
England.
91
91.
Henry
eats
for
a
while
in
silence.
HENRY
How
was
your
meeting
with
the
Emperor?
WOLSEY
Very
good.
We’ve
agreed
a
draft
treaty.
Henry
nods.
Then
he
raises
his
eyes,
glances
around.
HENRY
Your
Grace’s
palace
is
magnificent.
It’s
better
than
anything
I
possess.
A
beat.
He
goes
on
eating.
Wolsey
looks
at
him.
INT.
PRIVATE
CHAPEL
-
NIGHT
Wolsey
celebrates
the
mass
with
Henry,
who
kneels
before
the
alter
while
Wolsey
blesses
and
them
gives
him
the
wafer,.
which
is
the
body
of
Christ,
to
eat,
and
then
the
wine,
which
is
His
blood,
to
drink.
WOLSEY
E
nomine
patri,
et
filii,
et
spiritus
sanctus.
Henry
drains
the
glass.
Wolsey,
leaning
over
him,
whispers
into
his
ear.
:
WOLSEY
Majesty,
with
all
my
heart,
I
give
you
this
house.
Henry
raises
his
eyes,
and
looks
back
at
him
-
without
expression,
without
thanks.
As
we
move
CLOSER
to
a
small
statue
of
the
suffering
Christ,
we
begin
to
hear
More’s
voice.
MORE
V.O.
I
had
always
believed
in
him.
He
was
a
beautiful
youth,
rational
and
enlightened...
CUT
To:
92
92.
INT.
MORE’S
ROOMS
-
NIGHT
More
writes
in
a
journal.
MORE
V.O.
At
his
coronation
I
wrote
these
words:
“This
day
marks
the
limit
of
our
slavery,
the
beginning
of
our
freedom,
the
end
of
sadness,
the
source
of
joy.”
EXT.
GARDENS
-
PALACE
-
DAY
Henry
and
More
walk
together.
They
laugh
and
talk.
Henry
puts
an
arm
around
his
friend’s
shoulders.
MORE
V.O.
“Now
the
people,
freed,
run
before
their
king
with
bright
faces.
Their
joy
is
almost
beyond
their
own
comprehension.
They
rejoice,
they
exuit,
they
leap
for
joy
and
celebrate
having
such
a
king.”
INT.
PRIVATE
CHAMBER
-
WHITEHALL
PALACE
-
NIGHT
Henry
has
a
different
look
in
his
eyes
now.
More
steely.
Madder.
Here
is
a
man
capable
of
anything.
He
stares
back
at
us.
Unblinking.
Assured
of
his
power.
FADE
TO
BLACK.
93
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